The Inbetweeners 2Andrew O'Dea
Neil, Will and Simon receive an invite from Jay to join him in Australia whilst on his gap year, who promises them it's "the sex capital of the world".
"The Inbetweeners 2" reunites its audience with the foul mouthed, awkward quartet in this relentless procession of puerile comedy. Those expecting anything even remotely more than lowbrow humour and excrement gags will be sorely disappointed. Shock value is at the forefront of what is an otherwise flimsy film, with some truly cringe-worthy set pieces providing moments of genuinely uproarious laughter. Well-good banter.
Dawn of the Planet of the ApesAndrew O'Dea
In the wake of a disaster that changed the world, the growing and genetically evolving apes find themselves at a critical point with the human race.
"Dawn of the Planet of the Apes" is darker than its predecessor, replete with themes of politics, trust, betrayal and family. This brilliantly realised science-fiction movie is both smart and exciting in narrative and amazingly splendid in visual effects, with the on-screen simians appearing just as real as their human counterparts. No monkey business here, this film is an intelligent piece of popcorn entertainment. Movie strong. People enjoy.
A woman, accidentally caught in a dark deal, turns the tables on her captors and transforms into a merciless warrior evolved beyond human logic.
"Lucy" is a stylish action thriller replete with dizzying effects and splendid imagery. Ambitious in scope, the movie is held together by a fascinating premise and a superb performance from the lead. Unfortunately, for a film that explores the idea of human potential, it doesn't quite to live up to its own. Interesting without being entertaining, it loses credulity with a slew of logical plot gaps either glaringly convenient or simply left unexplained. Reaches 60% of its capacity.
Guardians of the GalaxyAndrew O'Dea
A group of misfits finds themselves the target of a manhunt after acquiring an all-powerful orb.
"Guardians of the Galaxy" is utterly dazzling as a sci-fi spectacle, but its real strength lies in the charisma of its characters. The band of atypical yet weirdly loveable heroes at its core affirms the film's goofy and energetic nature, as it strikes a cosmic balance between rollicking action and humour. It also proves to be a musical treat, with the eclectic soundtrack providing a slew of classic songs to compliment the irreverent fun. Relive that feeling of being a kid watching a Saturday morning cartoon with this awesome addition to the movie universe.
Deliver Us from EvilAnthony Macali
New York police officer Ralph Sarchie investigates a series of crimes. He joins forces with an unconventional priest, schooled in the rites of exorcism.
"Deliver Us from Evil" is a bizarre crime thriller where the victims are 'possessed'. For most part, the police investigation at its core plays out rather conventionally, affirming the real world setting and origins. Gradually evil and scares creep in, usually in very dark rooms, accompanied by very large bangs. Even with the terrifying gore-extravagant finale, bouts of surprising humour break up the overwhelming moments of occult. Delivers on its promise.
Transformers: Age of ExtinctionAndrew O'Dea
A mechanic's family join the Autobots as they are targeted by a bounty hunter from another world.
"Transformers: Age of Extinction" is a loud, effects-driven assault on intelligence. The film manages to stupefy what is already a dumbed-down formula with a bombardment of plot points so nonsensical they cause the audience to mind-numbingly dismiss them. Shameless and overt product placement underpin a monstrous running time that ensures the chaos gets real boring, really fast; the entire experience feels like a long-winded race to smash and destroy things from one location to the next. Here's hoping this tepid instalment signals the extinction of the franchise.
22 Jump StreetAndrew O'Dea
After making their way through high school (twice), big changes are in store for officers Schmidt and Jenko when they go deep undercover at a local college.
"22 Jump Street" is one of those rare sequels that meets expectations and perhaps even improves upon its predecessor. This satirical comedy is preposterous in the best possible way, and the effortless chemistry between the leads keeps their bromance constantly amusing and often hilarious. The self-referential humour is both senselessly silly and witty, making fun of its own recycled nature – be sure to stick around for the end credits. Bring on the jump to 23.
Edge of TomorrowAndrew O'Dea
An officer finds himself caught in a time loop in a war with an alien race.
Funny, suspenseful and imaginative, "Edge of Tomorrow" plays like a smart and engaging video game. With brains to match the brawn, the film's repetitive premise never becomes predictable. Exhilarating action sequences are broken up by moments of dark humour, and tension is maintained thanks to deft pacing and an intelligent script. This captivating sci-fi adventure serves as a fine counter to the formulaic alien-invasion thrillers to which audiences have otherwise become accustomed. Good enough to revisit, and again.
The Two Faces of JanuaryAnne Murphy
A thriller centred on a con artist, his wife, and a stranger who try to flee a foreign country after one of them is caught up in the murder of a police officer.
A drama that unfolds while holidaying in the Mediterranean, this sophisticated thriller delivers on tension and keeps you guessing about the plot. Apparently everyone has two faces and a cool linen suit, but there's nothing too high-tech or fantastic; it is all credible and the elements combine to seduce. The absence of gimmicks means you can imagine yourself in right the picture. Bring on the rest of the year.
After a bad blind date, a man and woman find themselves stuck together at a resort for families, where their attraction grows as their respective kids benefit from the burgeoning relationship.
Towards the end of its running time, this movie goes all out to deliver on the feel-good front. Wait for it and you'll leave the cinema smiling. All of the vulgarities fade, and the sexism and racism the audience has endured gets airbrushed away with lovey-fuzzy-happy. Is it worth it? Unless you need a serotonin boost skip this movie, and go out to lunch, sans family. Blended? More like mashed.
Grace of MonacoAnne Murphy
The story Grace Kelly's crisis of marriage and identity, during a political dispute between Monaco and France, and a looming invasion of Monaco.
We're informed that this is a fictitious account of real events and it's impossible to discern what's real and what's not. It's an intriguing story that might have worked better as complete fiction. The princess is acted with beauty and grace, pardon the pun, but there are an annoying number of full screen close-ups of her countenance. If the camera is looking for warts shouldn't it focus on a frog or the prince? Airy-fairytale.
X-Men: Days of Future PastAndrew O'Dea
The X-Men send Wolverine to the past in a desperate effort to change history and prevent an event that results in doom for both humans and mutants.
"X-Men: Days of Future Past" is a coherent, plot-driven action film. The visual effects are stunning in this accomplished mutant showcase, complete with monumental set pieces and superb ensemble cast. The compelling narrative holds enough appeal to entertain both the average cinema-goer and comic book geek alike, and thanks to a clever script, allows this rebooted franchise to undo and rewrite the failings of its predecessors. The future is bright.
A Million Ways to Die in the WestAnthony Macali
As a cowardly farmer begins to fall for the mysterious new woman in town, he must put his new-found courage to the test.
"A Million Ways to Die in the West" sure is persistent in preaching the dangers of the American frontier, and happily employs the language of today to make fun of it. Sadly the modern speech serves very little purpose except to describe countless sketches of vulgarity, toilet humour and poor slapstick. Characters come and go, with an alarming number of cameos, but much like the main star, shoot off jokes that repeatedly miss the target. There are better ways to laugh in the cinema.
The world's most famous monster is pitted against malevolent creatures threaten our very existence.
"Godzilla" is back bigger and better than ever. This reincarnation of the story does not lay dormant for very long, feeding nuclear fears and manifesting them in the grandest and most terrifying of creatures. The special effects are superb, with hellish production sets and gravitating action that will leave you in awe. However, this monster's greatest success is the decidedly human element, brilliantly capturing the universal threat and far-spanning emotional reactions of all characters involved. Let them fight.
Bad NeighboursAndrew O'Dea
A couple with a newborn face unexpected difficulties after they're forced to live next to a frat house.
Thanks to witty script and inventive humour, "Bad Neighbours" successfully teeters the fine line between being clever and tasteless. The life of a college party animal is juxtaposed with the role of responsible parent in this foul-mouthed, low-brow frat house comedy about people denying the inevitable changes that come with getting older. Energetic and engagingly stupid, the unlikely duo at the films core drive the laughs, as hilarious generational warfare accelerates from one over-the-top set piece to another. Welcome to the neighbourhood.
Bad NeighboursAnthony Macali
A couple with a newborn face unexpected difficulties after they're forced to live next to a frat house.
"Bad Neighbours" lives up to the name. These new arrivals are loud, noisy and not very funny. It's apparent the dialogue is largely made of improvisation; a continuous set of fraternity gags and two conniving parents… neither side of the fence is a winner. All the best jokes have cultural references, and with the film won't stand the test of time. The excruciating characters and experience make the running time feel so long. Just bad.
The Amazing Spider-Man 2Andrew O'Dea
Peter Parker runs the gauntlet as Oscorp sends up a slew of supervillains against him.
"The Amazing Spider-Man 2" disappointingly fails to capitalise on the promise of its predecessor. 'Spidey' in full flight is still a sight to behold, and the striking visuals and first-person action sequences will dazzle. There are high marks for characterisation, only it's wasted with so many of them on screen. Navigating the myriad of plot threads and seemingly endless procession of villains becomes akin to being stuck in a web... only for the whole thing to be clumsily unravelled, paving the way for an inevitable next instalment. Down came the rain and washed the spider out.
Captain America: The Winter SoldierAndrew O'Dea
Steve Rogers struggles to embrace his role in the modern world and battles a new threat from old history: the Soviet agent known as the Winter Soldier.
"Captain America 2" is testament to big-budget blockbusters capable of delivering substance in both plot and action. Grittier than its predecessor, this well rounded sequel plays more like an espionage thriller, and surprises in its contemplativeness of political and social relevance. A host of characters are each given time to develop without disengaging the audience, complementing the lavish visual effects and explosive, bone-crunching set pieces. Stars and spangles.
As Dr. Will Caster works toward his goal of creating an omniscient, sentient machine, a radical anti-technology organization fight the threat of artificial intelligence.
"Transcendence" is a story high in concept, but low on explanation. Despite the director's best efforts, it's difficult to succumb to the doomsday scenario dreamed up. Moving at a quantum-like pace, the film readily skips over the 'science' and settles on exploring the apprehension and awe of a supercomputer with a brain. While impressive in its infancy, the plot descends into all kinds of silliness and confusion towards the end. Makes less sense.
The Lego MovieAnthony Macali
An ordinary Lego construction worker, thought to be the prophesied 'Special', is recruited to join a quest to stop an evil tyrant from gluing the Lego universe into eternal stasis.
"The Lego Movie" is an amusing anti-hero story wrapped in a world of little interconnecting blocks. It's puzzling to identify the target audience; adults will revel in the nostalgia and quick-wit, while kids will delight in the fast and frenetic colour and explosions. The film-makers have exceeded expectations in capturing the wonderful creativity and fun of their subject matter, with brilliant characters and animation. Break out the toy box, Lego is awesome.
The Grand Budapest HotelAnne Murphy
The adventures of Gustave H, a legendary concierge at a famous European hotel between the wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
The hotel is sited in a fictional wonderland somewhere in Europe around the time of the outbreak of the Second World War. Quirky is the adjective that springs to mind when describing this portrayal of one man's remarkable life. In addition to being a visual feast, this immensely enjoyable movie is delightfully funny with an unpredictable story-line. "The Grand Budapest Hotel" is enthralling, and all but faultless. Ask for the concierge and check-in now.
Muppets Most WantedAnthony Macali
While on a grand world tour, The Muppets find themselves wrapped into an European jewel-heist caper headed by a Kermit the Frog look-alike and his dastardly sidekick.
"Muppets Most Wanted" bears all the classic tropes of a sequel low on ideas and thin on plot. It's still impossible to resist the innocuous charm and nostalgia of the wildly animated characters, looking so great in their colourful skins. Moving at a fast pace, the jokes are largely hit-and-miss. While the hits are funny, it’s unlikely this rag-tag crew will win over any new audiences with this show, despite the support of countless cameos. Most conventional.
300 Rise of an EmpireAndrew O'Dea
Greek general Themistokles leads the charge against invading Persian forces.
"300: Rise of an Empire" is an epic spectacle of video-game violence and gore. This stylised action fantasy retains the familiar and flashy comic-book style of the franchise, replete with blood-spattering slow motion and enough visceral excess to keep the senses engaged. Although it pales in comparison when evoking the same emotional vigour of its predecessor, the void is redeemed by the sultry, murderous heroine at its center who steals and carries the show. Not bad as a stand-alone movie, it's just missing some limbs.
Wolf Creek 2Andrew O'Dea
The outback once more becomes a place of horror as another unwitting tourist becomes the prey for crazed, serial-killing pig-shooter Mick Taylor.
Set against the harsh yet beautiful Australian outback, "Wolf Creek 2" manages to carry its own as a quintessentially 'Aussie' horror flick. This bone-grinding sequel might lack the shock surprise of its predecessor, but there's still enough depravity and carnage to appease the gore-hungry and chill-seekers alike. Although some may find the story bordering on predictable, most will giddily revel or revile in the grim-humour and violence of the 'fair dinkum' sociopath at its core. Bloody hell.
Are We Officially Dating?Anthony Macali
Three best friends find themselves where we've all been - at that confusing moment in every dating relationship when you have to decide "So... where is this going?"
That awkward moment "Are We Official Dating?" is about is barely spoken out. What dominates most of the discussion of its young cast is how sex and relationships work in the modern day, in all of its vulgar and candid glory. Regrettably the film is a little too inconsistent to get its underlying moral messages across, serving up a disconnected mix of comedic set pieces and 'dating' advice. A refreshing topic, but not bold enough to challenge the Hollywood ideals. Caught in the middle.