Crimson PeakAnthony Macali
An aspiring author, haunted by the ghost of her mother, falls in love with an engineer seeking funds for a clay harversting machine.
Early in the piece, mother ghost remarks "Beware of Crimson Peak"... and sadly it's a warning to be heeded by all. This gothic romance is incredibly dull, and no amount of lavish production can bring it to life. Sure it's creepy, and certain characters are appropriately sinister, living in their haunted house brimming with broken timber, oozing red clay, and white snow. For all its effort, it achieves little in the scare or excitement stakes. A hollow tragedy.
1001 GramsAnne Murphy
A scientist works with weights, carefully calibrated and stored, much like her own emotions.
"1001 Grams" has a simple minimalist style, and its glimpse into the world of people who dedicate their careers to validating weights is quite interesting. The director's artistry is most evident visually, with the camera capturing the landscape with geometric precision and to stunning effect. Some audiences might find it difficult to warm to this movie though as the characters persist as annoyingly impenetrable. Interpersonal interactions are so measured that the overall tone is melancholic even in the lighter scenes. Underweight.
A documentary about fashion icon Iris Apfel from legendary documentary filmmaker Albert Maysles.
The subject of "Iris" is the elderly and the eccentric... with a distinctive sense of style. Much is made of her age and that of her even more elderly husband, being over 80 years old somehow makes them curiosities. She is a voracious shopper who enjoys a lavish lifestyle, and one of the truly curious things about this woman is her ability to do little apart from shop for clothes and jewellery. Despite its frivolous nature this is a must see for fashionistas of all ages. It's all in the eye of the beholder.
Mr. HolmesAnthony Macali
An aged and weary Sherlock Holmes reflects back on his last unresolved case.
In this version of the famous detective, we are introduced to a much more reserved Mr. Holmes, and at the tender age of 93, he's rather dull. Exploring poignant themes of growing old, reflecting on some of life’s big decisions and regrets, this film is more of a human story than a who done it. Moving at a lethargic pace, apart from the odd detective moments and distinguished acting, the constant time shifts in the plot do little to perk our attention. Alas Mr. Holmes lacks vigour.
I Am Big Bird: The Caroll Spinney StoryAnne Murphy
Caroll Spinney has been Sesame Street's Big Bird and Oscar the Grouch since 1969; at 78-years-old, he has no intention of stopping.
What do you imagine the puppeteer who has spent more than forty years under a big yellow feathered costume is like? Apparently you need more than fine feathers to make a fine bird, and it helps to have a nice man in there somewhere. As the movie tells it, the nice man has a nice wife, nice kids, a nice job, and funky orange leggings. What else do you need to know? This bio-pic won't ruffle any feathers, he ain't no angry bird.
Terminator GenisysAnthony Macali
John Connor sends Kyle Reese back in time to protect his mother Sarah Connor.
"Terminator Genisys" is a sequel/reboot/redux, which inspires you to track down and watch the far superior original films. Made primarily to serve the faithful fans, all the winks and nods to the previous instalments cannot overcome the lacklustre and somewhat confusing plot. While it's a thrill to see a classic cast member return as a T-800, the subdued action sequences, which rely heavily on CGI, deliver little threat when these remarkably durable robots fight one another. A franchise close to obsolete.
A young boy, raised to be an assassin, starts to question the morality of his work.
Conceptually this film is solid, exciting even, and yet it fails to reach its full potential. The stripped back approach is tantalising, and it feels like it could explode into something quite sinister at any moment. But when it doesn't, it's disappointing. Artistically, it holds its own, with respectable attention paid to all elements, particularly the soundtrack, which creates a beautiful layer to the decrepit life of the characters. In some ways, this film works, in others, it doesn't join the party-san.
Testament of YouthAnthony Macali
A young lady decides to become a nurse on the front-line after the involvement of her fiancée and brothers in the World War.
Based on a war memoir, "Testament of Youth" lacks the emotion and passion for such an important film. The slow pace of the story is akin to a pain-killer, over time it dulls the senses. While the setting and romance are beautifully shot, they also distract from the grim reality of life during the depression, and war. There's no question against the nobility and endeavour of the main character. Sadly her underlying message gets lost in the style of delivery. Testament of patience.
Get HardStefan Sgarioto
When an Banker is wrongfully convicted for fraud, he enlists the help of the man who washes his car.
"Get Hard" is exactly what you'd expect it to be: stupidly nonsensical and immature. With repetitive jokes about prison rape, ethnic minorities, class status and homosexuality the focal point, this film is borderline offensive, occasionally funny, but ultimately wears itself too thin. The progression of story is also stunted significantly due to how much time is devoted to the antics of a makeshift prison. The idea of an actual narrative almost seems a second thought. By no means a side splitter, but not entirely void of the occasional laugh either - perhaps I'm just getting soft.
Project AlmanacAnthony Macali
A group of friends make a crazy discovery that leads to the development of a working time-machine.
"Project Almanac" melds many ideas of the past, and throws in a hand-held camcorder to appeal to its modern teenage audience. Through nauseating cinematography, we are presented with an account to be expected from its high-school protagonists. Among the foolish time loops is a bumbling romance, gratuitous body shots, and some amusing 'striking it rich' scenes. The result doesn't amass to very much, except to ponder our own time-travel hypothesis. Cinema repeating.
- Genre » Sci-Fi
- Release » 26 Feb 2015
The GamblerAndrew O'Dea
A lit professor and gambler's debt causes him to borrow money from his mother and a loan shark.
"The Gambler" is a tale of personal redemption and the moral muddiness of gambling. Unfortunately it's difficult for an audience to sympathise with a pretentious protagonist bent on self-destruction, throwing money against the wall while failing to garner any semblance of a lesson from the experience. Despite a host of terrific performances from the supporting cast, the story feels a little over-wrought, as it meanders to a point where we end up not caring enough to be invested in the tormented anti-hero's fate. Got to know when to fold em'...
Jupiter AscendingAnthony Macali
Jupiter's boring and destitute life of house cleaning changes when Caine, a genetically engineered ex-military hunter, arrives on Earth to track her down.
"Jupiter Ascending" shoots for the stars and falls flat on its face, relying on worn conventions and hopeless romanticism to propel its story. There's no question the visuals are amazing; a galaxy of brightly coloured planets, outrageous outfits, and finely detailed mazes and structures. Once the exposition finally kicks in, the back-story is a little more interesting, but also quickly forgotten, as we query some of the more gaping aspects of the plot. Box-office descending.
The InterviewAnthony Macali
Dave Skylark, host of the celebrity tabloid show "Skylark Tonight" lands an interview with a surprise fan, North Korean dictator Kim Jong-un.
"The Interview" has a few funny segments, but will struggle to capture your attention for the life of the film. The 'Skylark' character is a great one, and his gaudy and obnoxious behaviour provides some unique entertainment. Problems arise when they eventually land in the People's Democratic Republic and they're not exactly sure what to do with the supreme leader, resulting in a number of lame cultural references that fail to gain applause. Slightly controversial, even less laughter.
Let's Be CopsAnthony Macali
Two struggling pals dress as police officers for a costume party and become neighborhood sensations
"Let's Be Cops" take dress-ups to an entirely new and ridiculous level. While the premise can be easily dismissed, it provides the setup for many of the outrageous skits and varied laughs on patrol. Apparently being an officer of the law is great for picking up women, and if you can get past blatant objectification and not take the rest of the film too seriously, the outcome is mildly entertaining. Let's leave our brain at the door.
Love, RosieAnthony Macali
Lifelong friends Rosie and Alex discover the challenges of staying in touch as they grow older, live apart and meet new people.
"Love, Rosie" is a glossy and predictable romantic comedy that forgoes personality. Despite the best efforts of the charming and gorgeous leads, we care very little for their fate. This is a film of close-up passionate kisses and beautiful sun rays gleaming through the background, interlaced with awkward and unrealistic comedy setups that draw restrained bouts of laughter. Many years pass, boredom sets in, and we're still left looking for something real. Lots of love, but no heart.
The GrandmasterAndrew O'Dea
The story of martial-arts master Ip Man, the man who trained Bruce Lee.
"The Grandmaster" is a stylish Kung Fu epic, resplendent in its lush visuals and attention to period detail. Unfortunately the narrative is downright confusing, burdened by disjointed storytelling and a muddled timeline. It disappoints as a biography of its subject, flippantly passing over the opportunity for meaty characterisation in exchange for overly dramatised, prolonged cut sequences. Thankfully, the stunning and explosive fight sequences that redeem this movie, undeniably gorgeous in their choreography and artistic flair. A grand film, but hardly mastered.
The Trip to ItalyAnne Murphy
Two men, six meals in six different places on a road trip around Italy. Liguria, Tuscany, Rome, Amalfi and ending in Capri.
Part way through "The Trip to Italy", and probably mid-guffaw, you might start wondering why you're watching. The sometimes improvised dialogue starts to wear a little thin with yet another repeated impersonation. The guys are living the dolce vita and certainly eating well in spectacular settings. This is a pleasant enough romp yet at the same time it's all talk and no action, going to show that you can travel the length of Italy and not get anywhere. Prego.
A Million Ways to Die in the WestAnthony Macali
As a cowardly farmer begins to fall for the mysterious new woman in town, he must put his new-found courage to the test.
"A Million Ways to Die in the West" sure is persistent in preaching the dangers of the American frontier, and happily employs the language of today to make fun of it. Sadly the modern speech serves very little purpose except to describe countless sketches of vulgarity, toilet humour and poor slapstick. Characters come and go, with an alarming number of cameos, but much like the main star, shoot off jokes that repeatedly miss the target. There are better ways to laugh in the cinema.
The Amazing Spider-Man 2Andrew O'Dea
Peter Parker runs the gauntlet as Oscorp sends up a slew of supervillains against him.
"The Amazing Spider-Man 2" disappointingly fails to capitalise on the promise of its predecessor. 'Spidey' in full flight is still a sight to behold, and the striking visuals and first-person action sequences will dazzle. There are high marks for characterisation, only it's wasted with so many of them on screen. Navigating the myriad of plot threads and seemingly endless procession of villains becomes akin to being stuck in a web... only for the whole thing to be clumsily unravelled, paving the way for an inevitable next instalment. Down came the rain and washed the spider out.
Muppets Most WantedAnthony Macali
While on a grand world tour, The Muppets find themselves wrapped into an European jewel-heist caper headed by a Kermit the Frog look-alike and his dastardly sidekick.
"Muppets Most Wanted" bears all the classic tropes of a sequel low on ideas and thin on plot. It's still impossible to resist the innocuous charm and nostalgia of the wildly animated characters, looking so great in their colourful skins. Moving at a fast pace, the jokes are largely hit-and-miss. While the hits are funny, it’s unlikely this rag-tag crew will win over any new audiences with this show, despite the support of countless cameos. Most conventional.
Are We Officially Dating?Anthony Macali
Three best friends find themselves where we've all been - at that confusing moment in every dating relationship when you have to decide "So... where is this going?"
That awkward moment "Are We Official Dating?" is about is barely spoken out. What dominates most of the discussion of its young cast is how sex and relationships work in the modern day, in all of its vulgar and candid glory. Regrettably the film is a little too inconsistent to get its underlying moral messages across, serving up a disconnected mix of comedic set pieces and 'dating' advice. A refreshing topic, but not bold enough to challenge the Hollywood ideals. Caught in the middle.
Last VegasAnthony Macali
Three sixty-something friends take a break from their day-to-day lives to throw a bachelor party in Las Vegas for their last remaining single pal.
In "Last Vegas" all the characters are winners. The illustrious cast is a sight to behold, it's just such a shame how their collaboration is played out in this tame effort. Sexagenarian jokes about prostates and bad hips come with the territory, and although some are mildly /amusing, the film never strays far from its predictable and happy ending. As fun as a debaucherous weekend can be in the city of lights, this outing is careful not to offend. A disappointing reunion.
White House DownAndrew O'Dea
A policeman must save his child and protect the president from a group of paramilitary invaders.
Action junkies will be enthralled by this fist-pumping spectacle, a shameless popcorn flick that would have its audience believe the President of the USA is capable of firing rocket launchers from a speeding armoured-limousine. Some of the set-pieces are explosive, and while the special effects are impressive, they eventually become tiresome and repetitive. The lead is perfectly suited to his role as the action star, but isn't helped by moments of dialogue and patriotism so cringe-worthy that they become downright hilarious. Was it meant to be a comedy? White House frown.
An unprecedented look inside the private world of J.D. Salinger, the reclusive author of The Catcher in the Rye.
It's interesting to hear a writer's story told by others but you can't help recognising the irony of this set-up. The author who crafted one of literature's most enduring characters, giving voice to generations of disaffected youth, has little part in the telling of his story. "Salinger" is interesting and well edited but disappointingly shallow as a biography. It's not as engrossing as anticipated, and there must be more to story of the infamous recluse. He remains as enigmatic as ever.
Kick-Ass 2Andrew O'Dea
The costumed high-school hero Kick-Ass joins with a group of normal citizens who have been inspired to fight crime in costume.
"Kick-Ass 2" returns with the same manic mix of comedy and action that made its predecessor so uniquely original and successful. Unfortunately you can't help but compare the two, and although a gang of new heroes and villains offer some freshness, the shock-drama that was once edgy and brash now feels regurgitated and routine. Despite the film's clumsiness, it is still sporadically funny and gruesome enough to entertain those open to the experience. Kicks ass in name only.