Are We Officially Dating?Anthony Macali
Three best friends find themselves where we've all been - at that confusing moment in every dating relationship when you have to decide "So... where is this going?"
That awkward moment "Are We Official Dating?" is about is barely spoken out. What dominates most of the discussion of its young cast is how sex and relationships work in the modern day, in all of its vulgar and candid glory. Regrettably the film is a little too inconsistent to get its underlying moral messages across, serving up a disconnected mix of comedic set pieces and 'dating' advice. A refreshing topic, but not bold enough to challenge the Hollywood ideals. Caught in the middle.
Last VegasAnthony Macali
Three sixty-something friends take a break from their day-to-day lives to throw a bachelor party in Las Vegas for their last remaining single pal.
In "Last Vegas" all the characters are winners. The illustrious cast is a sight to behold, it's just such a shame how their collaboration is played out in this tame effort. Sexagenarian jokes about prostates and bad hips come with the territory, and although some are mildly /amusing, the film never strays far from its predictable and happy ending. As fun as a debaucherous weekend can be in the city of lights, this outing is careful not to offend. A disappointing reunion.
White House DownAndrew O'Dea
A policeman must save his child and protect the president from a group of paramilitary invaders.
Action junkies will be enthralled by this fist-pumping spectacle, a shameless popcorn flick that would have its audience believe the President of the USA is capable of firing rocket launchers from a speeding armoured-limousine. Some of the set-pieces are explosive, and while the special effects are impressive, they eventually become tiresome and repetitive. The lead is perfectly suited to his role as the action star, but isn't helped by moments of dialogue and patriotism so cringe-worthy that they become downright hilarious. Was it meant to be a comedy? White House frown.
An unprecedented look inside the private world of J.D. Salinger, the reclusive author of The Catcher in the Rye.
It's interesting to hear a writer's story told by others but you can't help recognising the irony of this set-up. The author who crafted one of literature's most enduring characters, giving voice to generations of disaffected youth, has little part in the telling of his story. "Salinger" is interesting and well edited but disappointingly shallow as a biography. It's not as engrossing as anticipated, and there must be more to story of the infamous recluse. He remains as enigmatic as ever.
Kick-Ass 2Andrew O'Dea
The costumed high-school hero Kick-Ass joins with a group of normal citizens who have been inspired to fight crime in costume.
"Kick-Ass 2" returns with the same manic mix of comedy and action that made its predecessor so uniquely original and successful. Unfortunately you can't help but compare the two, and although a gang of new heroes and villains offer some freshness, the shock-drama that was once edgy and brash now feels regurgitated and routine. Despite the film's clumsiness, it is still sporadically funny and gruesome enough to entertain those open to the experience. Kicks ass in name only.
The Mortal Instruments: City of BonesAnthony Macali
When her mother disappears, Clary learns that she descends from a line of shadow hunters.
This story of a fantastical world hidden among ours, a long-standing mythology of good vs evil, and a pair of star-crossed creatures finding love in the unlikeliest of places is starting to feel all too familiar. "The Mortal Instruments: City of Bones" makes up the rules along the way, providing answers to all the supernatural wonders and armaments for our drab protagonists. The continuous hocus-pocus soon transforms into boredom, and the inevitable romance hinted throughout is cringe-worthy, out of place in a film otherwise dark in tone. Full of the mundane.
Mood IndigoAnthony Macali
A woman suffers from an unusual illness caused by a flower growing in her lungs.
"Mood Indigo" is out-there. Riding a fine line between wild creativity and self-indulgence, there are numerous moments of tedious viewing. While the setting appears to be the real world, most of the objects and people we're normally familiar with interact in very peculiar ways. The dreamlike blend of reality and quirkiness is weird, alienating the audience from the characters and their struggles. Despite the subject matter, it's a difficult story to treat seriously. You've got to be in the right mood for this perplexing mess.
The World's EndAnthony Macali
Five friends who reunite in an attempt to top their epic pub crawl from 20 years earlier unwittingly become humankind's only hope for survival.
"The World's End" is a directors attempt to satisfy a sense of nostalgia, granting inspiration to this drunken comedy. The start is promising, an eclectic bunch of old friends reflecting on their lost youth, memories we can all relate to. The banter is quietly funny, and momentum builds with each humorously named pub until the whole quest descends into a science-fiction farce. It feels like lazy way to rescue a story that would otherwise run out of drink. Pub crawl come robot crawl? WTF.
The Lone RangerAndrew O'Dea
Native American warrior Tonto recounts the untold tales that transformed John Reid, a man of the law, into a legend of justice.
This locomotive starts with a bang but eventually runs out of steam. The excessive running time is the biggest detractor from a film that is occasionally entertaining, and overly long. "The Lone Ranger" may still appeal to the more nostalgic members of the audience, with the iconic hero and his notably eccentric side-kick constantly engaged in a host of impressive action set-pieces and banter, culminating in a dynamite finale complete with classic theme. Plenty of hi-ho, not enough silver.
Despicable Me 2Anne Murphy
Gru is recruited by the Anti-Villain League to help deal with a powerful new super criminal.
Despicable has become respectable and it must be Spring as dating and romance are the featured themes. The writers have set up their reformed villain to meet a love interest and create a traditional family. How’s that for uninspired? Needless to say, "Despicable Me 2" is not as delightful as its predecessor. Thankfully those little yellow guys, the minions, make merry with fart jokes and other slapstick mayhem; they are more attuned to junior audiences than the besotted lead characters. Disappointed me.
After EarthAndrew O'Dea
A crash landing leaves Kitai and his father Cypher stranded on Earth, a millennium after events forced humanity's escape.
This ill-conceived film is an uninspiring, predictable story of survival. Poor acting isn't helped by wooden dialogue, nor the leading man's charisma being wasted in what is essentially a supporting role. The special effects are especially sub-par, which is particularly disappointing given dazzling visuals are often the most exhilarating and redeeming feature of sci-fi flicks. The best part about "After Earth" is finally making it to the 'after' part.
Elspeth Dickens is stuck in an isolated farmhouse with her twin toddlers when a web-cam becomes her pathway to fame and fortune, but at a price.
It's faint praise to say that "Goddess" is a pleasant enough movie. The title suggests heavenly heights might be achieved but it is rooted in ordinariness. While this Australian production is not bad, it disappoints by not being fabulous either. It bounces around with a slightly annoying level of frivolity, finding form as a light and bright escapist production that never quite clicks into gear. Humdrum benign Mum.
Les InvisiblesTom Jones
Several elderly homosexual men and women speak frankly about their pioneering lives, their fearless decision to live openly in France at a time when society rejected them.
The lives of elderly gay men and women are rarely depicted, (hence the title) and unfortunately this film fails to provide any new light on the subject. For the most part, the interviewees look directly at the camera and tell the stories of their pasts, stories we have kind of heard before. The moments where we do get a glimpse of their lives today are compelling, but are cut too short. It's a gay old world - emphasis on the old.
Cherry on the CakeAnne Murphy
A lonely woman with a crushing fear of commitment attends a New Year's Eve party that puts her in an uncomfortable predicament.
"The Cherry on the Cake" is a French rom-com that reminds us what hard work the dating game is. The plot is built upon a trivial but amusing premise that gets overworked until it becomes tiresome. Girl and guy meet, but girl tires of guy until guy becomes unavailable, and then girl is interested again. If it sounds irritating in premise,then it's a even more annoying when realised on screen; if only the film was played out with more humour. No cherry picking.
Oz the Great and PowerfulAnthony Macali
A small-time magician arrives in an enchanted land and is forced to decide if he will be a good man or a great one.
This prequel to the "Wizard of Oz" is full of mystery... the greatest being: why was it made? Special effects have come a long way, and "Oz the Great and Powerful" puts them to good use in a land saturated with colour, billowing landscapes and a yellow brick road with a 3D makeover. Hyper visuals are nice but this film needs more from its sweet story. The tale of redemption stalls, and non-human characters steal the show from the magician famous for charisma. Oz the not-so-great.