Florence Foster JenkinsAnthony Macali
In 1950s New York, Florence Foster Jenkins is a wealthy and aspiring Opera singer who can't sing.
"Florence Foster Jenkins" is a playful reproduction of a somewhat delusional woman. While her intentions may be noble, this drab retelling, loosely inspired by a true story, reveals a self-absorbed aficionado with far too much time and money. Thankfully a delightful supporting cast are worthy of applause, their reactions are priceless, and a perpetual effort to uphold the illusion grants the most laughter. It's hard to sympathise with such ignorance, but the occasional moments of humour and disbelief work in vain to drown out the dull. An uninspiring voice.
A Month of SundaysAnne Murphy
A real-estate agent fumbles through mid-life circumstances, navigates encounters with people from his present and his past.
"A Month of Sundays" is a warm movie where the central character is mired in his less than fulfilling life and uninspired about any future prospects. He is downbeat about his lot, and even working in the buoyant housing market fails to lift his outlook. The introspective nature of the story means that the screen action is a little slow, fortunately the funk lifts and we're delivered a satisfactory, but not so memorable, viewing experience in the end. Wish it was Monday.
The BossAnthony Macali
A motivational speaker hits rock-bottom after being arrested for insider-trading and losing her fortune, forcing her to turn to her former assistant for help.
"The Boss" is yet another venture for its vehemently foul-mouthed co-writer and star, and a certain fondness for her brand of humour is a recommended prerequisite. We have another outrageous and admittedly funny character on display, but alas her performance is bigger than the story itself. To carry a film on antics alone is a tough gig, and a promising start crumbles into a subsidiary plot and tiresome bad behaviour. This exec is a one-trick pony.
After receiving a message about life outside the wall of a Dystopian Chicago, a group of teens plan an escape beyond the wall to find out the truth about their existence.
"Allegiant" doesn't bother to remedy any of the issues from its predecessors. Between wooden characters, a bland love story, inconsistent acting and a plot that gets more confusing with every explanation, it's surprising that it's actually not as awful as previous installments. While the whole thing remains rather lackluster, the film's strengths remain solely superficial, with the most interesting parts being a bombardment of CGI and some cool sci-fi genre nods. An improvement, but it's time to diverge.
Two brothers in Iceland who don't speak to each other are united in their efforts to save their flocks from being destroyed for a suspected disease.
"Rams" can be viewed as a complex, understated drama in an interesting setting that leaves the viewer to connect threads that are not overly explained. Conversely you may find yourself nodding off after counting sheep while the story plods on. There's no denying the beauty of the desolate landscape and the quality of the cinematography, but this movie will be most appreciated by those with a well-developed sense of the bizarre. Baa or bah?
Batman v Superman: Dawn of JusticeAnthony Macali
Superman's aid to society comes under question after the fallout of his confrontation with General Zod, and continuous collateral damage he leaves in his path.
For all its scale and enterprise, "Batman v Superman" falters under the weight of a rudimentary plot. It seems any form of character progression was better served in previous films. In this outing, a large proponent of the running time is spent building upon the uninspired grudge at the center of story. The rest is occupied by heavy CGI visuals and extensive action set pieces we've become accustomed to. While the film never descends into boredom, it's frustrating that so many key elements are lacking, considering its size and promise. The dawn of further spin-offs.
45 YearsAnne Murphy
News from the past disturbs a couple as they prepare for a party to celebrate their forty-fifth wedding anniversary.
Apparently you can learn something about your spouse that causes you to question everything about a life shared across decades. Really? It is a shaky premise for a movie if you believe marriage is a partnership rather than some form of ownership. There is something very perturbing about the central couple if their life as a "we" cannot accommodate some "me" about things in the past. Maybe they are just uncomfortably British and repressed. Can you keep a secret?
Ride Along 2Stefan Sgarioto
A detective heads to Miami with his soon-to-be brother-in-law to bring down a drug dealer who's supplying the dealers of Atlanta with product.
Another film in the 'no sequel necessary' category. Despite a predictable plot and over-the-top, prolonged jokes, it is by no means a terrible film, and "Ride Along 2" is not the worst film to watch to kill some time. There are sporadic moments of hilarity and some creative car chases to maintain a level of entertainment. If you're bored, you may as well go along for the ride.
Clavius, a member of the Roman Army, is entrusted with the task of finding Jesus after his body disappears from the tomb.
"Risen" is perhaps one of the best looking Biblical films you are going to see. Sizzling desert landscapes and large sandstone structures create the perfect setting, but it was always going to require a miracle to enthral an audience with the rest. Given the subject matter, it's a relief the film is not especially preachy. The lead centurion puts in an honourable performance, gritted and stern in his quest for the truth and wholly predictable path to redemption. Righteous.
Zoolander 2Anthony Macali
Derek Zoolander comes out of hiding to return to the fashion world in a bid to win back custody of his son, Derek Junior.
It’s been a long time between catwalks for Derek Zoolander, and his return brings an updated collection of social satire that made his first outing so famous. While it retains some of the fun, it doesn't strike a very stunning pose with only a semblance of wit and creativity. "Zoolander 2" is silly and sloppy; countless high-profile cameos attempt to boost the credibility of the film, but cannot hide a very poor script. It's a model of recycled characters and cheap jokes. A follow-up faux-paus.
The Hateful EightStefan Bugryn
Eight cowboys that are stuck together in a cabin during a blizzard soon discover something sinister has been planned.
"The Hateful Eight" is more talk than action, and a lot longer than it should be. Fortunately, the entertaining dialogue and colourful characters save this film from being a complete bomb. The entire setup feels staged, as if the actors are playing out a theatre production, rather than a big Hollywood piece. It takes almost more than an hour to make progress, with everything prior lacking any real substance. If you break it down, it's just a couple of angry guys trapped in a room together arguing. Resentful two and a half.
A teenage boy teams up with author R.L Stine to round up monsters that have come to life from Stines' Goosebumps manuscripts.
Whilst the self-referential humour of "Goosebumps" may be lost on some, there are still plenty of special effects and mindless humour to keep the rest entertained. Although the inconsistent accents can be overlooked, what lets the film down is a lack of stakes. With an abundance of memorable monsters available from the source material back catalogue, it's unfortunate that many of them just become a blurry figure in a stampeding crowd. Perhaps it's not the trip down memory lane one might hope for, but enough to give you goose bumps.
After discovering their parents are selling their childhood home, two sisters decide to throw one last party at the place.
"Sisters" skirts the topic of growing old, and demonstrates the obvious and pitiful differences to the glory days of the past. To acknowledge this film as a study of women in their mid-forties would be giving it too much credit. This is lowest common denominator comedy, relying on its fantastic leading ladies and the surprisingly crass language spurting from their mouths. It certainly won't win any awards, but there is never a dull moment between the sharp wit and the low-brow. Siblings behaving badly.
By the SeaAnne Murphy
The marriage of a heavy drinking writer and his wife comes under scrutiny when they holiday in a small French seaside village.
The celebrity pull of the lead actors is undeniable, and it even feels a little voyeuristic to be watching this couple as they play out their relationship as another imagined pair. "By the Sea" is intriguing and stylish, but also very long. This lengthy movie is not well served by its languid pace, and at times seems to stretch on interminably. In addition to the star power the stunning seaside setting ensures watchability. That sinking feeling.
Crimson PeakAnthony Macali
An aspiring author, haunted by the ghost of her mother, falls in love with an engineer seeking funds for a clay harversting machine.
Early in the piece, mother ghost remarks "Beware of Crimson Peak"... and sadly it's a warning to be heeded by all. This gothic romance is incredibly dull, and no amount of lavish production can bring it to life. Sure it's creepy, and certain characters are appropriately sinister, living in their haunted house brimming with broken timber, oozing red clay, and white snow. For all its effort, it achieves little in the scare or excitement stakes. A hollow tragedy.
1001 GramsAnne Murphy
A scientist works with weights, carefully calibrated and stored, much like her own emotions.
"1001 Grams" has a simple minimalist style, and its glimpse into the world of people who dedicate their careers to validating weights is quite interesting. The director's artistry is most evident visually, with the camera capturing the landscape with geometric precision and to stunning effect. Some audiences might find it difficult to warm to this movie though as the characters persist as annoyingly impenetrable. Interpersonal interactions are so measured that the overall tone is melancholic even in the lighter scenes. Underweight.
A documentary about fashion icon Iris Apfel from legendary documentary filmmaker Albert Maysles.
The subject of "Iris" is the elderly and the eccentric... with a distinctive sense of style. Much is made of her age and that of her even more elderly husband, being over 80 years old somehow makes them curiosities. She is a voracious shopper who enjoys a lavish lifestyle, and one of the truly curious things about this woman is her ability to do little apart from shop for clothes and jewellery. Despite its frivolous nature this is a must see for fashionistas of all ages. It's all in the eye of the beholder.
Mr. HolmesAnthony Macali
An aged and weary Sherlock Holmes reflects back on his last unresolved case.
In this version of the famous detective, we are introduced to a much more reserved Mr. Holmes, and at the tender age of 93, he's rather dull. Exploring poignant themes of growing old, reflecting on some of life’s big decisions and regrets, this film is more of a human story than a who done it. Moving at a lethargic pace, apart from the odd detective moments and distinguished acting, the constant time shifts in the plot do little to perk our attention. Alas Mr. Holmes lacks vigour.
I Am Big Bird: The Caroll Spinney StoryAnne Murphy
Caroll Spinney has been Sesame Street's Big Bird and Oscar the Grouch since 1969; at 78-years-old, he has no intention of stopping.
What do you imagine the puppeteer who has spent more than forty years under a big yellow feathered costume is like? Apparently you need more than fine feathers to make a fine bird, and it helps to have a nice man in there somewhere. As the movie tells it, the nice man has a nice wife, nice kids, a nice job, and funky orange leggings. What else do you need to know? This bio-pic won't ruffle any feathers, he ain't no angry bird.
Terminator GenisysAnthony Macali
John Connor sends Kyle Reese back in time to protect his mother Sarah Connor.
"Terminator Genisys" is a sequel/reboot/redux, which inspires you to track down and watch the far superior original films. Made primarily to serve the faithful fans, all the winks and nods to the previous instalments cannot overcome the lacklustre and somewhat confusing plot. While it's a thrill to see a classic cast member return as a T-800, the subdued action sequences, which rely heavily on CGI, deliver little threat when these remarkably durable robots fight one another. A franchise close to obsolete.
A young boy, raised to be an assassin, starts to question the morality of his work.
Conceptually this film is solid, exciting even, and yet it fails to reach its full potential. The stripped back approach is tantalising, and it feels like it could explode into something quite sinister at any moment. But when it doesn't, it's disappointing. Artistically, it holds its own, with respectable attention paid to all elements, particularly the soundtrack, which creates a beautiful layer to the decrepit life of the characters. In some ways, this film works, in others, it doesn't join the party-san.
Testament of YouthAnthony Macali
A young lady decides to become a nurse on the front-line after the involvement of her fiancée and brothers in the World War.
Based on a war memoir, "Testament of Youth" lacks the emotion and passion for such an important film. The slow pace of the story is akin to a pain-killer, over time it dulls the senses. While the setting and romance are beautifully shot, they also distract from the grim reality of life during the depression, and war. There's no question against the nobility and endeavour of the main character. Sadly her underlying message gets lost in the style of delivery. Testament of patience.
Get HardStefan Sgarioto
When an Banker is wrongfully convicted for fraud, he enlists the help of the man who washes his car.
"Get Hard" is exactly what you'd expect it to be: stupidly nonsensical and immature. With repetitive jokes about prison rape, ethnic minorities, class status and homosexuality the focal point, this film is borderline offensive, occasionally funny, but ultimately wears itself too thin. The progression of story is also stunted significantly due to how much time is devoted to the antics of a makeshift prison. The idea of an actual narrative almost seems a second thought. By no means a side splitter, but not entirely void of the occasional laugh either - perhaps I'm just getting soft.
Project AlmanacAnthony Macali
A group of friends make a crazy discovery that leads to the development of a working time-machine.
"Project Almanac" melds many ideas of the past, and throws in a hand-held camcorder to appeal to its modern teenage audience. Through nauseating cinematography, we are presented with an account to be expected from its high-school protagonists. Among the foolish time loops is a bumbling romance, gratuitous body shots, and some amusing 'striking it rich' scenes. The result doesn't amass to very much, except to ponder our own time-travel hypothesis. Cinema repeating.
- Genre » Sci-Fi
- Release » 26 Feb 2015
The GamblerAndrew O'Dea
A lit professor and gambler's debt causes him to borrow money from his mother and a loan shark.
"The Gambler" is a tale of personal redemption and the moral muddiness of gambling. Unfortunately it's difficult for an audience to sympathise with a pretentious protagonist bent on self-destruction, throwing money against the wall while failing to garner any semblance of a lesson from the experience. Despite a host of terrific performances from the supporting cast, the story feels a little over-wrought, as it meanders to a point where we end up not caring enough to be invested in the tormented anti-hero's fate. Got to know when to fold em'...