The Conjuring 2Anthony Macali
Ed and Lorraine Warren are summoned for desperate help to investigate a spirit in Enfield, England.
"The Conjuring 2" is a poor sequel that discredits the integrity of its far superior original with its lazy story-writing. Essentially the premise remains, moving its haunted house setting to North London, and then attempting to tie the plot-lines together to dismal effect. The scare tactics in this incarnation feel forced and repetitive, and a lack of empathy for the main characters further dispels interest. By the end, and with little vested in the investigation, you just don't care, which creates a disconnect that reveals the silliness of it all. Hoax? Scam.
The Huntsman: Winter's WarAnthony Macali
The Huntsman goes in search of the Magic Mirror to prevent it from getting in the hands of ice queen Freya, who seven years prior sabotaged the soldier's romance while under her service.
"The Huntsman: Winter's War" is thoroughly unoriginal, with a story that is easy to foretell. The plot and adventure mirrors many significantly better films that have come before it. While no expense has been spared on the production design, what's really disappointing is that the beauty of the visuals markedly exceed the appeal of the story's cold and uninspiring characters. Fall in love with this fairytale, and you will be heartbroken. This is generic Hollywood "playin'-it-safe, big-cast CGI fodder".
Gods of EgyptStefan Sgarioto
A mortal teams up with the god Horus to take on the god Set, who threatens to plunge the once peaceful and prosperous Egyptian empire into chaos and conflict.
The vibrant and extremely CGI laden tone of "Gods of Egypt" is almost enough to distract you from the god-awful train-wreck that it is. For every impressive (and sometimes unimpressive) frame of stunning visual effect, there are just as many poorly delivered scenes of corny dialogue and over-the-top set pieces. The whole film is ridiculous, yet if that's what you're expecting, it can almost be entertaining. All in all, this film is extremely dumb fun, and fits the bill of being 'so bad, it's good'... but by god is it bad.
A disenfranchised teenager who lives in a housing estate in Paris befriends three young women.
The director has employed realism in following one woman's day-to-day life. The central character is marginalised by virtue of her gender, colour, age and impoverished existence. Joining a gang provides belonging. While the filmmaking approach is bold, it's also uncomfortably raw, relying on incidental dialogue and minimal narrative structure. The cost to the audience is coherency. There are a couple of standout scenes but insufficient to save the viewing time from seeming interminable. Girl without a cause.
Heaven Knows WhatStefan Bugryn
Two junkies share their on-again, off-again relationship with a chaotic love triangle for heroin.
In an attempt to stay as real as possible, this film falls comfortably short of providing any enjoyment from its visceral experience. It doesn't go further than providing lots of close up shots with an obnoxious accompanied by unsatisfying electronic score. Yes, we are meant to feel like it's authentic, with the actors playing the parts were actually previous junkies themselves, but nothing good comes from the messy narrative. It had much potential from the start, and ends up disappointing us again and again as the story progresses. Heaven knows this isn't good.
Magic Mike XXLAnthony Macali
Mike rejoins the crew to embark on a road trip to Myrtle Beach and attend the Annual Strippers Convention.
"Magic Mike XXL" does everything in its power to subvert all your expectations. Apart from the final hour, the plot is largely uneventful and bland, severely lacking the level of fun and frivolity from the first magic show. Despite the surprisingly pleasant motion picture visuals, this story of male-entertainers hitting the road on a journey of self-discovery unfortunately sticks too close to the straight and narrow. Put it away.
Black SeaThomas Jones
In order to make good with his former employers, a submarine captain takes a job with a shadowy backer to search the depths of the Black Sea for a submarine rumored to be loaded with gold.
Before you have time to invest emotionally in the unfortunate set of circumstances our blue-collar hero is facing, the plot quickly turns from drowning your sorrows at the pub, to looking for buried gold at the bottom of the ocean. As the submarine sinks deeper, the more absurd this mission and the obstacles the crew faces become. Constantly placing greater value on the prize over a few lives lost, this is one film, which falls well below sea level.
Top FiveAnne Murphy
A comedian tries to make it as a serious actor when his reality-TV star fiancée talks him into broadcasting their wedding on her TV show.
The phrases 'intermittently funny', 'crass' and 'predictable' are all that's needed to sum up "Top Five" and then words fail. If only words had failed the writer, director, and lead actor.
Following the events of Divergent, Tris continues her fight against the elite leaders of post-apocalyptic Chicago.
"Insurgent" struggles to deliver the same energy and emotion as its other young adult adapted counterparts; due in part to its convoluted premise, wooden characters and a lack of story progression. In the end, it all just seems rather pointless and predictable. Whilst the film is polished nicely with a hip visual style and stunning action sequences, it's all a ruse to hide what is a rather bland interior. If you're craving another dystopian teenage rebellion, stay hungry a little longer.
Seventh SonAndrew O'Dea
Young Thomas is apprenticed to the local Spook to learn to fight evil spirits. His first great challenge comes when the powerful Mother Malkin escapes her confinement while the Spook is away.
"Seventh Son" is an over-produced and under-conceived fantasy epic full of swordplay, sorcery and snores. Despite an impressive set design and visuals, the slick CGI isn't enough to compensate for a predictable narrative that fails to produce any semblance of originality or imagination, as the talents of a promising cast are wasted amongst a barrage of animated monsters, explosions and some downright perplexing accents. Son of a dud.
Fifty Shades of GreyAnthony Macali
Literature student Anastasia's life changes forever when she meets handsome billionaire Christian.
"Fifty Shades of Grey" is a story about the allure of wealth, and bizarre sexual contractual agreements that arise from 'dating' a wealthy man. An introduction to these politics from our two leads is assuredly the most interesting part of the film. Unfortunately the rest is a bitter disappointment, dominated by a tiring and flirtatious game of to-and-fro, a precursor to the passionless and sanitised sex that follows. Attractive leads, inadvertent laughs and very little to love. Don't submit to boredom.
Taken 3Andrew O'Dea
Ex-government operative Bryan Mills is accused of a ruthless murder he never committed.
Action junkies will find "Taken 3" enjoyable in a cheesy sort of way, while the rest of its audience must be prepared to switch their brains off. Bordering on tedious, this film plays out like a family melodrama interspersed with car chases and fight scenes. Thankfully there's some semblance of a cohesive plot, despite holes in it gaping enough to drive an aircraft through, before flipping it end-on-end and exploding in a fiery spectacle. Let's hope the film lives up to its tagline and "ends here". Taken the piss...
Into the WoodsAnne Murphy
A witch conspires to teach important lessons to various characters of popular children's stories including Little Red Riding Hood, Cinderella, Jack and the Beanstalk and Rapunzel.
Though the musical score is enchanting and performances from the cast magical, "Into the Woods" doesn't deliver. We venture out with plenty of charm, colour, and costumes, but somewhere before halfway the story is lost. The glamour of the production doesn't compensate for an overly long and muddled plot. Sad but true that we can't see the woods for the trees in this confused offering. Get outta there.
A couple begin to experience terrifying supernatural occurrences involving a vintage doll shortly after their home is invaded by satanic cultists.
Crash, bang, creek... "Annabelle" is a pointless prequel. Not afraid to cash-in on the success of its predecessor, this film possesses no plot. Instead it relies on well-worn tricks to frighten the audience; exaggerated music, disheveled apparitions and the countless slamming of doors. Once the audience starts laughing at the glaringly obvious setups and lingering doll shots, you know there's a problem. Put her back in the cupboard.
Grace of MonacoAnne Murphy
The story Grace Kelly's crisis of marriage and identity, during a political dispute between Monaco and France, and a looming invasion of Monaco.
We're informed that this is a fictitious account of real events and it's impossible to discern what's real and what's not. It's an intriguing story that might have worked better as complete fiction. The princess is acted with beauty and grace, pardon the pun, but there are an annoying number of full screen close-ups of her countenance. If the camera is looking for warts shouldn't it focus on a frog or the prince? Airy-fairytale.
Bad NeighboursAnthony Macali
A couple with a newborn face unexpected difficulties after they're forced to live next to a frat house.
"Bad Neighbours" lives up to the name. These new arrivals are loud, noisy and not very funny. It's apparent the dialogue is largely made of improvisation; a continuous set of fraternity gags and two conniving parents... neither side of the fence is a winner. All the best jokes have cultural references, and with the film won't stand the test of time. The excruciating characters and experience make the running time feel so long. Just bad.
Winter's TaleAnthony Macali
A burglar falls for an heiress as she dies in his arms. When he learns that he has the gift of reincarnation, he sets out to save her.
The greatest miracle in "Winter's Tale" is how the film was born in the first place. For the most part, it doesn't make any sense, and talk of true love and flying horses only complicates matters even more. The funny thing is (aside from the cringe-worthy dialogue) is that the audience may actually find themselves interested in seeing just what other foolishness they might come up with. It seems the only magic lies in making up rules along the way to suit the story. Destined to fail.
Labor DayAnne Murphy
Depressed single mom Adele and her son Henry offer a wounded, fearsome man a ride.
Five days can pass with a blink in screen time, but in this two hour effort the "Labor Day" weekend seems interminable, and staying engaged takes a bit of effort. This low-action romance might leave you snickering as the credits roll, such is the implausibility, and it's difficult to believe it's supposed to be taken seriously. Fortunately the actors keep the film together with fine performances, yet as hard as they work, their efforts are insufficient to weigh credibility to the story. Even if you're ready for the weekend, just keep Friday on your mind.
Obsessed with Pride and Prejudice, a woman travels to a Jane Austen theme park in search for her perfect gentleman.
This is one of those times when the story ought to have remained a literary piece and not have been brought to the screen. The actors ham up romance scenes in a corny but corseted way. "Austenland" is daffy, cute and insubstantial; there is no trace of the wit and wisdom of the author on whose classic works this fantasy piece teeters. Not the end of the world, but it is a relief to reach this land's end.
The ButlerStefan Bugryn
The story of Cecil Gaines, who for three decades served as the chief butler in the White House for eight consecutive US Presidents.
The main problem with "The Butler" is it tries to fit too much into tight parameters, and becomes a little trying as a result. In fact, there's so much going on, it actually feels like there's nothing going on at all. The story between the lead character and his son is engaging enough, but even so, there isn't much depth to the lead himself. He is actually a little boring, much like the entire movie. You'll be better served somewhere else.
I'm So Excited!Anne Murphy
When it appears as though the end is in sight, the pilots, flight crew, and passengers of a plane heading to Mexico City look to forget the anguish.
The raunchy over the top camp moments deliver the most entertaining segments, but there's not much more to "I'm So Excited". The movie under delivers to an extent that makes the title seem paradoxical. The antics in the first class cabin left this viewer enthused. The flamboyance is fun but overall the production fails to soar. I'm so excited, not.
We're the MillersAnne Murphy
A veteran pot dealer creates a fake family as part of his plan to move a huge shipment of weed into the U.S. from Mexico.
"We're the Millers" will divide audiences. Some will find it hilarious and entertaining, while others will squirm and remain straight faced. Try this test; do you usually like movies that are advertised in bus shelters? Answer "yes siree", then next stop is the cinema. Answer "meh, I don’t think so", then stay on board. This film doesn't ask much of viewers, yet doesn't deliver much either. Ironically it's about a big deal... but is no big deal.
Now You See MeAnne Murphy
An FBI agent and an Interpol detective track a team of illusionists who pull off bank heists during their performances and reward their audiences with the money.
"Now You See Me" is a dazzlingly stylish but silly movie. This sort of cat and mouse thriller is generally not known for its plausible plot and, holey-moley, this one stretches credulity to breaking point. Thank goodness for the likeable cast who seem to revel in the hocus-pocus. The production lacks some magic, partly because every trick that's conjured is also revealed - a bit of a letdown. Leaves nothing up its sleeve.
The Hangover Part IIIAndrew O'Dea
There's no wedding and no bachelor party... but when the Wolfpack hits the road, all bets are off.
"The Hangover Part III" is a victim of its own success. Still running on the fumes of the hugely popular first installment, this outing is nothing more than a shameless cash-grab, where the only real debauchery involved is its mere production. What sort of 'hangover' movie doesn't even have a hangover? While there are some rare and isolated moments of hilarity, what lies in-between is nothing but a desert bereft of comedy or thrills – where any laughter is contrived and strained at best. What happened in Vegas should've stayed in Vegas.
Hyde Park on HudsonAnne Murphy
The story of the affair between FDR and his cousin Daisy Suckley, centered around the weekend in 1939 when the King of England visited New York.
The most entertaining thread of "Hyde Park on The Hudson" comes from the pronunciation of 'hot dog' by the royal couple. Disarmingly straight-faced, they consider whether to eat one. It's a small highlight in what is an otherwise lacklustre production about a philatelist president and his dowdy cousin. "How I longed for him" is typical of the narration provided, courtesy of the mooning paramour to explain what isn't apparent on the screen. The Hudson reduced to a rivulet.