Carlos
Anne Murphy
A TV mini-series, chronicling the exploits of Carlos the Jackal, edited and cut for showing as a movie.
Carlos is an interesting figure to discover more about. He comes across as an opportunistic mercenary rather than a terrorist dedicated to a cause, and what's apparent is the ego of a man who considered himself a revolutionary. Part history and part reconstruction, the use of news footage provides a documentary sense of realism. A small screen budget is evident in the uneven set quality, lighting, and the use of a hand held camera; it's all a bit bumpy. Complex politics make surprisingly tedious viewing.
- Genre » Biography History Drama
- Release » Limited 28 Apr 2011
- Festival » French Film Festival 2011
Kaboom
Tom Jones
A sci-fi story centered on the sexual awakening of a group of college students.
When imagining how "Kaboom" came about, you get the feeling there was a brainstorming session where any (and every) idea imaginable was put on the table, and the very next day they started filming. As a result, not a lot in this film makes sense; the lead is a gay guy, but he has sex with a woman who he later discovers is his half-sister. This type of nonsense escalates to the point where the audience gives up trying to understand what the hell is going on. Amusing for some, but others will quickly lose interest. Ka...booooooo.
- Genre » Comedy Sci-Fi
- Release » Limited 24 Mar 2011
- Festival » Melbourne Queer Film Festival 2011
Hall Pass
Andrew O'Dea
A married man is granted the opportunity to have an affair by his wife. Joined in the fun by his best pal, things get a little out of control when both wives start engaging in extramarital activities as well.
"Hall Pass" is a hit-and-miss comedy that provides some genuinely hilarious moments. The problem is, outrageous will only get you so far, and when you rely so heavily on repeated shock value to sustain a film, it loses value and becomes predictable. It's disappointing that the directors don't deliver on what could've potentially been a seriously funny escapade, given the subject matter. Not even close to a pass mark.
Big Mommas: Like Father, Like Son
Wendy Slevison
FBI agent Malcolm Turner and his stepson Trent go undercover at an all-girls performing arts school after Trent witnesses a murder.
This is not the kind of movie you go to see hoping for an original and engaging comedy. The premise is an oldie, but not necessarily a goodie - a ludicrous tale where it becomes imperative for a couple of hitherto "normal" men to dress as overweight, gaudily styled women in order to avoid detection by the so-called bad guys. There are a few laughs in this completely over the top shambles, but not the kind that make you feel good inside. Please Big Momma... no more... moviegoers deserve better.
Unknown
Andrew O'Dea
A man awakens from a coma, only to discover that someone has taken on his identity and that no one believes him. With the help of a young woman, he sets out to prove who he is.
The premise of "Unknown" is solid, but it's the execution that falters. You can't help but shake the feeling you've seen it all before, only done much better. Most disappointing is the talented cast that is wasted in underwhelming, forgettable roles. An inevitable twist might explain inconsistencies in the plot, but it only leads to a pedestrian climax that will have most wishing the amnesia that plagues the protagonist could've translated to the viewing experience as well. Forget it.
Sanctum
Tom Jones
An underwater cave diving team experiences a life-threatening crisis during an expedition to the unexplored and least accessible cave system in the world.
It doesn't matter if it's a sinking ship, a hijacked plane or in this case, a flooded cave, we've seen this story too many times to care anymore. The only original thing about this film is that there is no undercurrent love story. There's more that will annoy you than entertain you. The Australian accent has never sounded worse and the writers need to learn, other words, aside from F%&#, can be used for emphasis. Sanctum, it sinks.
The Green Hornet
Anthony Macali
Following the death of his father, Britt Reid, heir to his father's large company, teams up with his late dad's assistant Kato to become a masked crime fighting team.
"The Green Hornet" tries to be cool, tries to be awesome... and fails dismally on both accounts. Our hero duo are completely uninspiring, and the film's meager amount of laughs are drawn from nothing but their bitterful banter and marvellings at high-tech creations with self-indulged clamour. The action scenes do their job, and there is an interesting sub-plot of media politics, but it arrives far too late in the piece for salvation. It sting's, it hurts, and has been done much better before.
Yogi Bear
Wendy Slevison
A filmmaker travels to Jellystone Park to shoot a project and soon crosses paths with Yogi Bear, his sidekick Boo-Boo, and Ranger Smith.
"Yogi Bear" is a clumsy and uninspired mix of animation and live action that rolls out a tired old story line while trying to impart an environmental message. Ho hum…The animation of the bears is quite nicely done, but it's not enough to make this film 'bearable' for anyone over five. Given that Yogi is "smarter than the average bear", he may be a little insulted at this version of his life.
Winter's Bone
Stefan Bugryn
A young girl sets out to find the truth of her father's disappearance whilst looking after her dysfunctional family.
This is a disappointing movie that promises a lot yet delivers little. The whole story acts as a tense build up to a secret a community of drug addled Southerners are keeping. But once you get to where it's headed, you feel like it wasn't worth the time, and it plays out rather banal. The set design and acting are actually both impressive, but they do not make up for the weak storyline. Sticks, stones, and a bad film will break "Winter's Bones"... and your enjoyment.
Paranormal Activity 2
Tom Jones
After experiencing what they think is a "break-in", a family sets up security cameras around their home, only to realize that the events unfolding before them are more sinister than they seem.
Mum's possessed by the devil! Quick, get the handy-cam! The ridiculousness of this film is matched only by the ludicrousness of the haunting inflicted upon the family home. Though there are moments where you may jump in your seat, you are more likely to laugh at this depiction of the unreal and at the actors, who try a bit too hard to appear like your typical family. Yet another sequel to add to the list of those that don't live up to the original.
Canteen
Anne Murphy
The events in a night, from dusk to dawn, at a roadside kebab caravan, Kantina.
People come and go throughout the night, what brings them to the canteen is a mystery - most don't drop in for the food. What does happen is a confusion of events and characters. Greek speakers in the audience will chuckle more than the non-Greek speakers, as the subtitles seem to lose something in translation. As the canteen's patrons muddled along throughout the disjointed storyline, it's no surprise the production quality suffered the same fate and was inconsistent from scene to scene. You'll be left hungry after visiting "Canteen".
- Genre » Comedy Drama
- Release » Limited 15 Oct 2010
- Festival » Greek Film Festival 2010
Charlie St. Cloud
Tom Jones
Charlie St. Cloud is a young man overcome by grief at the death of his younger brother. So much so that he takes a job as caretaker of the cemetery in which his brother is buried.
Under usual circumstances, if someone could see dead people, they'd be called crazy. But apparently, if that someone is incredibly good looking, it's endearing. For a film, which deals with heavy subject matter, it's rather underwhelming. Too much emphasis is placed on peripherals (what do geese have to do with anything?) and not enough on the tragedy and trauma, which comes with losing someone. When it comes to Charlie, best stick to the regular seven stages of mourning.
The Last Airbender
Andrew O'Dea
The story follows the adventures of Aang, a young successor to a long line of Avatars, who must put his childhood ways aside and stop the Fire Nation from enslaving the Water, Earth and Air nations.
"The Last Airbender" is capable in that its 3D medium manages to enhance rather than to 'point' out its special effects are fairly impressive. Unfortunately, the positives stop there, as the relative success of its visuals simply don't correlate to a script which fails dismally in its translation to the big screen. The film's myriad of problems are only burdened further by stilted dialogue and a truly lacklustre finale that disparagingly promises this won't be the last we see of 'airbending' any time soon.
The Extra Man
Tom Jones
A man who escorts wealthy widows in New York's Upper East Side takes a young aspiring playwright under his wing.
Louis Ives travels to New York city to discover who he is. Is he a gentleman? An escort? A writer? Or... a woman? Much like the central character, this film suffers from its own identity crisis; it has no identity. The characters are not relatable on any level and this undermines the film's realistic base to the point where it's hard to take it seriously at all. Set in the city that never sleeps, this film may actually send you to sleep.
Vampires Suck
Anthony Macali
A spoof of vampire-themed movies, where teenager Becca finds herself torn between two boys.
"Vampires Suck" is far from cinematic, but does show what an easy target the re-imagined world of vampires is. From acting quirks to excessive angst, there are some surprising moments of insight and wit, while restoring the bloody horror absent from its subject matter in outrageous style. Such humour quickly turns to the dark-side, resorting to poor slapstick and pop culture references that are simply embarrassing and beyond farcical. Admittedly, both fans and non-believers of the saga will find delight in the film's jocularity. A ridiculous observation of the blatantly ridiculous.