Transformers: Dark of the MoonCourtney Slevison
The Autobots learn of a Cybertronian spacecraft hidden on the Moon, and race against the Decepticons to reach it and learn its secrets.
This film is made for fans of the franchise, and for that purpose it's a great movie. Of course, others may be dismayed by the predictable storyline and cheesy dialogue. The special effects are outstanding, especially in 3D, and the epic action sequences will conjure enough excitement to satisfy the wide-eyed little kid in all of us. "Transformers 3" ultimately works because it's able to keep the story grounded enough in reality to make you think that it could almost be real… almost.
L'Amour fouAnne Murphy
Explores the relationship between fashion designer Yves Saint-Laurent and his lover, Pierre Berge.
Filmed after the death of Yves Saint-Laurent "L'Amour fou" provides a candid look into the life, the breathtaking art collection amassed by the couple and its eventual auction to benefit an AIDs charity. The narrative provides as glimpses into a privileged lifestyle without exploring too deeply. Interesting are revelations of an ongoing struggle with depression and resulting addictions, perhaps one of those being the central objects d'art. Archival film footage stills and interviews are used to effect and reveal much about the troubled man of fashion. Melancholic.
Super 8Anthony Macali
After witnessing a mysterious train crash, a group of friends in the summer of 1979 begin noticing strange happenings going around in their small town.
"Super 8" incites nostalgia, as we share the enthusiasm of the young crew making a short film. Just as the wonderfully realised characters start to develop, an underwhelming and subsequently non-threatening accident crashes the party in more ways than one. Strange things start to happen, some large objects get thrown about, but all it seems to do is rile our interest. Unfortunately the kids stop being kids, turn into detectives, and unveil a remarkably poor revelation. Not that great.
Get LowAnne Murphy
Equal parts folk tale, fable and real-life legend about the mysterious, 1930s Tennessee hermit who famously threw his own rollicking funeral party.
"Get Low" is a good old fashioned hokey folky story with warm understated performances from a big name cast, and a mule. It's deftly crafted and charming to watch. There's a slow build around the themes of guilt and forgiveness before the eventual plot reveal. Although tears are coaxed out during the long awaited climax, this movie will be watched for the dawdling journey rather than the ending. Hard not to like but lacking real highs and lows.
The Hangover Part IIStefan Bugryn
The wolfpack get themselves in trouble again days before Stu's Thai wedding.
This sequel is no more than a duplicate of the original... just in another country. There are a lot of moments where you will feel like you've been before, but the characters are likeable enough to allow them to just get away with it. Some laugh-out-loud scenes manage to carry the film only so far, and while the neat ending is a little too didactic, it's still worth seeing. Watch out for the cringe-worthy musical performance by a well-known boxer; it could well be cinema's worst. He was probably hung-over.
Hoodwinked Too! Hood vs. EvilAnne Murphy
Red Riding Hood is training in the group of Sister Hoods, when she and the Wolf are called to examine the mysterious sudden disappearance of Hansel and Gretel.
Red is a girl who stands up for herself and knocks her opponents out, delivering action before comedy. Still, the snappy dialogue and cracking one-liners are welcome in movies aimed at younger audiences, providing enjoyment for the grown-ups. Annoyingly, there's some not so subtle stereotyping, and you can't help noticing the baddies are all chubby and the goodies fit and trim. Wink, wink, as all in all, it's more good than evil.
A mother's last wishes send twins Jeanne and Simon on a journey to Middle East in search of their tangled roots.
"Incendies" reveals the remarkable journey of a mother, in search of an explanation for her enduring state of despair. As her kids set out on their quest, the truth is exposed through the seamless weaving of past and present. Nawal's story is one burdened by war, religion and tradition, highlighting the generational gap and the sheltered knowledge we have of the 'primitive' views of a past that can cause so much nurtured grief. The fire burns strong and powerful, but very slow.
Something BorrowedWendy Slevison
Friendships are tested and secrets come to the surface when terminally single Rachel falls for Dex, her best friend Darcy's fiancé.
Adapted from a popular novel, "Something Borrowed" is a romantic comedy of errors, where everyone seems to be in love with the wrong person. The movie is essentially the characters sorting themselves out. Unfortunately, this takes a while, and by the end of the overly long running time, audience investment in the protagonists has wilted a bit. While the actors all do a fine job of their roles, the film lacks freshness and charm. The plot feels a little like something borrowed.
Powerful Thor is cast out of the fantastic realm of Asgard and sent to live amongst humans on Earth.
This movie is one of the shiniest you will ever see, from Thor's armour and hammer to his home in Asgard, replete with large gold statues and lots of lens flare. The titular hero is played with great gall and charm, as he is banished from the CGI kaleidoscope of Space to Earth, the perfect place to showcase some of his finer attributes. Aesthetics aside, the film is held together by the power of its cast, who could only have joined the production on the basis of its actor turned director. "Thor" simply gets it done.
Brighton RockAnne Murphy
Charts the headlong fall of Pinkie, a razor-wielding disadvantaged teenager with a death wish.
"Brighton Rock" is a moody and suspenseful thriller, set by a gaudy seaside carnival. A serving girl looking for love gets entangled with a criminal establishing the central tension between good and evil. The movie is dark but the chilling tone becomes hard to hold as the odd scene teeters on a melodramatic precipice... almost, but not quite, compromising its otherwise ruthless edge. An unmistakably English veneer of tea-shop gentility is cracked by hardened characters and gripping action. Callous at its core. Brighton rocks unrelentingly.
Scream 4Courtney Slevison
Ten years have passed, and massacre survivor Sidney Prescott has returned to her hometown.
This instalment of the popular horror franchise reinvents the slasher genre for a savvy new audience. From the hilarious and scream-inducing opening sequence, it's clear that while the film doesn't take itself too seriously, you will definitely be in for a scare. While some of the plot twists are quite predictable, there's some fantastic dialogue and great performances from the predominantly young cast. "Scream 4" plays with the traditional horror formula, letting you believe you know what's coming next, before shocking you with a plot twist that will leave you screaming for more.
Two British comic-book geeks traveling across the U.S. encounter an alien outside Area 51.
Science-fiction films usually present good value, and especially ones with extra-terrestrials, but you leave wanting more from "Paul". What was once cute about a bromance road trip loses its charm when the bond between the self-confessed geeks becomes a little too pronounced. The movie strives for mainstream appeal, fielding a varied range of jokes from satirical science-fiction writers, toilet humour and a galaxy of cultural references. In the end, the quips are hit and miss, invariably creating a funny, but not fantastic film. Average alien fodder.
Young law student Johann Wolfgang von Goethe is in love with Lotte, but Albert Kestner also laid an eye on her.
A key figure in German literature might be considered fusty as the subject of a romantic comedy. Think again, as the author, poet and philosopher is dusted off and enthused with a jaunty vigour. "Goethe!" is a heady and light-hearted costume drama. The rebellious, romantically driven figure may attract new readers, even if the historical integrity of the movie is questionable. The portrayal of the period is superb, and the exploration of the subject's early years is captivating, if shallow.
My Afternoons with MargueritteAnne Murphy
An illiterate and lonely man bonds with an older and well-read woman.
A charming little film set in a French village populated by quirky characters. Affectionate and gentle, "My Afternoons with Margueritte" only just avoids saccharine levels of sweetness with some moments of genuine humanity. This is a heart-warming story of love and unlikely relationships that doesn't delve too deeply into the make-up of the various odd couples. The central roles are well acted, creating endearing, if not entirely believable, people. Best summed up as being a whimsical pleasure, and a rewarding way to spend an afternoon.
The SilenceAnne Murphy
The bicycle of a missing girl is found in the exact place where another girl was killed 23 years ago.
A cold case that mirrors a current crime is reopened, and the dual storyline is effective as each amplifies the loss and despair of the other. Beyond the suspense of the police investigation are stories of suffering by the families of the victims. Not surprisingly, the criminals are revealed as unsettling individuals. It's the depth of the characters, revealing chilling psychological profiles of the transgressors, that sets this movie apart from TV dramas with similar story-lines. Worth talking about.
Single by ContractAnne Murphy
A teenage girl falls for the lead singer in a popular rock band without knowing he is famous.
A classic storyline, retold for adolescents, is romantic and pleasing, if schmaltzy. By sticking to a tried and true formula, "Single by Contract" is predictable, but the story is still amusing to watch. The strong affable leads create interest and play out their romance with wit and style. This version of the tale about the celebrity and the simple girl gives something really joyful to an implausible plot... we can even forgive them for being surrounded by a cast of clichéd characters. Apparently contracts are made to be broken.
Nanga ParbatAnne Murphy
Drama about the tragic Nanga Parbat expedition by the two Messner brothers in 1970, on which Reinhold Messner's younger brother Günther died.
Nanga Parbat is a magnificent peak in the Himalaya's; this movie carrying the mountain's name was mostly shot on site, and is similarly magnificent. This is a film to be enjoyed by adventurers, not only for the stunning scenery, but also for the human story of endeavour and conquest. The spirit of the expedition and the climbers as they challenge nature are captured, as are the petty disputes among the team. Always one more mountain to climb...
How I Ended This SummerStefan Bugryn
Tensions rise between two russian men stationed in antartica when one keeps a life-changing secret from the other.
The strength of this movie is in its use of suspense. There is no shortage of 'edge of your seat' moments, and the cinematography is brilliant. Yet what could have been a modern-thriller-classic is ruined by odd periods of... well, nothing, as it seems to linger on many shots for no apparent reason at all. This puts a dent in the pacing of the film, and makes it much longer than it should be. Still highly original, and a good way to end any season.
The Lincoln LawyerThomas Jones
A lawyer conducts business from the back of his car while representing a high-profile client.
Films depicting client/lawyer relationships always make for compelling viewing and "The Lincoln Lawyer" is no exception. It's a classic cat and mouse chase, as both client and lawyer work to stay one step ahead of each other until the fat lady sings... seriously. This film seems to end four times before it actually ends. The acting is one-dimensional and there are a few sub-plots that are devoted too much screen time, but the central story will have you hooked. Any appeals to this judgement are denied.
Barney's VersionAnne Murphy
Take a ride through the life and memories of Barney Panofsky, a hard-drinking, cigar-smoking, foulmouthed 65-year old hockey fanatic and television producer.
"Barney's Version" is a character study covering 30 years of one man's life. Depth is compromised by span when a life - even a fictional one - is featured in a movie-length couple of hours. This is a rambling, uneven and shallow movie held together by strong acting. The comedic story takes an unexpected and solemn turn towards the end, but by then there's not a lot of emotion vested in the outcome for the amiable but self-centred characters. An interesting soap opera version.
The Butcher, the Chef, and the SwordsmanAnne Murphy
A tale of revenge, honour and greed follows a group of misfits that gets involved with a kitchen cleaver made from the top five swords of the martial arts world.
Ignorance, vengeance, and greed are the vices woven into stories that are furiously threaded together to create this movie. The pace is reckless and the characters are curious, if not downright bizarre, in a comic book sort of way. Not that the production suffers for any of it - it's vibrant, irreverent, energetic and very funny - just hang on for the ride. A slapstick bombardment of this, that, and the other.
A junior high school musical, about a frizzy-haired, hermaphrodite, an outcast who fights back.
The main character is called Spork, after an implement that's part spoon and part fork. The name provides a hint about the style of movie this is, where life is played out in an exaggerated comic book style. "Spork" is fun, a singing and dancing movie populated with a likable collection of quirky friends surrounding the central misfit. The movie's theme is one of self-acceptance over fitting in with any group, all realised through a satisfying, if nasty, battle between the outcasts and the mainstream. Put a spork in it.
Violet TendenciesAnne Murphy
A woman tries to distance herself from her gay friends in an effort to land a straight boyfriend.
"Violet Tendencies" is vibrant rom-com. It cracks a rollicking pace and has a buoyant mood to a point of almost being over-loaded with comic social observations. If there are more quips than conversation, it doesn't mean that the flamboyant characters don't take themselves seriously. The various couples and singles are trying to grow up and there's an earnest 'what next?' question being asked. A funny, smutty and entertaining offering that asks little of its audience. Paint me purple.
The Clink of IceAnne Murphy
An alcoholic writer is visited by an incarnation of his cancer.
"The Clink of Ice" is as original as it is deeply and darkly humorous. Imagine bantering with your life threatening illness and laughing. The premise of personifying a malignant disease in a suit sets up an intriguing film. Not that there is anything funny about cancer or facing death. Typically we deride perverse situations as being as 'funny as cancer' but the director and cast prove dexterous enough to turn that assertion around. As bleak as the themes of the movie are, the clinking of ice muffles the death knell.
Happy FewAnne Murphy
Two couples fall in love, lose sight of each other in the confusion and end up pulling through.
"Happy Few" covers many relationships between two couples, each person with every other, and then with their children. All of the inter-relationships are handled respectfully, and the characters are strong and credible. It's a shame the emotional development is secondary to the depictions of the physical encounters, and surprisingly, this translates to the movie revealing less intimacy than one might have expected. Still, there's much happiness to be found in this French romp. Many will be happily seduced.