Red StateStefan Bugryn
Three young teenagers get more than they bargained for when they accept an online invitation for sex.
"Red State" is a bit weird, but weird in a good way. It's a real genre bender. The films begins as your average teen horror, then reverts to action, before finishing off as a comedy - all with socio-political undertones! Just as you think you know where it's going to turn, it hits you with a different twist. Characters are chopped, changed and dropped like flies. The plot thickens more than the blood that is spilled. An interesting state to be in... whatever it may be!
Real SteelAnthony Macali
Set in the near future, where robot boxing is a top sport, a struggling promoter feels he's found a champion in a discarded robot.
"Real Steel" is your favourite boxing movie played out by robots. The start is a little worrisome as our protagonist father essentially sells his son, but that won't deter the kids who will find this blockbuster most appealing. The fighting bots look big and strong, battling for cash in some impressive urban environments. Aside from the aesthetics, you can expect the heart-warming plot to follow instruction from the cliché ridden films before it. The steel isn't real, but the CGI is pretty solid.
Monte CarloAnthony Macali
Three young women are whisked away to Monte Carlo after one of the girls is mistaken for an heiress.
There are very few surprises in "Monte Carlo", and much like its three heroines, we're encouraged to 'seize the moment'. The film's charm is impossible to resist, and the French coastal setting, with its lavish hotels and lookouts, is the perfect playground for the affable young cast. They play out the familiar premise with great humour, and even share a few messages and morals along the way. While slightly over-staying its welcome, the movie remains ashamedly fun, appealing to the hopeless dreamer inside all of us.
The Change UpAndrew O'Dea
A comedy in which a married father accidentally switches bodies with his best friend, leading to a series of wildly complex difficulties.
This instalment of the body-swap genre is ultimately a crass affair, and is largely dependant on shock value rather than wit – not to say it's completely devoid of any intelligence. Like its protagonists, the audience too will be split, as the film's talented cast push the boundaries of tastefulness. Some will find the perverse humour laugh-out-loud funny, while others will simply find it vulgar and clichéd. "The Change Up" is definitely borderline... it really could go either way.
Lost KissesAnne Murphy
A girl in the deprived outskirts of a Sicilian city becomes a local celebrity to her community when word spreads that she just might be able to perform miracles.
"Lost Kisses" uses cynicism to explore our faith in the inexplicable, and satirically mocks our need to keep up appearances. While not taking an overt stance on one side or the other of religious belief and our desire for miracles, there's a lot going on under the surface-line of the story. It's a pleasure to be allowed to draw your own meaning. A peck on the cheek.
20 CigarettesAnne Murphy
An assistant film director working in Iraq finds himself caught up in a suicide attack.
This movie tells the autobiographical story of its director with a lighter touch than a documentary might have allowed. Iraq is shown as a place where soldiers and peace-keepers are wondering what they were doing there. Injury is graphically depicted, providing a palpable experience of the horror of war. A strong but very watchable political statement is made by bringing a personal story to the big screen. The cigarettes provide an interesting device to contrast everyday life with a day in a war zone. Smoking.
Sorelle MaiAnne Murphy
The director's family is filmed over a 10 year period acting in film roles rather than biographic depictions to create an experimental and dramatic work.
"Sorelle Mai" is an interesting movie that follows the hopes and mostly thwarted dreams of a brother and sister. What makes it really interesting is knowing what the director attempted and the scope of the project. For those sitting in a cinema it's not obvious how ambitious the film-making is, and for the average viewer the slight narrative may be insufficient to captivate. Appreciate this one for being well crafted. Sisters are doin' it...
A priest disobeys church law to track down the vampires who kidnapped his niece.
"Priest" makes the most of its short running time to deliver what is, in the end, a sleek action flick. Sure, there are clichés aplenty and the dialogue may cause you to wane at times, but it's all offset by some seriously stylish action sequences. What else could you honestly expect from a film where the hero flings ninja-stars in the shape of a crucifix? Although lacking in originality and littered with flaws, the target demographic will nonetheless be more than satisfied by this perfectly acceptable vehicle of vampire-slaying. Say 'Three Hail Marys' for enjoying this guilty pleasure.
The Greatest Movie Ever SoldAnthony Macali
A documentary about branding, advertising and product placement that is financed and made possible by brands, advertising and product placement.
The self-proclaimed "Greatest Movie Ever Sold" is far from it, though it does provide an interesting exposé into the unfamiliar advertising industry. The director/ documenter's lack of charisma is redeemed by his resourceful and determined displays, especially when forced to sell his idea to the advertising companies themselves with the aid of some amusing place cards. In the end, it's hard to tell if the financiers or film-makers come out on top, although as an audience, we're not 100% sold.
Rise of the Planet of the ApesWendy Slevison
An origin story set in present day San Francisco, where man's own experiments with genetic engineering lead to the development of intelligence in apes and the onset of a war for supremacy.
The storyline for this movie could be the daydreams of apes that spend their lives in zoos, caged for human entertainment. Featuring remarkable CGI and motion-capture performances, in particular by the lead "ape", this is a gem for buffs, but could leave others a little underwhelmed. The human actors are rather dull, and it takes a long time to get the narrative established. However, with the apes firmly on the rise by the end of the film, stand by to 'go ape' for the upcoming sequel.
A group of students investigate a series of mysterious bear killings, but learn that there is something more dangerous going on. They follow a strange hunter, and learn that he is actually a troll hunter.
Those who don't take this film too seriously are certain have a lot of fun, as the film's comedy is essentially rooted in this very mantra. The director is to be applauded for the resourcefulness of integrating the giant trolls - almost seamlessly - on what must have been a very modest budget. Although the film has a tendency to become quite languid at times, its drolly comic style and the beautiful fjords and forests of Norway littered throughout make it watchable. Fee, fi, fo... fun!
Siblings from Japan get stranded in a small town, Littlerock, while waiting for a replacement rental car.
Viewing American culture, through the eyes of a non-English speaker is interesting but almost insufficient to maintain feature length interest. Perhaps it is the desolate location where nothing much happens, or the listless locals, but boredom stealthily encroaches. At times it feels that not enough is happening on the screen. Even so this story of strangers in a remarkably strange land is unsettling enough to hold attention, leaving a lasting imprint. It's like looking through a magnifying glass and not a kaleidoscope.
Transformers: Dark of the MoonCourtney Slevison
The Autobots learn of a Cybertronian spacecraft hidden on the Moon, and race against the Decepticons to reach it and learn its secrets.
This film is made for fans of the franchise, and for that purpose it's a great movie. Of course, others may be dismayed by the predictable storyline and cheesy dialogue. The special effects are outstanding, especially in 3D, and the epic action sequences will conjure enough excitement to satisfy the wide-eyed little kid in all of us. "Transformers 3" ultimately works because it's able to keep the story grounded enough in reality to make you think that it could almost be real… almost.
L'Amour fouAnne Murphy
Explores the relationship between fashion designer Yves Saint-Laurent and his lover, Pierre Berge.
Filmed after the death of Yves Saint-Laurent "L'Amour fou" provides a candid look into the life, the breathtaking art collection amassed by the couple and its eventual auction to benefit an AIDs charity. The narrative provides as glimpses into a privileged lifestyle without exploring too deeply. Interesting are revelations of an ongoing struggle with depression and resulting addictions, perhaps one of those being the central objects d'art. Archival film footage stills and interviews are used to effect and reveal much about the troubled man of fashion. Melancholic.
Super 8Anthony Macali
After witnessing a mysterious train crash, a group of friends in the summer of 1979 begin noticing strange happenings going around in their small town.
"Super 8" incites nostalgia, as we share the enthusiasm of the young crew making a short film. Just as the wonderfully realised characters start to develop, an underwhelming and subsequently non-threatening accident crashes the party in more ways than one. Strange things start to happen, some large objects get thrown about, but all it seems to do is rile our interest. Unfortunately the kids stop being kids, turn into detectives, and unveil a remarkably poor revelation. Not that great.
Get LowAnne Murphy
Equal parts folk tale, fable and real-life legend about the mysterious, 1930s Tennessee hermit who famously threw his own rollicking funeral party.
"Get Low" is a good old fashioned hokey folky story with warm understated performances from a big name cast, and a mule. It's deftly crafted and charming to watch. There's a slow build around the themes of guilt and forgiveness before the eventual plot reveal. Although tears are coaxed out during the long awaited climax, this movie will be watched for the dawdling journey rather than the ending. Hard not to like but lacking real highs and lows.
The Hangover Part IIStefan Bugryn
The wolfpack get themselves in trouble again days before Stu's Thai wedding.
This sequel is no more than a duplicate of the original... just in another country. There are a lot of moments where you will feel like you've been before, but the characters are likeable enough to allow them to just get away with it. Some laugh-out-loud scenes manage to carry the film only so far, and while the neat ending is a little too didactic, it's still worth seeing. Watch out for the cringe-worthy musical performance by a well-known boxer; it could well be cinema's worst. He was probably hung-over.
Hoodwinked Too! Hood vs. EvilAnne Murphy
Red Riding Hood is training in the group of Sister Hoods, when she and the Wolf are called to examine the mysterious sudden disappearance of Hansel and Gretel.
Red is a girl who stands up for herself and knocks her opponents out, delivering action before comedy. Still, the snappy dialogue and cracking one-liners are welcome in movies aimed at younger audiences, providing enjoyment for the grown-ups. Annoyingly, there's some not so subtle stereotyping, and you can't help noticing the baddies are all chubby and the goodies fit and trim. Wink, wink, as all in all, it's more good than evil.
A mother's last wishes send twins Jeanne and Simon on a journey to Middle East in search of their tangled roots.
"Incendies" reveals the remarkable journey of a mother, in search of an explanation for her enduring state of despair. As her kids set out on their quest, the truth is exposed through the seamless weaving of past and present. Nawal's story is one burdened by war, religion and tradition, highlighting the generational gap and the sheltered knowledge we have of the 'primitive' views of a past that can cause so much nurtured grief. The fire burns strong and powerful, but very slow.
Something BorrowedWendy Slevison
Friendships are tested and secrets come to the surface when terminally single Rachel falls for Dex, her best friend Darcy's fiancé.
Adapted from a popular novel, "Something Borrowed" is a romantic comedy of errors, where everyone seems to be in love with the wrong person. The movie is essentially the characters sorting themselves out. Unfortunately, this takes a while, and by the end of the overly long running time, audience investment in the protagonists has wilted a bit. While the actors all do a fine job of their roles, the film lacks freshness and charm. The plot feels a little like something borrowed.
Powerful Thor is cast out of the fantastic realm of Asgard and sent to live amongst humans on Earth.
This movie is one of the shiniest you will ever see, from Thor's armour and hammer to his home in Asgard, replete with large gold statues and lots of lens flare. The titular hero is played with great gall and charm, as he is banished from the CGI kaleidoscope of Space to Earth, the perfect place to showcase some of his finer attributes. Aesthetics aside, the film is held together by the power of its cast, who could only have joined the production on the basis of its actor turned director. "Thor" simply gets it done.
Brighton RockAnne Murphy
Charts the headlong fall of Pinkie, a razor-wielding disadvantaged teenager with a death wish.
"Brighton Rock" is a moody and suspenseful thriller, set by a gaudy seaside carnival. A serving girl looking for love gets entangled with a criminal establishing the central tension between good and evil. The movie is dark but the chilling tone becomes hard to hold as the odd scene teeters on a melodramatic precipice... almost, but not quite, compromising its otherwise ruthless edge. An unmistakably English veneer of tea-shop gentility is cracked by hardened characters and gripping action. Callous at its core. Brighton rocks unrelentingly.
Scream 4Courtney Slevison
Ten years have passed, and massacre survivor Sidney Prescott has returned to her hometown.
This instalment of the popular horror franchise reinvents the slasher genre for a savvy new audience. From the hilarious and scream-inducing opening sequence, it's clear that while the film doesn't take itself too seriously, you will definitely be in for a scare. While some of the plot twists are quite predictable, there's some fantastic dialogue and great performances from the predominantly young cast. "Scream 4" plays with the traditional horror formula, letting you believe you know what's coming next, before shocking you with a plot twist that will leave you screaming for more.
Two British comic-book geeks traveling across the U.S. encounter an alien outside Area 51.
Science-fiction films usually present good value, and especially ones with extra-terrestrials, but you leave wanting more from "Paul". What was once cute about a bromance road trip loses its charm when the bond between the self-confessed geeks becomes a little too pronounced. The movie strives for mainstream appeal, fielding a varied range of jokes from satirical science-fiction writers, toilet humour and a galaxy of cultural references. In the end, the quips are hit and miss, invariably creating a funny, but not fantastic film. Average alien fodder.
Young law student Johann Wolfgang von Goethe is in love with Lotte, but Albert Kestner also laid an eye on her.
A key figure in German literature might be considered fusty as the subject of a romantic comedy. Think again, as the author, poet and philosopher is dusted off and enthused with a jaunty vigour. "Goethe!" is a heady and light-hearted costume drama. The rebellious, romantically driven figure may attract new readers, even if the historical integrity of the movie is questionable. The portrayal of the period is superb, and the exploration of the subject's early years is captivating, if shallow.