Rock the CasbahAnne Murphy
Problems arise when Sofia returns to Tangiers and her family is reunited for her father's funeral.
"Rock the Casbah" leaves a lasting memory of its stunning visual backdrops and scenery, and there's a sense of enjoying something sumptuous being put before the audience. Family relationships are at the fore of this engaging character-driven drama and there are skeletons aplenty coming out of the proverbial closet. The flow is disturbed by uneven acting performances and don't be misled by the title, while some scores are settled these are familial and not musical in nature. Rolls rather than rocks.
Two Days, One NightAnthony Macali
Sandra discovers that her workmates have opted for a pay bonus in exchange for her dismissal.
"Two Days, One Night" ponders a precarious dilemma. We learn our protagonist is wrestling a sickness, and feel the helplessness and frustration that comes living with it, amplified by a strong and palpable performance. While the setup is questionable, it enables an interesting and often unseen view of families on the weekend, and the common economic struggles they face. The quiet pace might not suit everyone, but it allows time to properly introduce the various characters, and effortlessly create an emotional connection. Lingers many days after...
Kill the MessengerAnthony Macali
Based on a true story, A reporter becomes the target of a vicious smear campaign after he exposes the CIA's role in arming Contra rebels in Nicaragua and importing cocaine into California.
"Kill the Messenger" gets caught up not knowing what kind of film it wants to be. Considering the alarming and hard-hitting news of the discovery, the expectant feelings of anger and discontent towards the cover-up are severely lacking. The narrative serves more as a lesson in public relations, as we watch an honourable journalist get discredited; his breakdown not as interesting as the politics. An admirable story to bring to the fore… even if the message isn't clear.
Hector and the Search for HappinessAnthony Macali
A psychiatrist searches the globe to find the secret of happiness.
"Hector and the Search for Happiness" is an exotic journey about discovering oneself, which usually involves skipping from one continent to the next, navigating through stereotypes and clichés. The outset is promising, good-natured fun... before the patchy ill-directed plot wanders into the tiresome and mawkish. Exploring such a noble topic, we feel obligated to welcome the premise, but you can't help but think there's a missed opportunity to expand on the many laughs experienced. Nonetheless, the idea is cute enough to please those who will give it a chance. Still searching.
This Is Where I Leave YouJan Di Pietro
When their father passes away, four grown siblings are forced to return to their childhood home.
Life isn't perfect, and the dramas and absurdities within it are manageable, so long as there is honesty and communication. "This is Where I Leave You" likens secrets to cancer, positing human beings as creatures who grow through obstacles. A noble message. This neatly wrapped package contains endearing characters who actively cancel out some expository excrement early on. Although the premise is poorly justified, it's a genuinely enjoyable story, living up to the comedy/drama promise. If we all had a portable potty to enjoy anytime, anywhere, things'd be just great.
Before I Go to SleepAnthony Macali
A woman wakes up every day, remembering nothing as a result of a traumatic accident in her past. One day, new terrifying truths emerge that force her to question everyone around her.
"Before I Go to Sleep" is more frightening than one might think. Living with amnesia is a damned reality, and the film vehemently captures the constant fear and mistrust our protagonist is feeling. With eerie photos and distressing video diaries, each daily cycle will keep the audience guessing, as strong performances from the cast pull in many different directions, mentally and emotionally, before descending into the darkness of the final act. Sweet dreams.
Dracula UntoldAndrew O'Dea
Facing threats to his kingdom and his family, Vlad Tepes looks to make a deal with dangerous supernatural forces - without succumbing to the darkness himself.
"Dracula Untold" is an origin film that injects new blood into an otherwise tired subject. Taking the famous vampire back hundreds of years, there's a degree of thought to the back-story that is both obvious and refreshing. Although the screenplay is most definitely flawed, the trespasses into clichéd territory can easily be forgiven by an audience who will appreciate the charismatic lead and his frequent forays into the grim and gory. Doesn't suck.
Advanced StyleAnthony Macali
Advanced Style examines the lives of seven unique New Yorkers whose eclectic personal style and vital spirit have guided their approach to aging.
"Advanced Style" is a lovely documentary that will invigorate and enliven. As it fleetingly delves into the profiles of the stylish ladies who make up this blog-inspired film, we get exposed to some deeply creative and driven elderly women that one might not normally notice walking down the street. We also learn that with age comes a great sense of humour, with the interviewees encouraged to share stories just a little more philosophical than the contents of their wardrobe. A passion for fashion.
The EqualizerJan Di Pietro
A man believes he has put his mysterious past behind him and has dedicated himself to beginning a new, quiet life, until he meets a young girl under the control of ultra-violent Russian gangsters.
"The Equalizer" is rampant Hollywood patriotism. It's vengeance in the name of justice, and an unashamed reaffirmation of the American dream. However, the characters are memorable, and the direction is slick. Highlights include enthralling scene work and highly creative gore. The film thrills and stirs passion, but you might puke red, white and blue afterwards.
The Inbetweeners 2Andrew O'Dea
Neil, Will and Simon receive an invite from Jay to join him in Australia whilst on his gap year, who promises them it's "the sex capital of the world".
"The Inbetweeners 2" reunites its audience with the foul mouthed, awkward quartet in this relentless procession of puerile comedy. Those expecting anything even remotely more than lowbrow humour and excrement gags will be sorely disappointed. Shock value is at the forefront of what is an otherwise flimsy film, with some truly cringe-worthy set pieces providing moments of genuinely uproarious laughter. Well-good banter.
Paper PlanesAnthony Macali
An imaginative children's film about a young Australian boy's passion for flight and his challenge to compete in the World Paper Plane Championships in Japan.
"Paper Planes" is a laudable representative of Australian drama, reminding us of some of the more imaginative and simpler pleasures in life. With themes of grief, bullying and the importance of winning, it's difficult to dislike this innocuous outing. While it may struggle to find an audience outside of its target demographic, the performances of the adolescents and uplifting musical score will inspire a generation. Pull out the A4's... and start folding.
An ex-con, who is the unlikeliest of role models, meets a 15-year-old boy and is faced with the choice of redemption or ruin.
'Joe' is a well-revered man and surprising anti-hero to the strange dwellers of his back-wood community. He resides in a neighbourhood full of sinister characters, with troubled pasts and captivating lives. In the middle lies a relationship with the young Gary. Their exchanges form the most rewarding part of the film, as they thrive and learn from their experiences. Despite a lull towards the end, the local menaces will keep on you on edge. A hard-working performance.
A woman, accidentally caught in a dark deal, turns the tables on her captors and transforms into a merciless warrior evolved beyond human logic.
"Lucy" is a stylish action thriller replete with dizzying effects and splendid imagery. Ambitious in scope, the movie is held together by a fascinating premise and a superb performance from the lead. Unfortunately, for a film that explores the idea of human potential, it doesn't quite to live up to its own. Interesting without being entertaining, it loses credulity with a slew of logical plot gaps either glaringly convenient or simply left unexplained. Reaches 60% of its capacity.
Deliver Us from EvilAnthony Macali
New York police officer Ralph Sarchie investigates a series of crimes. He joins forces with an unconventional priest, schooled in the rites of exorcism.
"Deliver Us from Evil" is a bizarre crime thriller where the victims are 'possessed'. For most part, the police investigation at its core plays out rather conventionally, affirming the real world setting and origins. Gradually evil and scares creep in, usually in very dark rooms, accompanied by very large bangs. Even with the terrifying gore-extravagant finale, bouts of surprising humour break up the overwhelming moments of occult. Delivers on its promise.
It's a sweltering summer before the final year of school and Billie and Laura share every secret except for Billie's biggest secret - she's crazy in love with Laura's boyfriend, Danny.
"Galore" is a moody movie that captures the nihilism of youth. It's a grim story of realism as opposed to other more fanciful offerings about youth that create 'Grimm' tales of fantasy. The central 'BFF's' have nothing much to do and nowhere to go but cycle to the local swimming hole for relief from their otherwise stifling situations. Still it is compelling, even as the viewing experience is suffocating. Galore?
Seduced and AbandonedAnne Murphy
An exploration of several interconnected subjects: The Cannes Film Festival, cinema art, money, glamour and death.
It's said that a story has a start, a middle, and an end, but this doco is all middle with little set-up or context and no real conclusion. There are interesting conversations with well-known directors and other studio folk, even an actor or two. Movie buffs will enjoy this more than others. The business of film making is laid bare and it might not be surprising to find that in what should be a creative world it's money that does the talking. No happy ever afters.
For Those Who Can Tell No TalesAnne Murphy
An Australian tourist discovers the silent legacy of wartime atrocities when she arrives in a seemingly idyllic little town on the border of Bosnia and Serbia.
This is a moving portrayal of coming to terms with atrocities of the recent past. The story is based on the real life experiences of one of the writers, who is also the lead actor, and it has an authentic feel. If only the tone didn't get quite so preachy; the superior analysis of an outsider with the privilege of coming in as a tourist does irritate a little. Importantly though it does give voice...
A chef who loses his restaurant job starts up a food truck in an effort to reclaim his creative promise, while piecing back together his estranged family.
Don't see "Chef" on an empty stomach, the food on the screen is mouth-watering, and will have stomachs rumbling. Interestingly, this is a movie as much about social media as it is food trucks. Mix troubled relationships between friends with a road trip, and there are no prizes for guessing what's served up. It is a feel good film though, and what the story lacks in flair it makes up with fun. Flavoursome but formulaic.
As Dr. Will Caster works toward his goal of creating an omniscient, sentient machine, a radical anti-technology organization fight the threat of artificial intelligence.
"Transcendence" is a story high in concept, but low on explanation. Despite the director's best efforts, it's difficult to succumb to the doomsday scenario dreamed up. Moving at a quantum-like pace, the film readily skips over the 'science' and settles on exploring the apprehension and awe of a supercomputer with a brain. While impressive in its infancy, the plot descends into all kinds of silliness and confusion towards the end. Makes less sense.
In a World...Anne Murphy
An underachieving voice coach finds herself competing in the movie trailer voice-over profession against her arrogant father and his protégé.
Indie films, such as this one, often have a wisdom that belies their budget. "In a World" is wise along with the wise-cracks, and there's something deft in how points are made around perennially topical social themes like sexism without causing discomfort. It is witty rather than sharp and endearing in lieu of irresistible, but overall convincing and clever. Like its lead character the movie is a likable underachiever. Yes, in a word.
300 Rise of an EmpireAndrew O'Dea
Greek general Themistokles leads the charge against invading Persian forces.
"300: Rise of an Empire" is an epic spectacle of video-game violence and gore. This stylised action fantasy retains the familiar and flashy comic-book style of the franchise, replete with blood-spattering slow motion and enough visceral excess to keep the senses engaged. Although it pales in comparison when evoking the same emotional vigour of its predecessor, the void is redeemed by the sultry, murderous heroine at its center who steals and carries the show. Not bad as a stand-alone movie, it's just missing some limbs.
Wolf Creek 2Andrew O'Dea
The outback once more becomes a place of horror as another unwitting tourist becomes the prey for crazed, serial-killing pig-shooter Mick Taylor.
Set against the harsh yet beautiful Australian outback, "Wolf Creek 2" manages to carry its own as a quintessentially 'Aussie' horror flick. This bone-grinding sequel might lack the shock surprise of its predecessor, but there's still enough depravity and carnage to appease the gore-hungry and chill-seekers alike. Although some may find the story bordering on predictable, most will giddily revel or revile in the grim-humour and violence of the 'fair dinkum' sociopath at its core. Bloody hell.
The Wolf of Wall StreetAndrew O'Dea
Based on the true story of Jordan Belfort, from his rise to a wealthy stockbroker to his desperate fall.
This character driven story is an amoral orgy of excess fuelled by drugs, sex... and money. While being an indictment of greed, there are no moralistic judgements; instead the white-collar criminals damn themselves. Outrageous hilarity ensues as the audience are invited to revel in unbridled decadence and debauchery. A stylistic and witty film featuring remarkable performances, the only flaw is an overindulgence in running time, making it difficult to hold the audience's attention in parts. Although it huffs and puffs, it just doesn't quite blow the house down.
Fearless optimist Anna teams up with Kristoff in an epic journey to find Anna's sister Elsa, whose icy powers have trapped the kingdom in eternal winter.
"Frozen" is the story of two sisters surrounded by a dazzling world of ice that gleams so impressively in this animation. While the characters and relationships are tailored to suit a modern audience, the core of the story sticks to a classic formula with familiar themes of family and love. Full of adventure and laughs thanks to a troupe of goofy sidekicks, this film distinguishes itself with merry displays of music and song. For the young princesses of the world.
Anchorman 2: The Legend ContinuesAndrew O'Dea
With the 70s behind him, San Diego's top rated newsman, Ron Burgundy, returns to take New York's first 24-hour news channel by storm.
Vintage Ron Burgundy returns to the screen in this fantastically outrageous sequel. Not nearly as much fun as the prelude, hard-core fans will no doubt be left in stitches by the familiar silliness of "Anchorman 2", and the rapport of its cast who shine in their individual performances. The film is downright hilarious in parts, only to be let down by stretches of padded, low-brow humour in-between. By no means a comedic gem, but offers just enough to stay classy.