The Messenger
Anne Murphy
An American soldier struggles with an ethical dilemma when he becomes involved with a widow.
"The Messenger" delivers emotional punches in relentless succession in a context of heartbreaking realism. More than a war film, or even a film about the army, this is a movie about loss and grief, mostly expressed by men. Harrowing exchanges made when people are at their most vulnerable are intense to witness, made no less easy by scenes where withheld emotions seethe within the characters. Thankfully there are strands of camaraderie and humour threaded throughout, and they serve to strengthen the compelling messages.
The Loved Ones
Anne Murphy
When Brent turns down Lola's invitation to the prom, she concocts a wildly violent plan for revenge.
"The Loved Ones" take ingredients familiar to the horror genre, lonely country roads, self-conscious teenagers, power tools and a high school dance, and creatively serves them up in an inventive story. This movie is both frightening and funny, typically the comic moments are more frightening than fun. The recognisably Australian production is all the more macabre for having been achieved without shiny special effects, no gloss. It's crowned with shockingly good performances from actors we'll see more of. There's a haunting message that love hurts.
The Last Summer of La Boyita
Anne Murphy
Feeling estranged from her older sister, Jorgelina and her father go in their Boyita camper-van, to the countryside where playmate Mario is undergoing some changes of his own.
This coming of age story is set during a long hot summer on the Argentinean Pampas. It's a summer of discovery, particularly of the unknown and unimagined world of inter-sexuality and gender identity. The children's roles are well acted, striking a perfect balance between innocence and precociousness. The sensitive themes are tenderly handled - the film's narration is more through visual imagery than dialogue - and it never becomes clumsy. Can't wait for Autumn.
- Genre » Drama
- Release » Limited 17 Mar 2011
- Festival » Melbourne Queer Film Festival 2011
The Last Station
Anne Murphy
A historical drama that illustrates Russian author Leo Tolstoy's struggle to balance fame and wealth with his commitment to a life devoid of material things.
Anchored with a passionate but philosophically-conflicted relationship between a husband and wife, "The Last Station" is a sweeping period piece that manages not to overwhelm with historical trappings. The a story is engrossing where, given the subject, it could have been rather dour. The players resist melodrama; there's an almost capricious tone that makes this film a pleasure to watch. It's not revealing too much to say the last station is the end of line.
The Killer Inside Me
Anne Murphy
A West Texas deputy sheriff is slowly unmasked as a psychotic killer.
Small town post-war America is faithfully captured and depicted in a way that almost elicits nostalgia, even for those of us who weren't there. "The Killer Inside Me" is dark and moody as well as stylish, as is the film-noir tradition. Watching the sociopathic protagonist committing a string of murders while maintaining his deception is profoundly disturbing. Sadistic elements of the story-line are intended to shock; the violence is brutal and administered with pre-meditated determination but most chilling is the demeanour of the murderer. There is not a flicker of remorse inside this killer.
The Kids Are All Right
Anne Murphy
Nic and Jules had the perfect family, until they met the man who made it all possible.
Watching this grown-up drama is an engrossing experience. The central family with its two Mums is more normal than many more traditionally conventional families. The complex and real characters are mature until they do something impulsive or all too human in a wonderful reflection of modern family life. There are tensions, teenage angst, love, and a good deal of craziness in this refreshing comedy. Without preaching and never condescending, we're immersed in a new normal. The kids are alright and their Mums are too.
The Iron Lady
Tom Jones
A look at the life of Margaret Thatcher, the former Prime Minister of the United Kingdom.
Romance or political drama? "The Iron Lady" could be shelved under either genre as it depicts the political rise and fall of Margaret Thatcher against the backdrop of her mourning the passing of her husband. There is a nice balance of both plotlines and the inclusion of real footage adds conviction to this film. The performance of the lead is so convincing it's like a Madame Tussauds figure coming to life. Thatcher herself endorsed 'doing something' rather than trying to be 'somebody'. With that in mind, do something... go and see this film.
The Ides of March
Stefan Bugryn
A game of dirty politics plays out behind the scenes of the campaign for a Presidential candidate.
This is minimalistic film-making at it's best. The movie tackles some truly hard-hitting notions, but packs its punch with the little things. It's captivating to watch the actors hold back the emotion, where the drama is implied rather than thrown in your face. The long stares. The knowing eyes. It all sizzles in the background… but you can definitely feel it. The director could have easily gone for high melodrama, but instead went for the complete opposite, and it paid off remarkably. A vote of confidence.
The Hunger Games
Anthony Macali
Set in a future where the Capitol selects a boy and girl from the twelve districts to fight to the death.
There's so much going on in "The Hunger Games" that you're bound to find something to cheer for. In a world of poverty and social class, it explores themes of politics and power, while emphasising the unsavoury demand for reality entertainment and violence. All these observations warrant our likeable heroine to do battle, an exercise that will satisfy the more bloodthirsty of fans. The build-up to the ceremony still ranks best, its history and spectacle matched by the lavish make-up and fashion on parade. Captivating and intense, the odds are definitely in its favour.
The Human Resources Manager
Anne Murphy
The HR manager of Israel's largest industrial bakery sets out to save the reputation of his business and prevent the publication of a defamatory article.
The plot sounds like the set-up for a punch-line; an HR manager, a journalist, a street kid and the Commissar's husband go on a road trip, as opposed to walking into a bar. "The Human Resources Manager" is a warm and satirical journey across the landscapes of Israel and Romania that reveals man's humanity towards man, and it's as funny as any good bar joke. If only more HR managers were this delightfully quirky.
The Hedgehog
Anne Murphy
Paloma is a serious, but deeply bored 11 year old, who decides to kill herself on her twelfth birthday.
"The Hedgehog" is a melancholic and elegantly understated character study, artistically crafted and entrancing. The film's direction is deft, uncovering a very moving exploration of the human condition beneath a simple tale. The story is focused on three intelligently drawn characters with rich inner lives in which they insulate themselves from the world outside. The performances of the lead roles are without fault, balancing humorous, absurd, and enigmatic characteristics. We see both the prickles on the outside and the warm hearted inside of a hedgehog.
The Hangover
Anthony Macali
A Las Vegas-set comedy centered around three groomsmen who lose their about-to-be-wed buddy during their drunken misadventures, then must retrace their steps in order to find him.
"The Hangover" premise is familiar and simple, the perfect breeding ground for plenty of laughter and stupidity. While the trailer might steal most of the best moments, the film is still hilarious. The characters are half as likeable as they should be, but it does make it funnier when bad stuff happens to them. It only struggles towards the ending, as jokes resort to bad cameos and slapstick. Despite a few headaches, it's still a winner.
The Girl Who Played with Fire
Tom Jones
As computer hacker Lisbeth and journalist Mikael investigate a sex-trafficking ring, Lisbeth is accused of three murders, causing her to go on the run while Mikael works to clear her name.
Set in the country famous for IKEA, this film is much the same as visiting one of their superstores, minus the ball pit. There are countless twists and turns as you follow the path of these complex characters, and at the end, you pick up the pieces. The epic plotline is full of suspenseful and provocative drama, delivered at a pace which will leave you behind if you don't keep up. The best in Swedish design. Ja!
The Fighter
Anne Murphy
A look at the early years of boxer "Irish" Micky Ward and his brother who helped train him before going pro in the mid 1980's.
If you thought stories of the boxing hero had retired to their corner, grab a ringside seat... "The Fighter" will get you in a clinch. Oddly the fighter himself is the most conventional, and possibly the least interesting character in the ensemble. There are no glass jaws among his family, brawlers all. While not landing a full body blow, the action is powerful if punishing to watch. The gloves are off, and the audience is delivered a TKO.
The Eye of the Storm
Wendy Slevison
A woman used to controlling everything in her life chooses her time to die.
If you've ever doubted what Australian cinema is capable of producing, see "Eye of the Storm". Adapted from the book of the same name, every facet of the crafting of this film is of the highest quality. Featuring a cast of acting nobility who deliver their roles with meticulous insight, superb cinematography and assured direction, the story unfolds with unrelenting potency. As the complex relationships and palpable tensions intensify, you are left feeling that you have indeed been through the eye of a storm, but there is also the exhilaration of having been a witness to the tempest.