Sympathy for the DevilAnne Murphy
Jean-Luc Godard's Sympathy for the Devil uses both documentary and staged sequences, alternating between an inside look at a rock band's recording process and reflections on politics.
Watching "Sympathy for the Devil" is like opening a time capsule and being transported back to 1968. The viewing is patchy as the camera moves from a recording studio to a yard of car wrecks. The Rolling Stones reveal themselves as incredibly professional as they create their magic, a stark comparison to the intellectualising revolutionaries who become quite tedious to watch. Back in those days, even Jagger didn't move like Jagger, but he was compelling musician.