After EarthAndrew O'Dea
A crash landing leaves Kitai and his father Cypher stranded on Earth, a millennium after events forced humanity's escape.
This ill-conceived film is an uninspiring, predictable story of survival. Poor acting isn't helped by wooden dialogue, nor the leading man's charisma being wasted in what is essentially a supporting role. The special effects are especially sub-par, which is particularly disappointing given dazzling visuals are often the most exhilarating and redeeming feature of sci-fi flicks. The best part about "After Earth" is finally making it to the 'after' part.
The Great GatsbyAnne Murphy
A Midwestern war veteran finds himself drawn to the past and lifestyle of his millionaire neighbour.
"The Great Gatsby" as a book is a literary classic and it's difficult to review the movie without making comparisons. Most viewers will watch with some sort of expectation. Do so at the peril of your enjoyment, look too critically and you'll see this is not a perfect image of the novel. Forget familiarity, the director has delivered a turbo-charged, multi-coloured and visually spectacular version of the story and intriguing characters alike. This film version is true to the source but somehow greater.
A father goes undercover for the DEA in order to free his son who was imprisoned after being set up in drug deal.
"Snitch" seizes upon the value of a 'based on true events' premise and tells the story of an amiable father who throws himself into the most dangerous of situations. Trying to win the trust of shady drug lords isn't easy, creating an atmosphere loaded with suspense. It quickly becomes apparent that our wishful hero is out of his depth, and the film is successful enough in its character portrayals that we actually care. Each move may be predictable, but the ride is enjoyable enough. Dobbed in.
The Hangover Part IIIAndrew O'Dea
There's no wedding and no bachelor party... but when the Wolfpack hits the road, all bets are off.
"The Hangover Part III" is a victim of its own success. Still running on the fumes of the hugely popular first installment, this outing is nothing more than a shameless cash-grab, where the only real debauchery involved is its mere production. What sort of 'hangover' movie doesn't even have a hangover? While there are some rare and isolated moments of hilarity, what lies in-between is nothing but a desert bereft of comedy or thrills – where any laughter is contrived and strained at best. What happened in Vegas should've stayed in Vegas.
An art auctioneer who has become mixed up with a group of criminals partners with a hypnotherapist in order to recover a lost painting.
"Trance" is a demonstration in the odd behaviours associated with art, hypnosis and love. What starts as an apparent heist film quickly transitions into a psychological thriller, challenging the audience to discover the truth. With each chapter, the story introduces new pieces of the puzzle and dissecting each revelation delivers a sense of accomplishment. Driven by a great cast of ensnaring characters, the only frustrating memory might be a plot-twist too many. A riveting piece missing perfection.
Star Trek Into DarknessAndrew O'Dea
After the crew of the Enterprise find an unstoppable force of terror from within their own organization, Captain Kirk leads a manhunt to capture a one man weapon of mass destruction.
"Star Trek Into Darkness" is engaging on a magnificent scale, bringing the flare and energy of its predecessor to screen. A cluster of high octane action sequences are set against the visual grandeur of other-worldly backdrops, all the while propelled by solid storytelling. The director has sewn this movie together with an almost clinical precision, and the entire cast play their roles with sublime conviction, in particular the chilling and malevolent villain at its core. Set phasers to awesome.
Iron Man 3Andrew O'Dea
When Tony Stark's world is torn apart by a formidable terrorist called the Mandarin, he starts an odyssey of rebuilding and retribution.
The third instalment of the "Iron Man" franchise once again welcomes the familiar fusion of humour and action. Although the pacing can feel uneven at times, almost as if cruising on auto-pilot, the film is held together by a clever script and the charisma of its leading man who entertains with trademark wit, quips and playboy antics. However, it's the shiny suit that is the star of the show, and it doesn't disappoint in a myriad of explosive CGI that reaches its peak in an epic finale. Proves its mettle.
The Big WeddingAnne Murphy
A long-divorced couple fakes being married as their family unites for a wedding.
Rather than celebrating marriage, "The Big Wedding" has a core of infidelity and it doesn't stop there. This movie offers many good reasons to avoid matrimony. The happy couple is happy enough but they fail to spark much interest; nor do their families made up of mostly crass characters. It's all a bit vulgar and unfunny but fortunately a little too lame to be really offensive. The most objectionable part is being lured into a cinema by the big name actors in this low brow feature. Big wedding but little entertainment.
Scary Movie 5Andrew O'Dea
A couple begin to experience some unusual activity after bringing children home from the hospital.
The opening sequence of "Scary Movie 5" sets the tone, signifying the epitome of rock-bottom for the 'stars' at its centre. Just when the franchise couldn't possibly squelch any further into the depths of cinematic depravity, this latest offering insults us with a 'dumbed-down version of stupid stuff'. There's almost a sense of desperation as a series of painfully unfunny skits are force-fed to the audience in a feeble attempt at comedy. Juvenile and unfunny, the only scary thing about this movie is that they might make another one.
Warm BodiesAndrew O'Dea
After R (a highly unusual zombie) saves Julie from an attack, the two form a relationship that sets in motion a sequence of events that might transform the entire lifeless world.
This offering from the 'zom-rom-com' movement is a refreshing approach to the tale of teen-romance. Zombie purists expecting an onslaught of guts and gore will be sorely disappointed, as at its heart, this movie is an unlikely love story that bucks convention. Although the action and comedy are sparse, it still entertains when necessary. With more wit and life than most from the genre, "Warm Bodies" makes for a surprisingly charming film. Dead on.
Olympus Has FallenAnthony Macali
The White House is ambushed by an army of terrorists and the Preisdent is taken hostage. A former guard leads the one-man rescue.
"Olympus Has Fallen" is a non-stop assault of guns and explosions, striking a close resemblance to video games. This B-Grade action revamp features the prototypical bad guys of North Korea, and a hero relishing the violence he's confronted with. Leading the charge to save the world, our patriotic general does not shy from the bloody onslaught or increasingly amusing 'one-liners'. If you can arrest the flaws and the lull at the half-way mark, you may find the ludicrous situation good fun. Stands up.
A veteran assigned to extract Earth's remaining resources begins to question what he knows about his mission and himself.
"Oblivion" is a dystopian thriller that plays like a mix-tape of science fiction flicks; borrowing heavily from like-minded genre films that came before it. For the most part, the movie is fairly engaging, and it's difficult not to appreciate the sweeping landscapes and polished production values that are matched to a pulsating soundtrack. Yet for all the visceral flair, it's a shame the story lacks the originality and tension to distinguish itself from being just another clone. Too obvious.
G.I. Joe: RetaliationAndrew O'Dea
The G.I. Joes are not only fighting their mortal enemy Cobra; they are forced to contend with threats from within the government that jeopardise their very existence.
"G.I. Joe: Retaliation" is a high-octane, relentless onslaught of stupidity. The storyline is as moronic as the dialogue which will often illicit laugh-out-loud moments, but for entirely the wrong reasons. It honestly feels as if the filmmakers thought they would get away with decorating a pile of sewage with a bunch of bazookas, ninja stars and a nuclear warhead before releasing it as a 'movie'. This film is nothing more than an insult to both the intelligence and wallets of its audience... G.I. Joke.
The HostAnthony Macali
An unseen enemy threatens mankind by taking over their bodies and erasing their memories.
"The Host" entertains an unusual mix of science-fiction and romance. The doomsday premise raises many questions, but the only one it attempts to answer, to much chagrin, is that of love. It presents a girl, and the ethereal being coexisting inside her head, falling for two different boys. It's a complicated situation that no amount of kissing can solve, and the bizarre scenario often draws unintentional laughs. Apart from this dilemma, the rest of the film is far from ground-breaking and largely uneventful. Every body wins.
Elspeth Dickens is stuck in an isolated farmhouse with her twin toddlers when a web-cam becomes her pathway to fame and fortune, but at a price.
It's faint praise to say that "Goddess" is a pleasant enough movie. The title suggests heavenly heights might be achieved but it is rooted in ordinariness. While this Australian production is not bad, it disappoints by not being fabulous either. It bounces around with a slightly annoying level of frivolity, finding form as a light and bright escapist production that never quite clicks into gear. Humdrum benign Mum.
The Incredible Burt WonderstoneAnthony Macali
When a street magician's stunts begins to make their show look stale, superstar magicians Burt Wonderstone and Anton Marvelton look to salvage on their act.
The world of magic is an easy target, which makes it even more astonishing how much of a failure "The Incredible Burt Wonderstone" is. Not long after the first act, the tired comedic routine becomes repetitive and predictable. Viewers beware; don't be fooled by the illustrious cast, who might try hard, but are not funny, performing with little class and no laughs. As a member of the audience, you'll wish you could disappear.
Members of a world-renowned string quartet struggle to stay together in the face of death, competing egos and insuppressible lust.
When you find yourself weeping in a cinema, why is it that you cry? Is it for the life loves and losses of fictional characters or for your own fragile mortality? Something extraordinary is orchestrated when a writer and director conspire to bring a finely tuned production to the screen. Credit must also go to the talented actors who perform together seamlessly as a quartet. "Performance" is played like a concerto. Bravo!
Oz the Great and PowerfulAnthony Macali
A small-time magician arrives in an enchanted land and is forced to decide if he will be a good man or a great one.
This prequel to the "Wizard of Oz" is full of mystery... the greatest being: why was it made? Special effects have come a long way, and "Oz the Great and Powerful" puts them to good use in a land saturated with colour, billowing landscapes and a yellow brick road with a 3D makeover. Hyper visuals are nice but this film needs more from its sweet story. The tale of redemption stalls, and non-human characters steal the show from the magician famous for charisma. Oz the not-so-great.
Great ExpectationsAnne Murphy
A humble orphan suddenly becomes a gentleman with the help of an unknown benefactor.
"Great Expectations" could be the original coming-of-age tale, and with its themes of social class, justice, love and obsession, it is apparent the original work was written by a social critic. It's probable that those who have not read the source material will enjoy the movie the most, although reading it could be marginally quicker than the film running time. Still, it is well worth taking the time to watch this sumptuous and well acted nineteenth century London drama with its gothic overtones. Expectations exceeded.
Cloud AtlasAndrew O'Dea
An exploration how the actions of individual lives impact one another in the past, present and future.
"Cloud Atlas" is a sprawling, thought-provoking film that explores the consequences of our actions, based upon the premise that the choices in one life will influence the next. The scope is epic; narratives are interwoven and re-visited as it spans the centuries and into the future, requiring an utmost attentiveness throughout. The sheer ambitiousness of this movie is sure to polarise. The audience will either be baffled and exasperated by such a layered and complex story, or thrilled by the mystery and profound emotional effect left on their philosophical compass.
Save Your Legs!Stefan Bugryn
A ragtag team of suburban cricketers get a chance to tour India.
"Save Your Legs" acts better as a postcard of India rather than the team bonding, coming-of-age drama it's meant to be. The film's intentions may be good - it's cute and charming at times - but overall the result is mostly boring, with jokes often bordering on cringe-worthy. It also becomes very predictable, one of the movie's biggest flaws, and the ending can be spotted a mile away. Though substantially well produced, it lacks any real substance... save your pennies.
Side EffectsAnne Murphy
A woman's world unravels when a drug prescribed by her psychiatrist has unexpected side effects.
Much like its characters, "Side Effects" is never in touch with reality, not that realism, per se, is necessary for a good movie. The misrepresentation of mental health problems and treatment is a little unforgivable though; an already marginalised population may be further stigmatised, and that's not entertainment. There are lots of twists and turns that build intrigue but somehow the story manages to become more preposterous with each plot revelation, and the suspension of disbelief is necessary for viewing enjoyment. Pharma meets psychodrama.
The Last StandStefan Bugryn
A small town sheriff must stop a Mexican druglord from crossing the border.
Unfortunately, there isn't enough originality to set "The Last Stand" aside from the rest. It takes a little too long to actually kick in, and it's not until the second half that the action really gets under way. Petrol-heads get their fix, with just as many car chase scenes as there are shoot-outs; and of course, one liners and comedic moments are never far away. It won't go down in history as one of the best action movies ever, but it's still a fun ride, if that's what you're after.
As the Civil War continues to rage, America's president struggles with continuing carnage on the battlefield and as he fights with many inside his own cabinet on the decision to emancipate the slaves.
Without a preceding interest in the subject matter, "Lincoln" may struggle to win your vote. The historic period is recounted in splendid detail. Fine visuals don't aid the understanding of this important, turgid story that features a lot of bearded men arguing in dark rooms. Despite a remarkable and benevolent performance from the President, interest wanes as the long running-time draws out. Unlikely to please the majority.
Hansel & Gretel: Witch HuntersAndrew O'Dea
Hansel & Gretel are bounty hunters who track and kill witches all over the world. As the fabled Blood Moon approaches, the siblings encounter a new form of evil that might hold a secret to their past.
The old adage hints that you should never judge a movie by its title, but in this retelling of the classic fable, audiences would be remiss to expect anything remotely more than Hansel & Gretel... hunting witches. The premise is ludicrous and predictable in this film that values style over substance, yet action fans will nonetheless be entertained by watching a host of witches serving as nothing else but vessels to cackle then splatter across the screen. Don't be lured by this candy.