Me and Orson WellesAnne Murphy
A teenager is cast in the production of "Julius Caesar" directed by a young Orson Welles in 1937.
"Me and Orson Welles" is a coming of age drama within a convincing theatrical setting. The era is authentically replicated, and the characters so well drawn the audience is transported to thinking we're watching Orson Welles in his prime. The raging genius, ruthless manipulator, and ambitious actor and director are all credibly presented. Theatre life and backstage dramas within the chaos of the production process are all used to enthral, and it's crowned by romantic intrigue. This is a well directed movie that ends with applause.
Knocked UpAnthony Macali
For fun loving party animal Ben Stone, the last thing he ever expected was for his one night stand to show up on his doorstep eight weeks later to tell him she's pregnant.
A cocktail mix of crass jokes and baby sentimentality, "Knocked Up" is a surprisingly touching story that will leave you drunken with laughter. With a premise that is borderline believable, it introduces a unique perspective on birth, one not afraid to poke fun at all parts of the 40 week journey. It shows the miracle of birth, the trials of marriage and how fantastic, difficult and funny life can be.
The BeaverAnthony Macali
A troubled husband and executive adopts a hand-puppet as his sole means of communicating.
"The Beaver" is really funny and really sad, chipping away at a frenetic pace. The puppet is strangely hypnotic, with an accent and antics that produce most of the laughs in a performance clearly indebted to his master. We're soon reminded the situation is quite serious, and that some outlets often serve as rather unorthodox modes of therapy. While the audience might have the required patience for such, the characters do not. The son wrestles with issues of his own, pressing a sub-plot that doesn't quite work. On the whole though, this outfit is short, shrewd and deeply moving.
Yes ManWendy Slevison
When wet blanket Carl decides to try saying "yes" instead of "no" to everything asked of him, his life changes in more ways than he could ever have imagined.
"Yes Man" is a warm-hearted, thought-provoking, and often hilarious comedy that makes for a very entertaining film. With a script perfectly suited to its unique star, the imaginative twists and turns of the plot will have you firmly cheering for Carl as he experiences the ups and downs of his experiment, but also pondering your own life. The message here is simple - try embracing more of life's opportunities.
Black SheepAndrew O'Dea
An experiment in genetic engineering turns harmless sheep into blood-thirsty killers that terrorize a sprawling New Zealand farm.
"Black Sheep" is a horror comedy pertaining to the most unique of premises. It's clever and fun and gets away with it because there's no need to pull the wool from our eyes, and it's easy to just sit back and enjoy the mutton madness. These 'baa-baa bad sheep' blend enough humour and gore to create a sublime comedy. If you donâ€™t take things like this too seriously, ewe'll be sure to laugh...
Set in 1930s Paris, an orphan who lives in the walls of a train station is wrapped up in a mystery.
"Hugo" is a magical story for kids with a penchant for adventure. A fantastic French train station is brought to life, and thanks to some crafty 3D, delves into the gleaming maze of clocks and cogs that surround the walls. As our young characters continue to solve the puzzle, the plot strangely shifts, taking the audience in a completely new direction... to explore the birth of cinema. It's an odd division in the film, and accompanied by a few irrelevant supporting members, unsettles the enchantment of this visual treasure. All the pieces seem to fit.
Captain America: The Winter SoldierAndrew O'Dea
Steve Rogers struggles to embrace his role in the modern world and battles a new threat from old history: the Soviet agent known as the Winter Soldier.
"Captain America 2" is testament to big-budget blockbusters capable of delivering substance in both plot and action. Grittier than its predecessor, this well rounded sequel plays more like an espionage thriller, and surprises in its contemplativeness of political and social relevance. A host of characters are each given time to develop without disengaging the audience, complementing the lavish visual effects and explosive, bone-crunching set pieces. Stars and spangles.
An art auctioneer who has become mixed up with a group of criminals partners with a hypnotherapist in order to recover a lost painting.
"Trance" is a demonstration in the odd behaviours associated with art, hypnosis and love. What starts as an apparent heist film quickly transitions into a psychological thriller, challenging the audience to discover the truth. With each chapter, the story introduces new pieces of the puzzle and dissecting each revelation delivers a sense of accomplishment. Driven by a great cast of ensnaring characters, the only frustrating memory might be a plot-twist too many. A riveting piece missing perfection.
The Woman in BlackAnthony Macali
A lawyer travels to a remote village where he discovers the vengeful ghost terrorizing the locals.
The message is clear from "The Woman in Black". Stay away, or be haunted. A mist-laden and exquisite countryside plays host to the ghost, a town riddled with scary looking kids and impending doom. The film is at its terrifying best with the lead simply exploring the dark house of his confinement. In a time when one cannot simply turn on the lights, every creak and crack builds unbearable tension. Unfortunately this apprehension doesn't last to the end. Good old-fashioned frights.
Tower HeistAnthony Macali
A group of hard working guys conspire to rob a wealthy business man's high-rise residence.
"Tower Heist" might not be the most complex of capers, but it does produce plenty of laughs along the way. The high calibre cast is fun to watch, the only drawback being their inability to share the screen time in satisfying amounts. Much of the entertainment comes from the ordinary hotel crew and the birth of their criminality. Clearly out of their depth, they embark on hilarious exercises to plan and prepare. It's a shame that when our heroes and villain do confront, the exchange is pretty tame, sharing metaphors to be ignored. Few surprises but gets the job done.
Harry Potter and the Deathly Hallows: Part 1Andrew O'Dea
Harry, Hermoine and Ron race against time and evil to destroy the Horcruxes.
This penultimate chapter of the Potter franchise undoubtedly cements its transition from children's story to mature fantasy. Tinged with frightening scenes and violent action sequences, the decidedly dark and brooding tone is established from the outset. Credit is due to direction that still manages to strike a balance between tragedy and humour, while the special effects throughout are simply spectacular. This film basically serves as a vehicle to build suspense and anticipation for the climactic final installment, and now the stage is set for what promises to be a magical conclusion...
A 16-year-old who was raised by her father to be the perfect assassin is dispatched on a mission across Europe, tracked by a ruthless intelligence agent and her operatives.
"Hanna" is a film that will divide action fans. Some will appreciate that this isn't your conventional assassin flick, as it straddles the line between art-house and mainstream cinema. Others will lament the lack of action as it takes the time to explore themes of family and coming-of-age. Although the fight and chase sequences might be sparse, they are each technically captivating, and enhanced by a brilliantly pulsating, almost hypnotic soundtrack. Surreal and wayward, but still hits the mark.
Hot FuzzAnthony Macali
A city cop, too good for his job, is reallocated by his colleagues to the English country town of Sanford. The cop soon discovers a lot of suspicious accidents in this supposedly quiet town.
There are many laughs in this tribute to the buddy cop films of the eighties with countless references (some purposely orchestrated). The grande finalé should have started earlier in the film, but was not unwelcome and provides the best satire. If your humour welcomes fly-kicking elderly citizens to the head, you will enjoy this.
Saving Mr. BanksAnne Murphy
Author P. L. Travers reflects on her difficult childhood while meeting with filmmaker Walt Disney during production for the adaptation of her novel, Mary Poppins.
You don't need to be a critic to appreciate a film about the story behind a film, or the story behind the book the film is based on. Fact, fiction and fantasy are woven together in a fabulously entertaining way. "Saving Mr. Banks" fires the imagination and reminds us of the magic of childhood; thanks in part, to the outstanding performances of the cast. It's also an unexpectedly moving tale. See it, spit spot.
Gnomeo & JulietAnne Murphy
Garden gnomes Gnomeo and Juliet have as many obstacles to overcome as their quasi namesakes when they are caught up in a feud between neighbours.
"Gnomeo and Juliet" is an animated frolic up the garden path. The concept is cute, and the plot adaptation of the classic tale of star crossed lovers is kitsch. This quality children's production is hobbled by its adult storyline. Still, there's much for young audiences to enjoy, a colorful and dramatic build, fabulous soundtrack and a jolly ending that transforms the original story of woe. Beyond the title the pun is fun but limited. Wherefore art thou Romeo?
Picked as her best friend's maid of honor, lovelorn and broke Annie looks to bluff her way through the expensive and bizarre rituals with an oddball group of bridesmaids.
Although "Bridesmaids" may target a female demographic, it is definitely not your typical 'chick flick'. The film is both intelligent and ridiculous, but most notably it's also dexterously funny - there's enough raw comedy that will elicit some serious laughter from the boys and girls alike. The lead actress shines in her role along with a cast of characters who are clearly having fun in their assault on convention, gentility and good taste. Always the bride...
Dawn of the Planet of the ApesAndrew O'Dea
In the wake of a disaster that changed the world, the growing and genetically evolving apes find themselves at a critical point with the human race.
"Dawn of the Planet of the Apes" is darker than its predecessor, replete with themes of politics, trust, betrayal and family. This brilliantly realised science-fiction movie is both smart and exciting in narrative and amazingly splendid in visual effects, with the on-screen simians appearing just as real as their human counterparts. No monkey business here, this film is an intelligent piece of popcorn entertainment. Movie strong. People enjoy.
Iron Man 2Andrew O'Dea
Billionaire Tony Stark must contend with deadly issues involving the government, his own friends, as well as new enemies due to his superhero alter ego Iron Man.
"Iron Man 2" is fuelled by ultra-impressive effects and some explosively awesome action. The plot is a little rusty and isn't helped by the uneccessary introduction of characters for inevitable future franchises. Thankfully, it's redeemed by both leads who are superb in their roles, and they combine brilliantly to capture the loveably narcissistic Tony Stark and the hulking Russian menace Ivan Vanko. Not completely iron-clad, but there's definitely more than enough firepower to entertain the fanboys.
City kid Ren McCormack moves to a small town where rock 'n' roll and dancing have been banned, but his rebellious spirit shakes the town up and he sets out to have the rules abolished.
This remake of the classic is bound to have its sceptics, both those who are fans of the original, as well as those who had no interest in it the first time around. All cynicism will be pushed aside however, as this film is simply too fun to not enjoy. The two young leads carry the movie with an authenticity that lifts it from the cheesy mess it could have been, and the impressive choreography gives "Footloose" an exuberance that will have you dancing in the aisles.
A doctor's wife becomes the only person with the ability to see in a town where everyone is struck with a mysterious case of sudden blindness.
This allegorical film depicts societal collapse, triggered by mass loss of sight, accompanied by the descent into ugly degradation as people struggle against each other for survival. Filmed with a starkness that provides a sense of the white fog which precedes the blindness, and displaying a fiercely committed performance from the lead actress, this movie is a challenging experience which is certain to stimulate both thought and conversation afterwards.
The AvengersAndrew O'Dea
A team of superheroes form The Avengers to help save the Earth from Loki and his army.
"The Avengers" is one for the fanboys/girls. It suffers in parts from a few needless characters, and is held back by overly long stretches where nothing gets hit, blown up or smashed. However, once the film eventually manages to flesh out its massive host of superheroes, we are treated to what is quite simply a visceral feast of unrelenting action; the seamless CGI and 3D medium tailored brilliantly to enhance every bang and crash. Perhaps most surprising are the intermittent moments of seriously funny comedy. Far from super, but the experience is definitely nothing to be avenged.
Faced with an unplanned pregnancy, an offbeat young woman makes an unusual decision regarding her unborn child.
There is much to love and hate about Juno. She undermines the process of giving birth with her contrived banter, and is immature and naive when it comes to adult issues. It's a credit to the film that we still find sympathy for our smart-mouthed hero. She takes responsibility for the impregnation and is deeply appreciative of the varied idiosyncratic characters that support her. "Juno" is an admiring tale that will frustrate and amuse.
The Spectacular NowAnne Murphy
A hard-partying high school senior's philosophy on life changes when he meets the not-so-typical "nice girl."
Some matches are made in heaven, and the romantic match central to "Spectacular Now" is made on a front lawn. That should tell you that this is a quirky but down to earth tale. The focus is on the now rather than the future, but the past looms large for the characters. Spectacular suggests grand, but it's the simplicity of the everyday that is most engaging. Then there is self-discovery, ubiquitous and inevitable in coming-of-age movies, and breathtaking here. Simply stupendous.
A family is haunted by evil spirits who try to embody their comatose child.
This has to be one of the scariest movies made in a long time. As a narrative, it doesn't break any new boundaries, but uses old-school shock tactics extremely well. It thrives on familiar moments like 'what's around the corner?', and 'who made that noise?', whilst slowly revealing the plot (and genuinely horrific creatures) as you go along. There are odd moments of humour that break the mood and don't belong in the film, but as a salute to the Hollywood Book of Horror, it is a frightening treat.
An engineer and conductor race against the clock to stop an unmanned, half-mile-long freight train.
"Unstoppable" follows a long, loud train powering to a frightening destination. The journey is full of suspense courtesy of the faithful introductory clause, "inspired by true events". It's important the characters get their back story, and they get just enough service. However, the unmanned locomotive is the star, and shines in the hands of a director who loves to film fast moving objects, creating an exciting raw energy. As it weaves between the event and the news coverage, you get the feeling it is all unfolding right in front of you. And once it starts, you can't stop watching.