American HustleAnthony Macali
A con man, Irving Rosenfeld, along with his seductive British partner, Sydney Prosser, is forced to work for a wild FBI agent, Richie DiMaso.
"American Hustle" isn't a memorable crime caper, but it's thoroughly entertaining nonetheless. It doesn't take long to get swept up by the glamour and characters of the time, parading their retro costumes to the sound of a lively 70's soundtrack. Soon begins a battle of wits, each player out to scam the next, in a clever way to keep the story full of suspense. Moments of tension are broken with scenes of laughter, but ultimately there's no real substance to all the cons. Robbed of empathy.
The Spectacular NowAnne Murphy
A hard-partying high school senior's philosophy on life changes when he meets the not-so-typical "nice girl."
Some matches are made in heaven, and the romantic match central to "Spectacular Now" is made on a front lawn. That should tell you that this is a quirky but down to earth tale. The focus is on the now rather than the future, but the past looms large for the characters. Spectacular suggests grand, but it's the simplicity of the everyday that is most engaging. Then there is self-discovery, ubiquitous and inevitable in coming-of-age movies, and breathtaking here. Simply stupendous.
One ChanceAnthony Macali
The true story of Paul, an amateur opera singer who became a phenomenon after winning "Britain's Got Talent".
"One Chance" is the inspirational story of Paul Potts, and his competition with the forces preventing him from singing opera. Bullied at school, he received no support from his father and lacks the confidence to hold his nerve on stage. While the film only scratches at the surface of these issues, it's still uncomfortable to watch. Thankfully there are many moments of humour throughout to curb the continuous heartbreak, especially when the road to success is this long. An emotional winner.
The Hunger Games: Catching FireAnthony Macali
Katniss becomes a target of the Capitol after her victory in the Hunger Games sparks a rebellion.
The best thing about "The Hunger Games: Catching Fire" is you know there's going to be another games. Like the first installment, the anticipation and build-up to the event is as thrilling as the tournament itself. Be prepared for refreshing new costumes, players and sinister threats as our heroes unwillingly participate in a constant battle of determination and wit against their oppressors. While some of the character scenes are a little patchy, thematically the film remains a victor. The fire burns bright.
The Fifth EstateAnthony Macali
The story of Wikileaks and its quest to expose the deceptions and corruptions of power.
Like the much maligned website, content is king in "The Fifth Estate". Behind every great idea is a great man, and the picture painted of Julian Assange is one of ego and narcissism. Surprisingly, the patchy back-stories of the characters aren't as interesting as the history of the famous site and its technical challenges. By favorably revisiting numerous articles of breaking news, the film successfully underscores the unprecedented impact of the organisation, disrupting everyone in their path minus the journalism they feed. A captivating, yet leaky, source.
Thor: The Dark WorldAndrew O'Dea
Thor embarks on his most perilous journey yet against an enemy that even Asgard cannot withstand.
"Thor 2" is loaded with enough thrills and goofy-laughs to keep the fan-boys appeased. Although the story doesn't quite match the spectacle, the brisk pacing the helps to overcome brief moments where the film gets side-tracked to indulge its plethora of characters. While the leading man's hulking presence is as mammoth as the God he portrays, it's actually his on-screen brother Loki who provides most of the entertainment and intrigue. A perfectly fun visual showcase that culminates in an action-packed and other-worldly climax. Hammer-time.
Fruitvale StationAnthony Macali
The purportedly true story of 22-year-old Oscar Grant III on the last day of 2008.
Based on a true story, "Fruitvale Station" is the tragic chronicle of Oscar, and the frightful events of his New Year's celebration. A gritty style and clever mobile phone subtitles document the day with added authenticity, in a recollection where the characters admiringly take precedence over incident. Our protagonists aren't perfect, but their portrayals feel genuine, with a focus on family and relationships that add significant emotional weight, which becomes more apparent with the overwhelming sense of dread that arrives at the last stop. A great injustice.
Captain PhillipsAndrew O'Dea
The true story of Captain Richard Phillips and the 2009 cargo ship hijacking by Somali pirates.
This evocative retelling of the MV Maersk Alabama hijacking brings the tension of a real-life hostage drama to screen. The director's trademark visceral style and realism is perfectly suited to this intense biopic, and the handheld camerawork compliments the turbulence of the situation at hand. We remain gripped by the antagonistic relationship between the two captain as the film builds to a dazzling crescendo of military operations. Anchored by superb acting, particularly the brilliant performance from the lead, "Captain Phillips" is a thrilling cinematic voyage well worth boarding.
About TimeAnthony Macali
At the age of 21, Tim discovers he can travel in time and change what happens and has happened in his own life.
"About Time" is one of those sweet romantic comedies designed for everybody to love, with the added gimmick of time-travel to keep the story moving forward. It's a plot device we've all seen before, but the charming set of characters allow a welcome and constant reminder to treasure every moment of our day-to-day lives. Despite the lack of originality, there's enough laughter and plenty of good-will to forgive the film for its obvious flaws. About life.
Two astronauts try to make it back to Earth after an accident leaves them stranded and adrift in space.
This is a triumph in film-making. It's a captivatingly visceral and immersive experience grounded by jaw dropping visual effects and sound design, complementing one of the most engaging stories of survival you will see. So much truth is given to every aspect of the journey, making it feel incredibly authentic and genuinely absorbing. "Gravity" is edge-of-your-seat drama and action that will remain with you long after the credits roll. A modern classic.
A cropdusting plane with a fear of heights lives his dream of competing in a famous around-the-world aerial race.
"Planes" is a simple story of flying fun. The premise is basic and sticks to a tried formula, lacking the boost in creativity required to distinguish this animation from the rest. As a result, the film is best suited to the youngest of age groups, who will marvel at the soaring aeroplanes brought to life in colourful 3D. There is plenty of spectacle and lots of racing, astutely captured and easy to follow, darting to the finish of a short and sweet running time. Fly in, fly out.
White House DownAndrew O'Dea
A policeman must save his child and protect the president from a group of paramilitary invaders.
Action junkies will be enthralled by this fist-pumping spectacle, a shameless popcorn flick that would have its audience believe the President of the USA is capable of firing rocket launchers from a speeding armoured-limousine. Some of the set-pieces are explosive, and while the special effects are impressive, they eventually become tiresome and repetitive. The lead is perfectly suited to his role as the action star, but isn't helped by moments of dialogue and patriotism so cringe-worthy that they become downright hilarious. Was it meant to be a comedy? White House frown.
Kick-Ass 2Andrew O'Dea
The costumed high-school hero Kick-Ass joins with a group of normal citizens who have been inspired to fight crime in costume.
"Kick-Ass 2" returns with the same manic mix of comedy and action that made its predecessor so uniquely original and successful. Unfortunately you can't help but compare the two, and although a gang of new heroes and villains offer some freshness, the shock-drama that was once edgy and brash now feels regurgitated and routine. Despite the film's clumsiness, it is still sporadically funny and gruesome enough to entertain those open to the experience. Kicks ass in name only.
The Mortal Instruments: City of BonesAnthony Macali
When her mother disappears, Clary learns that she descends from a line of shadow hunters.
This story of a fantastical world hidden among ours, a long-standing mythology of good vs evil, and a pair of star-crossed creatures finding love in the unlikeliest of places is starting to feel all too familiar. "The Mortal Instruments: City of Bones" makes up the rules along the way, providing answers to all the supernatural wonders and armaments for our drab protagonists. The continuous hocus-pocus soon transforms into boredom, and the inevitable romance hinted throughout is cringe-worthy, out of place in a film otherwise dark in tone. Full of the mundane.
The story of Steve Jobs' ascension from college dropout into one of the most revered creative entrepreneurs of the 20th century.
"Jobs" follows a small tenure of the famous entrepreneur, from the birth of the home-PC, to the tumultuous times of leading a publicly listed company. In a largely neglectable performance, we discover a determined and at times difficult figure, with a very strict vision and diet. At its best, the story excels in simply documenting the journey, captivating your attention without frills. Once you reach the end, despite the uneventfulness, you'll want to see more evolution. Static and compliant.
In the year 2154, a man takes on a mission that could bring equality to a grossly polarised Earth.
"Elysium" is an absorbing sci-fi adventure loaded with allegory. Although the political overtones can be heavy-handed at times, it's always refreshing to view a movie where the guns and explosions are balanced by an intelligent and relevant social conscience.The production values are superb, and impressive visuals add weight to a succession of gritty action sequences full of gory violence and splatter. While the conclusion is a little predictable, the brisk pacing and intensity make this film about dystopian class division exciting and imaginative enough to entertain.
We're the MillersAnne Murphy
A veteran pot dealer creates a fake family as part of his plan to move a huge shipment of weed into the U.S. from Mexico.
"We're the Millers" will divide audiences. Some will find it hilarious and entertaining, while others will squirm and remain straight faced. Try this test; do you usually like movies that are advertised in bus shelters? Answer "yes siree", then next stop is the cinema. Answer "meh, I don’t think so", then stay on board. This film doesn't ask much of viewers, yet doesn't deliver much either. Ironically it's about a big deal... but is no big deal.
Behind the CandelabraThomas Jones
The tempestuous relationship between Liberace and his (much younger) lover is recounted.
Surprisingly, for a film about a figure as flamboyant as Liberace, it’s a little dark. The central relationship spirals into some very odd and destructive behaviour; imagine your boyfriend wanting to adopt you as his son. From the fashions and furnishings, to the stigmas surrounding homosexuality, this film accurately captures the era with which it is set. Though at times it does become a bit farcical, there are award-worthy performances all round, particularly from the man who is the candelabra.
The World's EndAnthony Macali
Five friends who reunite in an attempt to top their epic pub crawl from 20 years earlier unwittingly become humankind's only hope for survival.
"The World's End" is a directors attempt to satisfy a sense of nostalgia, granting inspiration to this drunken comedy. The start is promising, an eclectic bunch of old friends reflecting on their lost youth, memories we can all relate to. The banter is quietly funny, and momentum builds with each humorously named pub until the whole quest descends into a science-fiction farce. It feels like lazy way to rescue a story that would otherwise run out of drink. Pub crawl come robot crawl? WTF.
The Way Way BackAnthony Macali
14-year-old Duncan is having a rough time enjoying his vacation away with his mother and new boyfriend, until finds an unexpected friend in Owen, manager of the Water Wizz water park.
"The Way Way Back" is a coming-of-age tale that will make you wish for summertime. The warm beach-side is an interesting setting to play out the conflict, as the shy Duncan wrestles with the reality of his newly blended family. With the help of the most unexpected of strangers, he slowly gains confidence and there is great joy to be found in watching him grow. A wonderful mix of laughter and drama, held together by a fantastic cast. Take the vacation.
The Bling RingThomas Jones
Inspired by actual events, a group of fame-obsessed teenagers use the internet to track celebrities' whereabouts in order to rob their homes.
Anyone who admires or tries to emulate the lives of celebrities, prepare for disappointment. You'll find little inspiration here, except maybe the very cool soundtrack. This film does not glamorise, or popularise this culture, which is arguably a healthy step in the right direction. The characters have zero substance, except what they snort. They're not likable, funny, endearing, or worth pitying; their story isn't even compelling, just repetitive. Steal, party, steal, party, you get the picture.
This Is the EndAndrew O'Dea
While attending a party at James Franco's house, Seth Rogen, Jay Baruchel and many other celebrities are faced with the apocalypse.
"This Is the End" is a creative comedy that plays like one stupendous inside-joke the audience is invited to. Although there are stretches of tedium at times, memorably hilarious scenes are never too far away. The self-referential and defacing style is bolstered by a witty script and a superb cast willing to mock themselves, with a host of high-profile cameos providing some genuinely laugh-out-loud moments. Juvenile, crude, and funny till the end.
The ConjuringAnthony Macali
Paranormal investigators Ed and Lorraine Warren work to help a family terrorized by a dark presence in their farmhouse.
Rooted in the origins of a true case, "The Conjuring" is frightening. Largely set in an eerie country home, this story doesn't appear to bring anything new to the genre, but the execution is haunting. The tension slowly builds and the heart-rate jumps with each scare. Even with the lights on you don't feel safe. There are few moments of silliness, but they are lost in the shadowing score, and the many bumps and thumps that mark the return of the exorcism. The film is possessed.
The Lone RangerAndrew O'Dea
Native American warrior Tonto recounts the untold tales that transformed John Reid, a man of the law, into a legend of justice.
This locomotive starts with a bang but eventually runs out of steam. The excessive running time is the biggest detractor from a film that is occasionally entertaining, and overly long. "The Lone Ranger" may still appeal to the more nostalgic members of the audience, with the iconic hero and his notably eccentric side-kick constantly engaged in a host of impressive action set-pieces and banter, culminating in a dynamite finale complete with classic theme. Plenty of hi-ho, not enough silver.
Pacific RimAnthony Macali
As a war between humankind and monstrous sea creatures wages on, a former pilot and a trainee are paired up to drive a seemingly obsolete special weapon in a desperate effort to save the world.
"Pacific Rim" is the perfect suit for an audience with a penchant for large robots. On display is the most spectacular of heavy-machinery, brought to life with cutting edge special effects in gleaming detail. It's clear the monsters were as thoughtfully designed, repulsive creatures who appear as ominous threats, thanks in part to the small bunch of rag-tag humans who make us partially care. The film has a mission, and delivers exactly on what it sets out to do... Robots vs Monsters.