In the year 2154, a man takes on a mission that could bring equality to a grossly polarised Earth.
"Elysium" is an absorbing sci-fi adventure loaded with allegory. Although the political overtones can be heavy-handed at times, it's always refreshing to view a movie where the guns and explosions are balanced by an intelligent and relevant social conscience.The production values are superb, and impressive visuals add weight to a succession of gritty action sequences full of gory violence and splatter. While the conclusion is a little predictable, the brisk pacing and intensity make this film about dystopian class division exciting and imaginative enough to entertain.
We're the MillersAnne Murphy
A veteran pot dealer creates a fake family as part of his plan to move a huge shipment of weed into the U.S. from Mexico.
"We're the Millers" will divide audiences. Some will find it hilarious and entertaining, while others will squirm and remain straight faced. Try this test; do you usually like movies that are advertised in bus shelters? Answer "yes siree", then next stop is the cinema. Answer "meh, I don’t think so", then stay on board. This film doesn't ask much of viewers, yet doesn't deliver much either. Ironically it's about a big deal... but is no big deal.
Behind the CandelabraThomas Jones
The tempestuous relationship between Liberace and his (much younger) lover is recounted.
Surprisingly, for a film about a figure as flamboyant as Liberace, it’s a little dark. The central relationship spirals into some very odd and destructive behaviour; imagine your boyfriend wanting to adopt you as his son. From the fashions and furnishings, to the stigmas surrounding homosexuality, this film accurately captures the era with which it is set. Though at times it does become a bit farcical, there are award-worthy performances all round, particularly from the man who is the candelabra.
The World's EndAnthony Macali
Five friends who reunite in an attempt to top their epic pub crawl from 20 years earlier unwittingly become humankind's only hope for survival.
"The World's End" is a directors attempt to satisfy a sense of nostalgia, granting inspiration to this drunken comedy. The start is promising, an eclectic bunch of old friends reflecting on their lost youth, memories we can all relate to. The banter is quietly funny, and momentum builds with each humorously named pub until the whole quest descends into a science-fiction farce. It feels like lazy way to rescue a story that would otherwise run out of drink. Pub crawl come robot crawl? WTF.
The Way Way BackAnthony Macali
14-year-old Duncan is having a rough time enjoying his vacation away with his mother and new boyfriend, until finds an unexpected friend in Owen, manager of the Water Wizz water park.
"The Way Way Back" is a coming-of-age tale that will make you wish for summertime. The warm beach-side is an interesting setting to play out the conflict, as the shy Duncan wrestles with the reality of his newly blended family. With the help of the most unexpected of strangers, he slowly gains confidence and there is great joy to be found in watching him grow. A wonderful mix of laughter and drama, held together by a fantastic cast. Take the vacation.
The Bling RingThomas Jones
Inspired by actual events, a group of fame-obsessed teenagers use the internet to track celebrities' whereabouts in order to rob their homes.
Anyone who admires or tries to emulate the lives of celebrities, prepare for disappointment. You'll find little inspiration here, except maybe the very cool soundtrack. This film does not glamorise, or popularise this culture, which is arguably a healthy step in the right direction. The characters have zero substance, except what they snort. They're not likable, funny, endearing, or worth pitying; their story isn't even compelling, just repetitive. Steal, party, steal, party, you get the picture.
This Is the EndAndrew O'Dea
While attending a party at James Franco's house, Seth Rogen, Jay Baruchel and many other celebrities are faced with the apocalypse.
"This Is the End" is a creative comedy that plays like one stupendous inside-joke the audience is invited to. Although there are stretches of tedium at times, memorably hilarious scenes are never too far away. The self-referential and defacing style is bolstered by a witty script and a superb cast willing to mock themselves, with a host of high-profile cameos providing some genuinely laugh-out-loud moments. Juvenile, crude, and funny till the end.
The ConjuringAnthony Macali
Paranormal investigators Ed and Lorraine Warren work to help a family terrorized by a dark presence in their farmhouse.
Rooted in the origins of a true case, "The Conjuring" is frightening. Largely set in an eerie country home, this story doesn't appear to bring anything new to the genre, but the execution is haunting. The tension slowly builds and the heart-rate jumps with each scare. Even with the lights on you don't feel safe. There are few moments of silliness, but they are lost in the shadowing score, and the many bumps and thumps that mark the return of the exorcism. The film is possessed.
The Lone RangerAndrew O'Dea
Native American warrior Tonto recounts the untold tales that transformed John Reid, a man of the law, into a legend of justice.
This locomotive starts with a bang but eventually runs out of steam. The excessive running time is the biggest detractor from a film that is occasionally entertaining, and overly long. "The Lone Ranger" may still appeal to the more nostalgic members of the audience, with the iconic hero and his notably eccentric side-kick constantly engaged in a host of impressive action set-pieces and banter, culminating in a dynamite finale complete with classic theme. Plenty of hi-ho, not enough silver.
Pacific RimAnthony Macali
As a war between humankind and monstrous sea creatures wages on, a former pilot and a trainee are paired up to drive a seemingly obsolete special weapon in a desperate effort to save the world.
"Pacific Rim" is the perfect suit for an audience with a penchant for large robots. On display is the most spectacular of heavy-machinery, brought to life with cutting edge special effects in gleaming detail. It's clear the monsters were as thoughtfully designed, repulsive creatures who appear as ominous threats, thanks in part to the small bunch of rag-tag humans who make us partially care. The film has a mission, and delivers exactly on what it sets out to do... Robots vs Monsters.
Monsters UniversityAndrew O'Dea
A look at the relationship between Mike and Sulley during their days at Monsters University - when they weren't necessarily the best of friends.
"Monsters University" is more than adequate as a stand-alone film. Although it brings the same successful charm to screen as its predecessor, it takes far less risks, and seems content to appease its audience rather than dazzle them. Impressively animated, there are still a host of clever moments that deliver life lessons to learn and college humour to laugh, with both subversive gags for the adults and colourful entertainment for the kids. B minus.
Despicable Me 2Anne Murphy
Gru is recruited by the Anti-Villain League to help deal with a powerful new super criminal.
Despicable has become respectable and it must be Spring as dating and romance are the featured themes. The writers have set up their reformed villain to meet a love interest and create a traditional family. How’s that for uninspired? Needless to say, "Despicable Me 2" is not as delightful as its predecessor. Thankfully those little yellow guys, the minions, make merry with fart jokes and other slapstick mayhem; they are more attuned to junior audiences than the besotted lead characters. Disappointed me.
Man of SteelAndrew O'Dea
A young man is forced to confront his secret extra-terrestrial heritage when Earth is invaded.
Alongside a torrent of CGI explosions and mayhem, the director also brings an unexpected depth and sense of melancholy to the characters in "Man of Steel". Although diminished, there is still an undercurrent of purpose even though countless skyscrapers are toppled and smashed like jenga blocks. However, the greatest disappointment is that any exhilaration from the visual splendour wears thin as action sequences become excessively prolonged and repetitive. This rusty reboot is far from super, but hope remains in the foundation of a franchise with the potential to eventually soar.
World War ZAndrew O'Dea
U.N. employee Gerry Lane traverses the world in a race against time to stop the Zombie pandemic.
"World War Z" is an apocalyptic thriller that spans the globe. What it lacks in gore and horror, it makes up for with epic, large-scale action sequences, and the brisk pacing is indicative of a film that has favoured cinematic spectacle over the socio-political commentary of its source material. Although the story may feel somewhat predictable as our hero evades a procession of close calls, it nevertheless remains an entertaining enough adventure. Sure to divide the audience, it could've been better with a little less 'A to B' and a little more 'Z'...
The InternshipAnthony Macali
After losing their sales job, two middle-aged men are forced into a career change.
"The Internship" a.k.a. 'The Google movie' paints a glamorous and humorous picture of the greatest workplace in America. Get past the initial grandstanding, and you might discover a charming story of two salesmen lost in a digital future. Their foray into the world of technology is comical one, taking place in the bright yet surprisingly hostile environment of computer geeks. You don't need to understand all of the tech-jargon to get the gist, but it certainly might help. The film's only error is the time it takes to produce results. Google it.
After EarthAndrew O'Dea
A crash landing leaves Kitai and his father Cypher stranded on Earth, a millennium after events forced humanity's escape.
This ill-conceived film is an uninspiring, predictable story of survival. Poor acting isn't helped by wooden dialogue, nor the leading man's charisma being wasted in what is essentially a supporting role. The special effects are especially sub-par, which is particularly disappointing given dazzling visuals are often the most exhilarating and redeeming feature of sci-fi flicks. The best part about "After Earth" is finally making it to the 'after' part.
The Great GatsbyAnne Murphy
A Midwestern war veteran finds himself drawn to the past and lifestyle of his millionaire neighbour.
"The Great Gatsby" as a book is a literary classic and it's difficult to review the movie without making comparisons. Most viewers will watch with some sort of expectation. Do so at the peril of your enjoyment, look too critically and you'll see this is not a perfect image of the novel. Forget familiarity, the director has delivered a turbo-charged, multi-coloured and visually spectacular version of the story and intriguing characters alike. This film version is true to the source but somehow greater.
A father goes undercover for the DEA in order to free his son who was imprisoned after being set up in drug deal.
"Snitch" seizes upon the value of a 'based on true events' premise and tells the story of an amiable father who throws himself into the most dangerous of situations. Trying to win the trust of shady drug lords isn't easy, creating an atmosphere loaded with suspense. It quickly becomes apparent that our wishful hero is out of his depth, and the film is successful enough in its character portrayals that we actually care. Each move may be predictable, but the ride is enjoyable enough. Dobbed in.
The Hangover Part IIIAndrew O'Dea
There's no wedding and no bachelor party... but when the Wolfpack hits the road, all bets are off.
"The Hangover Part III" is a victim of its own success. Still running on the fumes of the hugely popular first installment, this outing is nothing more than a shameless cash-grab, where the only real debauchery involved is its mere production. What sort of 'hangover' movie doesn't even have a hangover? While there are some rare and isolated moments of hilarity, what lies in-between is nothing but a desert bereft of comedy or thrills – where any laughter is contrived and strained at best. What happened in Vegas should've stayed in Vegas.
An art auctioneer who has become mixed up with a group of criminals partners with a hypnotherapist in order to recover a lost painting.
"Trance" is a demonstration in the odd behaviours associated with art, hypnosis and love. What starts as an apparent heist film quickly transitions into a psychological thriller, challenging the audience to discover the truth. With each chapter, the story introduces new pieces of the puzzle and dissecting each revelation delivers a sense of accomplishment. Driven by a great cast of ensnaring characters, the only frustrating memory might be a plot-twist too many. A riveting piece missing perfection.
Star Trek Into DarknessAndrew O'Dea
After the crew of the Enterprise find an unstoppable force of terror from within their own organization, Captain Kirk leads a manhunt to capture a one man weapon of mass destruction.
"Star Trek Into Darkness" is engaging on a magnificent scale, bringing the flare and energy of its predecessor to screen. A cluster of high octane action sequences are set against the visual grandeur of other-worldly backdrops, all the while propelled by solid storytelling. The director has sewn this movie together with an almost clinical precision, and the entire cast play their roles with sublime conviction, in particular the chilling and malevolent villain at its core. Set phasers to awesome.
Iron Man 3Andrew O'Dea
When Tony Stark's world is torn apart by a formidable terrorist called the Mandarin, he starts an odyssey of rebuilding and retribution.
The third instalment of the "Iron Man" franchise once again welcomes the familiar fusion of humour and action. Although the pacing can feel uneven at times, almost as if cruising on auto-pilot, the film is held together by a clever script and the charisma of its leading man who entertains with trademark wit, quips and playboy antics. However, it's the shiny suit that is the star of the show, and it doesn't disappoint in a myriad of explosive CGI that reaches its peak in an epic finale. Proves its mettle.
The Big WeddingAnne Murphy
A long-divorced couple fakes being married as their family unites for a wedding.
Rather than celebrating marriage, "The Big Wedding" has a core of infidelity and it doesn't stop there. This movie offers many good reasons to avoid matrimony. The happy couple is happy enough but they fail to spark much interest; nor do their families made up of mostly crass characters. It's all a bit vulgar and unfunny but fortunately a little too lame to be really offensive. The most objectionable part is being lured into a cinema by the big name actors in this low brow feature. Big wedding but little entertainment.
Scary Movie 5Andrew O'Dea
A couple begin to experience some unusual activity after bringing children home from the hospital.
The opening sequence of "Scary Movie 5" sets the tone, signifying the epitome of rock-bottom for the 'stars' at its centre. Just when the franchise couldn't possibly squelch any further into the depths of cinematic depravity, this latest offering insults us with a 'dumbed-down version of stupid stuff'. There's almost a sense of desperation as a series of painfully unfunny skits are force-fed to the audience in a feeble attempt at comedy. Juvenile and unfunny, the only scary thing about this movie is that they might make another one.
Warm BodiesAndrew O'Dea
After R (a highly unusual zombie) saves Julie from an attack, the two form a relationship that sets in motion a sequence of events that might transform the entire lifeless world.
This offering from the 'zom-rom-com' movement is a refreshing approach to the tale of teen-romance. Zombie purists expecting an onslaught of guts and gore will be sorely disappointed, as at its heart, this movie is an unlikely love story that bucks convention. Although the action and comedy are sparse, it still entertains when necessary. With more wit and life than most from the genre, "Warm Bodies" makes for a surprisingly charming film. Dead on.