The Blind SideAnne Murphy
The story of Michael Oher, a homeless and traumatized boy who became an All American football player and first round NFL draft pick with the help of a caring woman and her family.
"The Blind Side" has quite a plot, all true, all fairy-tale and all feel-good. With a remarkable story to tell, the film is not unnecessarily cheapened by sentiment. It is related in a down to earth manner that could be described as understated, marred only by the cloying musical score which is definitely overplayed. This pragmatic movie is delivered with faultless performances from the cast, and it is surprisingly moving to watch. Be blindsided.
Knight and DayAnne Murphy
June Havens finds her everyday life tangled with that of a secret agent who has realised he isn't supposed to survive his latest mission.
"Knight and Day" is as much video game in style as it is action movie, and it's pure high-energy entertainment. While they have fun and resist taking themselves too seriously, the big name leads are compelling with their on-screen chemistry. The pace doesn't let up, with exhilarating chase after chase. There's a captivating mix of comedy, romance and an upbeat soundtrack in this fabulous Hollywood fare that holds attention throughout. Fun viewing day or night.
After a wise-cracking mercenary is subjected to a rogue experiment that leaves him with accelerated healing powers, he adopts the alter-ego 'Deadpool'.
It quickly becomes apparent that this is a film doesn't take itself seriously, and neither should its audience. The self-satisfying nature and constant breaking of the fourth wall makes "Deadpool" unlike any other superhero film you've seen... in all the best ways. Constantly hilarious, superbly brutal and consistently vulgar, this anti-hero manages to deliver a super origin story fit for a multi-million-dollar franchise. Deadly fun.
Jane EyreAnne Murphy
A mousy governess who softens the heart of her employer soon discovers that he's hiding a terrible secret.
A film adaption of a literary classic is rarely considered as good the book but this one is superb. "Jane Eyre" is likely to captivate all, including the most avid readers among us. This effort is well cast, capturing a perfect balance of brooding passion and guarded vulnerability. The cinematography captures a gothic austerity on the screen that reflects the social confines and well mannered restraint of the times, balanced by a landscape of moody spellbinding moors. Passionate plain Jane.
To unite South Africa, Nelson Mandela enlists the national rugby team to win the Rugby World Cup.
"Invictus" is a charming true story that strikes a seamless balance between politics and sport. The director delivers a meticulously sincere picture that not only presents a truly 'human' portrait of Mandela, but also a remarkable achievement by the Springboks. Stunning cinematography provides the perfect backdrop to sporting sequences that dazzlingly capture the tension and brute force of bone-crunching rugby action. Above all, the performance of the lead is nothing short of brilliant as he so effortlessly embodies and personifies the dignity and wisdom of one of history's greatest men.
The Book ThiefAnne Murphy
While subjected to the horrors of World War II Germany, young Liesel finds solace by stealing books and sharing them with others.
A German town becomes the backdrop for a story about the humanity and personal politics of ordinary people when their lives are assaulted by World War II erupting around them. The simplicity needed to tell the tale from a child's perspective is not compromised by the scale of this production, a feat that creates absorbing viewing. As a novel "The Book Thief" was a best-seller and on the screen it becomes a very moving experience. Steal a look.
An unnoticed high school student with no powers or training decides to become a super-hero.
"Kick-Ass" weaves teen melodrama with some of the coarsest language and most gratuitous and glorious violence ever seen on screen. Every action sequence is amazingly original, bolstered by inventive choreography and superb production values. Although the storyline is flimsy in parts, the uneven pacing may be considered deliberate, as our expectations are frequently and often shockingly shattered at any given moment. The director is to be applauded for this completely unrestrained film, free from industry conformity. Genuinely messed up, but totally kicks ass.
The MartianAnne Murphy
A space mission to Mars leaves an astronaut behind, thinking he perished in a fierce storm.
Forget the man in the moon, now there is a man on Mars. The notion of a person stranded in time and space on the red planet is incredible. Thanks to skillful cinematography the scenario with all of its desolation is surprisingly believable. At least "The Martian" is worthy of suspending disbelief. The best part of this sci-fi escapade; it is filled with humour and humanity, and not to mention a disco soundtrack. Take your protein pills, and put your helmet on.
The Great GatsbyAnne Murphy
A Midwestern war veteran finds himself drawn to the past and lifestyle of his millionaire neighbour.
"The Great Gatsby" as a book is a literary classic and it's difficult to review the movie without making comparisons. Most viewers will watch with some sort of expectation. Do so at the peril of your enjoyment, look too critically and you'll see this is not a perfect image of the novel. Forget familiarity, the director has delivered a turbo-charged, multi-coloured and visually spectacular version of the story and intriguing characters alike. This film version is true to the source but somehow greater.
Gran TorinoAndrew O'Dea
Disgruntled Korean War vet Walt Kowalski sets out to reform his neighbour, a young Hmong teenager, who tried to steal his prized possession: a 1972 Gran Torino.
"Gran Torino" tells the story of a man in transition. The film is driven by a weathered and steely performance from the lead actor, who peerlessly chisels out an insular and reluctant hero. A no-nonsense aesthetic means it shuns political correctness, presenting an unrepentant bigot who doesn't discriminate - he hates everyone. Surprisingly, it's these old school prejudices that create moments of genuine comedy and warmth. Highly recommended.
Children of MenAnthony Macali
In 2027, as humankind faces the likelihood of its own extinction, a disillusioned government agent agrees to help transport and protect a miraculously pregnant woman.
This is a disturbing look at London in anarchy, rife with violence and refugees impounded in cages. The future is glum when no children exist. The Bexhill refugee camp scenes towards the end are breath-taking. If you don't understand why there are no children in this movie, or continue to question it, this movie is not for you.
In 2072, when the mob wants to get rid of someone, the target is sent 30 years into the past, where a hired gun awaits.
What would you do if you met yourself 30 years from now? Would you hug and tell yourself how healthy you look? This time travel film is far from some ploy to sell you life insurance. The characters are trying to kill their future selves, in a roundabout way. It is seriously cool. The plot is unpredictable for the entirety and the characters are as disturbing as they are likeable. Prepare yourself for hours of post film analysis. It's a ride
Straight Outta ComptonAnthony Macali
The story of hip-hop group NWA, who grew up on the streets of LA and revolutionized rap music.
"Straight Outer Compton" is a rags to riches story with a unique hip-hop twist. This fascinating portrayal chronicles the lifetime of NWA, and looks at the blatant racism, which inspired some of their music. The cast is remarkable, eliciting genuine empathy and support in their quest to simply produce dope beats. While the film might lose its way towards the end, unsure which character's story to narrow its gaze, it doesn't affect the overall entertainment and charisma. Straight Outer History.
The HangoverAnthony Macali
A Las Vegas-set comedy centered around three groomsmen who lose their about-to-be-wed buddy during their drunken misadventures, then must retrace their steps in order to find him.
"The Hangover" premise is familiar and simple, the perfect breeding ground for plenty of laughter and stupidity. While the trailer might steal most of the best moments, the film is still hilarious. The characters are half as likeable as they should be, but it does make it funnier when bad stuff happens to them. It only struggles towards the ending, as jokes resort to bad cameos and slapstick. Despite a few headaches, it's still a winner.
Safe HouseAnthony Macali
A young CIA agent is tasked with looking after a fugitive in a safe house. But when the safe house is attacked, he finds himself on the run with his charge.
You can't help but laugh at the irony of "Safe House". What is supposed to be a temporary detention and interrogation room for captured criminals is a mere launching pad for the first of many intense shoot-outs and car chases. The action doesn't stop, and the film's suspense remains taut throughout thanks to some handy camerawork, a pumping soundtrack and the frenzied senior officials all pointing fingers at one another. Guns, lies, espionage… nobody's safe.
The Lego MovieAnthony Macali
An ordinary Lego construction worker, thought to be the prophesied 'Special', is recruited to join a quest to stop an evil tyrant from gluing the Lego universe into eternal stasis.
"The Lego Movie" is an amusing anti-hero story wrapped in a world of little interconnecting blocks. It's puzzling to identify the target audience; adults will revel in the nostalgia and quick-wit, while kids will delight in the fast and frenetic colour and explosions. The film-makers have exceeded expectations in capturing the wonderful creativity and fun of their subject matter, with brilliant characters and animation. Break out the toy box, Lego is awesome.
Speed RacerAnthony Macali
Speed Racer who is a young man with natural racing instincts whose goal is to win.
"Speed Racer" is a CGI flurry of cars and colours illuminated by a story of corporate corruption, a matter that would float past the intended audience of little ones. The themes of art vs business vs family are as clear as the Mach 5's slick exterior, but get lost in the frenzy of car-racing and kung-fu. The racetracks are loop-to-loop monsters, providing the best thrills in some sharp and edgy editing that puts you in the drivers seat. This film is a long and inconsistent race, worthy of watching if only to revel in all the bright colours.
The MechanicThomas Jones
Follows an elite hit man as he teaches his trade to an apprentice who has a connection to one of his previous victims.
Sure the plot-line is uncomplicated, the acting is over-the-top and the stunts impossible, but who really cares? "The Mechanic" is pure entertainment. The hero himself, with his 'take no prisoner' attitude, will have men wanting to be him and women wanting... are there any women in the audience? This film is definitely one for the boys, with the uncensored action/violence sequences, the guns and good guys vs. bad guys battles. Broken down? Go see the Mechanic.
A misunderstood boy takes on ghosts, zombies and grown-ups to save his town from a centuries-old curse.
"ParaNorman" has an admirable vision; introducing a younger audience to the world of horror. From the outset, the slightly warped aesthetics grab your attention, signalling an animation far from normal. There are plenty of ghouls, but they are a small distraction. At its core, the story is about a kid fighting his fears and the bullies at school. It's a touching experience and one with welcome bouts of humour. Inspiring a generation to battle their demons, this film is alive and well.
The Twilight Saga: EclipseAnthony Macali
Bella is forced to choose between her love for vampire Edward and werewolf friend Jacob.
It is made abundantly clear that "Eclipse" is about decisions. It's hard to choose between the equally attractive (and buff) leads who continuously confess their undying love. Thankfully, this tiresome triangle doesn't consume the show. A great supporting cast share their interesting back-stories and shed light on the mystical history of vampires and werewolves, building tension for the frantic action showdown. Expect the inevitable lingering kisses amongst mountain tops and fields of flowers, but this instalment offers a little more to feast upon. Your choice.
Made in DagenhamAnne Murphy
A dramatisation of the 1968 strike at the Ford Dagenham car plant, where female workers walked out in protest against pay discrimination.
A historically important, political story is related in "Made in Dagenham". The birthing of an important precedent comes alive on the screen with archetypal British humour as an uplifting offering. The demarcation lines are drawn, the bad guys mired in their dark plotting as the determination of the good gals to triumph builds. The film is nostalgic and true to the era, delightfully sentimental and humorous. If they can make good in Dagenham, we can make it anywhere.
Men in Black IIIAnthony Macali
Agent J travels in time to MIB's early years in the 1960s, to stop an alien from assassinating his friend Agent K and changing history.
You may think "Men in Black" did not warrant a return, but all will be forgotten by the end. Number "III" is great, returning with the same camp humour and 'end of the world' plot that made us so fond of the franchise. The agents effortlessly slip back into their suits to stop the bad guys, embodied by one of the most frightening and creepy aliens you will ever see. The film does its best to make sense of a time-travel story, and the result is fun and surprisingly good. Don't be afraid to go back in time.
Warm BodiesAndrew O'Dea
After R (a highly unusual zombie) saves Julie from an attack, the two form a relationship that sets in motion a sequence of events that might transform the entire lifeless world.
This offering from the 'zom-rom-com' movement is a refreshing approach to the tale of teen-romance. Zombie purists expecting an onslaught of guts and gore will be sorely disappointed, as at its heart, this movie is an unlikely love story that bucks convention. Although the action and comedy are sparse, it still entertains when necessary. With more wit and life than most from the genre, "Warm Bodies" makes for a surprisingly charming film. Dead on.
Captain PhillipsAndrew O'Dea
The true story of Captain Richard Phillips and the 2009 cargo ship hijacking by Somali pirates.
This evocative retelling of the MV Maersk Alabama hijacking brings the tension of a real-life hostage drama to screen. The director's trademark visceral style and realism is perfectly suited to this intense biopic, and the handheld camerawork compliments the turbulence of the situation at hand. We remain gripped by the antagonistic relationship between the two captain as the film builds to a dazzling crescendo of military operations. Anchored by superb acting, particularly the brilliant performance from the lead, "Captain Phillips" is a thrilling cinematic voyage well worth boarding.
Me and Orson WellesAnne Murphy
A teenager is cast in the production of "Julius Caesar" directed by a young Orson Welles in 1937.
"Me and Orson Welles" is a coming of age drama within a convincing theatrical setting. The era is authentically replicated, and the characters so well drawn the audience is transported to thinking we're watching Orson Welles in his prime. The raging genius, ruthless manipulator, and ambitious actor and director are all credibly presented. Theatre life and backstage dramas within the chaos of the production process are all used to enthral, and it's crowned by romantic intrigue. This is a well directed movie that ends with applause.