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Up
Anthony Macali
By tying thousands of balloons to his home, 78-year-old Carl Fredricksen sets out to fulfil his lifelong dream to see the wilds of South America.
"Up" is an imaginative film of dazzling heights and adventure. En route to the wilderness, we befriend two of the most acutely realised characters ever created. It's a pure joy to watch as their personalities and mannerisms unfold during numerous suspenseful encounters, complete with hilarious talking dogs and a particularly snappy rainbow bird. This emprise of hopes and dreams is masterfully undertaken, reminding both kids and adults to never give up.
Unstoppable
Anthony Macali
An engineer and conductor race against the clock to stop an unmanned, half-mile-long freight train.
"Unstoppable" follows a long, loud train powering to a frightening destination. The journey is full of suspense courtesy of the faithful introductory clause, "inspired by true events". It's important the characters get their back story, and they get just enough service. However, the unmanned locomotive is the star, and shines in the hands of a director who loves to film fast moving objects, creating an exciting raw energy. As it weaves between the event and the news coverage, you get the feeling it is all unfolding right in front of you. And once it starts, you can't stop watching.
Unknown
Andrew O'Dea
A man awakens from a coma, only to discover that someone has taken on his identity and that no one believes him. With the help of a young woman, he sets out to prove who he is.
The premise of "Unknown" is solid, but it's the execution that falters. You can't help but shake the feeling you've seen it all before, only done much better. Most disappointing is the talented cast that is wasted in underwhelming, forgettable roles. An inevitable twist might explain inconsistencies in the plot, but it only leads to a pedestrian climax that will have most wishing the amnesia that plagues the protagonist could've translated to the viewing experience as well. Forget it.
Underworld: Awakening
Anthony Macali
In a changed world, humans have discovered the existence of both Vampire and Lycan clans.
Selene wakes to a slightly new and promising premise, although nothing has really changed in "Underworld: Awakening". Cue the familiar leather, washed-out hues and dramatic, flickering, down-lights. Some sinister human characters are introduced and they successfully stretch the short running-time, often with scenes faithfully inserted between the countless Vampire/Lycan in-fighting. While the action sequences are impressive, they go far too long, thanks in part to the resilience of each race. You won't find fresh blood here.
Twilight
Andrew O'Dea
A teenage girl risks everything when she falls in love with a vampire.
"Twilight" is in essence a thinly veiled melodrama. The bulk of the film constitutes parading an endless procession of our star-crossed lovers staring longingly at each other, which achieves nothing but to reduce it to a lumbering bore. It feels like filler to a paper-thin plot, glaringly prevalent when crucial story revelations are uncovered simply by using an online search engine. An overwhelming sense of the anemic is coupled with dialogue that is as bland and as pale as the vampires' ridiculous skin. Appropriately put, this movie sucks.
True Grit
Andrew O'Dea
A tough U.S. Marshal helps a stubborn young woman track down her father's murderer.
"True Grit" is a film that holds the idea of a classic western in high reverence. The spectacular cinematography is a highlight in this story of retribution, and the directors' hands are clearly present; the storyline contains all the wit, deadpan humour and fleeting moments of brutality that one has come to expect from them. Although some may be dismayed at the tonal slur that is the dialogue, the language is drawling yet authentic, and we revel in the interplay between the leads, each impeccable in their roles. Gritty n' good.
Tropic Thunder
Anthony Macali
Through a series of freak occurrences, a group of actors shooting a big-budget war movie are forced to become the soldiers they are portraying.
This film could have easily been titled "War Movie", inline with the many other spoof films. The premise is understandably contrived, and a challenge to be convincing. If you're seeking wit, you won't find it in this jungle. Jokes consist of recreating classic war scenes and actor parodies, ironically commenting on their retarded role choices. "Tropic Thunder" has a big cast and big budget, but relies too heavily on props and stereotypes to elicit laughs.
TRON: Legacy
Anthony Macali
A virtual-world worker looks to take down the Master Control Program.
"TRON: Legacy" is a digital extravaganza, highlighting the progress of special effects in the many time cycles between its predecessor, barely a required prerequisite. The visual artistry in this film is unparalleled, constructing a highly immersive universe that is truly dazzling. The retro illuminations harness a mesmerising force, luring you into a journey of exhilarating action and adventure. Complete with a distinctive futuristic soundtrack, the experience will struggle to escape from your memory. Close to perfect.
Transporter 3
Anthony Macali
Frank Martin puts the driving gloves on to deliver Valentina, the kidnapped daughter of a Ukranian government official, from Marseilles to Odessa on the Black Sea.
Third time around, it's obviously hard to keep things fresh. "Transporter 3" pushes the boundaries in action and style, with absolutely preposterous results. If the story wasn't so grounded in reality, they could get away with such absurdity, but the expressionless one-dimensional characters and "fast-forward the action bits" film technique make it very frustrating to watch. This movie is a disappointing package that never delivers.
Transformers: Revenge of the Fallen
Andrew O'Dea
Decepticon forces return to Earth on a mission to take Sam Witwicky prisoner, after the young hero learns the truth about the ancient origins of the Transformers.
"Transformers: Revenge of the Fallen" is a relentless sensory bombardment that presents what is unequivocally the pinnacle in movie sight and sound. Visually stunning CGI and thunderous action sequences do their best to keep you distracted from what is a laboriously cluttered and convoluted plot. This film is undoubtedly nothing more than a vehicle for visceral amazement; unfortunately there's literally not "...much more than meets the eye".
Transformers: Dark of the Moon
Courtney Slevison
The Autobots learn of a Cybertronian spacecraft hidden on the Moon, and race against the Decepticons to reach it and learn its secrets.
This film is made for fans of the franchise, and for that purpose it's a great movie. Of course, others may be dismayed by the predictable storyline and cheesy dialogue. The special effects are outstanding, especially in 3D, and the epic action sequences will conjure enough excitement to satisfy the wide-eyed little kid in all of us. "Transformers 3" ultimately works because it's able to keep the story grounded enough in reality to make you think that it could almost be real… almost.
Transformers
Anthony Macali
Duelling alien races, the Autobots and the Decepticons, bring their battle to Earth, leaving the future of humankind hanging in the balance.
"Transformers" is a relentless blockbuster fuelled by comedy and powered by action. When the sentient robots transform, it's an opera of sight and sound, ten thousand moving parts clicking and turning to excite and astound. A geek's delight, the toy line has been credibly transported to the silver screen, fully realised with the magic of computer graphic designers that continue to reshape the cinema of today.
Toy Story 3
Anthony Macali
Woody, Buzz, and the rest of their toy-box friends are dumped in a day-care centre after their owner, Andy, departs for college.
You might have reservations going back to play with old toys, but don't be afraid, as "Toy Story 3" is still fantastically creative and charming. A fresh assortment of characters come out of the box, each equally entertaining and unique. The film is a perfect example of pure genius story-telling and craft. The visuals invariably impress, but the 3D glasses are better served to hide away the tears of nostalgia. It's hard to let go of the story behind one of the best animated features of all-time.
Tower Heist
Anthony Macali
A group of hard working guys conspire to rob a wealthy business man's high-rise residence.
"Tower Heist" might not be the most complex of capers, but it does produce plenty of laughs along the way. The high calibre cast is fun to watch, the only drawback being their inability to share the screen time in satisfying amounts. Much of the entertainment comes from the ordinary hotel crew and the birth of their criminality. Clearly out of their depth, they embark on hilarious exercises to plan and prepare. It's a shame that when our heroes and villain do confront, the exchange is pretty tame, sharing metaphors to be ignored. Few surprises but gets the job done.
Tooth Fairy
Luke Bartter
A bad deed on the part of a tough minor-league hockey player results in an unusual sentence: He must serve one week as a real-life tooth fairy.
Despite relying on the visual of a grown man dressed as a fairy to hook you in, this family comedy provides plenty of enjoyment, mainly due to the charisma of its leads. Several of the story-lines run parallel to create a feel similar to a series of sketches, and while there are no surprises to be found, "Tooth Fairy" is never boring and occasionally quite funny. Far more likeable and charming than expected, it's recommended for children, inner and actual.