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The Book of EliAndrew O'Dea
A post-apocalyptic tale, in which a lone man fights his way across America in order to protect a sacred book that holds the secrets to saving humankind.
"The Book of Eli" is a very well made movie, but only from a visual standpoint. Unfortunately, stylish sepia tones and occasional moments of choreographed brilliance are outweighed by a gaping storyline. Even though it manages to raise some intriguing spiritual conundrums, the nonsensical plot fails to lend these questions of morality any real substance. This shortfall is only made worse by an abursd plot twist that fails to be anywhere near as as reverent as it aspires to be. Amen.
Tinker Tailor Soldier SpyAnthony Macali
In the bleak days of the Cold War, espionage veteran George Smiley is forced from semi-retirement.
"Tinker Tailor Soldier Spy" is terribly confusing. The cast is fantastic of course, but there are too many of them to keep track of. This isn't helped by the constant time shifts and the fact that everyone's story is marred with some kind of secret orcover-up. Perhaps if you can manage to look past the elegant period setting and splendid-looking pastels, and concentrate hard enough, the pieces of the puzzle will all fit. Most however, will reach the end only to wonder, "what the hell just happened?!" You'll need a dossier to accompany the screening.
Transformers: Revenge of the FallenAndrew O'Dea
Decepticon forces return to Earth on a mission to take Sam Witwicky prisoner, after the young hero learns the truth about the ancient origins of the Transformers.
"Transformers: Revenge of the Fallen" is a relentless sensory bombardment that presents what is unequivocally the pinnacle in movie sight and sound. Visually stunning CGI and thunderous action sequences do their best to keep you distracted from what is a laboriously cluttered and convoluted plot. This film is undoubtedly nothing more than a vehicle for visceral amazement; unfortunately there's literally not "...much more than meets the eye".
The Mortal Instruments: City of BonesAnthony Macali
When her mother disappears, Clary learns that she descends from a line of shadow hunters.
This story of a fantastical world hidden among ours, a long-standing mythology of good vs evil, and a pair of star-crossed creatures finding love in the unlikeliest of places is starting to feel all too familiar. "The Mortal Instruments: City of Bones" makes up the rules along the way, providing answers to all the supernatural wonders and armaments for our drab protagonists. The continuous hocus-pocus soon transforms into boredom, and the inevitable romance hinted throughout is cringe-worthy, out of place in a film otherwise dark in tone. Full of the mundane.
An ex-cop and his family are the target of an evil force that is using mirrors as a gateway into their home.
Mirrors are pretty scary, uncanny in their ability to reveal unsightly curves and impure skin. This film takes it to a whole new level. The mirrors in "Mirrors" like to trap souls, absorb bullets, and callously break jawbones. A premise such as this is purely ridiculous, and far from chilling, despite some great creepy locations. Upon reflection, "Mirrors" has many laughable scenes, and if not taken seriously, is as satisfying as the rather amusing ending.
The RiteWendy Slevison
A young American seminary student travels to Italy to take an exorcism course.
This is the most recent addition to a select collection of films that deal with the subject of exorcism. Despite eventually falling short of its early potential, squandering both pace and tension, the movie is admittedly somewhat unsettling at times, and leaves you in a rather philosophical frame of mind as you leave the cinema. The senior star plays his part with controlled enthusiasm, and together with the magnificent Roman backdrop, lifts and gives some credibility to an otherwise rather average film. "The Rite" is just alright.
Red Riding HoodAndrew O'Dea
In a medieval village, a young girl falls for an orphaned woodcutter, much to her family's displeasure.
"Red Riding Hood" is a bumpy ride. Imagination and creativity certaintly aren't lacking, and the film somehow manages to maintain an air of mystery amongst some seriously banal dialogue and laughable clichés. The hackneyed script is offset by some splendid cinematography, impressive production values and a mesmerising lead actress. Yet it's these unfortunate let downs that will constantly have you lamenting a darker promise unfulfilled, without the hindrance of what is clearly poor, one-dimensional direction. Definitely a case of big ears, big eyes, big teeth... no bite.
When his idyllic life is threatened by a high-tech assassin, former black-ops agent Frank Moses reassembles his old team in a last ditch effort to survive.
With the all-star cast and firepower at its disposal, "Red" has all the ammunition required for success. Sure, it does have some individually funny moments, but for a movie pertaining to be a pure action comedy, the one-liners simply aren't funny enough, and the explosions and gunfights simply not that exciting. The only real sense of danger comes from a host of fine actors putting their careers in jeopardy with such a poor choice in film. They really should know better. Red? Bet on black.
Last VegasAnthony Macali
Three sixty-something friends take a break from their day-to-day lives to throw a bachelor party in Las Vegas for their last remaining single pal.
In "Last Vegas" all the characters are winners. The illustrious cast is a sight to behold, it's just such a shame how their collaboration is played out in this tame effort. Sexagenarian jokes about prostates and bad hips come with the territory, and although some are mildly /amusing, the film never strays far from its predictable and happy ending. As fun as a debaucherous weekend can be in the city of lights, this outing is careful not to offend. A disappointing reunion.
Journey to the Center of the EarthAnthony Macali
On a quest to find out what happened to his missing brother, a scientist, his nephew and their mountain guide discover a fantastic and dangerous lost world in the center of the earth.
"Journey" is designed as a crowd pleaser, but what little enjoyment there is comes from the luminous world beneath ours, a labyrinth of impressive 3D visuals and molten lava, providing warmth far greater than the characters. Blatantly akin to a kid's theme-park ride, it intersperses mild suspense, best capsulated when our heroes out-pace a large dinosaur. This film suspends all scientific belief, taking you on a ride that is far from adventurous.
I Am LegendAnthony Macali
Years after a plague kills most of humanity and transforms the rest into monsters, the sole survivor in New York City struggles valiantly to find a cure.
This post-apocalyptic thriller is all too familiar, with too much focus on a barren New York that becomes dull quickly after the excessive panning. More tameness comes in the form of the terrible infected, tanned a bland grey and lacking physicality. A group of computer generated embodiments are simply not as menacing as real people dressed in pale makeup and blood. Often tense but far from legendary.
A Las Vegas magician who can see into the future is pursued by FBI agents seeking to use his abilities to prevent a nuclear terrorist attack.
"Next" is an embarrassing action thriller propelled with a terrible superfluous score and bland, random dialogue. It looks like the actors are only after their next pay cheque, their empty expressions throughout the movie scarily simular to the audience. The gift of foresight is portrayed well, but could have been used in better context than the numerous cgi-ridden chases that provide an excuse for action. This should not be the next movie you want to see.
Dinner for SchmucksTom Jones
When he finds out that his work superiors host a dinner celebrating the idiocy of their guests, a rising executive questions it when he's invited, just as he befriends a man who would be the perfect guest.
Though there are funny moments, "Dinner for Schmucks" is clearly produced for American audiences and doesn't translate to the Australian sense of humour. Where we should be laughing at the displays of stupidity depicted in the film, we're more likely to remark 'oh my god'. The comedy of errors becomes relentless, which can be partly blamed on the script. Arguably, they relied too heavily on the talent of the starring comedians to make it work. Funny for only certain tastebuds.
A drama centered on three people who are touched by death in different ways.
For a film with such promise; the director and cast are of the highest caliber, this movie really falls short on all levels. With the exception of a couple of scenes (the opening is on another level of film direction), the story, characters, and climax are all rather lame. A film on this material should force audiences to question their faith in the afterlife or the ability to communicate with the dead. Instead, it looks uninspiringly at the experiences of three individuals with no agenda on the subject presented. "Hereafter" - underwhelming in life and death.
Theseus is a mortal man chosen by Zeus to lead the fight against the ruthless King Hyperion.
"Immortals" is another story of Ancient Greece, where the gods sit in the sky and watch men fight below. The mad king is delightfully evil, exercising his wicked ways in every scene. His counterpart, the chosen one, is the most able-bodied of them all, spending most of the time chasing and tensing. The large scale production looks great, with a myriad of effects thrown up on screen, but the story is plain and lacks any emotion or wonder. Once the swords hit the ground, the film is largely forgettable, and a shining example that quantity does not conquer quality.