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Jumper
Anthony Macali
A genetic anomaly allows a young man to teleport himself anywhere. He discovers this gift has existed for centuries and finds himself in a war that has been raging for thousands of years.
Our young hero entertains when exploiting his gift to rob banks and travel the world. It's unacceptable to spend the entire film showcasing how cool this teleporting is. Whenever our protagonist meets the other characters of the story, the interactions are simply woeful. This film constantly jumps scene to scene skipping any traces of plot or action and leaving a scar of disappointment no person should go through.
The Bucket List
Anthony Macali
Two terminally ill men escape from a cancer ward and head off on a road trip with a wish list of to-dos before they die.
The problem about these two men, apart from their uninspired performances, is the fact we don't care if they pass away or not. Their ambitions are more comparable to household chores, as they trudge along each adventure in vapid fashion. The whole act is a little too cheesy, corny, and convenient for my liking. Better suited for a TV midday movie, this film should not be on your list.
Kung Fu Panda
Anthony Macali
Po the Panda is the laziest animals in all of the Valley of Peace, but unwittingly becomes the chosen one when enemies threaten their way of life.
Animated films continue to lead the way in family entertainment, and this one is no exception. This picture is invariably breathtaking, set amongst impressive landscapes and showcasing the very fast and fluid kinetics of martial arts which make it exciting to watch. The film presents enough vibrant and infectious fun to make it impossible to despise. "Kung Fu Panda" is funny, witty, and truly awesome.
The Mist
Anthony Macali
A freak storm unleashes a species of blood-thirsty creatures on a small town, where a band of citizens hole-up in a supermarket and fight for their lives.
"The Mist" is your stock standard horror film where you throw a bunch of people in a room, endanger their lives, and see how they react. The result is a colourful quarrel of religion, reason and rationale. The joy comes from watching the locals get their comeuppance as the poor-looking monsters feast on them. In these films you always find yourself questioning the decisions the characters make. Our protagonists' judgement at the end is truly mystifying.
Charlie Wilson's War
Anthony Macali
A drama based on a Texas congressman Charlie Wilson's covert dealings in Afghanistan, where his efforts to assist rebels in their war with the Soviets have some unforeseen and long-reaching effects.
A man hidden from the radar, Charlie Wilson is an amazing character with cause against the Soviets that rivals his passion for women and whiskey. The movie is propelled by the charisma of its lead characters, and all-star cast who delightfully play off one another. There are also many moments in the story that frighteningly resonate with the politics of today. This film is about Charlie's success, America's failures and the causalities along the way.
Speed Racer
Anthony Macali
Speed Racer who is a young man with natural racing instincts whose goal is to win.
"Speed Racer" is a CGI flurry of cars and colours illuminated by a story of corporate corruption, a matter that would float past the intended audience of little ones. The themes of art vs business vs family are as clear as the Mach 5's slick exterior, but get lost in the frenzy of car-racing and kung-fu. The racetracks are loop-to-loop monsters, providing the best thrills in some sharp and edgy editing that puts you in the drivers seat. This film is a long and inconsistent race, worthy of watching if only to revel in all the bright colours.
3:10 To Yuma
Anthony Macali
A small-time rancher agrees to hold a captured outlaw who's awaiting a train to go to court in Yuma.
The track to Yuma is a windy road that will keep you constantly guessing. The landscape and period are captured beautifully, from small humble towns, shining pistols, and humble town-folk. Unlike your traditional western, these characters have names and bring their colourful history to the screen. They create a conscious conflict as you guiltily admire the charismatic bad guy and resent the bitter and weak good guy. This film harbours a swag of strong performances in an enjoyable and riveting ride.
The Jane Austen Book Club
Anthony Macali
Six Californians start a club to discuss the works of Jane Austen, only to find their relationships begin to resemble 21st century versions of her novels.
Having read zero Jane Austen books, I still found this film mildly entertaining. The fun comes when each member of the club relate the stories to their own tragic lives. This process causes them to break down, and to make spiteful and bitter comments to each other that are often amusing. There is also the benefit of having one guy in the group to serve the males watching this chick flick. The only sour note is the predictable ending where they all invariably find love.
Sweeney Todd
Anthony Macali
The infamous story of Benjamin Barker, a.k.a Sweeney Todd, who sets up a barber shop down in London which is the basis for a sinister partnership with his fellow tenant, Mrs. Lovett.
"Sweeney Todd" is as dark and twisted as it is a dull and boring. We know Sweeney wants revenge, but can't he stop singing and staring angrily out his window - just get on with the job. Few of the songs are enjoyable, and they all tend to slow the plot to an almost unbearable halt. Some will enjoy the throat-slashing and corpse-thudding antics of the barber, but after having watched this film, I found myself seeking my own vengeance and salvation.
Hitman
Anthony Macali
A gun-for-hire known only as Agent 47 is ensnared in a political conspiracy, which finds him pursued by both Interpol and the Russian military as he treks across Eastern Europe.
Agent 47 is best described as a focused man, more satisfied in making his kill than pleasuring his women. It's these anti-bond heroics that are refreshing to watch. Unfortunately, the film suffers from the uninteresting police in his pursuit, overplayed in typical hammy performances. The action scenes are also wasted in some bad forms of style and nuisance editing. This adaptation is still a hit above your usual video game exploit.
Enchanted
Anthony Macali
A classic Disney fairytale collides with modern-day New York City in a story about a fairytale princess who is sent to our world by an evil queen.
In an attempt to bring quintessential Disney to the youth of today, "Enchanted" fantastically throws the adorable Princess Giselle into a busy city metropolis. Her journey is ultimately amusing as she searches for Prince Charming, a purpose that could quite literally echo our own ambitions. The conclusion is predictably out of a Hallmark Card, but the film is still charming enough to appeal to all the wicked witches of the world.
Cloverfield
Anthony Macali
Cloverfield follows five New Yorkers from the perspective of a hand-held video camera. The movie starts as a monster of unknown origin destroys a building.
"Cloverfield" is filmed from the perspective of its protagonists using a hand-held camcorder, a technique which is effective for the majority of the short running time. The monster is a mighty sight to behold, and you wish it featured more. It's the monster's spawns that are the stars, their calls and cackles leaving you in fits of laughter, rather than frightened from their beckoning bite. By the end, you are exhausted, and perhaps nauseous, from the non-stop footage.
American Gangster
Anthony Macali
In 1970s America, a detective works to bring down the drug empire of a heroin kingpin.
"American Gangster" is an epic story of two people. Frank Lucas, a religious and devoted family man; and his polar opposite, Richie Roberts, the incorruptible cop, troubled at home but determined in his lonely pursuit. You can't help but take Frank's side, relishing his journey from rags to riches, and joining his vast corrupted network of cops and soldiers who succumb to greed. It's not until we see the effects of 'Blue Magic' that we're reminded his business is heroin. A brilliant and engaging crime classic.
I Am Legend
Anthony Macali
Years after a plague kills most of humanity and transforms the rest into monsters, the sole survivor in New York City struggles valiantly to find a cure.
This post-apocalyptic thriller is all too familiar, with too much focus on a barren New York that becomes dull quickly after the excessive panning. More tameness comes in the form of the terrible infected, tanned a bland grey and lacking physicality. A group of computer generated embodiments are simply not as menacing as real people dressed in pale makeup and blood. Often tense but far from legendary.
Waitress
Anthony Macali
Jenna is a pregnant, unhappily married waitress in the deep south. She meets a newcomer to her town and falls into an unlikely relationship as a last attempt at happiness.
Far from a mid-life crisis, I found little to relate to in this sorry tale. Nonetheless, it's impossible not to sympathize with our titular waitress as we suffer her arduous imprisonment. As it hits an all time low, Jenna finally breaks free from her mundane lifestyle. We share her wry smile as she engages in a mischievous relationship with the hilarious and bumbling doctor. "Waitress" is a saccharine and sometimes quirky dish that everyone should try.