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Step Brothers
Anthony Macali
Two spoiled guys become competitive stepbrothers after their single parents get hitched.
"Step Brothers" is a film of two adults behaving like kids. The jokes are cheap and immature, their amusement heightened by gratuitous swearing and childlike behaviour. You watch things happen on the screen, things that you know are supposed to be funny, but they simply don't make you laugh like they once used to. Brennan and Dale fatefully grow and mature, seamlessly and conveniently, and just in time for the inevitable happy ending. One to watch for those who are fond of juvenile performances.
WALL-E
Andrew O'Dea
A small robot embarks on a space journey that will ultimately decide the fate of mankind.
This is a wondrously inventive and poignant film that takes us on a journey of galactic proportions. The clever and heartfelt storyline is reflected amazingly onto screen through unequivocally stunning animation. We can't help but be captivated by our rusty little robotic hero as he scoots around the universe, inadvertently teaching us lessons of life, love, humanity, and the fragile nature of our planet. With storytelling and pure visual magic at its absolute best, "WALL-E" is out of this world.
The Mummy: Tomb of the Dragon Emperor
Anthony Macali
In the Far East, trouble-seeking father-and-son duo Rick and Alex O'Connell unearth the mummy of the first Emperor of Qin -- a shape-shifting entity who was cursed by a wizard centuries ago.
This movie is your typical Hollywood adventure flick; family friendly, light-hearted, simple plot with simple characters. But at what point in time did copious amounts of computer generated scenes substitute for real action? It makes the film lifeless, uninspiring and unbelievable. "Tomb of the Dragon Emperor" delivers all you would expect in its mediocrity. We can only hope this story is finally dead, destined for burial, and never to be unearthed again.
Hellboy II: The Golden Army
Anthony Macali
The mythical world starts a rebellion against humanity in order to rule the Earth, so Hellboy and his team must save the world from the rebellious creatures.
"Hellboy I"I is a CGI camp of cogs of creatures. We still love the band from the Bureau of Paranormal Research and Defence, a bunch of down-to-earth superheroes who fight the bad guys at night, and amusingly discuss their personal relationships by day. Like Abe and Hellboy, it's an odd mix that relishes in a refreshing world of supernatural creativity and action. The film doesn't take itself too seriously, and is all the better for it.
Tropic Thunder
Anthony Macali
Through a series of freak occurrences, a group of actors shooting a big-budget war movie are forced to become the soldiers they are portraying.
This film could have easily been titled "War Movie", inline with the many other spoof films. The premise is understandably contrived, and a challenge to be convincing. If you're seeking wit, you won't find it in this jungle. Jokes consist of recreating classic war scenes and actor parodies, ironically commenting on their retarded role choices. "Tropic Thunder" has a big cast and big budget, but relies too heavily on props and stereotypes to elicit laughs.
Baby Mama
Anthony Macali
A successful, single businesswoman who dreams of having a baby discovers she is infertile and hires a working class woman to be her unlikely surrogate.
"Baby Mama" possesses plenty of comedic talent that is wasted in a predictable and sugar-coated plot that induces morning-sickness-like nausea. Sometimes, rare moments of wit are shared between characters, exchanges easily forgotten when the story trails down the safe "Hollywood" path of superficial charm and happy-endings. Once it becomes apparent this film isn't as original as it first appears to be, it lulls and dulls and rocks you to sleep.
Pineapple Express
Anthony Macali
A stoner and his dealer are forced to go on the run from the police after the pothead witnesses a cop commit a murder.
If you smoke weed, more often then not, you end up in crazy scenarios. They are often highly contrived, outrageous, and equally hilarious. When the bad guys over-estimate the good guys, suspecting they're intelligent hired professionals, it's always hysterical. Like a number of characters, some jokes are not great, though never resorting to vulgarity. "Pineapple Express" is a ridiculous comedy of ridiculous people, stuck in ridiculously funny situations.
The Bank Job
Anthony Macali
Based on the true story of the 1971 Baker Street bank robbery which was prevented from being told for over thirty years because of a Government gagging order.
"The Bank Job" spends little time on the planning and execution of the robbery, giving a false impression of the relative ease of the operation. The film's prize is investigating the ramifications of the heist, countless sensitive materials in the hands of common thieves caught in a very dangerous situation. Extortion, guns, cars, brothels, dodgy politicians, and the mob all play a part. A slow and erratic start pays off in the rewarding finalé.
Wanted
Anthony Macali
A frustrated office worker learns that he is the son of a professional assassin, and that he shares his father's superhuman killing abilities.
The major problem with "Wanted" is that it's really stupid. It requires an absolute suspension of belief, as we're supposed to believe "looms of fate" can prove fatal. Story aside, some of the sequences are decent in their slow-mo gun-toting CGI kind of way. If the film didn't take itself so seriously, the setup would not be completely ridiculous. Over-the-top choreographed action cannot save it from a predictable plot and a fraternity of two-dimensional characters.
The Dark Knight
Anthony Macali
Batman and Gordon join forces with the new DA to take on a psychotic robber known as The Joker.
There is so much to admire about this film. The dark tone resonates with an audience that live in a not-so-perfect world. The grand-scale action sequences involving trucks and bikes are testament to money being better spent on explosions than computer graphics. Assortments of characters are given their due screen-time, but all are overshadowed by the Joker, who creates an unprecedented sense of dread and anarchy. "The Dark Knight" is so good that you forget about its comic origins, as it stands alone as exceptional action and crime classic.
Hancock
Anthony Macali
A hard-living superhero who has fallen out of favor with the public enters into a questionable relationship with the wife of the public relations professional who's trying to repair his image.
In the wake of the superhero blockbuster movement, "Hancock" provides a unique and hilarious perspective of an alcoholic with gifted powers, resented by the people and equally vulgar in return. This setup is fun until Hancock faces his only real villain in the film, the story arch-enemy. The humorous setup can only take you so far and doesn't fly for the entire length of the film. The shaky CGI can be forgiven, but the plot that ensues cannot.
Kung Fu Panda
Anthony Macali
Po the Panda is the laziest animals in all of the Valley of Peace, but unwittingly becomes the chosen one when enemies threaten their way of life.
Animated films continue to lead the way in family entertainment, and this one is no exception. This picture is invariably breathtaking, set amongst impressive landscapes and showcasing the very fast and fluid kinetics of martial arts which make it exciting to watch. The film presents enough vibrant and infectious fun to make it impossible to despise. "Kung Fu Panda" is funny, witty, and truly awesome.
Get Smart
Anthony Macali
Maxwell Smart, Agent 86 for CONTROL, battles the forces of KAOS with the more-competent Agent 99.
The only thing smart about this film is the cunning marketing plan involved - releasing old TV shows to the cinema, and playing on the nostalgia of the audience to convince them to watch these far inferior interpretations. There are a few jokes scattered about from a cast who should know better, but a notable absence of laugh-out-loud moments fails to lend substance and sustain this feature-length film. I'm afraid "Get Smart" is another shameless cash venture in line with the trend of TV adaptations and sequels that continue to curse our cinema screens.
The Happening
Luke Bartter
When large amounts of people start inexplicably committing suicide in America, panic ensues.
The real disappointment about this movie stems from it's obvious lack of quality throughout. Other than a few intense scenes, it's dull and long-winded, so your curiosity runs out regardless of the unusual phenomenon. When you stop caring about the 'why' or even what happens to the characters, watching feels like a task. Tedious and lifeless, the most mysterious thing is how "The Happening" managed to get made into a feature film.
Speed Racer
Anthony Macali
Speed Racer who is a young man with natural racing instincts whose goal is to win.
"Speed Racer" is a CGI flurry of cars and colours illuminated by a story of corporate corruption, a matter that would float past the intended audience of little ones. The themes of art vs business vs family are as clear as the Mach 5's slick exterior, but get lost in the frenzy of car-racing and kung-fu. The racetracks are loop-to-loop monsters, providing the best thrills in some sharp and edgy editing that puts you in the drivers seat. This film is a long and inconsistent race, worthy of watching if only to revel in all the bright colours.