A hard-living superhero who has fallen out of favor with the public enters into a questionable relationship with the wife of the public relations professional who's trying to repair his image.
In the wake of the superhero blockbuster movement, "Hancock" provides a unique and hilarious perspective of an alcoholic with gifted powers, resented by the people and equally vulgar in return. This setup is fun until Hancock faces his only real villain in the film, the story arch-enemy. The humorous setup can only take you so far and doesn't fly for the entire length of the film. The shaky CGI can be forgiven, but the plot that ensues cannot.
Tinker Tailor Soldier SpyAnthony Macali
In the bleak days of the Cold War, espionage veteran George Smiley is forced from semi-retirement.
"Tinker Tailor Soldier Spy" is terribly confusing. The cast is fantastic of course, but there are too many of them to keep track of. This isn't helped by the constant time shifts and the fact that everyone's story is marred with some kind of secret orcover-up. Perhaps if you can manage to look past the elegant period setting and splendid-looking pastels, and concentrate hard enough, the pieces of the puzzle will all fit. Most however, will reach the end only to wonder, "what the hell just happened?!" You'll need a dossier to accompany the screening.
(500) Days of SummerWendy Slevison
A romantic comedy about a woman who doesn't believe in true love, and the man who falls for her.
"(500) Days of Summer" is an offbeat romantic comedy that challenges the familiar elements of this genre by turning them upside down. Precisely because of this, some viewers will love it; some not so much. The film's distinctively quirky style is inspired by the first-time-feature director's background in music video. With perfectly-cast leads and an intriguing soundtrack, this movie should work but ultimately lacks the essentials of humour and warmth to pull off its dare to convention.
Rabbit HoleWendy Slevison
Life for a happy couple is turned upside down after their young son dies in an accident.
"Rabbit Hole" wants to be an authentic and poignant exploration of grief and the differing ways in which people deal with it. Unfortunately, despite excellent performances from a fabulous supporting cast, the film feels slightly contrived and unconvincing - due mainly to the much lauded leading lady, who plays her role with about as much emotional depth as the wrinkles on her forehead. You feel as though you are watching her act the way she thinks someone might behave in such tragic circumstances. The journey through this rabbit hole just doesn't quite lead to wonderland.
Terminator GenisysAnthony Macali
John Connor sends Kyle Reese back in time to protect his mother Sarah Connor.
"Terminator Genisys" is a sequel/reboot/redux, which inspires you to track down and watch the far superior original films. Made primarily to serve the faithful fans, all the winks and nods to the previous instalments cannot overcome the lacklustre and somewhat confusing plot. While it's a thrill to see a classic cast member return as a T-800, the subdued action sequences, which rely heavily on CGI, deliver little threat when these remarkably durable robots fight one another. A franchise close to obsolete.
A political thriller advancing the theory that it was in fact Edward De Vere, Earl of Oxford who penned Shakespeare's plays.
The identity of one of our greatest writers is scrutinised in "Anonymous", a tawdry tale of fiction staged as lusty historical drama. The audience is kept busy trying to work out who's who as the time-frame jumps into the past and back again, causing confusion when we try to match the older and younger actors of the same character. Sordid conspiracies abound, and it's all a bit fanciful, convoluted and overly long. As they say in the classics, "It's not Shakespeare".
Get HardStefan Sgarioto
When an Banker is wrongfully convicted for fraud, he enlists the help of the man who washes his car.
"Get Hard" is exactly what you'd expect it to be: stupidly nonsensical and immature. With repetitive jokes about prison rape, ethnic minorities, class status and homosexuality the focal point, this film is borderline offensive, occasionally funny, but ultimately wears itself too thin. The progression of story is also stunted significantly due to how much time is devoted to the antics of a makeshift prison. The idea of an actual narrative almost seems a second thought. By no means a side splitter, but not entirely void of the occasional laugh either - perhaps I'm just getting soft.
The World's EndAnthony Macali
Five friends who reunite in an attempt to top their epic pub crawl from 20 years earlier unwittingly become humankind's only hope for survival.
"The World's End" is a directors attempt to satisfy a sense of nostalgia, granting inspiration to this drunken comedy. The start is promising, an eclectic bunch of old friends reflecting on their lost youth, memories we can all relate to. The banter is quietly funny, and momentum builds with each humorously named pub until the whole quest descends into a science-fiction farce. It feels like lazy way to rescue a story that would otherwise run out of drink. Pub crawl come robot crawl? WTF.
Whip ItAnthony Macali
In Bodeen, Texas, an indie-rock loving misfit finds a way of dealing with her small-town misery after she discovers a roller derby league in nearby Austin.
"Whip It" is a movie about girls on skates, who find strength and delight in bumping one another on the circuit. It's unfortunate the story doesn't race as fast as our heroine Bliss, as she competes with a mother beaming with morals and a predictable plot. The familiar formula will best serve an audience of younger girls, who may gather some inspiration from this flick. Despite a team of superstar actresses, the moments of boredom outscore moments of fun.
Dear JohnCourtney Slevison
A romantic drama about John, a soldier on leave who falls for Savannah, a conservative college student.
We are in very familiar territory with "Dear John", a sappy clichè -ridden tale of young love. This film struggles to elicit an emotional response due to its clumsy dialogue and bland montages spanning John and Savannah's years apart. The rare moments of honest human connection take place between John and his autistic father, yet the tenderness shared between the two is somehow missing between the young lovers. Dear John? Return to sender.
Kick-Ass 2Andrew O'Dea
The costumed high-school hero Kick-Ass joins with a group of normal citizens who have been inspired to fight crime in costume.
"Kick-Ass 2" returns with the same manic mix of comedy and action that made its predecessor so uniquely original and successful. Unfortunately you can't help but compare the two, and although a gang of new heroes and villains offer some freshness, the shock-drama that was once edgy and brash now feels regurgitated and routine. Despite the film's clumsiness, it is still sporadically funny and gruesome enough to entertain those open to the experience. Kicks ass in name only.
Margin CallAndrew O'Dea
Follows key people at a bank, over a 24-hour period, during the early stages of the financial crisis.
Greed and opportunism are rife in this ensemble drama that paints a very loose snap-shot of the foundations of capitalist society, bottled into one investment firm on the eve of a financial crisis. The story is dialogue-driven, and although it deftly ponders the volatile issue of money versus morality, it fails to really delve past the numbers, lacking the visceral punch or emotional drive to grab our attention. Some will find this film serviceable enough as financial thriller, but for those wanting a little more emotional involvement, "Margin Call" is not a wise investment.
Seven PoundsWendy Slevison
An IRS agent with a fateful secret embarks on an extraordinary journey of redemption by forever changing the lives of seven strangers.
"Seven Pounds" is an average movie that could have been better with a heavier hand from the editing department and a lighter touch from the director. The story, while powerful and engaging, evolves slowly, and there are too many lingering shots of the main character's pained face. When all the pieces of the puzzle do finally come together, the factual implausibility unfortunately weakens the film's credibility.
In Harlem, an overweight, illiterate teen who is pregnant with her second child is invited to enrol in an alternative school in hopes that her life can head in a new direction.
Part grimly realistic and part fairy tale, "Precious" is the gritty story of one girls nightmarish existence. There is a redemptive thread thanks to the resilient core of the central character, but that element alone is insufficient to lift the bleak realism to an entertaining level. At the same time the raw exposed mood is compromised by a couple of plot twists that swim in sentimentalism. The emotional content is as uneven as the camera work. Precious but tarnished.
The WolfmanAndrew O'Dea
Upon his return to his ancestral homeland, an American man is bitten, and cursed by a werewolf.
This version of the classic tale plays more like a slasher flick than a genuine horror film. Visually stylish, it does exceptionally well to create a gloomy and gothic 19th century period setting in splendid detail. The unfortunate thing is that the superb production values don't compensate for an unevenly paced story that is both turgid and slow. Brief moments of respite that see the 'Wolfman' transform and rip people to shreds are too few and far between, and given the subject matter, there is a surprising lack of suspense. Definitely a case of all howl, no bite.
This is 40Anthony Macali
A look at the lives of Pete and Debbie a few years after the events of "Knocked Up".
"This is 40" likes to confront us, to no great surprise, that at times marriage and children are not exactly what they're cracked up to be. We have a couple, suffering some kind of mid-life crises, throwing their arguments onto the big screen, while reassuring an audience that turning 40-years-old is not that bad. Admittedly, there are some well observed moments and matchless humour to be found in the day-to-day, but our investment in the characters bear very little. After spending over two hours with these people, there's nothing to cherish… and that's depressing. This is fruitless.
The GamblerAndrew O'Dea
A lit professor and gambler's debt causes him to borrow money from his mother and a loan shark.
"The Gambler" is a tale of personal redemption and the moral muddiness of gambling. Unfortunately it's difficult for an audience to sympathise with a pretentious protagonist bent on self-destruction, throwing money against the wall while failing to garner any semblance of a lesson from the experience. Despite a host of terrific performances from the supporting cast, the story feels a little over-wrought, as it meanders to a point where we end up not caring enough to be invested in the tormented anti-hero's fate. Got to know when to fold em'...
A Million Ways to Die in the WestAnthony Macali
As a cowardly farmer begins to fall for the mysterious new woman in town, he must put his new-found courage to the test.
"A Million Ways to Die in the West" sure is persistent in preaching the dangers of the American frontier, and happily employs the language of today to make fun of it. Sadly the modern speech serves very little purpose except to describe countless sketches of vulgarity, toilet humour and poor slapstick. Characters come and go, with an alarming number of cameos, but much like the main star, shoot off jokes that repeatedly miss the target. There are better ways to laugh in the cinema.
A freak tsunami traps shoppers at a coastal Australian supermarket inside the building - along with a 12-foot Great White Shark.
"Bait" is the story of a very hungry shark, brought beyond the shore with the help of some unremarkable special effects. Once the disaster subsides, the talent emerges from the water and we have the consummate setting for chills and spills. They make it quite clear which fish we want to live, and the chumps to be chewed, not shying from the blood and limbs synonymous with killer sharks, yet still suffers from taking itself a little too seriously. Dead in the water.
The life and death story of Notorious B.I.G. (a.k.a. Christopher Wallace), who came straight out of Brooklyn to take the world of rap music by storm.
Notorious is a biopic of one the greatest, Biggie Smalls, who curiously narrates himself in this film of his life, from hustling on the streets to becoming the king of East-Coast hip-hop. Despite his many indiscretions, Big Poppa is portrayed favourably, because as you know, "Mo Money = Mo Problems". However, such empathy only detracts from the portrait of an already dubious character, even though his music is obviously tight.
Run Fatboy RunAnthony Macali
A chunky, clueless guy leaves his pregnant fiancée on their wedding day only to discover 5 years later that she is his one true love.
It's difficult to describe what bad comic-timing is, but "Run Fatboy Run" is surely an adequate demonstration. There are too many unbearable characters and too many bad jokes that race towards a neat and predictable ending. A marathon to endure, this film is not as funny as it thinks it is, and one you should run away from.
The Adjustment BureauStefan Bugryn
A politician must fight forces that 'control his fate' to stay together with his true love.
This movie could have been so much better than it was. The concept behind it is highly original, and you can be forgiven for thinking it would be a game changer. Possibly with a different crew or director, it could have lived up to its potential. However, despite the constant action sequences, it never really feels that exciting, and you will inevitably walk away disappointed. If only they 'adjusted' the film to make it more enjoyable.
Hansel & Gretel: Witch HuntersAndrew O'Dea
Hansel & Gretel are bounty hunters who track and kill witches all over the world. As the fabled Blood Moon approaches, the siblings encounter a new form of evil that might hold a secret to their past.
The old adage hints that you should never judge a movie by its title, but in this retelling of the classic fable, audiences would be remiss to expect anything remotely more than Hansel & Gretel... hunting witches. The premise is ludicrous and predictable in this film that values style over substance, yet action fans will nonetheless be entertained by watching a host of witches serving as nothing else but vessels to cackle then splatter across the screen. Don't be lured by this candy.
A young boy conducts a science experiment to bring his beloved dog back to life.
"Frankenweenie" is the pet project of its director, brought to life in trademark gothic style and ethereal black and white. The cute story is bound to resonate with any person caring for a creature of their own, but the kids can only make it last so far. Despite all the odd and wonderful characters, and the adorable dog Sparky, you have to wonder who the target audience is in this animation veiled by horror. All of the nods and winks to the many iconic films of its inspiration can't save this beast, eventually waning in interest. Frankly boring.
Muppets Most WantedAnthony Macali
While on a grand world tour, The Muppets find themselves wrapped into an European jewel-heist caper headed by a Kermit the Frog look-alike and his dastardly sidekick.
"Muppets Most Wanted" bears all the classic tropes of a sequel low on ideas and thin on plot. It's still impossible to resist the innocuous charm and nostalgia of the wildly animated characters, looking so great in their colourful skins. Moving at a fast pace, the jokes are largely hit-and-miss. While the hits are funny, it’s unlikely this rag-tag crew will win over any new audiences with this show, despite the support of countless cameos. Most conventional.