Journey 2: The Mysterious IslandAnthony Macali
Sean Anderson partners with his mom's boyfriend on a mission to find his grandfather.
The beauty of "Journey 2: The Mysterious Island" isn't just in the visuals or adventure. Listen to the random spiels of science that solve all the mysteries, and the story moves along at a swift pace. As expected, the film isn't big on plot or character development, and the 3D doesn't add much except to enable the large production designs and special effects, which can only hold your attention for so long. If you can sit back and absorb the humour and colour, the movie will deliver on everything it says on the ticket.
Dinner for SchmucksThomas Jones
When he finds out that his work superiors host a dinner celebrating the idiocy of their guests, a rising executive questions it when he's invited, just as he befriends a man who would be the perfect guest.
Though there are funny moments, "Dinner for Schmucks" is clearly produced for American audiences and doesn't translate to the Australian sense of humour. Where we should be laughing at the displays of stupidity depicted in the film, we're more likely to remark 'oh my god'. The comedy of errors becomes relentless, which can be partly blamed on the script. Arguably, they relied too heavily on the talent of the starring comedians to make it work. Funny for only certain tastebuds.
The Amazing Spider-Man 2Andrew O'Dea
Peter Parker runs the gauntlet as Oscorp sends up a slew of supervillains against him.
"The Amazing Spider-Man 2" disappointingly fails to capitalise on the promise of its predecessor. 'Spidey' in full flight is still a sight to behold, and the striking visuals and first-person action sequences will dazzle. There are high marks for characterisation, only it's wasted with so many of them on screen. Navigating the myriad of plot threads and seemingly endless procession of villains becomes akin to being stuck in a web... only for the whole thing to be clumsily unravelled, paving the way for an inevitable next instalment. Down came the rain and washed the spider out.
A drama centered on three people who are touched by death in different ways.
For a film with such promise; the director and cast are of the highest caliber, this movie really falls short on all levels. With the exception of a couple of scenes (the opening is on another level of film direction), the story, characters, and climax are all rather lame. A film on this material should force audiences to question their faith in the afterlife or the ability to communicate with the dead. Instead, it looks uninspiringly at the experiences of three individuals with no agenda on the subject presented. "Hereafter" - underwhelming in life and death.
Transformers: Revenge of the FallenAndrew O'Dea
Decepticon forces return to Earth on a mission to take Sam Witwicky prisoner, after the young hero learns the truth about the ancient origins of the Transformers.
"Transformers: Revenge of the Fallen" is a relentless sensory bombardment that presents what is unequivocally the pinnacle in movie sight and sound. Visually stunning CGI and thunderous action sequences do their best to keep you distracted from what is a laboriously cluttered and convoluted plot. This film is undoubtedly nothing more than a vehicle for visceral amazement; unfortunately there's literally not "...much more than meets the eye".
Get SmartAnthony Macali
Maxwell Smart, Agent 86 for CONTROL, battles the forces of KAOS with the more-competent Agent 99.
The only thing smart about this film is the cunning marketing plan involved - releasing old TV shows to the cinema, and playing on the nostalgia of the audience to convince them to watch these far inferior interpretations. There are a few jokes scattered about from a cast who should know better, but a notable absence of laugh-out-loud moments fails to lend substance and sustain this feature-length film. I'm afraid "Get Smart" is another shameless cash venture in line with the trend of TV adaptations and sequels that continue to curse our cinema screens.
Big Mamma's BoyAnthony Macali
Rocco struggles to choose between the love of his life and his doting, over-protective Italian mother.
"Big Mamma's Boy" is an admirable attempt at cross-culture comedy, though its appeal outside the uniquely Italian and Australian community is always in doubt. Fast-paced dialect is slowed down and accents are accentuated as the humour reaching for that wider 'family-friendly' audience, but the result "no taste so good". The suburbs of Melbourne are a welcome backdrop, but too many jokes miss the mark when you to try to please everybody. Some ham-full acting and haphazard skits make the film as patchy as a lasagne. A lot to love, though more could have been left at home.
In London, a real-estate scam puts millions of pounds up for grabs, attracting the city's scrappiest tough guys and its more established underworld types, all of whom are looking to get rich quick.
"RocknRolla" is your prototypical gangster movie. It doesn't disappoint in featuring all of the mobsters, crime-lords, violence and cash one would expect from such a film. However, rather than an original revival of the genre, it simply produces a tired archetype that seems all too familiar. It lacks coherency, and a narrator constantly explaining the storyline is testimony to the overly convoluted plot. Only worth watching for gangster-film-groupies.
Underworld: AwakeningAnthony Macali
In a changed world, humans have discovered the existence of both Vampire and Lycan clans.
Selene wakes to a slightly new and promising premise, although nothing has really changed in "Underworld: Awakening". Cue the familiar leather, washed-out hues and dramatic, flickering, down-lights. Some sinister human characters are introduced and they successfully stretch the short running-time, often with scenes faithfully inserted between the countless Vampire/Lycan in-fighting. While the action sequences are impressive, they go far too long, thanks in part to the resilience of each race. You won't find fresh blood here.
When his idyllic life is threatened by a high-tech assassin, former black-ops agent Frank Moses reassembles his old team in a last ditch effort to survive.
With the all-star cast and firepower at its disposal, "Red" has all the ammunition required for success. Sure, it does have some individually funny moments, but for a movie pertaining to be a pure action comedy, the one-liners simply aren't funny enough, and the explosions and gunfights simply not that exciting. The only real sense of danger comes from a host of fine actors putting their careers in jeopardy with such a poor choice in film. They really should know better. Red? Bet on black.
Jupiter AscendingAnthony Macali
Jupiter's boring and destitute life of house cleaning changes when Caine, a genetically engineered ex-military hunter, arrives on Earth to track her down.
"Jupiter Ascending" shoots for the stars and falls flat on its face, relying on worn conventions and hopeless romanticism to propel its story. There's no question the visuals are amazing; a galaxy of brightly coloured planets, outrageous outfits, and finely detailed mazes and structures. Once the exposition finally kicks in, the back-story is a little more interesting, but also quickly forgotten, as we query some of the more gaping aspects of the plot. Box-office descending.
Despicable Me 2Anne Murphy
Gru is recruited by the Anti-Villain League to help deal with a powerful new super criminal.
Despicable has become respectable and it must be Spring as dating and romance are the featured themes. The writers have set up their reformed villain to meet a love interest and create a traditional family. How’s that for uninspired? Needless to say, "Despicable Me 2" is not as delightful as its predecessor. Thankfully those little yellow guys, the minions, make merry with fart jokes and other slapstick mayhem; they are more attuned to junior audiences than the besotted lead characters. Disappointed me.
Baby MamaAnthony Macali
A successful, single businesswoman who dreams of having a baby discovers she is infertile and hires a working class woman to be her unlikely surrogate.
"Baby Mama" possesses plenty of comedic talent that is wasted in a predictable and sugar-coated plot that induces morning-sickness-like nausea. Sometimes, rare moments of wit are shared between characters, exchanges easily forgotten when the story trails down the safe "Hollywood" path of superficial charm and happy-endings. Once it becomes apparent this film isn't as original as it first appears to be, it lulls and dulls and rocks you to sleep.
Wall Street: Money Never SleepsStefan Bugryn
A young wall street trader learns firsthand about the dark side of America's corporate elite.
Greed continues to reign in this uninspiring tale about everything wrong with modern day capitalism. The subject matter and the characters could have been leveraged to create a much more engaging storyline, but it falls short of a potential Greek tragedy, and turns into a second rate, forgettable drama. Like the money grubbing fat cats it portrays, it looks fancy, but really has nothing much to offer. Greed is still good, but as for this movie... not so much.
Horrible BossesAnthony Macali
Three friends conspire to murder their awful bosses when they realize they are standing in the way of their happiness.
"Horrible Bosses" does have some funny moments, but you would know that if you saw the trailer. Unfortunately the feature doesn't breed anything new, struggling to stretch its thin plot based on a wicked daydream. Ridiculous situations ensue and our heroes grow less likeable and more smug. Each skit draws in its fair share of laughs, but you remain wary of such a slick production and notable cast, and can't help from feeling both are a little wasted. A comedy (and film) of errors.
The World's EndAnthony Macali
Five friends who reunite in an attempt to top their epic pub crawl from 20 years earlier unwittingly become humankind's only hope for survival.
"The World's End" is a directors attempt to satisfy a sense of nostalgia, granting inspiration to this drunken comedy. The start is promising, an eclectic bunch of old friends reflecting on their lost youth, memories we can all relate to. The banter is quietly funny, and momentum builds with each humorously named pub until the whole quest descends into a science-fiction farce. It feels like lazy way to rescue a story that would otherwise run out of drink. Pub crawl come robot crawl? WTF.
The Lovely BonesAnthony Macali
Centers on a young girl who has been murdered and watches over her family and killer from heaven.
This movie fields some grim subject matter, only to raise the question: why make it? It's an honest display of a family in disarray, broken and unable to heal. However, apart from this genuine touch, it only manages to wander through a gallery of postcard landscapes in an attempt to inspire hope beyond death. Or perhaps the director just wanted to borrow the climatic scenes of suspense and unease from the book? Like its heroine, "The Lovely Bones" lives in a world of limbo, stuck somewhere in between a good and a bad film.
Elspeth Dickens is stuck in an isolated farmhouse with her twin toddlers when a web-cam becomes her pathway to fame and fortune, but at a price.
It's faint praise to say that "Goddess" is a pleasant enough movie. The title suggests heavenly heights might be achieved but it is rooted in ordinariness. While this Australian production is not bad, it disappoints by not being fabulous either. It bounces around with a slightly annoying level of frivolity, finding form as a light and bright escapist production that never quite clicks into gear. Humdrum benign Mum.
The RiteWendy Slevison
A young American seminary student travels to Italy to take an exorcism course.
This is the most recent addition to a select collection of films that deal with the subject of exorcism. Despite eventually falling short of its early potential, squandering both pace and tension, the movie is admittedly somewhat unsettling at times, and leaves you in a rather philosophical frame of mind as you leave the cinema. The senior star plays his part with controlled enthusiasm, and together with the magnificent Roman backdrop, lifts and gives some credibility to an otherwise rather average film. "The Rite" is just alright.
Indiana Jones and the Kingdom of the Crystal SkullAnthony Macali
Famed archaeologist Dr. Henry "Indiana" Jones is called back into action when he becomes entangled in a Soviet plot to uncover the secret behind mysterious artifacts known as the Crystal Skulls.
It has been 18 years since the last instalment and those looking to cure those archaeological cravings will be satisified. The same characters, crew and triumphant score are reunited to recreate the wonderful fun and action of the series. Our hero may have aged, but like the audience, his passion is reignited when we embark onto the next adventure. However, after waiting for so long, it's disappointing we don't find anything new to treasure.
The InterviewAnthony Macali
Dave Skylark, host of the celebrity tabloid show "Skylark Tonight" lands an interview with a surprise fan, North Korean dictator Kim Jong-un.
"The Interview" has a few funny segments, but will struggle to capture your attention for the life of the film. The 'Skylark' character is a great one, and his gaudy and obnoxious behaviour provides some unique entertainment. Problems arise when they eventually land in the People's Democratic Republic and they're not exactly sure what to do with the supreme leader, resulting in a number of lame cultural references that fail to gain applause. Slightly controversial, even less laughter.
Law Abiding CitizenAnthony Macali
A frustrated man decides to take justice into his own hands after a plea bargain sets one of his family's killers free.
"Law Abiding Citizen" wastes no time delving straight into an egregious game of 'good guys vs bad guys'. At times, the way it manages to sway favour between lawyer and particularly clever murderer hungry for revenge can be intriguing. But flick the switch, and suddenly you find yourself locked into some inescapable moments of sinister dialogue and contrivance. It's a shame this thriller takes such a long time to teach its lesson of justice, only for the the final verdict to be a disappointment.
A Las Vegas magician who can see into the future is pursued by FBI agents seeking to use his abilities to prevent a nuclear terrorist attack.
"Next" is an embarrassing action thriller propelled with a terrible superfluous score and bland, random dialogue. It looks like the actors are only after their next pay cheque, their empty expressions throughout the movie scarily simular to the audience. The gift of foresight is portrayed well, but could have been used in better context than the numerous cgi-ridden chases that provide an excuse for action. This should not be the next movie you want to see.
Year OneAnthony Macali
When a couple of lazy hunter-gatherers are banished from their village, they set off on an epic journey through the ancient world.
"Year One" is a film comprised of cheap sets and cheap laughs. In the beginning, the jokes are primitive, and take time to grow in charm and wit. Many of the characters stand strong alone, but never band together well, meandering from scene to scene with biblical characters that handily feed the plot. Although some of the performances are uninspired, others never grow old. A clumsy production with just enough spectacle to satisfy the movie gods.
Tropic ThunderAnthony Macali
Through a series of freak occurrences, a group of actors shooting a big-budget war movie are forced to become the soldiers they are portraying.
This film could have easily been titled "War Movie", inline with the many other spoof films. The premise is understandably contrived, and a challenge to be convincing. If you're seeking wit, you won't find it in this jungle. Jokes consist of recreating classic war scenes and actor parodies, ironically commenting on their retarded role choices. "Tropic Thunder" has a big cast and big budget, but relies too heavily on props and stereotypes to elicit laughs.