Marley & MeWendy Slevison
A family learns important life lessons from their adorable, but naughty and neurotic dog.
"Marley and Me" positions itself as a romantic comedy but unfortunately it fails to deliver. With no chemistry between its lead actors, the characters and plot are difficult to engage with, and you find yourself not really caring about the human stars. It's the 22 adorable Labradors who share the role of Marley that are the best part of this movie, and the only laughs come from the innumerable scenes of chewing and destruction. For dog-lovers with lots of patience only.
A Nightmare on Elm StreetAnthony Macali
A re-imagining of the horror icon Freddy Krueger, a serial-killer who wields a glove with four blades embedded in the fingers and kills people in their dreams, resulting in their real death in reality.
Without an introduction, "A Nightmare on Elm Street" is terribly confusing. Some cool transitional effects blur the real and dream worlds: Freddy appears loudly, he cuts, blood is spilled... and the kids die in an amusing fashion. The result isn't very good, as too much tension is drawn from sound and not setup. Despite many micro-lapses, it does its best to keep you alive till the very end, and it eventually starts to make a little sense. It's difficult to stay awake during this deeply inferior remake.
Night at the Museum 2Andrew O'Dea
Security guard Larry Daley infiltrates the Smithsonian Institute in order to rescue his old friends.
"Night at the Museum 2" is an unfunny, unimaginative story devoid of any of the creativity and charm of its predecessor. Outstanding visuals are buried beneath a sprawling mess of a screenplay, as a mish-mash of gimmicky characters spend the entire movie running, babbling and slapping their way through what is a blatant recipe for dollars. Most annoying is a host of underdeveloped historical figures making wise-cracks that adults simply won't find funny, and children won't even be able to relate to. This exhibit deserves to be shut-down permanently.
Bad TeacherWendy Slevison
A foul-mouthed junior high teacher sets her sights on a rich colleague instead.
This is a movie that starts out at full throttle, and from there, finds it hard to maintain momentum. Despite trying so hard to be outrageous with its brazen, juvenile comedy, "Bad Teacher" is ultimately not terribly funny. The jokes are just too obvious; there is no subtlety or nuance. Everything is in your face. The cast, in particular the leading lady, work (too) hard with mediocre material that lacks wit and warmth. You don't care about what happens to these 'teachers' - and you definitely don't want to waste an apple on any of them.
Tinker Bell and the Great Fairy RescueAnne Murphy
Tinker Bell must team up with a rival fairy to keep their existence a secret from humans.
"Tinker Bell and the Great Fairy Rescue" assumes the target audience is unsophisticated. The tale lacks depth and interest, and the same can be said of the simple animation. It's hard to forgive this production for being so unimaginative. Also disquieting is the subtle stereotyping, not excused by knowing that the audience may not notice. Males come off second best and it's noted that the overweight one is dopey to boot. Cute, unremarkable fare with a run-of-the-mill storyline, it's the audience not the fairies who will need rescuing.
Street KingsAnthony Macali
Tom is a veteran cop who finds life difficult to navigate after the death of his wife. When evidence implicates him in the execution of a fellow officer, he is forced to go up against the cop culture.
"Street Kings" is a dull, clichéd and terrible episode of life on the streets of LA. You have the African-American brother, the Mexicano Esé, the Korean Triad and the hard-boiled cops who always look out for each other and play the tough guy. The whole setup is embarrassing, with very mediocre and laughable dialogue, as well as unthreatening criminals who always end up helping the police. Filmed in a style where excessive grittiness is king, this is actually bad.
Trouble with the CurveAnthony Macali
An ailing baseball scout in his twilight years takes his daughter along for one last recruiting trip.
Don't expect too much baseball in "Trouble with the Curve". Instead, this offering plays more like one of those 'father-daughter relationship' movies. The father, grumpy and old, is stuck in his ways, spending most of his time grumbling and moaning while watching the game he loves. His daughter, a lawyer, is busy, career driven and resentful. The performances are heartfelt, but sadly the film is a little dull, and ties all the loose ends ever so neatly. No curve balls here, this story is predictable as can be... better picks out there.
My Bloody ValentineCourtney Slevison
A decade after the notorious Valentine's Day massacre, Tom returns to his quaint hometown only to find that a string of similar murders has started up.
A remake of the 1981 movie of the same name, "My Bloody Valentine" suffers from a serious case of been there, done that. The film is basically a string of clichéd horror scenarios strung together by a weak and confusing plot. The characters are stiff and unlikeable, making it hard to care when they get hacked to pieces by the revenge-seeking serial killer. While aspiring to be a classic retro slasher flick, this movie struggles to be anything but a waste of time.
An underwater cave diving team experiences a life-threatening crisis during an expedition to the unexplored and least accessible cave system in the world.
It doesn't matter if it's a sinking ship, a hijacked plane or in this case, a flooded cave, we've seen this story too many times to care anymore. The only original thing about this film is that there is no undercurrent love story. There's more that will annoy you than entertain you. The Australian accent has never sounded worse and the writers need to learn, other words, aside from F%, can be used for emphasis. Sanctum, it sinks.
An epic adventure about a global cataclysm that brings an end to the world.
For the most part, "2012" requires you to be strapped in as you are overwhelmed by loud noises and CGI carnage. But what little joy there is to savour in the crumbling of national monuments is quickly lost in the cracks of boredom. There are only so many times a plane can out-run impending destruction before a plot becomes anymore predictable, while we look at our watches and wonder why oh why is it taking so long for the world to end? Yet another disappointment from a director of disasters.
New Year's EveTom Jones
The lives of several couples and singles in New York intertwine over the course of New Year's Eve.
Another occasion where 99.9% of the funding is spent on star power and the rest goes to the scriptwriter. Remember show and tell? Well New Years Eve is more tell, without the show. Characters relay so much information about themselves and the situation in every line, but you never actually see anything. It is over the top. The ball dropping at midnight is treated like a military operation complete with presidential style press conferences. When it comes to New Years, hold out for the real thing.
Big Mommas: Like Father, Like SonWendy Slevison
FBI agent Malcolm Turner and his stepson Trent go undercover at an all-girls performing arts school after Trent witnesses a murder.
This is not the kind of movie you go to see hoping for an original and engaging comedy. The premise is an oldie, but not necessarily a goodie - a ludicrous tale where it becomes imperative for a couple of hitherto "normal" men to dress as overweight, gaudily styled women in order to avoid detection by the so-called bad guys. There are a few laughs in this completely over the top shambles, but not the kind that make you feel good inside. Please Big Momma... no more... moviegoers deserve better.
The Mummy: Tomb of the Dragon EmperorAnthony Macali
In the Far East, trouble-seeking father-and-son duo Rick and Alex O'Connell unearth the mummy of the first Emperor of Qin -- a shape-shifting entity who was cursed by a wizard centuries ago.
This movie is your typical Hollywood adventure flick; family friendly, light-hearted, simple plot with simple characters. But at what point in time did copious amounts of computer generated scenes substitute for real action? It makes the film lifeless, uninspiring and unbelievable. "Tomb of the Dragon Emperor" delivers all you would expect in its mediocrity. We can only hope this story is finally dead, destined for burial, and never to be unearthed again.
Observe and ReportAnthony Macali
Bi-polar mall security guard Ronnie Barnhardt is called into action to stop a flasher from turning shopper's paradise into his personal peep show.
"Observe and Report" is a terribly misjudged comedy. Ronnie, our 'hero', is a guy you don't like, don't care about, and don't find funny. It's a simple formula for failure, made worse by poor behaviour and excessive swearing, cheap tools for laughter. Some scenes are so misconceived, they border on surrealism. It's a disappointing effort from a cast who should know better. Protect yourself and don't watch this.
What's Your NumberAnthony Macali
A woman looks back at the past twenty men she's had relationships with in her life and wonders if one of them might be her one true love.
In a story about finding 'the one', "What's Your Number" is concerned about the number of partners you have slept with. The city setting is beautifully shot, and a vast contrast to the crude nature of much of the discussion. The romantic duo at is generally likeable, always walking and eating and conveniently wearing very little. Sadly, their plight is not one you can sympathise with, extending far beyond our span of attention. My number? 2 stars...
Three high school friends gain superpowers after making an incredible discovery.
All the audience needs to know is this movie is nowhere near as cool as it sounds. "Chronicle" might have its moments, like a seriously awesome action scene towards the end, but as for the rest, it simply falls short of being anything really unique. Instead, it will be left to your imagination to fill in the gaps of what it could've been. Sometimes the film is just plain awkward to watch, thanks in no large part to the B-grade scripting, dialogue, special effects, acting... pretty much all of it. Chronicle this one as 'fail'.
A drunken playboy stands to lose his inheritance when he falls for a woman his family doesn't like.
"Arthur" displays all the symptoms of an unnecessary remake. It suffers from a typically trite screenplay and a bevy of unfunny and uninspired gags. Although there are some definite laugh-out-loud moments and an often entertaining rapport between the leading man and his 'nanny', the problem is that they're interspersed by long stretches of boredom and an excruciatingly clichéd romance. You can't help but feel the comedic talent on display is wasted. You won't find Camelot here.
A CIA agent goes on the run after a defector accuses her of being a Russian spy.
"Salt" manages to be as unoriginal as it is uninteresting; a bona fide recipe for a dissatisfying movie. A host of irrelevant scenes basically serve as filler to a myriad of unimaginative action sequences that lack any real vigour - and achieve nothing but to create a sense of going through the motions. It also fails to engage on any sort of intellectual level, even though the absurd yet predictable political sub-plot clearly aspired to. Although admirable performances from the cast do their part to spice up an otherwise dull story, after a serving of this film you won't feel anything but malnourished.
The Last AirbenderAndrew O'Dea
The story follows the adventures of Aang, a young successor to a long line of Avatars, who must put his childhood ways aside and stop the Fire Nation from enslaving the Water, Earth and Air nations.
"The Last Airbender" is capable in that its 3D medium manages to enhance rather than to 'point' out its special effects are fairly impressive. Unfortunately, the positives stop there, as the relative success of its visuals simply don't correlate to a script which fails dismally in its translation to the big screen. The film's myriad of problems are only burdened further by stilted dialogue and a truly lacklustre finale that disparagingly promises this won't be the last we see of 'airbending' any time soon.
The Green HornetAnthony Macali
Following the death of his father, Britt Reid, heir to his father's large company, teams up with his late dad's assistant Kato to become a masked crime fighting team.
"The Green Hornet" tries to be cool, tries to be awesome... and fails dismally on both accounts. Our hero duo are completely uninspiring, and the film's meager amount of laughs are drawn from nothing but their bitterful banter and marvellings at high-tech creations with self-indulged clamour. The action scenes do their job, and there is an interesting sub-plot of media politics, but it arrives far too late in the piece for salvation. It sting's, it hurts, and has been done much better before.
The BoxAnthony Macali
A small wooden box arrives on the doorstep of a married couple, who know that opening it will grant them a million dollars and kill someone they don't know.
Based on a short-story, this creepy film doesn't live up to its promising premise. A lot of weird stuff happens - blood noses, gateways, lightening and other unintentionally funny moments of suspense. The score is atmospheric, performances solid, but intriguing questions of morality are lost in the frustratingly ponderous revelations. The lesson here is to stay at home in your box, perhaps watch the box, and avoid the confusion that is "The Box".
Conan the BarbarianAndrew O'Dea
The tale of Conan the Cimmerian and his adventures across the continent of Hyboria on a quest to avenge the murder of his father and the slaughter of his village.
"Conan the Barbarian" is a spectacle without substance. Produced on a large scale, the set design and fight sequences are initially impressive, replete with gruesome, blood-spattering violence. Most disappointing though, is that ultimately the film becomes repetitive and tiresome. Amplified by the lack of any characterisation at all, the audience soon discovers there's no backbone to the bone-crushing... and the most barbaric thing is the fact you have to pay the cost of admission.
The WatchAndrew O'Dea
Four men who form a neighbourhood watch group as a way to get out of their day-to-day family routines find themselves defending the Earth from an alien invasion.
This is a high-concept, low-brow comedy that simply doesn't work. Sure, the initial shock-value might elicit some laughs, but a lazily written script will ensure that variations of the same vulgar gags will become tiresome and stale. Even some genuinely funny moments from particular leads aren't enough to resurrect a story which is nothing more than an after-thought to a barrage of unoriginal toilet humour. Don't watch "The Watch".
The Hangover Part IIIAndrew O'Dea
There's no wedding and no bachelor party... but when the Wolfpack hits the road, all bets are off.
"The Hangover Part III" is a victim of its own success. Still running on the fumes of the hugely popular first installment, this outing is nothing more than a shameless cash-grab, where the only real debauchery involved is its mere production. What sort of 'hangover' movie doesn't even have a hangover? While there are some rare and isolated moments of hilarity, what lies in-between is nothing but a desert bereft of comedy or thrills – where any laughter is contrived and strained at best. What happened in Vegas should've stayed in Vegas.
A young girl discovers her father has an amazing talent to bring characters out of their books and must try to stop a freed villain from destroying them all, with the help of her father and a storybook's hero.
"Inkheart" simply lacks the creativity to be anything but another tired endeavor at a 'book-to-big screen' adaptation. The result is an unconvincing and gimmicky film, full of clichés and characters severely devoid of any depth. It fails miserably in its attempted (and not so subtlety implied) homage to the great stories of history, as it tediously waddles from scene to scene with all the imagination of an inkblot. Stay home and read a book instead.