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To protect his brother-in-law from a drug lord, a former smuggler heads to Panama to score millions of dollars in counterfeit bills.
"Contraband" doesn't move along at a great speed of knots, but contains plenty of drama and thrills. For the most part, the story takes place on a ship, and the environment is a not often seen and interesting place. The hand-held camera style is distracting, regularly zooming in and out of focus. There's a lot to like about our main character, using his street-smarts to continually outwit his sinister opponents. In the end, this predictable import brings home the goods.
A group of elite warriors are hunted by members of a merciless alien race known as Predators.
"Predators" delivers all that one would expect from such a movie. The plot is thin, but our group of anti-heroes and evolved Predators admirably do just enough to sustain an air of tension. The action sequences are tight, with plenty of stylish gore to satisfy the gruesomely entertained. Although there are some welcome nods to the original, the disappointing thing about this reboot is that it fails to distinguish itself. On the whole though, it must be said that the film succeeds in at least revisiting the franchise and actually getting it back on track - so be sure to "stick around...
The Twilight Saga: New MoonAnthony Macali
Realising Bella will never be safe as long as he's around, Edward makes the difficult decision to leave.
This sequel significantly outshines its predecessor, as the presence of a storyline improves it in leaps and bounds. The eclipse of romance is welcome, as we share Bella's pain and encourage her recklessness. Despite console from (decidedly buff) friend Jacob, her time spent moping takes a lot longer than the film lets you believe. Their performances are less than desirable, but we find some hope in the small moments of action, laughter and extension of the mythology. Less brood and more mood, "New Moon" has successfully revived the saga.
Valentine's DayCourtney Slevison
Couples and singles break-up and make-up based on the expectations of Valentine's Day.
"Valentine's Day" is cute, undemanding fluff, offering nothing original or unique to the rom-com genre. Boasting an impressive ensemble cast of Hollywood stars, the film feels a bit crowded with everyone scrambling for screen time, ultimately leaving you with only an unsatisfying snippet of each storyline. Like the sickly sweet candy shared on the day of love, the initial cheap thrill wears off, leaving you wanting something a bit more substantial. However a few funny moments and the odd 'warm fuzzy' make this an enjoyable enough date movie.
A thriller centred on the threat posed by a deadly disease and an international team of doctors.
"Contagion" is a convincing film, possibly too much so considering the subject matter. Although it engages on an intellectual level, it fails to engage emotionally. People get sick and die while the shortfalls of human nature are exposed, but we don’t seem to care all that much. That's not to take away from the oustanding direction which is absolutely world class, nor the pulsating soundtrack that does well to heighten the tension. It's just that you need more symptoms to sustain a story such as this one. Not quite infectious enough…
The Other Boleyn GirlAnthony Macali
Two sisters contend for the affection of King Henry VIII.
"The Other Boleyn Girl" is a serviceable period drama of a rather unpleasant story. It paints a time of great class divide, where there is no shame in marrying into wealth and using seduction as a perfectly acceptable way to do so. While the film could have drawn parallels with sex and politics in society today, it's forced to rush scenes to fit into the decades of history. It has more in common with a soap opera, as it parades bitter characters that we can't relate to or pity - their struggles leaving you unfavourably depressed.
The Curious Case of Benjamin ButtonAndrew O'Dea
Tells the story of Benjamin Button, a man who starts aging backwards with bizarre consequences.
"The Curious Case of Benjamin Button" is a beautifully crafted and acted film, but the running time and ambiguity surrounding its message holds it back. Lessons of fate, mortality, life, and death are prevalent - but they remain convoluted. For all their enigmatic symbolism, they are difficult to comprehend and appreciate. However, that's not to say the audience won't be able to draw their own conclusions from the many parables throughout. Indulge your curiosity, watch it, and make up your own mind.
Olympus Has FallenAnthony Macali
The White House is ambushed by an army of terrorists and the Preisdent is taken hostage. A former guard leads the one-man rescue.
"Olympus Has Fallen" is a non-stop assault of guns and explosions, striking a close resemblance to video games. This B-Grade action revamp features the prototypical bad guys of North Korea, and a hero relishing the violence he's confronted with. Leading the charge to save the world, our patriotic general does not shy from the bloody onslaught or increasingly amusing 'one-liners'. If you can arrest the flaws and the lull at the half-way mark, you may find the ludicrous situation good fun. Stands up.
Hoodwinked Too! Hood vs. EvilAnne Murphy
Red Riding Hood is training in the group of Sister Hoods, when she and the Wolf are called to examine the mysterious sudden disappearance of Hansel and Gretel.
Red is a girl who stands up for herself and knocks her opponents out, delivering action before comedy. Still, the snappy dialogue and cracking one-liners are welcome in movies aimed at younger audiences, providing enjoyment for the grown-ups. Annoyingly, there's some not so subtle stereotyping, and you can't help noticing the baddies are all chubby and the goodies fit and trim. Wink, wink, as all in all, it's more good than evil.
A priest disobeys church law to track down the vampires who kidnapped his niece.
"Priest" makes the most of its short running time to deliver what is, in the end, a sleek action flick. Sure, there are clichés aplenty and the dialogue may cause you to wane at times, but it's all offset by some seriously stylish action sequences. What else could you honestly expect from a film where the hero flings ninja-stars in the shape of a crucifix? Although lacking in originality and littered with flaws, the target demographic will nonetheless be more than satisfied by this perfectly acceptable vehicle of vampire-slaying. Say 'Three Hail Marys' for enjoying this guilty pleasure.
Death RaceAndrew O'Dea
Ex-con Jensen Ames is forced by the warden of a notorious prison to compete in our post-industrial world's most popular sport: a car race in which inmates must kill one another on the road to victory.
"Death Race" is a film pertaining to pure mindless entertainment. It takes us on a violent ride fuelled by all the fast cars, big guns, explosions and gore one would typically expect from the unashamed action genre. Fans of such cheap thrills will revel in the fun generated by the constant high-octane race sequences, while those seeking more dramatic substance will find the movie as a whole severely lacking.
The ReboundAnthony Macali
In New York City, a single mom captivates her new neighbour, a much younger man.
"The Rebound" is a perfectly serviceable romantic comedy that ticks all the right boxes. There is great chemistry between the two leads, even though the children steal the show with their questionable preciousness and jocularity. The movie's worst quality would be the title, partly derived by Sandy's unique profession in sport statistics, making her even more appealing to the boys. As predictable as it may be, it's nicely wrapped up in a series of extended montages, preventing any forays into the over-soppy. The aim is true, as this film scores a winner in all the right categories.
American ReunionAndrew O'Dea
Jim, Michelle, Stifler, and their friends reunite in East Great Falls for their high school reunion.
This instalment of the "American Pie" franchise is definitely one for the nostalgia fans only. There are a lot of forced and awkward moments, and some will find the often contrived humour a little lame. Others will find it laugh-out-loud hilarious. You should know exactly what to expect from this film. Many of the classic jokes are revamped and revisited, showcasing the vulgar dialogue and juvenile behaviour that made the earliest instalments (and the Stifmeister!) so popularly funny and successful. Go in expecting anything else, and you'll leave with pie on your face.
Magic MikeAnthony Macali
A male stripper teaches a younger performer how to party, pick up women, and make easy money.
Sex, drugs... and dollar bills, "Magic Mike" offers us a sneak peek into the not-so-glamorous, but surprisingly creative life of a male stripper. While the job requires a certain exquisite physique, there is an impressive amount of work involved in the highly choreographed dance numbers and imaginative use of costumes and props. Unfortunately the magic doesn't last forever, as Mike searches for more to his life, with ambitions of a real career and a romance that can't compete with the novelty of dry-humping on stage. There's more to Mike than meets the eye.
A small-town girl ventures to LA and finds her place in a neo-burlesque club run by a former dancer.
"Burlesque" is everything you might imagine - clichéd, yes. Thin on plot, yes. Largely a performance vehicle for it's leading ladies, yes. But it's more - it's entertaining escapism, and isn't that what movies are all about? The voices are incredibly rich and robust; the dance numbers are glitzy and gaudy, yet tightly choreographed and executed. The entire cast is highly watchable (even if it's just to see if the elder of those leading ladies can actually move her top lip) and combine to deliver a film that is sexy without being salacious.