Fright NightCourtney Slevison
A teenager suspects that his new neighbour is a vampire.
The 'teenage vampire flick' has become a cinema epidemic, and "Fright Night" wastes no time in slotting itself right into the sexy/comedy/horror genre. Neither funny nor scary enough to hold its own, this latest addition feels like a clumsy mash-up of movies we have all seen before and is therefore predictable, soulless and unengaging. For some, it may be an enjoyable enough way to spend a couple of hours, but ultimately this one is frightfully forgettable.
Four turtle brothers, mutated from toxic ooze and master ninjas, must work together and battle an ancient mysterious evil to save the world.
When you're young, turtles are the ultimate pets, ninja is cool and pizza is your favourite food. I still enjoy pizza, but I also enjoyed the rubber suits from the old "TMNT" movies. Replaced with CGI, the new "TMNT" is targeted at a much younger audience. The story is a bit silly, but sweet nun-chuck skills and a happy ending will be a lot of fun for kids. It needs to make more funny's to be totally bodacious.
Total RecallAndrew O'Dea
A factory worker begins to suspect that he is a spy after having fake memories planted in his head.
"Total Recall" is an unimaginative, humourless insult to the original sci-fi classic it is based upon. A convoluted script that takes itself way too seriously is only compounded by a host of cheesy one-liners delivered by actors that have neither the charm nor charisma to pull them off. The CGI is excessive and poorly executed, although certain fanboys might be pleased by the 'extra titillation' on offer. The entire movie feels like one continuous chase scene, propelled by a storyline that is nothing more than lame political allegory. If only it was possible not to recall this disaster.
High School Musical 3: Senior YearAnthony Macali
Troy and Gabriella struggle with the idea of being separated from one another as college approaches. Along with the rest of the crew, they stage a spring musical to address their fears about their future.
"High School Musical 3" might be better suited for the stage, but definitely not for the big screen. It feels like cameras were simply stationed in front of each performance, creating a dull and disappointing view considering the potential of cinema. The dance choreography is impressive, far superior to the songs that take too long to gather any momentum or vivacity. The climax is a simple re-hash of the film's earlier songs, and like my senior year, I couldn't wait for it to be over.
Fantastic 4: Rise of the Silver SurferAnthony Macali
The Fantastic Four learn that they aren't the only super-powered beings in the universe when they square off against the powerful Silver Surfer and the planet-eating Galactus.
The Fantastic Four have become a group of scientists without any chemistry. We don't see enough of our beloved Silver Surfer. If only the producers gathered even more conspicuous product placement, they could have extended his stay. Overshadowed by the Surfer, Reed and Sue's relationship is not interesting. The innocuous jokes that sustained the first film are all gone, and all we are left is another sequel that is high in special effects, and nothing else special.
Hall PassAndrew O'Dea
A married man is granted the opportunity to have an affair by his wife. Joined in the fun by his best pal, things get a little out of control when both wives start engaging in extramarital activities as well.
"Hall Pass" is a hit-and-miss comedy that provides some genuinely hilarious moments. The problem is, outrageous will only get you so far, and when you rely so heavily on repeated shock value to sustain a film, it loses value and becomes predictable. It's disappointing that the directors don't deliver on what could've potentially been a seriously funny escapade, given the subject matter. Not even close to a pass mark.
We're the MillersAnne Murphy
A veteran pot dealer creates a fake family as part of his plan to move a huge shipment of weed into the U.S. from Mexico.
"We're the Millers" will divide audiences. Some will find it hilarious and entertaining, while others will squirm and remain straight faced. Try this test; do you usually like movies that are advertised in bus shelters? Answer "yes siree", then next stop is the cinema. Answer "meh, I don’t think so", then stay on board. This film doesn't ask much of viewers, yet doesn't deliver much either. Ironically it's about a big deal... but is no big deal.
Prince of Persia: The Sands of TimeAnthony Macali
Based on the video game, which follows an adventurous prince who teams up with a rival princess to stop an angry ruler from unleashing a sandstorm that could destroy the world.
"Prince of Persia: The Sands of Time" is another disappointing game adaptation with an underwhelming story and clunky CGI. The action is good but the editing is brash, and its over-reliance on special effects is a curse, despite the brief moments it's actually of valuable consequence. Naturally there are nods to its origins, but they didn't need to bring back the two-dimensional characters. The hourglass just doesn't run out quick enough on this one.
Fast & FuriousLuke Bartter
An FBI agent and a fugitive use street racing to infiltrate and take down a notorious crime lord.
For a film about racing fast cars, the pace is sluggish, bogged down with too many characters, and suffers from an over-abundance of pointless non-car chase related scenes. Not completely embracing the ridiculous premise like the previous films, "Fast & Furious" is humourless and juvenile. The lack of fun makes the painful leaps of logic even more obvious, leaving an uneven mess that's rarely explosive or exciting. It may be slick and loud, but unfortunately there's nothing under the hood. For the auto-obsessed only.
The ExpendablesStefan Bugryn
A team of mercenaries head to South America on a mission to overthrow a dictator.
"The Expendables" is a testosterone fuelled man-movie that packs a record amount of masculinity into an extremely unoriginal script. The premise is simple, and has been done over a million times in one way or another. The characters are like big plastic action figures with no depth behind barrels of sweaty muscle, and their swift delivery of bullets and pain is matched only by their cheesy one liners and laughable acting. If mindless action and explosions is your thing, drop everything and see this movie. Otherwise, expend your time elsewhere.
An updated version of the 1980 musical, centered on students of the NY Academy of Performing Arts.
The grit, heartbreak, passion and talent of the characters was the heart of the ground-breaking original movie. These elements are absent in this 'reinvention'. It is bland and soul-less, two things a film about performing arts should never be. Clearly aimed at the MTV audience, this is a sequence of performance numbers interrupted by inconsequential plot, rather than a character study in the lives of extraordinarily talented students desperate for success. More sparkler than flame, this "Fame" bungles its audition.
The Incredible Burt WonderstoneAnthony Macali
When a street magician's stunts begins to make their show look stale, superstar magicians Burt Wonderstone and Anton Marvelton look to salvage on their act.
The world of magic is an easy target, which makes it even more astonishing how much of a failure "The Incredible Burt Wonderstone" is. Not long after the first act, the tired comedic routine becomes repetitive and predictable. Viewers beware; don't be fooled by the illustrious cast, who might try hard, but are not funny, performing with little class and no laughs. As a member of the audience, you'll wish you could disappear.
What Just Happened?Wendy Slevison
Two weeks in the life of a fading Hollywood producer who's having a rough time trying to get his new picture made.
What a disappointment. "What Just Happened" is a film boasting an amazing pedigree, but has no apparent storyline or plot, no standout performances and no characters we care anything about; not even the big-name actors playing themselves can do anything to invigorate this lifeless, pointless exercise. Unfortunately, all you are likely to think as you leave the cinema after watching this movie is "what just happened?" And the answer is... not much.
An epic adventure about a global cataclysm that brings an end to the world.
For the most part, "2012" requires you to be strapped in as you are overwhelmed by loud noises and CGI carnage. But what little joy there is to savour in the crumbling of national monuments is quickly lost in the cracks of boredom. There are only so many times a plane can out-run impending destruction before a plot becomes anymore predictable, while we look at our watches and wonder why oh why is it taking so long for the world to end? Yet another disappointment from a director of disasters.
The Last AirbenderAndrew O'Dea
The story follows the adventures of Aang, a young successor to a long line of Avatars, who must put his childhood ways aside and stop the Fire Nation from enslaving the Water, Earth and Air nations.
"The Last Airbender" is capable in that its 3D medium manages to enhance rather than to 'point' out its special effects are fairly impressive. Unfortunately, the positives stop there, as the relative success of its visuals simply don't correlate to a script which fails dismally in its translation to the big screen. The film's myriad of problems are only burdened further by stilted dialogue and a truly lacklustre finale that disparagingly promises this won't be the last we see of 'airbending' any time soon.
What to Expect When You're ExpectingWendy Slevison
A look at love through the eyes of five couples experiencing the thrills and surprises of having a baby.
If you're the type of person who has always found pregnancy funny, then this may just be the film for you! Based on the best-selling 1980's advice book of the same name, this muddled mess struggles to connect with its audience. Too many storylines, too little character development and way too many clichéd jokes make the best thing about this movie the incredibly lifelike, prosthetic pregnant bellies. If this is your thing, great. Otherwise, don't expect much.
The Last SongWendy Slevison
A rebellious girl is sent to a Southern beach town for the summer to stay with her father.
"The Last Song" was specifically created as a vehicle for its female lead to make the shift to more adult dramatic roles, but regrettably it won't help her career as much as she may have hoped. The movie is everything you'd expect â€“ a cheesy, schmaltzy tear-jerker. While the young stars do their best to provide some sense of authenticity to their roles, the overwrought, overloaded and implausible plot make it very hard work for cast and viewer alike. It almost certainly won't be the amiable young star's last song, but sadly isn't her best.
Cirque du Freak: The Vampire's AssistantCourtney Slevison
A teenage boy unknowingly breaks a 200-year-old truce between two warring factions of vampires.
This film has all the right ingredients but never quite lives up to its initial promise. There is great potential in the colourful and quirky characters, but due to a slow and drawn-out plot, they never really get fleshed out. Lying somewhere between comedy and pre-teen horror, there just aren't enough laughs or scares to succeed in either genre. As the title clearly suggests, this film is designed to be the first of a franchise, but for a film about vampires and circus freaks, it just doesn't have enough bite to keep you hooked.
A frustrated office worker learns that he is the son of a professional assassin, and that he shares his father's superhuman killing abilities.
The major problem with "Wanted" is that it's really stupid. It requires an absolute suspension of belief, as we're supposed to believe "looms of fate" can prove fatal. Story aside, some of the sequences are decent in their slow-mo gun-toting CGI kind of way. If the film didn't take itself so seriously, the setup would not be completely ridiculous. Over-the-top choreographed action cannot save it from a predictable plot and a fraternity of two-dimensional characters.
The Green HornetAnthony Macali
Following the death of his father, Britt Reid, heir to his father's large company, teams up with his late dad's assistant Kato to become a masked crime fighting team.
"The Green Hornet" tries to be cool, tries to be awesome... and fails dismally on both accounts. Our hero duo are completely uninspiring, and the film's meager amount of laughs are drawn from nothing but their bitterful banter and marvellings at high-tech creations with self-indulged clamour. The action scenes do their job, and there is an interesting sub-plot of media politics, but it arrives far too late in the piece for salvation. It sting's, it hurts, and has been done much better before.
My Bloody ValentineCourtney Slevison
A decade after the notorious Valentine's Day massacre, Tom returns to his quaint hometown only to find that a string of similar murders has started up.
A remake of the 1981 movie of the same name, "My Bloody Valentine" suffers from a serious case of been there, done that. The film is basically a string of clichéd horror scenarios strung together by a weak and confusing plot. The characters are stiff and unlikeable, making it hard to care when they get hacked to pieces by the revenge-seeking serial killer. While aspiring to be a classic retro slasher flick, this movie struggles to be anything but a waste of time.
A teenage girl risks everything when she falls in love with a vampire.
"Twilight" is in essence a thinly veiled melodrama. The bulk of the film constitutes parading an endless procession of our star-crossed lovers staring longingly at each other, which achieves nothing but to reduce it to a lumbering bore. It feels like filler to a paper-thin plot, glaringly prevalent when crucial story revelations are uncovered simply by using an online search engine. An overwhelming sense of the anemic is coupled with dialogue that is as bland and as pale as the vampires' ridiculous skin. Appropriately put, this movie sucks.
Conan the BarbarianAndrew O'Dea
The tale of Conan the Cimmerian and his adventures across the continent of Hyboria on a quest to avenge the murder of his father and the slaughter of his village.
"Conan the Barbarian" is a spectacle without substance. Produced on a large scale, the set design and fight sequences are initially impressive, replete with gruesome, blood-spattering violence. Most disappointing though, is that ultimately the film becomes repetitive and tiresome. Amplified by the lack of any characterisation at all, the audience soon discovers there's no backbone to the bone-crushing... and the most barbaric thing is the fact you have to pay the cost of admission.
Big Mommas: Like Father, Like SonWendy Slevison
FBI agent Malcolm Turner and his stepson Trent go undercover at an all-girls performing arts school after Trent witnesses a murder.
This is not the kind of movie you go to see hoping for an original and engaging comedy. The premise is an oldie, but not necessarily a goodie - a ludicrous tale where it becomes imperative for a couple of hitherto "normal" men to dress as overweight, gaudily styled women in order to avoid detection by the so-called bad guys. There are a few laughs in this completely over the top shambles, but not the kind that make you feel good inside. Please Big Momma... no more... moviegoers deserve better.
Abraham Lincoln: Vampire HunterStefan Bugryn
The prolific American President leads a double life as one of history's greatest vampire-hunters.
"Abraham Lincoln: Vampire Hunter" is basically an action movie for teenage boys. The bumbling script and rushed back-story means you don't really care for any of the characters or their motives. However, even though it starts off as a no-brains fang-banger, it actually becomes bizarrely interesting watching historical events woven with outrageous fiction. Don't be mistaken, this is mostly a pretty stupid film, but seeing an infamous American president slaying evil spirits against the backdrop of a historically famous era, only just saves it from sucking completely.