- Arrange By »
- Title
- Release Date
- Stars
Iron Man 2
Andrew O'Dea
Billionaire Tony Stark must contend with deadly issues involving the government, his own friends, as well as new enemies due to his superhero alter ego Iron Man.
"Iron Man 2" is fuelled by ultra-impressive effects and some explosively awesome action. The plot is a little rusty and isn't helped by the uneccessary introduction of characters for inevitable future franchises. Thankfully, it's redeemed by both leads who are superb in their roles, and they combine brilliantly to capture the loveably narcissistic Tony Stark and the hulking Russian menace Ivan Vanko. Not completely iron-clad, but there's definitely more than enough firepower to entertain the fanboys.
Iron Man
Anthony Macali
When wealthy industrialist Tony Stark is forced to build an armored suit after a life-threatening incident, he ultimately decides to use its technology to fight against evil.
"Iron Man" is a fun action flick with wide appeal. Set in the real world, Tony Stark deals with issues prevalent today that make the movie believable. In all comic-book adaptations, it's the transformation that is the best part, and this is no exception. The lustrous suit is super cool, and its construction is a hilarious process. If only the suit looked better in the cgi-mess which is considered the final fight. This is a superhero movie that is actually good.
Invictus
Andrew O'Dea
To unite South Africa, Nelson Mandela enlists the national rugby team to win the Rugby World Cup.
"Invictus" is a charming true story that strikes a seamless balance between politics and sport. The director delivers a meticulously sincere picture that not only presents a truly 'human' portrait of Mandela, but also a remarkable achievement by the Springboks. Stunning cinematography provides the perfect backdrop to sporting sequences that dazzlingly capture the tension and brute force of bone-crunching rugby action. Above all, the performance of the lead is nothing short of brilliant as he so effortlessly embodies and personifies the dignity and wisdom of one of history's greatest men.
Insidious
Stefan Bugryn
A family is haunted by evil spirits who try to embody their comatose child.
This has to be one of the scariest movies made in a long time. As a narrative, it doesn't break any new boundaries, but uses old-school shock tactics extremely well. It thrives on familiar moments like 'what's around the corner?', and 'who made that noise?', whilst slowly revealing the plot (and genuinely horrific creatures) as you go along. There are odd moments of humour that break the mood and don't belong in the film, but as a salute to the Hollywood Book of Horror, it is a frightening treat.
Inkheart
Andrew O'Dea
A young girl discovers her father has an amazing talent to bring characters out of their books and must try to stop a freed villain from destroying them all, with the help of her father and a storybook's hero.
"Inkheart" simply lacks the creativity to be anything but another tired endeavor at a 'book-to-big screen' adaptation. The result is an unconvincing and gimmicky film, full of clichés and characters severely devoid of any depth. It fails miserably in its attempted (and not so subtlety implied) homage to the great stories of history, as it tediously waddles from scene to scene with all the imagination of an inkblot. Stay home and read a book instead.
Inglourious Basterds
Andrew O'Dea
In Nazi-occupied France during World War II, a group of Jewish-American soldiers are chosen specifically to spread fear throughout the Third Reich by scalping and brutally killing Nazis.
"Inglourious Basterds" is history brazenly re-imagined. A stunning ensemble cast bask in the rich characterisation, creating a host of characters each as enthralling as the next. Some of the most memorable moments are simply 'set-piece' scenes of witty, original, and intelligent dialogue. Although used sparingly, every action sequence is a celebration of excess, and the film manages to capture cinema violence at its spectacular, blood-spattering best. Glorious!
Indiana Jones and the Kingdom of the Crystal Skull
Anthony Macali
Famed archaeologist Dr. Henry "Indiana" Jones is called back into action when he becomes entangled in a Soviet plot to uncover the secret behind mysterious artifacts known as the Crystal Skulls.
It has been 18 years since the last instalment and those looking to cure those archaeological cravings will be satisified. The same characters, crew and triumphant score are reunited to recreate the wonderful fun and action of the series. Our hero may have aged, but like the audience, his passion is reignited when we embark onto the next adventure. However, after waiting for so long, it's disappointing we don't find anything new to treasure.
Inception
Anthony Macali
In a world where technology exists to enter the human mind through dream invasion, a highly skilled thief is given a final chance at redemption which involves executing his toughest job till date.
Boldly ambitious on a universal scale, "Inception" is awe inspiring, bringing to life the imagination of the mind in amazing visual detail. Mastering the idea of dreams within dreams may take some time, but it's this kind of challenge, rarely seen in blockbusters, that keeps you absolutely enthralled. It shoots through its running time at a whole new level, immersing you in the sub-conscious of the characters on screen without any contraptions. Unmistakably mind-blowing.
In Time
Courtney Slevison
In a future where people stop aging at 25, and time is literally money, having the means to buy your way out of the situation is a shot at immortal youth.
This is a slick, futuristic action-thriller with one of the most original and refreshing movie premises in the sci-fi genre to date. Visually, the film is awesome; the stylised landscape and clothing help to tell the story of a strange world, each scene worthy of a portrait. Thoroughly entertaining and thought-provoking, "In Time" is only slightly hindered by performances of the two leads, but thankfully it's what goes on around them that steals the show. Definitely one worth making the time to see.
Immortals
Anthony Macali
Theseus is a mortal man chosen by Zeus to lead the fight against the ruthless King Hyperion.
"Immortals" is another story of Ancient Greece, where the gods sit in the sky and watch men fight below. The mad king is delightfully evil, exercising his wicked ways in every scene. His counterpart, the chosen one, is the most able-bodied of them all, spending most of the time chasing and tensing. The large scale production looks great, with a myriad of effects thrown up on screen, but the story is plain and lacks any emotion or wonder. Once the swords hit the ground, the film is largely forgettable, and a shining example that quantity does not conquer quality.
Imagine That
Anne Murphy
A financial executive who can't stop his career downspiral is invited into his daughter's imaginary world, where solutions to his problems await.
"Imagine That" is a confused family offering, where on one hand the setting is an industry probably incomprehensible to children, and on the other is humour that is juvenile, unlikely to amuse older audience members. Mediocre on many fronts, yet incredible too, as no special effects are used in a film where an imaginary world is a major plot feature. Some movies made for the big screen go straight to a DVD release, imagine that.
Ice Age 3: Dawn of the Dinosaurs
Andrew O'Dea
When Sid's attempt to adopt three dinosaur eggs gets him abducted by their real mother to an underground lost world, his friends attempt to rescue him.
"Ice Age 3" fails dismally in its attempt at what is now the benchmark for a successful animation - the discerning ability to entertain both kids and adults alike. Stunning visuals alone are not enough, more importantly, there must be a plot to match. The creativity of the earliest films have all but melted away, as the paint-by-numbers storyline combines with jokes so dated they're almost pre-historic. Let's hope this franchise is now extinct too.
I Love You, Man
Anthony Macali
Friendless Peter Klaven goes on a series of man-dates to find a Best Man for his wedding.
"I Love You, Man" is far more annoying than it should be. While the "man-dating" idea makes for an interesting and hilarious juxtaposition against 'normal' relationships, it's shackled by the awkwardly nervous fumbles in the lead's attempt to make friends. They're very funny at the start, but dominate the dialogue towards the end as the same material is regurgitated (at times literally). The signs are clearly emblazoned in the sky; the formula for the modern comedy is starting to tire, despite there being some love around this film.
I Don't Know How She Does It
Courtney Slevison
A comedy centered on the life of Kate Reddy, a working mother trying desperately to juggle marriage, children, and a high-stress job.
This film aims to reflect on the trials of being a working mother in today's post-feminist society. What it does instead is present a hideously outdated view of the clichéd gender roles and insult the intelligence of anyone with two brain cells to rub together, especially working mothers themselves. This is a tedious, unfunny, and poorly made film. The dialogue is so cringe-worthy, and the overall tone so depressing, that it will leave you wondering not how they do it... but why.
I Am Number Four
Anthony Macali
John is an extraordinary teen, masking his true identity and passing as a typical high school student to elude a deadly enemy seeking to destroy him.
"I Am Number Four" is a poor man's superman. The hardest thing to believe about the film is how unremarkable it really is. There's no sense of impending danger or threat, nor sympathy for our protagonist, who struggles to show any form of emotion unless emitting outworldy beams of light from his hands. CGI showdowns do not save stories, or excuse a blatant setup for sequels. Number Five? I am not interested.