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Sherlock Holmes
Andrew O'Dea
Detective Holmes engages in a battle of wits and brawn with a nemesis who threatens all of England.
Although faithful to the source material, this movie isn't bound to it, and the legendary detective presented is an eccentric and captivatingly flawed hero that boxes, boozes, and deduces. The stylishly monochromatic production of a grimy 19th century London provides a perfect backdrop as we delight in the exchanges of wit and banter between Holmes and his trusty counterpart Watson. Combining sublime action sequences and a gripping plot to boot, "Sherlock Holmes" equates to some seriously entertaining viewing. It's elementary.
Sherlock Holmes: A Game of Shadows
Andrew O'Dea
Sherlock Holmes and his sidekick Dr. Watson join forces to outwit and bring down their fiercest adversary, Professor Moriarty.
"Sherlock Holmes: A Game of Shadows" is a film dotted with action, mystery, intrigue and humour, picking up right where its predecessor left off. The audience will once again regale in the superbly realised relationship between Holmes and Watson, their chemistry and witty banter providing the perfect accompaniment to an intricate storyline and a series of gripping action sequences. Although some may find this instalment overly stylised, most fans will no doubt be satisfied. It's elementary.
Shrek the Third
Luke Bartter
When his new father-in-law, King Harold falls ill, Shrek is looked to as the heir of the land Far, Far Away.
The story is thin, but this is usually overcome by providing enough solid laughs. Lacking the emotional pull of the first film and the thrilling finale of the second, the third film just languishes in its ordinariness. Another problem is that despite introducing several new characters, the films few laughs come when Donkey and Puss in Boots are on screen, and when they're not present it just feels flat. "Shrek The Third" is strictly for the fans and is medi-ogre at best. Heh.
Shutter Island
Anthony Macali
Set in 1954, Federal Marshal Teddy Daniels is investigating the disappearance of a murderess who has escaped from a hospital for the criminally insane.
"Shutter Island" opens with a dreadfully ominous musical composition, promptly setting the tone for this dark and disturbing thriller. The hospital for mental health is the perfect setting for the director to play games with the mind, as Teddy's scrutiny slowly intensifies, clouding his dreams with reality. The fragments of his delusions are haunting, as you're drowned in a loud and often exaggerated score. It will send shudders down the spine, keep you guessing, and enthral to the very end.
Sicko
Anthony Macali
A documentary comparing the highly profitable American health care industry to other nations, and HMO horror stories.
This film will convince you that America has the worst health care system in the world, and that France is a good country to live in. There is nothing more powerful than showing the price tags of body parts, supplemented by uncovering the greed and corruption of the government and insurance companies. How can the same medicine be 2400% more in the US than Cuba? This highly entertaining documentary will make a socialist out of you.
- Genre » Documentary
- Release » Wide 09 Aug 2007
- Festival » MIFF 2007
Skyline
Tom Jones
Strange lights descend on the city of Los Angeles, drawing people outside like moths to a flame where an extraterrestrial force threatens to swallow the entire human population off the face of the Earth.
Skyline would have to be in the running for the worst film of the year. From the first scene, where one character mistakes blue UFO light seeping through her blinds for the morning sun, you get the sense that this film is going to insult your intelligence and rest assured, it doesn't disappoint. The acting is on par with the acting you'd expect from an 'adult' film and the special effects are daft. Skyline is money better saved.
Snowtown
Anne Murphy
A look at the life of serial killer John Bunting.
The world looks like a more sinister place after watching "Snowtown". The story, which recounts real events, is chilling and shows life as you wish it wasn't. The setting is a colourless and unsettling suburban landscape, all the more terrifying for its ordinariness. It's sometimes hard to tell the relationships between the characters, not that it's possible to care for any of them. The dramatic build is slow and we squirm at what's coming and, unsurprisingly, the audience becomes enmeshed in scenes so sickening that they're almost unwatchable. Snowtown is no town to be.
Something Borrowed
Tom Jones
Friendships are tested and secrets come to the surface when terminally single Rachel falls for Dex, her best friend Darcy's fiancé.
If any actor is quoted saying it was the 'great script', which attracted them to this film, they are lying. Sure the movie promotes itself as a romantic comedy, but it fails in both genres. Every time there are glimpses of comedy, the script turns it on its head and it all becomes really deep. You almost feel sorry for the actors who try their best to make lemonade out of lemons. "Something Borrowed" will borrow your time and never give it back.
Something Borrowed
Wendy Slevison
Friendships are tested and secrets come to the surface when terminally single Rachel falls for Dex, her best friend Darcy's fiancé.
Adapted from a popular novel, "Something Borrowed" is a romantic comedy of errors, where everyone seems to be in love with the wrong person. The movie is essentially the characters sorting themselves out. Unfortunately, this takes a while, and by the end of the overly long running time, audience investment in the protagonists has wilted a bit. While the actors all do a fine job of their roles, the film lacks freshness and charm. The plot feels a little like something borrowed.
Sorority Row
Courtney Slevison
A group of sorority sisters try to cover up the death of their house-sister after a prank gone wrong, only to be stalked by a serial killer.
"Sorority Row" is a typical 80's slasher remake aimed at horny teenagers, promising a few thrills and a few hot girls. The premise evaporates pretty quickly and you won't scream, but rather laugh at the parade of horror clichés and squealing, bra-clad, sorority girls. Definitely not the smartest or scariest horror flick you'll see, but possibly one of the most fun to watch if you don't take it too seriously.
Source Code
Andrew O'Dea
An action thriller centered on a soldier who wakes up in the body of an unknown man and discovers he's part of a mission to find the bomber of a Chicago commuter train.
Although the premise of this film is both complicated and perplexing, you inevitably appreciate the refreshing inventiveness and deft touch of a director who clearly knows how to build suspense. The sublime and deliberate pacing, which is difficult to maintain considering the film revisits the same scene over and again, still manages to keep you intrigued. The constantly changing plot will keep you guessing on an immersive ride that makes "Source Code" equal to, or greater than... entertaining.
Speed Racer
Anthony Macali
Speed Racer who is a young man with natural racing instincts whose goal is to win.
"Speed Racer" is a CGI flurry of cars and colours illuminated by a story of corporate corruption, a matter that would float past the intended audience of little ones. The themes of art vs business vs family are as clear as the Mach 5's slick exterior, but get lost in the frenzy of car-racing and kung-fu. The racetracks are loop-to-loop monsters, providing the best thrills in some sharp and edgy editing that puts you in the drivers seat. This film is a long and inconsistent race, worthy of watching if only to revel in all the bright colours.
Spider-Man 3
Anthony Macali
Peter Parker is having relationship issues with Mary Jane, continued conflict with Harry and faces the threat of three new villains. One is alien goo that bonds to Peter amplifying his darker qualities.
The first delightfully explored the transformation of Peter into Spidey. The second he encountered Dr. Octopus. The third... more villains? They must have run out of ideas with the introduction of many new characters, all with cobweb thin backgrounds. The only relief is when Peter relishes the power of the Venom suit, transforming him into dancing fool causing him to swat Mary Jane, a guilty highlight in the film. This spider has finally been squished.
Splice
Andrew O'Dea
Elsa and Clive, two young rebellious scientists, defy legal and ethical boundaries and forge ahead with a dangerous experiment: splicing together human and animal DNA to create a new organism.
"Splice" is an ambitious and provocative film that presents an intelligent take on an often visited ethical dilemma. The performances from both the leads and creature are great, and help to sustain a relatively solid story that unfortunately winds up being undercut by a perversely baffling and cumbersome climax. Competent in splicing a difficult genre and theme, this film still manages to be an engrossing yet erring blend of horror and oddball family drama.
Star Trek
Andrew O'Dea
A chronicle of the early days of James T. Kirk and his fellow USS Enterprise crew members.
"Star Trek" is by all accounts a very successful instalment that will both entertain and appease trekkies and non-trekkies alike. Chronological events are sewn superbly into a reconstituted storyline that births an 'enterprisingly' new and exciting contemporary model. The characters are drawn carefully, remaining faithful to the Star Trek legacy, and thrive amongst an array of visually dazzling action sequences. Set phasers to fun, because this is a franchise destined to live long and prosper.