Sex and the CityAnthony Macali
The girls are back in town.
If the idea of watching 4 back-to-back episodes of "Sex and the City" sounds alluring, then you will love this. The length might be epic, but the pace is aligned with the TV show, maintaining all the fun, fashion and sex. We love spending time with these characters as they face some of the tougher challenges in life like marriage and divorce, a step above the usual frivolous banter of the series. On the other hand, if you're not a fan of our mid-forty heroinés, you will despise the glimpses into their lives. Fans of the show will find this film fabulous.
The story of Steve Jobs' ascension from college dropout into one of the most revered creative entrepreneurs of the 20th century.
"Jobs" follows a small tenure of the famous entrepreneur, from the birth of the home-PC, to the tumultuous times of leading a publicly listed company. In a largely neglectable performance, we discover a determined and at times difficult figure, with a very strict vision and diet. At its best, the story excels in simply documenting the journey, captivating your attention without frills. Once you reach the end, despite the uneventfulness, you'll want to see more evolution. Static and compliant.
A small-town girl ventures to LA and finds her place in a neo-burlesque club run by a former dancer.
"Burlesque" is everything you might imagine - clichéd, yes. Thin on plot, yes. Largely a performance vehicle for it's leading ladies, yes. But it's more - it's entertaining escapism, and isn't that what movies are all about? The voices are incredibly rich and robust; the dance numbers are glitzy and gaudy, yet tightly choreographed and executed. The entire cast is highly watchable (even if it's just to see if the elder of those leading ladies can actually move her top lip) and combine to deliver a film that is sexy without being salacious.
The Darkest HourThomas Jones
In Moscow, five young people lead the charge against an alien race who have attacked Earth via our power supply.
What this film lacks in originality, it makes up for in its effects. The cinematography is seriously cool, particularly the large-scale depictions of Moscow as a ghost town, which will have you wondering 'how'd they do that?' The acting falls a bit on the melodramatic side and you kind of wish the invisible threat, which they are all running from, was more frightening. For a big budget, end of the world flick this does not fail to capture you for a darkest hour (and a half).
Wolf Creek 2Andrew O'Dea
The outback once more becomes a place of horror as another unwitting tourist becomes the prey for crazed, serial-killing pig-shooter Mick Taylor.
Set against the harsh yet beautiful Australian outback, "Wolf Creek 2" manages to carry its own as a quintessentially 'Aussie' horror flick. This bone-grinding sequel might lack the shock surprise of its predecessor, but there's still enough depravity and carnage to appease the gore-hungry and chill-seekers alike. Although some may find the story bordering on predictable, most will giddily revel or revile in the grim-humour and violence of the 'fair dinkum' sociopath at its core. Bloody hell.
A classic Disney fairytale collides with modern-day New York City in a story about a fairytale princess who is sent to our world by an evil queen.
In an attempt to bring quintessential Disney to the youth of today, "Enchanted" fantastically throws the adorable Princess Giselle into a busy city metropolis. Her journey is ultimately amusing as she searches for Prince Charming, a purpose that could quite literally echo our own ambitions. The conclusion is predictably out of a Hallmark Card, but the film is still charming enough to appeal to all the wicked witches of the world.
How to Lose Friends & Alienate PeopleAnthony Macali
A British writer struggles to fit in at a high-profile magazine in New York.
This film could have been a shrewd attack on the culture of celebrity, but decides to play it safe instead, directly contradicting the very ethos of our main character, Sidney Young. As hard as Sidney tries to lose friends, mostly by getting into the most contrived and ridiculous of situations, he still seems to charm his work colleagues, while entertaining the audience with his seditious wit. "How to Lose Friends & Alienate People" is about an enjoyable character, one with a message inconsistent with the very fluff of his own story.
Two friends hired to police a small town that is suffering under the rule of a rancher.
"Appaloosa" respects the conventions of a traditional western, with its slow pacing intersected by the gun-slinging one would expect. The chemistry and repartee between the two leads is superb, and together they excel in dialogue and humour that is as dry and effective as the dusty landscape that dominates the film. However, the fundamental flaw is that it presents a story all too familiar - that's not to say it doesn't make an entertaining western - it's just that, at times, it lacks the tension and emotion of a 'good-ole-duel' to separate it from the rest.
Spider-Man 3Anthony Macali
Peter Parker is having relationship issues with Mary Jane, continued conflict with Harry and faces the threat of three new villains. One is alien goo that bonds to Peter amplifying his darker qualities.
The first delightfully explored the transformation of Peter into Spidey. The second he encountered Dr. Octopus. The third... more villains? They must have run out of ideas with the introduction of many new characters, all with cobweb thin backgrounds. The only relief is when Peter relishes the power of the Venom suit, transforming him into dancing fool causing him to swat Mary Jane, a guilty highlight in the film. This spider has finally been squished.
Save Your Legs!Stefan Bugryn
A ragtag team of suburban cricketers get a chance to tour India.
"Save Your Legs" acts better as a postcard of India rather than the team bonding, coming-of-age drama it's meant to be. The film's intentions may be good - it's cute and charming at times - but overall the result is mostly boring, with jokes often bordering on cringe-worthy. It also becomes very predictable, one of the movie's biggest flaws, and the ending can be spotted a mile away. Though substantially well produced, it lacks any real substance... save your pennies.
Let's Be CopsAnthony Macali
Two struggling pals dress as police officers for a costume party and become neighborhood sensations
"Let's Be Cops" take dress-ups to an entirely new and ridiculous level. While the premise can be easily dismissed, it provides the setup for many of the outrageous skits and varied laughs on patrol. Apparently being an officer of the law is great for picking up women, and if you can get past blatant objectification and not take the rest of the film too seriously, the outcome is mildly entertaining. Let's leave our brain at the door.
Tropic ThunderAnthony Macali
Through a series of freak occurrences, a group of actors shooting a big-budget war movie are forced to become the soldiers they are portraying.
This film could have easily been titled "War Movie", inline with the many other spoof films. The premise is understandably contrived, and a challenge to be convincing. If you're seeking wit, you won't find it in this jungle. Jokes consist of recreating classic war scenes and actor parodies, ironically commenting on their retarded role choices. "Tropic Thunder" has a big cast and big budget, but relies too heavily on props and stereotypes to elicit laughs.
Year OneAnthony Macali
When a couple of lazy hunter-gatherers are banished from their village, they set off on an epic journey through the ancient world.
"Year One" is a film comprised of cheap sets and cheap laughs. In the beginning, the jokes are primitive, and take time to grow in charm and wit. Many of the characters stand strong alone, but never band together well, meandering from scene to scene with biblical characters that handily feed the plot. Although some of the performances are uninspired, others never grow old. A clumsy production with just enough spectacle to satisfy the movie gods.
Taken 2Andrew O'Dea
In Istanbul, retired CIA operative Bryan Mills and his wife are taken hostage by the father of a kidnapper Mills killed while rescuing his daughter.
"Taken 2" is a classic action-film guilty pleasure. Our hero gallivants around Istanbul destroying Albanian bad-guys like a grenade thrown amongst a cluster of defenceless pigeons – without mercy – and to the point of almost being comical. The plot holes pile as high as the body count, and if you expect anything remotely more than bullets, karate-chops and explosions then you will be sorely disappointed. If that's the sort of thing you're after... then get taken... again.
Rabbit HoleWendy Slevison
Life for a happy couple is turned upside down after their young son dies in an accident.
"Rabbit Hole" wants to be an authentic and poignant exploration of grief and the differing ways in which people deal with it. Unfortunately, despite excellent performances from a fabulous supporting cast, the film feels slightly contrived and unconvincing - due mainly to the much lauded leading lady, who plays her role with about as much emotional depth as the wrinkles on her forehead. You feel as though you are watching her act the way she thinks someone might behave in such tragic circumstances. The journey through this rabbit hole just doesn't quite lead to wonderland.
Hotel for DogsAndrew O'Dea
Two kids secretly take in nine stray dogs at a vacant house.
"Hotel for Dogs" is full of cute dogs doing cute things; suffice to say that the canine stars outshine the human ones. It's our furry friends that provide all of the often hilarious and adorable scenes. The plot is somewhat formulaic, but that's to be expected from a children's movie. Kids will love it, but ultimately, the success of this film will be greatly influenced as to whether or not viewers fit into the dog loving demographic. It'll perform neat tricks for some, but will roll over and play dead for others.
Are We Officially Dating?Anthony Macali
Three best friends find themselves where we've all been - at that confusing moment in every dating relationship when you have to decide "So... where is this going?"
That awkward moment "Are We Official Dating?" is about is barely spoken out. What dominates most of the discussion of its young cast is how sex and relationships work in the modern day, in all of its vulgar and candid glory. Regrettably the film is a little too inconsistent to get its underlying moral messages across, serving up a disconnected mix of comedic set pieces and 'dating' advice. A refreshing topic, but not bold enough to challenge the Hollywood ideals. Caught in the middle.
Mission: Impossible - Ghost ProtocolAndrew O'Dea
The IMF is shut down when it's implicated in the bombing of the Kremlin, causing Ethan Hunt and his new team to go rogue to clear their organisation's name.
This latest instalment of the franchise certainly lives up to its 'blockbuster' status. The explosions, car chases and action sequences in "Ghost Protocol" may be unrelenting, but the thrills they provide are cheap, and the lack of a coherent storyline effectively means it loses its grip on being gripping. There's always going to be an element of preposterousness in an action-flick, but this one goes too far and too often, reaching a point where it overtly insults our intelligence. Mission Implausible.
Love, RosieAnthony Macali
Lifelong friends Rosie and Alex discover the challenges of staying in touch as they grow older, live apart and meet new people.
"Love, Rosie" is a glossy and predictable romantic comedy that forgoes personality. Despite the best efforts of the charming and gorgeous leads, we care very little for their fate. This is a film of close-up passionate kisses and beautiful sun rays gleaming through the background, interlaced with awkward and unrealistic comedy setups that draw restrained bouts of laughter. Many years pass, boredom sets in, and we're still left looking for something real. Lots of love, but no heart.
Pride and GloryAnthony Macali
A saga centered on a multi-generational family of NYPD officers. The family's moral codes are tested when Ray Tierney, investigates a case that reveals an incendiary police corruption scandal.
"Pride and Glory" is a slick production, albeit with a gritty "handheld" style. The characters shoot through scripted dialogue in indistinguishable fashion, lacking the creativity to generate an interesting "corrupt cops" story. To the films' credit, the ways the 'force' extract information from the bad guys is refreshingly original. The producers should take pride in these rare moments as the rest of the film is slow, tiresome and far from glorious.
White House DownAndrew O'Dea
A policeman must save his child and protect the president from a group of paramilitary invaders.
Action junkies will be enthralled by this fist-pumping spectacle, a shameless popcorn flick that would have its audience believe the President of the USA is capable of firing rocket launchers from a speeding armoured-limousine. Some of the set-pieces are explosive, and while the special effects are impressive, they eventually become tiresome and repetitive. The lead is perfectly suited to his role as the action star, but isn't helped by moments of dialogue and patriotism so cringe-worthy that they become downright hilarious. Was it meant to be a comedy? White House frown.
Dredd 3DAndrew O'Dea
In a violent, futuristic city where the police have the authority to act as judge, jury and executioner, a cop teams with a trainee to take down a gang that deals the reality-altering drug, SLO-MO.
"Dredd 3D" is a classic grindhouse shoot 'em up. Bullets rip through faces and bodies splatter from a great height in glorious slow-motion, stylishly drawing out each bloody micro-second. While the 3D effects do nothing but enhance a terrible sense of retro-fitting, gore-addicts will still no-doubt be enthralled by the relentlessly graphic violence; even though it only serves as compensation for the tired and unimaginative 'cops vs bad guys' storyline. Bordering on dreadful.
The Lone RangerAndrew O'Dea
Native American warrior Tonto recounts the untold tales that transformed John Reid, a man of the law, into a legend of justice.
This locomotive starts with a bang but eventually runs out of steam. The excessive running time is the biggest detractor from a film that is occasionally entertaining, and overly long. "The Lone Ranger" may still appeal to the more nostalgic members of the audience, with the iconic hero and his notably eccentric side-kick constantly engaged in a host of impressive action set-pieces and banter, culminating in a dynamite finale complete with classic theme. Plenty of hi-ho, not enough silver.
Last VegasAnthony Macali
Three sixty-something friends take a break from their day-to-day lives to throw a bachelor party in Las Vegas for their last remaining single pal.
In "Last Vegas" all the characters are winners. The illustrious cast is a sight to behold, it's just such a shame how their collaboration is played out in this tame effort. Sexagenarian jokes about prostates and bad hips come with the territory, and although some are mildly /amusing, the film never strays far from its predictable and happy ending. As fun as a debaucherous weekend can be in the city of lights, this outing is careful not to offend. A disappointing reunion.
This is 40Anthony Macali
A look at the lives of Pete and Debbie a few years after the events of "Knocked Up".
"This is 40" likes to confront us, to no great surprise, that at times marriage and children are not exactly what they're cracked up to be. We have a couple, suffering some kind of mid-life crises, throwing their arguments onto the big screen, while reassuring an audience that turning 40-years-old is not that bad. Admittedly, there are some well observed moments and matchless humour to be found in the day-to-day, but our investment in the characters bear very little. After spending over two hours with these people, there's nothing to cherish… and that's depressing. This is fruitless.