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Robin HoodAndrew O'Dea
An archer in the army of King Richard becomes the legendary hero known as Robin Hood.
This re-imagining of the classic tale is painted onto an epic canvas. The production values and attention to detail are outstanding, and in terms of scale and spectacle, it's everything you'd expect from the director. But for a film that promises so much action it delivers little, choosing instead to add new dimensions to a character that was already rich enough. The violence is gritty and graphic, yet it's the story in-between that finds itself a little convoluted and lacking at times. "Robin Hood" is enjoyable enough, but nowhere near a bulls-eye.
Astro BoyAnthony Macali
Set in futuristic Metro City, Astro Boy is about a young robot with incredible powers created by a brilliant scientist named Dr. Tenma.
This movie is aimed at a young audience - the science of good and evil is broken down into colours of blue and red, whilst also exploring themes of grief, friendship and family. However, there's still plenty of action and comedy on the horizon, and it's difficult to resist the charm of the delightful Toby and his growth into Astro. Although not entirely exciting and armed with a somewhat robotic plot, "Astro Boy" remains a serviceable film for fanboys and kids alike.
Real SteelAnthony Macali
Set in the near future, where robot boxing is a top sport, a struggling promoter feels he's found a champion in a discarded robot.
"Real Steel" is your favourite boxing movie played out by robots. The start is a little worrisome as our protagonist father essentially sells his son, but that won't deter the kids who will find this blockbuster most appealing. The fighting bots look big and strong, battling for cash in some impressive urban environments. Aside from the aesthetics, you can expect the heart-warming plot to follow instruction from the cliché ridden films before it. The steel isn't real, but the CGI is pretty solid.
28 Weeks LaterAnthony Macali
Weeks after the initial rage virus outbreak, the American Army have brought London into quarantine.
The first movie explored the realisation of civilisation destroyed. It starts promisingly with the same tone, forcing the characters to make vital decisions: family or zombie? It's about the time the Americans lose control that the film also loses it. The remainder of the film follows this fatiguing sequence: run, hide, kill zombie... run, hide, kill zombie... invariably losing extras on the way. At this point you lose interest and strain to sustain the gore. The movie does well to keep you in suspense, but I prefer armageddon over shoot-em-up.
The Wolf of Wall StreetAndrew O'Dea
Based on the true story of Jordan Belfort, from his rise to a wealthy stockbroker to his desperate fall.
This character driven story is an amoral orgy of excess fuelled by drugs, sex... and money. While being an indictment of greed, there are no moralistic judgements; instead the white-collar criminals damn themselves. Outrageous hilarity ensues as the audience are invited to revel in unbridled decadence and debauchery. A stylistic and witty film featuring remarkable performances, the only flaw is an overindulgence in running time, making it difficult to hold the audience's attention in parts. Although it huffs and puffs, it just doesn't quite blow the house down.
Killing Them SoftlyAndrew O'Dea
A professional enforcer investigates a heist that went down during a mob-protected poker game.
"Killing Them Softly" is both an arresting crime drama and socio-political commentary of the USA's 2008 economic crisis. The fusion of a violent underworld and pessimistic critique of capitalism is a strange mix, and the adjustment can be distracting. If nothing else though, it provides thought-provoking viewing even if the references are heavy-handed at times. The dialogue is cynical, the cinematics stylish and the acting superb; yet the fuse is an extremely slow burn. Some will be dismayed at the lack of explosiveness, while others will enjoy seeing the killing done 'softly'.
Set in a futuristic world where humans live in isolation and interact through surrogate robots, a cop is forced to leave his home for the first time in years in order to investigate puzzling murders.
"Surrogates" presents a curious concept that tactfully blends intrigue with action. It races through the premise, leaving little time to question any ambiguities, while providing an opportune setup to parade a world of eye-pleasing 'models'. While the story maintains this heightened pace, a consequence is that many of the sub-plots are neglected trying to keep up. Solid performances, storyline and action make this a vehicle just good enough to inhabit.
A chronicle on the life and presidency of George W. Bush.
This movie is not what people might expect, as it sets out to construct an almost empathetic "W". The undeniable highlight is the superbly convincing portrayal by the lead actor, who manages to embody the character study so well, sometimes you forget just who's on screen. However, criticism lies in a feeling that the biopic resigns itself not to delve deeper in its attempt to humanise the man. Although this nonpartisan style may disappoint some, the insight provided by the filmmaker makes it a film that shouldn't be "misunderestimated".
Young AdultStefan Bugryn
A deluded writer returns to her hometown to wreck her high school sweethearts marriage.
This is a light film on the outside that ends up being quite socially morbid on the inside, all because of the main character. You probably won't like her... but that's the point. She's the person that never grew up and has all the bad attributes of a 16 year old schoolgirl; spiteful, rude, selfish. But it’s still a very real story, one most people might even relate to. The tone is quite playful, but the themes are actually quite debauched. Gets a tick of approval for young and old.
The Simpsons MovieAnthony Macali
When Homer mistakenly pollutes the river with toxic waste from his "Pig Crap" silo, he causes the EPA to encase Springfield in a glass dome.
Cheeky and mischievous, "The Simpsons Movie" starts well with the jokes fast and funny. It's when we pass the usual episode length of time the movie stumbles and bores. The revamped animation and widescreen transfer do add value, but there is nothing new or surprising in this film that warrants the cartoon to reach for the cinema. We should all listen to the wisdom of Homer, and watch this on TV for free.
Anchorman 2: The Legend ContinuesAndrew O'Dea
With the 70s behind him, San Diego's top rated newsman, Ron Burgundy, returns to take New York's first 24-hour news channel by storm.
Vintage Ron Burgundy returns to the screen in this fantastically outrageous sequel. Not nearly as much fun as the prelude, hard-core fans will no doubt be left in stitches by the familiar silliness of "Anchorman 2", and the rapport of its cast who shine in their individual performances. The film is downright hilarious in parts, only to be let down by stretches of padded, low-brow humour in-between. By no means a comedic gem, but offers just enough to stay classy.
Alice in WonderlandAndrew O'Dea
19-year-old Alice returns to the magical world from her childhood adventure.
"Alice in Wonderland" is a pleasant movie that revisits all of its familiar and much loved characters in splendid detail. The gorgeously rendered fantastical world is a visual delight, counteracting the lack of plot substance in parts. Disappointingly, you can't help but feel that the irresistible combination of director and source material has given way somewhat to studio convention. Although most (including the little ones) will find the film's sense of escapism enjoyable, it's forgivable to be late for this not-so-important date!
Pineapple ExpressAnthony Macali
A stoner and his dealer are forced to go on the run from the police after the pothead witnesses a cop commit a murder.
If you smoke weed, more often then not, you end up in crazy scenarios. They are often highly contrived, outrageous, and equally hilarious. When the bad guys over-estimate the good guys, suspecting they're intelligent hired professionals, it's always hysterical. Like a number of characters, some jokes are not great, though never resorting to vulgarity. "Pineapple Express" is a ridiculous comedy of ridiculous people, stuck in ridiculously funny situations.
I Love You, ManAnthony Macali
Friendless Peter Klaven goes on a series of man-dates to find a Best Man for his wedding.
"I Love You, Man" is far more annoying than it should be. While the "man-dating" idea makes for an interesting and hilarious juxtaposition against 'normal' relationships, it's shackled by the awkwardly nervous fumbles in the lead's attempt to make friends. They're very funny at the start, but dominate the dialogue towards the end as the same material is regurgitated (at times literally). The signs are clearly emblazoned in the sky; the formula for the modern comedy is starting to tire, despite there being some love around this film.
The KingdomAnthony Macali
A team of US government agents is sent to investigate the bombing of a facility in the Middle East.
"The Kingdom" is an entertaining venture into a world of foreign affairs and the war against terror. The reality is frightening, in particular a bomb-making sequence where the device is constructed under a careful and meticulous preparation that sends chills down your spine. Unfortunately, much of the weight of discussion is lost in the final chapter, where a questionable chase rocket-launches into action. The forensics, politics and explosions will find an audience, but the message is lost in all the debris.