One ChanceAnthony Macali
The true story of Paul, an amateur opera singer who became a phenomenon after winning "Britain's Got Talent".
"One Chance" is the inspirational story of Paul Potts, and his competition with the forces preventing him from singing opera. Bullied at school, he received no support from his father and lacks the confidence to hold his nerve on stage. While the film only scratches at the surface of these issues, it's still uncomfortable to watch. Thankfully there are many moments of humour throughout to curb the continuous heartbreak, especially when the road to success is this long. An emotional winner.
World War ZAndrew O'Dea
U.N. employee Gerry Lane traverses the world in a race against time to stop the Zombie pandemic.
"World War Z" is an apocalyptic thriller that spans the globe. What it lacks in gore and horror, it makes up for with epic, large-scale action sequences, and the brisk pacing is indicative of a film that has favoured cinematic spectacle over the socio-political commentary of its source material. Although the story may feel somewhat predictable as our hero evades a procession of close calls, it nevertheless remains an entertaining enough adventure. Sure to divide the audience, it could've been better with a little less 'A to B' and a little more 'Z'...
Men, Women & ChildrenAndrew O'Dea
Parents and their teenagers grapple with the many ways the Internet affects their lives.
"Men, Women & Children" is a character-driven ensemble drama that provides a glimpse of our cultural evolution (or some may argue devolution) through social media. Perhaps a victim of its own scope and ambition, the exploration of this Wi-Fi culture across a multi-story narrative is thought-provoking, although the delivery is somewhat heavy-handed. The vulnerability and sentiment at the film's core is sure to divide its audience; it will either resonate or leave them with a sense of contrivance. A family conversation still worth having.
The VisitStefan Bugryn
Two young children visit their grandparents for the first time and realise something is very wrong.
The plot twist is no new thing to cinema, and when it’s executed correctly, it can make a film feel refreshing and new. The twist in "The Visit" is incredibly clever, and breathes fresh air to a somewhat boring script after the half way mark. For a large portion of the film, it feels like everything is on repeat. If it weren't for the natural and very engaging performances from the two very young leads, it could be considered quite unentertaining. Come for the visit, stay for the surprise.
Alex CrossAnthony Macali
A homicide detective is pushed to the brink of his moral and physical limits as he tangles with a ferociously skilled serial killer who specializes in torture and pain.
"Alex Cross" is your typical crime-thriller that some studio thought warranted a big-screen production. The titular detective is a notable presence, showing off his impressive analytical skills and wracking his brain to solve the puzzle and motive of a crazed killer. The pace is mild, and the rather psychotic turn mid-way adds some weight to the situation, but the shift is rather abrupt and dubious. An investigation-by-numbers that is moderately suspenseful.
The Way BackAndrew O'Dea
Siberian gulag escapees walk 4000 miles overland to freedom in India.
A testament to the resilience of the human spirit, "The Way Back" is authentic film-making that proves you don't need CGI to create a sweeping epic. The incredibly long running time and deliberate pacing commands you to appreciate the vast distances and stunning landscapes of the protagonists' journey, step by slow step. One suspects this was entirely the director's intention, and in this regard credit is undeniably due. Some will no doubt be inspired by this sprawling story, but others may get lost along the way.
Woman In GoldAnthony Macali
Maria Altmann, a Jewish refugee exiled from her country during the war, fights a legal battle to restore ownership of paintings that were stolen from her family by the Nazis.
"Woman in Gold" tells an important story rich in history, but its retelling in this feature is bland and uninspired. Relying heavily on flashbacks to give the otherwise uneventful narrative some much-needed action, the chaos of the war is captured shrewdly, stirring the emotions. While the life of this restitution battle remains decidedly one-sided, the two leads show strong and engaging performances, which ultimately make this picture worthwhile. A court battle of pure gold.
An out-of-the-way diner becomes the unlikely battleground for the survival of the human race when God loses faith in humankind...
Anyone seeing "Legion" hoping t enjoy anything even remotely theological will be sorely disappointed. The premise is absurd, and the plot downright confusing. Guns and explosions are the film's first commandment, yet combined with a mock serious tone and some hilariously perplexing moments, it manages to be oddly fun. Although far from divine, it'll be entertaining enough for those who think they might enjoy a movie about 'angels with machine guns'...
Hannah Montana: The MovieWendy Slevison
As Hannah Montana's popularity begins to take over her life, Miley Stewart takes a trip to her hometown of Crowley Corners, Tennessee to get some perspective on what matters in life the most.
The heroine of this entertaining movie has a huge fan base and the producers have unapologetically aimed it straight at them. The story is a simple one, about relationships and growing up, and of course there are songs. It's fun and quaintly wholesome, not a bad thing these days, with young girls bombarded by media images pushing them to grow up way too fast. The young star is a comedic delight, "an' there ain't nothin' wrong with that, y'all."
Gangster SquadAnthony Macali
A chronicle of the LAPD's fight to keep East Coast Mafia types out of Los Angeles in the 1940s.
"Gangster Squad" investigates a time when the most effective way to combat violence was with more violence. The characters are menacing and hard-edged, although this strangely conflicts with the polished look of the film, clearly used to instil a sense of nostalgia for the era. The production is a little too clean and manufactured for the subject matter, robbing the story of the momentous and emotional impact it could have achieved. A talented squad do their best, and excite for the most part, but fail to captivate overall. Plastic gangsters.
The Young VictoriaAnne Murphy
A dramatization of the first years of Queen Victoria's rule, and her enduring romance with Prince Albert.
This film proceeds at a gentile and regal pace with sumptuous sets and lavish costuming as befits the era. It is to be enjoyed as a love story rather than for revealing any political machinations of the time. Romantic and majestic, "The Young Victoria" is restrained but entertaining, without indulging in any unnecessary frivolity of life at court. Perhaps a sequel with a middle-aged Victoria would deliver more intrigue and drama, or at least some hot flushes... a satisfying and elegant period piece.
The MistAnthony Macali
A freak storm unleashes a species of blood-thirsty creatures on a small town, where a band of citizens hole-up in a supermarket and fight for their lives.
"The Mist" is your stock standard horror film where you throw a bunch of people in a room, endanger their lives, and see how they react. The result is a colourful quarrel of religion, reason and rationale. The joy comes from watching the locals get their comeuppance as the poor-looking monsters feast on them. In these films you always find yourself questioning the decisions the characters make. Our protagonists' judgement at the end is truly mystifying.
He's Just Not That Into YouWendy Slevison
This Baltimore-set movie of interconnecting story lines deals with the challenges of trying to understand human behaviour.
Adapted from the best-selling book of the same name, this movie is overpopulated with under-developed characters making mistakes, behaving badly, and being downright stupid - surprise surprise, mostly the women. An ensemble cast, who individually can be very good, get lost in the mire of a script laden with stereotypes. While generally entertaining, there are sections where you find yourself not caring who's just not into who.
The Change UpAndrew O'Dea
A comedy in which a married father accidentally switches bodies with his best friend, leading to a series of wildly complex difficulties.
This instalment of the body-swap genre is ultimately a crass affair, and is largely dependant on shock value rather than wit – not to say it's completely devoid of any intelligence. Like its protagonists, the audience too will be split, as the film's talented cast push the boundaries of tastefulness. Some will find the perverse humour laugh-out-loud funny, while others will simply find it vulgar and clichéd. "The Change Up" is definitely borderline... it really could go either way.
Robin HoodAndrew O'Dea
An archer in the army of King Richard becomes the legendary hero known as Robin Hood.
This re-imagining of the classic tale is painted onto an epic canvas. The production values and attention to detail are outstanding, and in terms of scale and spectacle, it's everything you'd expect from the director. But for a film that promises so much action it delivers little, choosing instead to add new dimensions to a character that was already rich enough. The violence is gritty and graphic, yet it's the story in-between that finds itself a little convoluted and lacking at times. "Robin Hood" is enjoyable enough, but nowhere near a bulls-eye.
A man who specializes in debunking paranormal occurrences checks into the fabled room 1408.
Your typical bad guy comes in the form of a mask-wearing, knife-wielding bandit, or some kind of monster or creature. But a hotel room? Funny enough, a room can be scary - and frightening enough to make you question your very own alarm clock, telephone and the walls of your home. This lodge haunts your past, with plenty of suicidal ghosts to keep you company. It's thrilling and chilling stuff, only suffering in the certain level of unease that comes in the frantic finalé. A terrifying film of terrifying heights.
Revolutionary RoadAndrew O'Dea
A young couple living in a Connecticut suburb during the mid-1950's struggle to come to terms with their personal problems while trying to raise their two children. Based on a novel by Richard Yates.
In such an involving examination of relationships, you'd expect this to be a more emotionally engaging film. The thing that sustains it is the phenomenal acting from the entire cast. The two leads feed off of each other's despair so brilliantly it almost hides the fact that the script is very mediocre. That's not to say nothing can be garnered from the tragic beauty of the story; it's just that the monotony at times makes "Revolutionary Road" feel like a one-way street.
Before I Go to SleepAnthony Macali
A woman wakes up every day, remembering nothing as a result of a traumatic accident in her past. One day, new terrifying truths emerge that force her to question everyone around her.
"Before I Go to Sleep" is more frightening than one might think. Living with amnesia is a damned reality, and the film vehemently captures the constant fear and mistrust our protagonist is feeling. With eerie photos and distressing video diaries, each daily cycle will keep the audience guessing, as strong performances from the cast pull in many different directions, mentally and emotionally, before descending into the darkness of the final act. Sweet dreams.
Two British comic-book geeks traveling across the U.S. encounter an alien outside Area 51.
Science-fiction films usually present good value, and especially ones with extra-terrestrials, but you leave wanting more from "Paul". What was once cute about a bromance road trip loses its charm when the bond between the self-confessed geeks becomes a little too pronounced. The movie strives for mainstream appeal, fielding a varied range of jokes from satirical science-fiction writers, toilet humour and a galaxy of cultural references. In the end, the quips are hit and miss, invariably creating a funny, but not fantastic film. Average alien fodder.
The Hunger Games: Mockingjay - Part 1Anthony Macali
In District 13, Katniss Everdeen works to a nation moved by her courage under the leadership of President Coin and the advice of her trusted friends.
Just as this franchise begins to catch fire, "The Hunger Games: Mockingjay - Part 1" is reduced to a slow-burn, which can only be attributed to its division into two separate films. World war has begun and the images are striking, but their emotive impact is lost when the characters continue to tread over the same ground... literally. The strength still lies in the ensemble cast, as their bravado resides over some of the more spectacular set pieces. It's less games, more politics.
State of PlayAndrew O'Dea
A team of investigative reporters try to solve the murder of a congressman's mistress.
This is a reasonably well-executed political thriller. Surprisingly, sharp dialogue provides witty yet sporadic comical relief, while the carefully plotted conspiracy makes for a polished although somewhat uninspired movie. Unlikely contrivances and one climatic plot twist too many mean that, at times, the film seems to meander and lack coherent direction. However, despite this state of flux, "State of Play" is redeemed by an intelligent script and moments of genuine tension that provide enough surprises, thrills, and intrigue to entertain.
The GiftAnthony Macali
A man from the past comes back to haunt a couple, leaving wrapped presents at their doorstep.
"The Gift" is the gift that keeps on giving... the creeps. Hooked from the very first interaction between our lead characters, the suspense builds as their rich and sinister backstories are revealed. Largely set in a single house, this conspicuous setting brings even more unease, in its vulnerability and realism. Interest tends to wane towards the end as the conceit becomes a little monotonous. But the film's greatest achievement is its unpredictability. You don't know how it's going to end, which is a rare cinematic gift.
A woman puts herself through long years of law school to prove her convicted brother of innocence.
This movie has all the makings of a textbook 'midday telemovie'; true story, appeals to older females, very sentimental and touching. However, it's a step above the rest, and well worth watching. It is extraordinary to learn about this real woman, who commits her whole life to saving her brother. The acting is amazing, especially from the lead actress who is fantastic in her portrayal of the real life heroine. The directing is sometimes lacklustre, and it feels like it could have harnessed the emotions a lot more. Otherwise, convict yourself to this one!
A small-town girl ventures to LA and finds her place in a neo-burlesque club run by a former dancer.
"Burlesque" is everything you might imagine - clichéd, yes. Thin on plot, yes. Largely a performance vehicle for it's leading ladies, yes. But it's more - it's entertaining escapism, and isn't that what movies are all about? The voices are incredibly rich and robust; the dance numbers are glitzy and gaudy, yet tightly choreographed and executed. The entire cast is highly watchable (even if it's just to see if the elder of those leading ladies can actually move her top lip) and combine to deliver a film that is sexy without being salacious.
Step BrothersAnthony Macali
Two spoiled guys become competitive stepbrothers after their single parents get hitched.
"Step Brothers" is a film of two adults behaving like kids. The jokes are cheap and immature, their amusement heightened by gratuitous swearing and childlike behaviour. You watch things happen on the screen, things that you know are supposed to be funny, but they simply don't make you laugh like they once used to. Brennan and Dale fatefully grow and mature, seamlessly and conveniently, and just in time for the inevitable happy ending. One to watch for those who are fond of juvenile performances.