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The MistAnthony Macali
A freak storm unleashes a species of blood-thirsty creatures on a small town, where a band of citizens hole-up in a supermarket and fight for their lives.
"The Mist" is your stock standard horror film where you throw a bunch of people in a room, endanger their lives, and see how they react. The result is a colourful quarrel of religion, reason and rationale. The joy comes from watching the locals get their comeuppance as the poor-looking monsters feast on them. In these films you always find yourself questioning the decisions the characters make. Our protagonists' judgement at the end is truly mystifying.
A chronicle on the life and presidency of George W. Bush.
This movie is not what people might expect, as it sets out to construct an almost empathetic "W". The undeniable highlight is the superbly convincing portrayal by the lead actor, who manages to embody the character study so well, sometimes you forget just who's on screen. However, criticism lies in a feeling that the biopic resigns itself not to delve deeper in its attempt to humanise the man. Although this nonpartisan style may disappoint some, the insight provided by the filmmaker makes it a film that shouldn't be "misunderestimated".
Set in 1964, Doubt centres on a nun who confronts a priest, suspecting him of abusing a student.
"Doubt" is an example of the play-to-film translation not always succeeding. Featuring two highly acclaimed actors, a very good support cast, and a fine reputation as a stage piece, what could go wrong? Well, something did. The lead performances, while magnificent, overshadow the subtle material; the glaring metaphorical symbols used are clumsily overworked, and several serious issues, besides the main one, are highlighted and then largely ignored. Worth seeing, as there are some truly great scenes.
Two British comic-book geeks traveling across the U.S. encounter an alien outside Area 51.
Science-fiction films usually present good value, and especially ones with extra-terrestrials, but you leave wanting more from "Paul". What was once cute about a bromance road trip loses its charm when the bond between the self-confessed geeks becomes a little too pronounced. The movie strives for mainstream appeal, fielding a varied range of jokes from satirical science-fiction writers, toilet humour and a galaxy of cultural references. In the end, the quips are hit and miss, invariably creating a funny, but not fantastic film. Average alien fodder.
Real SteelAnthony Macali
Set in the near future, where robot boxing is a top sport, a struggling promoter feels he's found a champion in a discarded robot.
"Real Steel" is your favourite boxing movie played out by robots. The start is a little worrisome as our protagonist father essentially sells his son, but that won't deter the kids who will find this blockbuster most appealing. The fighting bots look big and strong, battling for cash in some impressive urban environments. Aside from the aesthetics, you can expect the heart-warming plot to follow instruction from the cliché ridden films before it. The steel isn't real, but the CGI is pretty solid.
No Strings AttachedTom Jones
A guy and girl try to keep their relationship strictly physical.
What works in this film, is that the leads, despite being impossibly good looking, are relatable, likeable and convincing - not just actors trying to be comedians. The majority of the comedy comes from the supporting cast, who handle the often dirty/toilet humor in a way that makes you laugh and not gasp. Complimented by a superb soundtrack, this movie is hard not to enjoy on some level, but don't expect it to break any new ground for the genre. When it comes to romance and comedy, the strings are still very much attached.
I Love You, ManAnthony Macali
Friendless Peter Klaven goes on a series of man-dates to find a Best Man for his wedding.
"I Love You, Man" is far more annoying than it should be. While the "man-dating" idea makes for an interesting and hilarious juxtaposition against 'normal' relationships, it's shackled by the awkwardly nervous fumbles in the lead's attempt to make friends. They're very funny at the start, but dominate the dialogue towards the end as the same material is regurgitated (at times literally). The signs are clearly emblazoned in the sky; the formula for the modern comedy is starting to tire, despite there being some love around this film.
Magic MikeAnthony Macali
A male stripper teaches a younger performer how to party, pick up women, and make easy money.
Sex, drugs... and dollar bills, "Magic Mike" offers us a sneak peek into the not-so-glamorous, but surprisingly creative life of a male stripper. While the job requires a certain exquisite physique, there is an impressive amount of work involved in the highly choreographed dance numbers and imaginative use of costumes and props. Unfortunately the magic doesn't last forever, as Mike searches for more to his life, with ambitions of a real career and a romance that can't compete with the novelty of dry-humping on stage. There's more to Mike than meets the eye.
A Mighty HeartAnthony Macali
The film is based on Mariane Pearl's account of the terrifying and unforgettable story of her husband, Wall Street Journal reporter Danny Pearl's life and death.
"A Mighty Heart" is a genuine and heartfelt account of tragedy. The excellent performances reflect a true sense of the frustration, determination and suffering of all those involved. The film struggles to draw the audience into the investigation, presumably of little concern to the director with motives that seem to favour accuracy over entertainment. An authentic portrayal with a good heart, but little excitement.
Transformers: Dark of the MoonCourtney Slevison
The Autobots learn of a Cybertronian spacecraft hidden on the Moon, and race against the Decepticons to reach it and learn its secrets.
This film is made for fans of the franchise, and for that purpose it's a great movie. Of course, others may be dismayed by the predictable storyline and cheesy dialogue. The special effects are outstanding, especially in 3D, and the epic action sequences will conjure enough excitement to satisfy the wide-eyed little kid in all of us. "Transformers 3" ultimately works because it's able to keep the story grounded enough in reality to make you think that it could almost be real… almost.
Determined to change her fate, Princess Merida defies an age-old custom sacred to her kingdom.
There's nothing really brave about "Brave". The Scottish highlands setting is small and far from the adventurous, playing home to a patchy story of borrowed ideas and lacking any of the spectacle promised in its title. The only war to be found is between a mother and a daughter, and while it may ring true, the moral outcome is lopsided and won't teach the kids any lessons. As per usual, the visuals are stunning and the voice-casting excellent, but we've come to expect a more from these cartoons, especially when engaging a younger audience. Where is the hero?
Gangster SquadAnthony Macali
A chronicle of the LAPD's fight to keep East Coast Mafia types out of Los Angeles in the 1940s.
"Gangster Squad" investigates a time when the most effective way to combat violence was with more violence. The characters are menacing and hard-edged, although this strangely conflicts with the polished look of the film, clearly used to instil a sense of nostalgia for the era. The production is a little too clean and manufactured for the subject matter, robbing the story of the momentous and emotional impact it could have achieved. A talented squad do their best, and excite for the most part, but fail to captivate overall. Plastic gangsters.
World War ZAndrew O'Dea
U.N. employee Gerry Lane traverses the world in a race against time to stop the Zombie pandemic.
"World War Z" is an apocalyptic thriller that spans the globe. What it lacks in gore and horror, it makes up for with epic, large-scale action sequences, and the brisk pacing is indicative of a film that has favoured cinematic spectacle over the socio-political commentary of its source material. Although the story may feel somewhat predictable as our hero evades a procession of close calls, it nevertheless remains an entertaining enough adventure. Sure to divide the audience, it could've been better with a little less 'A to B' and a little more 'Z'...
Young AdultStefan Bugryn
A deluded writer returns to her hometown to wreck her high school sweethearts marriage.
This is a light film on the outside that ends up being quite socially morbid on the inside, all because of the main character. You probably won't like her... but that's the point. She's the person that never grew up and has all the bad attributes of a 16 year old schoolgirl; spiteful, rude, selfish. But it’s still a very real story, one most people might even relate to. The tone is quite playful, but the themes are actually quite debauched. Gets a tick of approval for young and old.
The Hangover Part IIStefan Bugryn
The wolfpack get themselves in trouble again days before Stu's Thai wedding.
This sequel is no more than a duplicate of the original... just in another country. There are a lot of moments where you will feel like you've been before, but the characters are likeable enough to allow them to just get away with it. Some laugh-out-loud scenes manage to carry the film only so far, and while the neat ending is a little too didactic, it's still worth seeing. Watch out for the cringe-worthy musical performance by a well-known boxer; it could well be cinema's worst. He was probably hung-over.