Men, Women & ChildrenAndrew O'Dea
Parents and their teenagers grapple with the many ways the Internet affects their lives.
"Men, Women & Children" is a character-driven ensemble drama that provides a glimpse of our cultural evolution (or some may argue devolution) through social media. Perhaps a victim of its own scope and ambition, the exploration of this Wi-Fi culture across a multi-story narrative is thought-provoking, although the delivery is somewhat heavy-handed. The vulnerability and sentiment at the film's core is sure to divide its audience; it will either resonate or leave them with a sense of contrivance. A family conversation still worth having.
Something BorrowedWendy Slevison
Friendships are tested and secrets come to the surface when terminally single Rachel falls for Dex, her best friend Darcy's fiancé.
Adapted from a popular novel, "Something Borrowed" is a romantic comedy of errors, where everyone seems to be in love with the wrong person. The movie is essentially the characters sorting themselves out. Unfortunately, this takes a while, and by the end of the overly long running time, audience investment in the protagonists has wilted a bit. While the actors all do a fine job of their roles, the film lacks freshness and charm. The plot feels a little like something borrowed.
State of PlayAndrew O'Dea
A team of investigative reporters try to solve the murder of a congressman's mistress.
This is a reasonably well-executed political thriller. Surprisingly, sharp dialogue provides witty yet sporadic comical relief, while the carefully plotted conspiracy makes for a polished although somewhat uninspired movie. Unlikely contrivances and one climatic plot twist too many mean that, at times, the film seems to meander and lack coherent direction. However, despite this state of flux, "State of Play" is redeemed by an intelligent script and moments of genuine tension that provide enough surprises, thrills, and intrigue to entertain.
This Means WarAnthony Macali
Two operatives wage a battle against one another after they discover they are dating the same girl.
Two hardened men might front this stunt but don't be fooled. "This Means War" is a romantic comedy with a different take. Outlandish circumstances persuade two of the CIA's finest to exploit their resources to court a girl. This would never happen in the real world, but it's a funny scenario to watch unfold nonetheless. The jokes are snappy and everybody is beautiful and bright, with all the right characteristics to suit the plot. In the end it comes down to the trio at the centre of this triangle, and there's a lot to love about their conflict.
Vantage PointAnthony Macali
With a Rashomon narrative style, the attempted assassination of the president is told from several different perspectives.
"Vantage Point" might seem interesting at first, with its "different points of view" storytelling, large ensemble cast and an American president. In truth, it's a bit repetitive and formulaic, with revelations only coming after we endure the assassination again and again. In the end, the bad guys die, there's a car chase to please all the confused viewers, and the story gets nicely wrapped up. Entertaining enough, but still annoying.
Zack and Miri Make a PornoAnthony Macali
Lifelong platonic friends Zack and Miri look to solve their respective cash-flow problems by making an adultfilm together.
"Zack and Miri Make a Porno" is a film of two halves. The first half is hilarious and fantastic, introducing us to the loveable friends and their daily escapades. It's when the title comes to life that the film fails miserably. It's certainly not as much fun as promised, leaving you wishing Zack and Miri found a more entertaining solution to their cash problems.
We Bought a ZooAnthony Macali
Set in Southern California, a father moves his young family to the countryside to renovate and re-open a struggling zoo.
Based on a true story, "We Bought a Zoo" doesn't have a bad bone in its body. It's an adventure with a menagerie of fluffy animals, great and small, and the odd staff who service them. While an underlying story of grief drives the plot, the film lacks the courage to fully explore the strife and emotion. After all, this is as family-friendly as it gets, and in the end nothing can compete with the excitement of a zoo. A ticket that will leave you warm and fuzzy.
A group of elite warriors are hunted by members of a merciless alien race known as Predators.
"Predators" delivers all that one would expect from such a movie. The plot is thin, but our group of anti-heroes and evolved Predators admirably do just enough to sustain an air of tension. The action sequences are tight, with plenty of stylish gore to satisfy the gruesomely entertained. Although there are some welcome nods to the original, the disappointing thing about this reboot is that it fails to distinguish itself. On the whole though, it must be said that the film succeeds in at least revisiting the franchise and actually getting it back on track - so be sure to "stick around...
The TownThomas Jones
As he plans his next job, a longtime thief tries to balance his feelings for a bank manager connected to one of his earlier heists, as well as the FBI agent looking to bring him and his crew down.
"The Town" is your classic cops and robbers fare, with a little bit of heart. The robbery scenes are exhilarating and are directed in such a way that you share the thrill of being chased, and the adrenalin which comes with the risk of getting caught. The problem with this film lies in the moments between the robberies, where a story tries to develop but really only slows the whole thing down. Much like its characters, this film is a goodie and a baddie.
Before I Go to SleepAnthony Macali
A woman wakes up every day, remembering nothing as a result of a traumatic accident in her past. One day, new terrifying truths emerge that force her to question everyone around her.
"Before I Go to Sleep" is more frightening than one might think. Living with amnesia is a damned reality, and the film vehemently captures the constant fear and mistrust our protagonist is feeling. With eerie photos and distressing video diaries, each daily cycle will keep the audience guessing, as strong performances from the cast pull in many different directions, mentally and emotionally, before descending into the darkness of the final act. Sweet dreams.
Monsters vs AliensAnthony Macali
When a meteorite from outer space hits a young girl and turns her into a giant, she is taken to a secret government compound where she meets a ragtag group of monsters.
Monsters vs Aliens is a fun film, and I'm sure was a lot of fun to make, but it's certainly no masterpiece. Despite the jaw-dropping visuals and towering production design, the story is pretty unengaging for kids and adults alike. There is still plenty of humour to amuse all tastes, but it needed more monsters, typically ones that could inject a bit more wit into the film.
I Am LegendAnthony Macali
Years after a plague kills most of humanity and transforms the rest into monsters, the sole survivor in New York City struggles valiantly to find a cure.
This post-apocalyptic thriller is all too familiar, with too much focus on a barren New York that becomes dull quickly after the excessive panning. More tameness comes in the form of the terrible infected, tanned a bland grey and lacking physicality. A group of computer generated embodiments are simply not as menacing as real people dressed in pale makeup and blood. Often tense but far from legendary.
A Million Ways to Die in the WestAnthony Macali
As a cowardly farmer begins to fall for the mysterious new woman in town, he must put his new-found courage to the test.
"A Million Ways to Die in the West" sure is persistent in preaching the dangers of the American frontier, and happily employs the language of today to make fun of it. Sadly the modern speech serves very little purpose except to describe countless sketches of vulgarity, toilet humour and poor slapstick. Characters come and go, with an alarming number of cameos, but much like the main star, shoot off jokes that repeatedly miss the target. There are better ways to laugh in the cinema.
A young boy conducts a science experiment to bring his beloved dog back to life.
"Frankenweenie" is the pet project of its director, brought to life in trademark gothic style and ethereal black and white. The cute story is bound to resonate with any person caring for a creature of their own, but the kids can only make it last so far. Despite all the odd and wonderful characters, and the adorable dog Sparky, you have to wonder who the target audience is in this animation veiled by horror. All of the nods and winks to the many iconic films of its inspiration can't save this beast, eventually waning in interest. Frankly boring.
A hard-living superhero who has fallen out of favor with the public enters into a questionable relationship with the wife of the public relations professional who's trying to repair his image.
In the wake of the superhero blockbuster movement, "Hancock" provides a unique and hilarious perspective of an alcoholic with gifted powers, resented by the people and equally vulgar in return. This setup is fun until Hancock faces his only real villain in the film, the story arch-enemy. The humorous setup can only take you so far and doesn't fly for the entire length of the film. The shaky CGI can be forgiven, but the plot that ensues cannot.
Dear JohnCourtney Slevison
A romantic drama about John, a soldier on leave who falls for Savannah, a conservative college student.
We are in very familiar territory with "Dear John", a sappy clichè -ridden tale of young love. This film struggles to elicit an emotional response due to its clumsy dialogue and bland montages spanning John and Savannah's years apart. The rare moments of honest human connection take place between John and his autistic father, yet the tenderness shared between the two is somehow missing between the young lovers. Dear John? Return to sender.
Public EnemiesAndrew O'Dea
The Feds try to take down notorious American gangsters John Dillinger, Baby Face Nelson and Pretty Boy Floyd during a booming crime wave in the 1930s.
"Public Enemies" feels like a series of tommy-gun battles and antique car chases, which although very impressive, do not constitute a good story. It's not terrible, but there's simply not enough build up to pivotal scenes, and the lead actors (who are great in their roles) are hindered by a severe lack of character development. A major annoyance is the camerawork; digitally shot, but not used to good effect. The only heist here is having to pay for admission.
The WolfmanAndrew O'Dea
Upon his return to his ancestral homeland, an American man is bitten, and cursed by a werewolf.
This version of the classic tale plays more like a slasher flick than a genuine horror film. Visually stylish, it does exceptionally well to create a gloomy and gothic 19th century period setting in splendid detail. The unfortunate thing is that the superb production values don't compensate for an unevenly paced story that is both turgid and slow. Brief moments of respite that see the 'Wolfman' transform and rip people to shreds are too few and far between, and given the subject matter, there is a surprising lack of suspense. Definitely a case of all howl, no bite.
Muppets Most WantedAnthony Macali
While on a grand world tour, The Muppets find themselves wrapped into an European jewel-heist caper headed by a Kermit the Frog look-alike and his dastardly sidekick.
"Muppets Most Wanted" bears all the classic tropes of a sequel low on ideas and thin on plot. It's still impossible to resist the innocuous charm and nostalgia of the wildly animated characters, looking so great in their colourful skins. Moving at a fast pace, the jokes are largely hit-and-miss. While the hits are funny, it’s unlikely this rag-tag crew will win over any new audiences with this show, despite the support of countless cameos. Most conventional.
Wreck-It RalphAndrew O'Dea
A video game villain wants to be a hero and sets out to fulfill his dream, but his quest brings havoc to the whole arcade where he lives.
"Wreck-It Ralph" brings classic arcade games to life through a wildly fun and exciting premise. It's just a shame the brilliant concept doesn't quite live up to its potential. Although the animation is superb, it eventually runs out of tokens, winding up as a simple 8-bit film that gives preference to visuals over heart. You won't be disappointed by the brilliant animated-short that precedes it, but unfortunately the main event is only mildly entertaining at best. Game over.
Seven PoundsWendy Slevison
An IRS agent with a fateful secret embarks on an extraordinary journey of redemption by forever changing the lives of seven strangers.
"Seven Pounds" is an average movie that could have been better with a heavier hand from the editing department and a lighter touch from the director. The story, while powerful and engaging, evolves slowly, and there are too many lingering shots of the main character's pained face. When all the pieces of the puzzle do finally come together, the factual implausibility unfortunately weakens the film's credibility.
Run Fatboy RunAnthony Macali
A chunky, clueless guy leaves his pregnant fiancée on their wedding day only to discover 5 years later that she is his one true love.
It's difficult to describe what bad comic-timing is, but "Run Fatboy Run" is surely an adequate demonstration. There are too many unbearable characters and too many bad jokes that race towards a neat and predictable ending. A marathon to endure, this film is not as funny as it thinks it is, and one you should run away from.
Save Your Legs!Stefan Bugryn
A ragtag team of suburban cricketers get a chance to tour India.
"Save Your Legs" acts better as a postcard of India rather than the team bonding, coming-of-age drama it's meant to be. The film's intentions may be good - it's cute and charming at times - but overall the result is mostly boring, with jokes often bordering on cringe-worthy. It also becomes very predictable, one of the movie's biggest flaws, and the ending can be spotted a mile away. Though substantially well produced, it lacks any real substance... save your pennies.
Mission: Impossible - Ghost ProtocolAndrew O'Dea
The IMF is shut down when it's implicated in the bombing of the Kremlin, causing Ethan Hunt and his new team to go rogue to clear their organisation's name.
This latest instalment of the franchise certainly lives up to its 'blockbuster' status. The explosions, car chases and action sequences in "Ghost Protocol" may be unrelenting, but the thrills they provide are cheap, and the lack of a coherent storyline effectively means it loses its grip on being gripping. There's always going to be an element of preposterousness in an action-flick, but this one goes too far and too often, reaching a point where it overtly insults our intelligence. Mission Implausible.
The GamblerAndrew O'Dea
A lit professor and gambler's debt causes him to borrow money from his mother and a loan shark.
"The Gambler" is a tale of personal redemption and the moral muddiness of gambling. Unfortunately it's difficult for an audience to sympathise with a pretentious protagonist bent on self-destruction, throwing money against the wall while failing to garner any semblance of a lesson from the experience. Despite a host of terrific performances from the supporting cast, the story feels a little over-wrought, as it meanders to a point where we end up not caring enough to be invested in the tormented anti-hero's fate. Got to know when to fold em'...