Alice in WonderlandAndrew O'Dea
19-year-old Alice returns to the magical world from her childhood adventure.
"Alice in Wonderland" is a pleasant movie that revisits all of its familiar and much loved characters in splendid detail. The gorgeously rendered fantastical world is a visual delight, counteracting the lack of plot substance in parts. Disappointingly, you can't help but feel that the irresistible combination of director and source material has given way somewhat to studio convention. Although most (including the little ones) will find the film's sense of escapism enjoyable, it's forgivable to be late for this not-so-important date!
The UninvitedCourtney Slevison
Anna Rydell returns home to her sister Alex after a stint in a mental hospital, though her recovery is jeopardised thanks to her cruel stepmother, aloof father, and the presence of a ghost in their home.
What could have been yet another sub-par thriller with predictable plot twists, manages to transcend the status-quo with excellent performances from the leading actresses. The story isn't particularly inspired or original, but it does have a killer twist that you definitely won't see coming. With stylish visuals and the occasional satisfying jolt of suspense, "The Uninvited" makes for a more than adequate Friday night thrill.
Zack and Miri Make a PornoAnthony Macali
Lifelong platonic friends Zack and Miri look to solve their respective cash-flow problems by making an adultfilm together.
"Zack and Miri Make a Porno" is a film of two halves. The first half is hilarious and fantastic, introducing us to the loveable friends and their daily escapades. It's when the title comes to life that the film fails miserably. It's certainly not as much fun as promised, leaving you wishing Zack and Miri found a more entertaining solution to their cash problems.
Dark ShadowsAnthony Macali
An imprisoned vampire, Barnabas Collins, is set free and returns to his ancestral home, where his dysfunctional descendants are in need of his protection.
"Dark Shadows" is a dark comedy, although the jokes aren't as black as its gothic setting, a magnificent candlelit manor. Our protagonist is an affable chap and a vampire out of his time, coming to grips with the quirks of the modern world and the members of his equally awkward and peculiar family. The unusual scenario is a surprising platform for laughs in what is an otherwise insignificant story. The cast may be marvellous, but the film won't leave any everlasting marks.
When an ex-superhero is murdered, a vigilante named Rorschach begins an investigation into the murder, which begins to lead to a much more terrifying conclusion.
"Watchmen" is by all accounts yet another successful comic-book adaptation, resplendent in its visual flair. The artistic style matches the grandeur of a plot that also manages to deliver intellectually, as it explores the complex nature of mankind. However, the disapointing drawback is a myriad of subplots that dilute the story, making it feel convoluted at times. Still worth a watch - if not for the brilliant title sequence, then for the vintage soundtrack.
The Change UpAndrew O'Dea
A comedy in which a married father accidentally switches bodies with his best friend, leading to a series of wildly complex difficulties.
This instalment of the body-swap genre is ultimately a crass affair, and is largely dependant on shock value rather than wit – not to say it's completely devoid of any intelligence. Like its protagonists, the audience too will be split, as the film's talented cast push the boundaries of tastefulness. Some will find the perverse humour laugh-out-loud funny, while others will simply find it vulgar and clichéd. "The Change Up" is definitely borderline... it really could go either way.
Get Him to the GreekAndrew O'Dea
A record company intern is hired to accompany out-of-control British rock star Aldous Snow to a concert at L.A.'s Greek Theatre.
"Get Him to the Greek" is at its outrageous best when poking fun at the music industry. The star of the show is perfect in his role, and along with a particularly funny cameo appearance, there are several uproariously 'laugh-out-loud' moments. The disappointing drawback is that a flimsy story means the film tends to lose direction, as it needlessly tries to be something more than a genuine comedy. Still, there's more than enough hilariously vulgar debauchery to keep most entertained.
The Last StandStefan Bugryn
A small town sheriff must stop a Mexican druglord from crossing the border.
Unfortunately, there isn't enough originality to set "The Last Stand" aside from the rest. It takes a little too long to actually kick in, and it's not until the second half that the action really gets under way. Petrol-heads get their fix, with just as many car chase scenes as there are shoot-outs; and of course, one liners and comedic moments are never far away. It won't go down in history as one of the best action movies ever, but it's still a fun ride, if that's what you're after.
Sweeney ToddAnthony Macali
The infamous story of Benjamin Barker, a.k.a Sweeney Todd, who sets up a barber shop down in London which is the basis for a sinister partnership with his fellow tenant, Mrs. Lovett.
"Sweeney Todd" is as dark and twisted as it is a dull and boring. We know Sweeney wants revenge, but can't he stop singing and staring angrily out his window - just get on with the job. Few of the songs are enjoyable, and they all tend to slow the plot to an almost unbearable halt. Some will enjoy the throat-slashing and corpse-thudding antics of the barber, but after having watched this film, I found myself seeking my own vengeance and salvation.
Powerful Thor is cast out of the fantastic realm of Asgard and sent to live amongst humans on Earth.
This movie is one of the shiniest you will ever see, from Thor's armour and hammer to his home in Asgard, replete with large gold statues and lots of lens flare. The titular hero is played with great gall and charm, as he is banished from the CGI kaleidoscope of Space to Earth, the perfect place to showcase some of his finer attributes. Aesthetics aside, the film is held together by the power of its cast, who could only have joined the production on the basis of its actor turned director. "Thor" simply gets it done.
An ex-cop and his family are the target of an evil force that is using mirrors as a gateway into their home.
Mirrors are pretty scary, uncanny in their ability to reveal unsightly curves and impure skin. This film takes it to a whole new level. The mirrors in "Mirrors" like to trap souls, absorb bullets, and callously break jawbones. A premise such as this is purely ridiculous, and far from chilling, despite some great creepy locations. Upon reflection, "Mirrors" has many laughable scenes, and if not taken seriously, is as satisfying as the rather amusing ending.
Rabbit HoleWendy Slevison
Life for a happy couple is turned upside down after their young son dies in an accident.
"Rabbit Hole" wants to be an authentic and poignant exploration of grief and the differing ways in which people deal with it. Unfortunately, despite excellent performances from a fabulous supporting cast, the film feels slightly contrived and unconvincing - due mainly to the much lauded leading lady, who plays her role with about as much emotional depth as the wrinkles on her forehead. You feel as though you are watching her act the way she thinks someone might behave in such tragic circumstances. The journey through this rabbit hole just doesn't quite lead to wonderland.
The Mortal Instruments: City of BonesAnthony Macali
When her mother disappears, Clary learns that she descends from a line of shadow hunters.
This story of a fantastical world hidden among ours, a long-standing mythology of good vs evil, and a pair of star-crossed creatures finding love in the unlikeliest of places is starting to feel all too familiar. "The Mortal Instruments: City of Bones" makes up the rules along the way, providing answers to all the supernatural wonders and armaments for our drab protagonists. The continuous hocus-pocus soon transforms into boredom, and the inevitable romance hinted throughout is cringe-worthy, out of place in a film otherwise dark in tone. Full of the mundane.
A young boy conducts a science experiment to bring his beloved dog back to life.
"Frankenweenie" is the pet project of its director, brought to life in trademark gothic style and ethereal black and white. The cute story is bound to resonate with any person caring for a creature of their own, but the kids can only make it last so far. Despite all the odd and wonderful characters, and the adorable dog Sparky, you have to wonder who the target audience is in this animation veiled by horror. All of the nods and winks to the many iconic films of its inspiration can't save this beast, eventually waning in interest. Frankly boring.
Margin CallAndrew O'Dea
Follows key people at a bank, over a 24-hour period, during the early stages of the financial crisis.
Greed and opportunism are rife in this ensemble drama that paints a very loose snap-shot of the foundations of capitalist society, bottled into one investment firm on the eve of a financial crisis. The story is dialogue-driven, and although it deftly ponders the volatile issue of money versus morality, it fails to really delve past the numbers, lacking the visceral punch or emotional drive to grab our attention. Some will find this film serviceable enough as financial thriller, but for those wanting a little more emotional involvement, "Margin Call" is not a wise investment.
Last VegasAnthony Macali
Three sixty-something friends take a break from their day-to-day lives to throw a bachelor party in Las Vegas for their last remaining single pal.
In "Last Vegas" all the characters are winners. The illustrious cast is a sight to behold, it's just such a shame how their collaboration is played out in this tame effort. Sexagenarian jokes about prostates and bad hips come with the territory, and although some are mildly /amusing, the film never strays far from its predictable and happy ending. As fun as a debaucherous weekend can be in the city of lights, this outing is careful not to offend. A disappointing reunion.
Journey to the Center of the EarthAnthony Macali
On a quest to find out what happened to his missing brother, a scientist, his nephew and their mountain guide discover a fantastic and dangerous lost world in the center of the earth.
"Journey" is designed as a crowd pleaser, but what little enjoyment there is comes from the luminous world beneath ours, a labyrinth of impressive 3D visuals and molten lava, providing warmth far greater than the characters. Blatantly akin to a kid's theme-park ride, it intersperses mild suspense, best capsulated when our heroes out-pace a large dinosaur. This film suspends all scientific belief, taking you on a ride that is far from adventurous.
The SmurfsAnthony Macali
The evil wizard Gargamel chases the tiny blue Smurfs out of their magical village.
If you watched the original cartoon, then this 3D reanimation of "The Smurfs" marks a nostalgic return, with young newcomers also sharing in the wonder of these cute-little-blue guys. They enter the real world, and it's funny watching them run amok, in particular Clumsy Smurf, who loves to cause trouble with satisfying results. Beyond these initial encounters, the story lacks imagination and is best suited to the tiniest of toddlers. Let's hope any further arrivals are reserved to once in a blue moon.
A freak tsunami traps shoppers at a coastal Australian supermarket inside the building - along with a 12-foot Great White Shark.
"Bait" is the story of a very hungry shark, brought beyond the shore with the help of some unremarkable special effects. Once the disaster subsides, the talent emerges from the water and we have the consummate setting for chills and spills. They make it quite clear which fish we want to live, and the chumps to be chewed, not shying from the blood and limbs synonymous with killer sharks, yet still suffers from taking itself a little too seriously. Dead in the water.
Seven PoundsWendy Slevison
An IRS agent with a fateful secret embarks on an extraordinary journey of redemption by forever changing the lives of seven strangers.
"Seven Pounds" is an average movie that could have been better with a heavier hand from the editing department and a lighter touch from the director. The story, while powerful and engaging, evolves slowly, and there are too many lingering shots of the main character's pained face. When all the pieces of the puzzle do finally come together, the factual implausibility unfortunately weakens the film's credibility.
Letters to JulietAnthony Macali
A girl on holiday in Italy finds an unanswered letter to Juliet and tries to find the lovers mentioned in the letter.
The ingredients of "Letters to Juliet" contain more romance than comedy and are less than fresh. Some will find it easy to be swept away by the beautiful landscapes of Verona, and their hearts will be warmed. The more cynical types will be less than entertained, as their patience and minds are tested along with the casts', with very little to do. This film may deliver to its intended audience, but will serve as nothing less than a picturesque postcard for any other travellers.
Underworld: AwakeningAnthony Macali
In a changed world, humans have discovered the existence of both Vampire and Lycan clans.
Selene wakes to a slightly new and promising premise, although nothing has really changed in "Underworld: Awakening". Cue the familiar leather, washed-out hues and dramatic, flickering, down-lights. Some sinister human characters are introduced and they successfully stretch the short running-time, often with scenes faithfully inserted between the countless Vampire/Lycan in-fighting. While the action sequences are impressive, they go far too long, thanks in part to the resilience of each race. You won't find fresh blood here.
She's Out of My LeagueAnthony Macali
An average Joe meets the perfect woman, but his lack of confidence and the influence of his friends and family begin to pick away at the relationship.
"She's Out of My League" is a formulaic film about formulas. The amusing calculations rank partners and simply highlight the fact that the annoying Kirk really is undeserving of his 'Hard 10' crush. It's only fair to rate the movie itself accordingly. Moments of awkwardness +1, clichÃ© after clichÃ© -1, two-dimensional characters -2. With such an emphasis on character, it's a shame the cast share very few redeeming qualities. A story of questionable truth and out of its depth.
Going the DistanceCourtney Slevison
A look at the trials and tribulations of a long-distance relationship.
"Going the Distance" is a pretty stock-standard romantic comedy. However, having a couple on either sides of the country attemps a twist that simply doesn't work. The pace feels rushed and you never quite feel the chemistry that is meant to be keeping the couple together despite the odds. The leads put in a likeable effort, but the movie as a whole ends up feeling a bit strained, and some moments are just plain awkward. If you go the distance with this film, unfortunately you will be disappointed.
Journey 2: The Mysterious IslandAnthony Macali
Sean Anderson partners with his mom's boyfriend on a mission to find his grandfather.
The beauty of "Journey 2: The Mysterious Island" isn't just in the visuals or adventure. Listen to the random spiels of science that solve all the mysteries, and the story moves along at a swift pace. As expected, the film isn't big on plot or character development, and the 3D doesn't add much except to enable the large production designs and special effects, which can only hold your attention for so long. If you can sit back and absorb the humour and colour, the movie will deliver on everything it says on the ticket.