Dreamgirls follows the lives of three young women who form a singing trio called the "Dreamettes". Their rise to the top is not as smooth as their lyrics.
This film is a continuous exposition of music, illuminated brilliantly on the stage. It's all visually stunning, in particular the montages that race through time. Casting real-life singers to the main roles is an inspired choice that draws strong vocal performances to the screen. But like many good songs, they are overplayed and tire towards the finale.
American HustleAnthony Macali
A con man, Irving Rosenfeld, along with his seductive British partner, Sydney Prosser, is forced to work for a wild FBI agent, Richie DiMaso.
"American Hustle" isn't a memorable crime caper, but it's thoroughly entertaining nonetheless. It doesn't take long to get swept up by the glamour and characters of the time, parading their retro costumes to the sound of a lively 70's soundtrack. Soon begins a battle of wits, each player out to scam the next, in a clever way to keep the story full of suspense. Moments of tension are broken with scenes of laughter, but ultimately there's no real substance to all the cons. Robbed of empathy.
The Bourne LegacyAnthony Macali
In the wake of the saga surrounding Jason Bourne, another participant of the program emerges, who tries to escape the higher powers attempting to shut him down.
Perhaps not in the same vein as its predecessors, "The Bourne Legacy" is good enough to stand on its own two feet. 'Number 5' is just as charismatic and dangerous, but the stakes are not high enough in this cat and mouse chase. He's just a man looking for his meds, and uses all his resourcefulness racing to the drawn-out action finale waiting for him at the end of the film. Born from the same mould, but not as reliable.
Sex and the CityAnthony Macali
The girls are back in town.
If the idea of watching 4 back-to-back episodes of "Sex and the City" sounds alluring, then you will love this. The length might be epic, but the pace is aligned with the TV show, maintaining all the fun, fashion and sex. We love spending time with these characters as they face some of the tougher challenges in life like marriage and divorce, a step above the usual frivolous banter of the series. On the other hand, if you're not a fan of our mid-forty heroinés, you will despise the glimpses into their lives. Fans of the show will find this film fabulous.
Morning GloryAnne Murphy
An upstart television producer accepts the challenge of reviving a struggling morning show program with warring co-hosts.
"Morning Glory" is as cute as a kitten, and just as fluffy and playful. Audiences will find it either predictably amusing or predictably irritating, as it it sticks to a tried and true formula, offering no surprises and delivering on all expectations. This is a bright funny film with a big name cast, who appear to enjoy acting like cornflakes. It bubbles along with all of the snap, crackle, and pop that many enjoy in the morning.
A Mighty HeartAnthony Macali
The film is based on Mariane Pearl's account of the terrifying and unforgettable story of her husband, Wall Street Journal reporter Danny Pearl's life and death.
"A Mighty Heart" is a genuine and heartfelt account of tragedy. The excellent performances reflect a true sense of the frustration, determination and suffering of all those involved. The film struggles to draw the audience into the investigation, presumably of little concern to the director with motives that seem to favour accuracy over entertainment. An authentic portrayal with a good heart, but little excitement.
The Hunger Games: Mockingjay - Part 1Anthony Macali
In District 13, Katniss Everdeen works to a nation moved by her courage under the leadership of President Coin and the advice of her trusted friends.
Just as this franchise begins to catch fire, "The Hunger Games: Mockingjay - Part 1" is reduced to a slow-burn, which can only be attributed to its division into two separate films. World war has begun and the images are striking, but their emotive impact is lost when the characters continue to tread over the same ground... literally. The strength still lies in the ensemble cast, as their bravado resides over some of the more spectacular set pieces. It's less games, more politics.
The Twilight Saga: New MoonAnthony Macali
Realising Bella will never be safe as long as he's around, Edward makes the difficult decision to leave.
This sequel significantly outshines its predecessor, as the presence of a storyline improves it in leaps and bounds. The eclipse of romance is welcome, as we share Bella's pain and encourage her recklessness. Despite console from (decidedly buff) friend Jacob, her time spent moping takes a lot longer than the film lets you believe. Their performances are less than desirable, but we find some hope in the small moments of action, laughter and extension of the mythology. Less brood and more mood, "New Moon" has successfully revived the saga.
The story of Steve Jobs' ascension from college dropout into one of the most revered creative entrepreneurs of the 20th century.
"Jobs" follows a small tenure of the famous entrepreneur, from the birth of the home-PC, to the tumultuous times of leading a publicly listed company. In a largely neglectable performance, we discover a determined and at times difficult figure, with a very strict vision and diet. At its best, the story excels in simply documenting the journey, captivating your attention without frills. Once you reach the end, despite the uneventfulness, you'll want to see more evolution. Static and compliant.
Two friends hired to police a small town that is suffering under the rule of a rancher.
"Appaloosa" respects the conventions of a traditional western, with its slow pacing intersected by the gun-slinging one would expect. The chemistry and repartee between the two leads is superb, and together they excel in dialogue and humour that is as dry and effective as the dusty landscape that dominates the film. However, the fundamental flaw is that it presents a story all too familiar - that's not to say it doesn't make an entertaining western - it's just that, at times, it lacks the tension and emotion of a 'good-ole-duel' to separate it from the rest.
An out-of-the-way diner becomes the unlikely battleground for the survival of the human race when God loses faith in humankind...
Anyone seeing "Legion" hoping t enjoy anything even remotely theological will be sorely disappointed. The premise is absurd, and the plot downright confusing. Guns and explosions are the film's first commandment, yet combined with a mock serious tone and some hilariously perplexing moments, it manages to be oddly fun. Although far from divine, it'll be entertaining enough for those who think they might enjoy a movie about 'angels with machine guns'...
Wolf Creek 2Andrew O'Dea
The outback once more becomes a place of horror as another unwitting tourist becomes the prey for crazed, serial-killing pig-shooter Mick Taylor.
Set against the harsh yet beautiful Australian outback, "Wolf Creek 2" manages to carry its own as a quintessentially 'Aussie' horror flick. This bone-grinding sequel might lack the shock surprise of its predecessor, but there's still enough depravity and carnage to appease the gore-hungry and chill-seekers alike. Although some may find the story bordering on predictable, most will giddily revel or revile in the grim-humour and violence of the 'fair dinkum' sociopath at its core. Bloody hell.
How to Lose Friends & Alienate PeopleAnthony Macali
A British writer struggles to fit in at a high-profile magazine in New York.
This film could have been a shrewd attack on the culture of celebrity, but decides to play it safe instead, directly contradicting the very ethos of our main character, Sidney Young. As hard as Sidney tries to lose friends, mostly by getting into the most contrived and ridiculous of situations, he still seems to charm his work colleagues, while entertaining the audience with his seditious wit. "How to Lose Friends & Alienate People" is about an enjoyable character, one with a message inconsistent with the very fluff of his own story.
The Lucky OneTom Jones
A Marine travels to North Carolina after serving three tours in Iraq and searches for the unknown woman he believes was his good luck charm during the war.
If you start to notice more and more photos of women popping up in obscure places, this film is to blame. It gives single women hope that a man could be out there trying to find them right at this minute. Some may call it stalking, but apparently if he's incredibly good looking and has a pet dog it's not weird at all. This film ticks all women's boxes. It is romantic and sad at the same time. If this is what you're looking for, you're in luck.
Robin HoodAndrew O'Dea
An archer in the army of King Richard becomes the legendary hero known as Robin Hood.
This re-imagining of the classic tale is painted onto an epic canvas. The production values and attention to detail are outstanding, and in terms of scale and spectacle, it's everything you'd expect from the director. But for a film that promises so much action it delivers little, choosing instead to add new dimensions to a character that was already rich enough. The violence is gritty and graphic, yet it's the story in-between that finds itself a little convoluted and lacking at times. "Robin Hood" is enjoyable enough, but nowhere near a bulls-eye.
The Hangover Part IIStefan Bugryn
The wolfpack get themselves in trouble again days before Stu's Thai wedding.
This sequel is no more than a duplicate of the original... just in another country. There are a lot of moments where you will feel like you've been before, but the characters are likeable enough to allow them to just get away with it. Some laugh-out-loud scenes manage to carry the film only so far, and while the neat ending is a little too didactic, it's still worth seeing. Watch out for the cringe-worthy musical performance by a well-known boxer; it could well be cinema's worst. He was probably hung-over.
Fearless optimist Anna teams up with Kristoff in an epic journey to find Anna's sister Elsa, whose icy powers have trapped the kingdom in eternal winter.
"Frozen" is the story of two sisters surrounded by a dazzling world of ice that gleams so impressively in this animation. While the characters and relationships are tailored to suit a modern audience, the core of the story sticks to a classic formula with familiar themes of family and love. Full of adventure and laughs thanks to a troupe of goofy sidekicks, this film distinguishes itself with merry displays of music and song. For the young princesses of the world.
A post-apocalyptic nightmare in which all of humanity is threatened.
This gorgeously animated film is extraordinary in its detail. Definitely not for children, the imaginative premise is rich in symbolism and provides some exhilarating (and at times gruesome) action sequences. Unfortunately, the screenplay doesn't come close to matching the visual style, and it often labours and fails to engage on an emotional level. Though their character development may be flawed, there is still something oddly compelling about our numerical heroes. More style than substance, "9" falls quite a bit short of the perfect 10.
Funny PeopleAndrew O'Dea
A seasoned comedian forms a friendship after learning of his terminal, inoperable health condition.
"Funny People" is an inventive albeit meandering comedy. Sometimes sophisticated and sometimes crass, it presents an intriguing blend of humour and sentiment. Terrific performances from the leads and supporting cast are bolstered by a host of obscure cameos, including one of the most hilariously 'honest' Australian characters to be shown in an American film. This movie is far from seamless, and seems to drag in parts, but still retains enough moments of genuine insight and laughter to entertain most.
The MistAnthony Macali
A freak storm unleashes a species of blood-thirsty creatures on a small town, where a band of citizens hole-up in a supermarket and fight for their lives.
"The Mist" is your stock standard horror film where you throw a bunch of people in a room, endanger their lives, and see how they react. The result is a colourful quarrel of religion, reason and rationale. The joy comes from watching the locals get their comeuppance as the poor-looking monsters feast on them. In these films you always find yourself questioning the decisions the characters make. Our protagonists' judgement at the end is truly mystifying.
Powerful Thor is cast out of the fantastic realm of Asgard and sent to live amongst humans on Earth.
This movie is one of the shiniest you will ever see, from Thor's armour and hammer to his home in Asgard, replete with large gold statues and lots of lens flare. The titular hero is played with great gall and charm, as he is banished from the CGI kaleidoscope of Space to Earth, the perfect place to showcase some of his finer attributes. Aesthetics aside, the film is held together by the power of its cast, who could only have joined the production on the basis of its actor turned director. "Thor" simply gets it done.
A man who specializes in debunking paranormal occurrences checks into the fabled room 1408.
Your typical bad guy comes in the form of a mask-wearing, knife-wielding bandit, or some kind of monster or creature. But a hotel room? Funny enough, a room can be scary - and frightening enough to make you question your very own alarm clock, telephone and the walls of your home. This lodge haunts your past, with plenty of suicidal ghosts to keep you company. It's thrilling and chilling stuff, only suffering in the certain level of unease that comes in the frantic finalé. A terrifying film of terrifying heights.
The TownTom Jones
As he plans his next job, a longtime thief tries to balance his feelings for a bank manager connected to one of his earlier heists, as well as the FBI agent looking to bring him and his crew down.
"The Town" is your classic cops and robbers fare, with a little bit of heart. The robbery scenes are exhilarating and are directed in such a way that you share the thrill of being chased, and the adrenalin which comes with the risk of getting caught. The problem with this film lies in the moments between the robberies, where a story tries to develop but really only slows the whole thing down. Much like its characters, this film is a goodie and a baddie.
Transformers: Dark of the MoonCourtney Slevison
The Autobots learn of a Cybertronian spacecraft hidden on the Moon, and race against the Decepticons to reach it and learn its secrets.
This film is made for fans of the franchise, and for that purpose it's a great movie. Of course, others may be dismayed by the predictable storyline and cheesy dialogue. The special effects are outstanding, especially in 3D, and the epic action sequences will conjure enough excitement to satisfy the wide-eyed little kid in all of us. "Transformers 3" ultimately works because it's able to keep the story grounded enough in reality to make you think that it could almost be real… almost.
A political thriller advancing the theory that it was in fact Edward De Vere, Earl of Oxford who penned Shakespeare's plays.
The identity of one of our greatest writers is scrutinised in "Anonymous", a tawdry tale of fiction staged as lusty historical drama. The audience is kept busy trying to work out who's who as the time-frame jumps into the past and back again, causing confusion when we try to match the older and younger actors of the same character. Sordid conspiracies abound, and it's all a bit fanciful, convoluted and overly long. As they say in the classics, "It's not Shakespeare".