Scream 4Courtney Slevison
Ten years have passed, and massacre survivor Sidney Prescott has returned to her hometown.
This instalment of the popular horror franchise reinvents the slasher genre for a savvy new audience. From the hilarious and scream-inducing opening sequence, it's clear that while the film doesn't take itself too seriously, you will definitely be in for a scare. While some of the plot twists are quite predictable, there's some fantastic dialogue and great performances from the predominantly young cast. "Scream 4" plays with the traditional horror formula, letting you believe you know what's coming next, before shocking you with a plot twist that will leave you screaming for more.
A priest disobeys church law to track down the vampires who kidnapped his niece.
"Priest" makes the most of its short running time to deliver what is, in the end, a sleek action flick. Sure, there are clichés aplenty and the dialogue may cause you to wane at times, but it's all offset by some seriously stylish action sequences. What else could you honestly expect from a film where the hero flings ninja-stars in the shape of a crucifix? Although lacking in originality and littered with flaws, the target demographic will nonetheless be more than satisfied by this perfectly acceptable vehicle of vampire-slaying. Say 'Three Hail Marys' for enjoying this guilty pleasure.
Die Hard 4.0Anthony Macali
McClane takes on an Internet-based terrorist organization who is systematically shutting down the US.
This film will appeal those who like their action old school; bad guys and henchman vs the reluctant good guys, carrying an array of bullet wounds and the burden of the country. The director has a real eye for action, the first half of the movie is a refreshing and entertaining thrill of big booms and familiar wisecracks. It's a lot of fun when the baddies die hard, usually with big thuds from large falls. You know it's wandered too far when the pursuits take John to the top of the fighter jet. I prefer my new school action grounded in reality.
Vantage PointAnthony Macali
With a Rashomon narrative style, the attempted assassination of the president is told from several different perspectives.
"Vantage Point" might seem interesting at first, with its "different points of view" storytelling, large ensemble cast and an American president. In truth, it's a bit repetitive and formulaic, with revelations only coming after we endure the assassination again and again. In the end, the bad guys die, there's a car chase to please all the confused viewers, and the story gets nicely wrapped up. Entertaining enough, but still annoying.
Step BrothersAnthony Macali
Two spoiled guys become competitive stepbrothers after their single parents get hitched.
"Step Brothers" is a film of two adults behaving like kids. The jokes are cheap and immature, their amusement heightened by gratuitous swearing and childlike behaviour. You watch things happen on the screen, things that you know are supposed to be funny, but they simply don't make you laugh like they once used to. Brennan and Dale fatefully grow and mature, seamlessly and conveniently, and just in time for the inevitable happy ending. One to watch for those who are fond of juvenile performances.
He's Just Not That Into YouWendy Slevison
This Baltimore-set movie of interconnecting story lines deals with the challenges of trying to understand human behaviour.
Adapted from the best-selling book of the same name, this movie is overpopulated with under-developed characters making mistakes, behaving badly, and being downright stupid - surprise surprise, mostly the women. An ensemble cast, who individually can be very good, get lost in the mire of a script laden with stereotypes. While generally entertaining, there are sections where you find yourself not caring who's just not into who.
Project XAnthony Macali
Three high school seniors throw a birthday party to make a name for them.
"Project X" is yet another 'found-footage' experiment that is full of surprises. The simple agenda breeds plenty of hilarious moments, with the attention firmly focused on the trio at the centre of the party, and their wide range of responses to the gathering chaos. It certainly is the most epic teen party to hit the screen, and while the parading nudity and constant binge-drinking might not appeal to every goer, it does highlight the stupid (and irreversible) things we do for a night of fun and ecstasy. Project success.
A man who specializes in debunking paranormal occurrences checks into the fabled room 1408.
Your typical bad guy comes in the form of a mask-wearing, knife-wielding bandit, or some kind of monster or creature. But a hotel room? Funny enough, a room can be scary - and frightening enough to make you question your very own alarm clock, telephone and the walls of your home. This lodge haunts your past, with plenty of suicidal ghosts to keep you company. It's thrilling and chilling stuff, only suffering in the certain level of unease that comes in the frantic finalé. A terrifying film of terrifying heights.
A woman puts herself through long years of law school to prove her convicted brother of innocence.
This movie has all the makings of a textbook 'midday telemovie'; true story, appeals to older females, very sentimental and touching. However, it's a step above the rest, and well worth watching. It is extraordinary to learn about this real woman, who commits her whole life to saving her brother. The acting is amazing, especially from the lead actress who is fantastic in her portrayal of the real life heroine. The directing is sometimes lacklustre, and it feels like it could have harnessed the emotions a lot more. Otherwise, convict yourself to this one!
Super 8Anthony Macali
After witnessing a mysterious train crash, a group of friends in the summer of 1979 begin noticing strange happenings going around in their small town.
"Super 8" incites nostalgia, as we share the enthusiasm of the young crew making a short film. Just as the wonderfully realised characters start to develop, an underwhelming and subsequently non-threatening accident crashes the party in more ways than one. Strange things start to happen, some large objects get thrown about, but all it seems to do is rile our interest. Unfortunately the kids stop being kids, turn into detectives, and unveil a remarkably poor revelation. Not that great.
Monsters UniversityAndrew O'Dea
A look at the relationship between Mike and Sulley during their days at Monsters University - when they weren't necessarily the best of friends.
"Monsters University" is more than adequate as a stand-alone film. Although it brings the same successful charm to screen as its predecessor, it takes far less risks, and seems content to appease its audience rather than dazzle them. Impressively animated, there are still a host of clever moments that deliver life lessons to learn and college humour to laugh, with both subversive gags for the adults and colourful entertainment for the kids. B minus.
A thriller centred on the threat posed by a deadly disease and an international team of doctors.
"Contagion" is a convincing film, possibly too much so considering the subject matter. Although it engages on an intellectual level, it fails to engage emotionally. People get sick and die while the shortfalls of human nature are exposed, but we don’t seem to care all that much. That's not to take away from the oustanding direction which is absolutely world class, nor the pulsating soundtrack that does well to heighten the tension. It's just that you need more symptoms to sustain a story such as this one. Not quite infectious enough…
Determined to change her fate, Princess Merida defies an age-old custom sacred to her kingdom.
There's nothing really brave about "Brave". The Scottish highlands setting is small and far from the adventurous, playing home to a patchy story of borrowed ideas and lacking any of the spectacle promised in its title. The only war to be found is between a mother and a daughter, and while it may ring true, the moral outcome is lopsided and won't teach the kids any lessons. As per usual, the visuals are stunning and the voice-casting excellent, but we've come to expect a more from these cartoons, especially when engaging a younger audience. Where is the hero?
A small-town girl ventures to LA and finds her place in a neo-burlesque club run by a former dancer.
"Burlesque" is everything you might imagine - clichéd, yes. Thin on plot, yes. Largely a performance vehicle for it's leading ladies, yes. But it's more - it's entertaining escapism, and isn't that what movies are all about? The voices are incredibly rich and robust; the dance numbers are glitzy and gaudy, yet tightly choreographed and executed. The entire cast is highly watchable (even if it's just to see if the elder of those leading ladies can actually move her top lip) and combine to deliver a film that is sexy without being salacious.
Pitch Perfect 2Anthony Macali
In a bid to overturn their recent suspension, The Barden Bellas compete in the A Capella World Championships, where they meet their international rival Das Sound Machine.
"Pitch Perfect 2" will find it hard to rival the success of its first outing, but there are still plenty of witty jokes, crude slapstick and politically incorrect commentary to delight audiences. The weakest part of this sequel is the story, which invests more in the laughs, than the drama. While the strength of the original cast is bolstered by fresh additions, the film ultimately lacks the rhythm and catchy tunes of the predecessor. Corny, forgettable, yet still very funny. Das good.
State of PlayAndrew O'Dea
A team of investigative reporters try to solve the murder of a congressman's mistress.
This is a reasonably well-executed political thriller. Surprisingly, sharp dialogue provides witty yet sporadic comical relief, while the carefully plotted conspiracy makes for a polished although somewhat uninspired movie. Unlikely contrivances and one climatic plot twist too many mean that, at times, the film seems to meander and lack coherent direction. However, despite this state of flux, "State of Play" is redeemed by an intelligent script and moments of genuine tension that provide enough surprises, thrills, and intrigue to entertain.
The MistAnthony Macali
A freak storm unleashes a species of blood-thirsty creatures on a small town, where a band of citizens hole-up in a supermarket and fight for their lives.
"The Mist" is your stock standard horror film where you throw a bunch of people in a room, endanger their lives, and see how they react. The result is a colourful quarrel of religion, reason and rationale. The joy comes from watching the locals get their comeuppance as the poor-looking monsters feast on them. In these films you always find yourself questioning the decisions the characters make. Our protagonists' judgement at the end is truly mystifying.
The Twilight Saga: Breaking Dawn - Part 2Anthony Macali
After the birth of Renesmee, the Cullens gather other vampire clans in order to protect the child from a false allegation that puts the family in front of the Volturi.
The immortal franchise has come to an end, with "Breaking Dawn - Part 2" proving they really didn't need to split the last chapter. Picking up from where previous film finished, the going is slow. Thankfully, the vampires of the world come to hand, showcasing their special powers and effectively covering the thin plot. Despite such adversity, the journey eventually gets wrapped up rather neatly, and it's a stirring goodbye. Finally the light goes out on a saga to be cherished... and now forgotten.
Olympus Has FallenAnthony Macali
The White House is ambushed by an army of terrorists and the Preisdent is taken hostage. A former guard leads the one-man rescue.
"Olympus Has Fallen" is a non-stop assault of guns and explosions, striking a close resemblance to video games. This B-Grade action revamp features the prototypical bad guys of North Korea, and a hero relishing the violence he's confronted with. Leading the charge to save the world, our patriotic general does not shy from the bloody onslaught or increasingly amusing 'one-liners'. If you can arrest the flaws and the lull at the half-way mark, you may find the ludicrous situation good fun. Stands up.
Step Up 3DWendy Slevison
A tight-knit group of New York City street dancers find themselves pitted against the world's best hip hop dancers in a high-stakes showdown that will change their lives forever.
Using the same mainstream storyline as many other chick-flicks such as friendship, love, competition and issues of trust, this is definitely a film intended for dance lovers. While showing a disappointing lack of imagination in the plot and rather forced and fake acting, the electrifying dance scenes and razor-sharp chorography do redeem the film. However, it could have stepped its game up a bit.
Monsters vs AliensAnthony Macali
When a meteorite from outer space hits a young girl and turns her into a giant, she is taken to a secret government compound where she meets a ragtag group of monsters.
Monsters vs Aliens is a fun film, and I'm sure was a lot of fun to make, but it's certainly no masterpiece. Despite the jaw-dropping visuals and towering production design, the story is pretty unengaging for kids and adults alike. There is still plenty of humour to amuse all tastes, but it needed more monsters, typically ones that could inject a bit more wit into the film.
American HustleAnthony Macali
A con man, Irving Rosenfeld, along with his seductive British partner, Sydney Prosser, is forced to work for a wild FBI agent, Richie DiMaso.
"American Hustle" isn't a memorable crime caper, but it's thoroughly entertaining nonetheless. It doesn't take long to get swept up by the glamour and characters of the time, parading their retro costumes to the sound of a lively 70's soundtrack. Soon begins a battle of wits, each player out to scam the next, in a clever way to keep the story full of suspense. Moments of tension are broken with scenes of laughter, but ultimately there's no real substance to all the cons. Robbed of empathy.
Young AdultStefan Bugryn
A deluded writer returns to her hometown to wreck her high school sweethearts marriage.
This is a light film on the outside that ends up being quite socially morbid on the inside, all because of the main character. You probably won't like her... but that's the point. She's the person that never grew up and has all the bad attributes of a 16 year old schoolgirl; spiteful, rude, selfish. But it’s still a very real story, one most people might even relate to. The tone is quite playful, but the themes are actually quite debauched. Gets a tick of approval for young and old.
Harry BrownAnthony Macali
An elderly ex-serviceman and widower looks to avenge his best friend's murder by doling out his own form of justice.
"Harry Brown" is an exceptionally made film, but the revenge takes too long, drawn out to a point where the comeuppance just doesn't match the build-up. There are great depictions of drug-dealer dwellings and troubled youth, creating a genuine sense of discomfort and distress. Invariably such a setup brings violence, including a curiously riotous ending, but digitised blood spurts just don't have the same impact as traditional cinema wounds. Dark and dangerous but a little too slow.
A re-enactment of the harrowing Everest mountain expeditions on May 10 1996.
"Everest" boasts a big name cast, but the indisputable star role is filled by the mountain itself. The remarkable cinematography shows it as lofty and imposing and all due glory is afforded to nature. Sadly human drama is one of the understated elements. The superficial view of the impassioned and zealous characters is problematic. There are too many people with too many untold back stories, and just too many unanswered questions. Apparently 'the bigger the better' does not always hold true. Ain't no mountain high enough?