Scream 4Courtney Slevison
Ten years have passed, and massacre survivor Sidney Prescott has returned to her hometown.
This instalment of the popular horror franchise reinvents the slasher genre for a savvy new audience. From the hilarious and scream-inducing opening sequence, it's clear that while the film doesn't take itself too seriously, you will definitely be in for a scare. While some of the plot twists are quite predictable, there's some fantastic dialogue and great performances from the predominantly young cast. "Scream 4" plays with the traditional horror formula, letting you believe you know what's coming next, before shocking you with a plot twist that will leave you screaming for more.
Finding DoryAnne Murphy
The continuing under the ocean adventures of Dory the forgetful fish who sings.
"Finding Dory" is a colourful and visually stimulating marine adventure with stunning underwater vistas. Unfortunately, there's not much to delight audiences beyond those vivid splashy elements. The storyline is uncannily similar to its precursor, with one fish searching for another fish. There are some laugh out loud moments along with a low tide period where we're becalmed when neither the action nor the characters manage to hold viewer attention. It's disappointing that bullying sea-loins are portrayed as comic rather than offensive - poor role models. Go fish.
A priest disobeys church law to track down the vampires who kidnapped his niece.
"Priest" makes the most of its short running time to deliver what is, in the end, a sleek action flick. Sure, there are clichés aplenty and the dialogue may cause you to wane at times, but it's all offset by some seriously stylish action sequences. What else could you honestly expect from a film where the hero flings ninja-stars in the shape of a crucifix? Although lacking in originality and littered with flaws, the target demographic will nonetheless be more than satisfied by this perfectly acceptable vehicle of vampire-slaying. Say 'Three Hail Marys' for enjoying this guilty pleasure.
Die Hard 4.0Anthony Macali
McClane takes on an Internet-based terrorist organization who is systematically shutting down the US.
This film will appeal those who like their action old school; bad guys and henchman vs the reluctant good guys, carrying an array of bullet wounds and the burden of the country. The director has a real eye for action, the first half of the movie is a refreshing and entertaining thrill of big booms and familiar wisecracks. It's a lot of fun when the baddies die hard, usually with big thuds from large falls. You know it's wandered too far when the pursuits take John to the top of the fighter jet. I prefer my new school action grounded in reality.
The Way BackAndrew O'Dea
Siberian gulag escapees walk 4000 miles overland to freedom in India.
A testament to the resilience of the human spirit, "The Way Back" is authentic film-making that proves you don't need CGI to create a sweeping epic. The incredibly long running time and deliberate pacing commands you to appreciate the vast distances and stunning landscapes of the protagonists' journey, step by slow step. One suspects this was entirely the director's intention, and in this regard credit is undeniably due. Some will no doubt be inspired by this sprawling story, but others may get lost along the way.
Robin HoodAndrew O'Dea
An archer in the army of King Richard becomes the legendary hero known as Robin Hood.
This re-imagining of the classic tale is painted onto an epic canvas. The production values and attention to detail are outstanding, and in terms of scale and spectacle, it's everything you'd expect from the director. But for a film that promises so much action it delivers little, choosing instead to add new dimensions to a character that was already rich enough. The violence is gritty and graphic, yet it's the story in-between that finds itself a little convoluted and lacking at times. "Robin Hood" is enjoyable enough, but nowhere near a bulls-eye.
Olympus Has FallenAnthony Macali
The White House is ambushed by an army of terrorists and the Preisdent is taken hostage. A former guard leads the one-man rescue.
"Olympus Has Fallen" is a non-stop assault of guns and explosions, striking a close resemblance to video games. This B-Grade action revamp features the prototypical bad guys of North Korea, and a hero relishing the violence he's confronted with. Leading the charge to save the world, our patriotic general does not shy from the bloody onslaught or increasingly amusing 'one-liners'. If you can arrest the flaws and the lull at the half-way mark, you may find the ludicrous situation good fun. Stands up.
Step BrothersAnthony Macali
Two spoiled guys become competitive stepbrothers after their single parents get hitched.
"Step Brothers" is a film of two adults behaving like kids. The jokes are cheap and immature, their amusement heightened by gratuitous swearing and childlike behaviour. You watch things happen on the screen, things that you know are supposed to be funny, but they simply don't make you laugh like they once used to. Brennan and Dale fatefully grow and mature, seamlessly and conveniently, and just in time for the inevitable happy ending. One to watch for those who are fond of juvenile performances.
He's Just Not That Into YouWendy Slevison
This Baltimore-set movie of interconnecting story lines deals with the challenges of trying to understand human behaviour.
Adapted from the best-selling book of the same name, this movie is overpopulated with under-developed characters making mistakes, behaving badly, and being downright stupid - surprise surprise, mostly the women. An ensemble cast, who individually can be very good, get lost in the mire of a script laden with stereotypes. While generally entertaining, there are sections where you find yourself not caring who's just not into who.
Project XAnthony Macali
Three high school seniors throw a birthday party to make a name for them.
"Project X" is yet another 'found-footage' experiment that is full of surprises. The simple agenda breeds plenty of hilarious moments, with the attention firmly focused on the trio at the centre of the party, and their wide range of responses to the gathering chaos. It certainly is the most epic teen party to hit the screen, and while the parading nudity and constant binge-drinking might not appeal to every goer, it does highlight the stupid (and irreversible) things we do for a night of fun and ecstasy. Project success.
Vantage PointAnthony Macali
With a Rashomon narrative style, the attempted assassination of the president is told from several different perspectives.
"Vantage Point" might seem interesting at first, with its "different points of view" storytelling, large ensemble cast and an American president. In truth, it's a bit repetitive and formulaic, with revelations only coming after we endure the assassination again and again. In the end, the bad guys die, there's a car chase to please all the confused viewers, and the story gets nicely wrapped up. Entertaining enough, but still annoying.
Monsters UniversityAndrew O'Dea
A look at the relationship between Mike and Sulley during their days at Monsters University - when they weren't necessarily the best of friends.
"Monsters University" is more than adequate as a stand-alone film. Although it brings the same successful charm to screen as its predecessor, it takes far less risks, and seems content to appease its audience rather than dazzle them. Impressively animated, there are still a host of clever moments that deliver life lessons to learn and college humour to laugh, with both subversive gags for the adults and colourful entertainment for the kids. B minus.
Determined to change her fate, Princess Merida defies an age-old custom sacred to her kingdom.
There's nothing really brave about "Brave". The Scottish highlands setting is small and far from the adventurous, playing home to a patchy story of borrowed ideas and lacking any of the spectacle promised in its title. The only war to be found is between a mother and a daughter, and while it may ring true, the moral outcome is lopsided and won't teach the kids any lessons. As per usual, the visuals are stunning and the voice-casting excellent, but we've come to expect a more from these cartoons, especially when engaging a younger audience. Where is the hero?
Star Trek BeyondJessica Avelsgaard
The crew of the Starship Enterprise find an artifact on a mission that leads them into the clutches of a ruthless new villain.
"Star Trek Beyond" is an action filled space adventure that offers some incredibly entertaining character interactions, but little in the way of a tangible plot. Most bothersome is the way logic is thrown out the window purely for the sake of pushing the movie towards an oddly anti-climactic end. Impressive visuals and explosions galore do a commendable job of masking the missing story, making this an enjoyable yet flawed addition to the Star Trek franchise. Set phasers to Beastie Boys.
Pitch Perfect 2Anthony Macali
In a bid to overturn their recent suspension, The Barden Bellas compete in the A Capella World Championships, where they meet their international rival Das Sound Machine.
"Pitch Perfect 2" will find it hard to rival the success of its first outing, but there are still plenty of witty jokes, crude slapstick and politically incorrect commentary to delight audiences. The weakest part of this sequel is the story, which invests more in the laughs, than the drama. While the strength of the original cast is bolstered by fresh additions, the film ultimately lacks the rhythm and catchy tunes of the predecessor. Corny, forgettable, yet still very funny. Das good.
The Twilight Saga: Breaking Dawn - Part 2Anthony Macali
After the birth of Renesmee, the Cullens gather other vampire clans in order to protect the child from a false allegation that puts the family in front of the Volturi.
The immortal franchise has come to an end, with "Breaking Dawn - Part 2" proving they really didn't need to split the last chapter. Picking up from where previous film finished, the going is slow. Thankfully, the vampires of the world come to hand, showcasing their special powers and effectively covering the thin plot. Despite such adversity, the journey eventually gets wrapped up rather neatly, and it's a stirring goodbye. Finally the light goes out on a saga to be cherished... and now forgotten.
The story of Steve Jobs' ascension from college dropout into one of the most revered creative entrepreneurs of the 20th century.
"Jobs" follows a small tenure of the famous entrepreneur, from the birth of the home-PC, to the tumultuous times of leading a publicly listed company. In a largely neglectable performance, we discover a determined and at times difficult figure, with a very strict vision and diet. At its best, the story excels in simply documenting the journey, captivating your attention without frills. Once you reach the end, despite the uneventfulness, you'll want to see more evolution. Static and compliant.
Super 8Anthony Macali
After witnessing a mysterious train crash, a group of friends in the summer of 1979 begin noticing strange happenings going around in their small town.
"Super 8" incites nostalgia, as we share the enthusiasm of the young crew making a short film. Just as the wonderfully realised characters start to develop, an underwhelming and subsequently non-threatening accident crashes the party in more ways than one. Strange things start to happen, some large objects get thrown about, but all it seems to do is rile our interest. Unfortunately the kids stop being kids, turn into detectives, and unveil a remarkably poor revelation. Not that great.
Magic MikeAnthony Macali
A male stripper teaches a younger performer how to party, pick up women, and make easy money.
Sex, drugs... and dollar bills, "Magic Mike" offers us a sneak peek into the not-so-glamorous, but surprisingly creative life of a male stripper. While the job requires a certain exquisite physique, there is an impressive amount of work involved in the highly choreographed dance numbers and imaginative use of costumes and props. Unfortunately the magic doesn't last forever, as Mike searches for more to his life, with ambitions of a real career and a romance that can't compete with the novelty of dry-humping on stage. There's more to Mike than meets the eye.
Wolf Creek 2Andrew O'Dea
The outback once more becomes a place of horror as another unwitting tourist becomes the prey for crazed, serial-killing pig-shooter Mick Taylor.
Set against the harsh yet beautiful Australian outback, "Wolf Creek 2" manages to carry its own as a quintessentially 'Aussie' horror flick. This bone-grinding sequel might lack the shock surprise of its predecessor, but there's still enough depravity and carnage to appease the gore-hungry and chill-seekers alike. Although some may find the story bordering on predictable, most will giddily revel or revile in the grim-humour and violence of the 'fair dinkum' sociopath at its core. Bloody hell.
A thriller centred on the threat posed by a deadly disease and an international team of doctors.
"Contagion" is a convincing film, possibly too much so considering the subject matter. Although it engages on an intellectual level, it fails to engage emotionally. People get sick and die while the shortfalls of human nature are exposed, but we don’t seem to care all that much. That's not to take away from the oustanding direction which is absolutely world class, nor the pulsating soundtrack that does well to heighten the tension. It's just that you need more symptoms to sustain a story such as this one. Not quite infectious enough…
Life of PiAnthony Macali
A young man who survives a disaster at sea is hurtled into an epic journey of discovery. While cast away, he forms an unexpected connection with a fearsome Bengal tiger.
"Life of Pi" charts an amazing story of survival, feats of courage and countless horizons. There are plenty of opportunities to gaze at majestic visuals, from exotic animals to the colours of the sea, enriched with dream-like sequences that grant the freedom to push the artistic boundaries, 3D and all. The film's biggest struggle is the amount of time spent on a life-boat, reaching a point to drive its audience sea-sick. A far from thrilling, yet nonetheless beautiful adventure.
A small-town girl ventures to LA and finds her place in a neo-burlesque club run by a former dancer.
"Burlesque" is everything you might imagine - clichéd, yes. Thin on plot, yes. Largely a performance vehicle for it's leading ladies, yes. But it's more - it's entertaining escapism, and isn't that what movies are all about? The voices are incredibly rich and robust; the dance numbers are glitzy and gaudy, yet tightly choreographed and executed. The entire cast is highly watchable (even if it's just to see if the elder of those leading ladies can actually move her top lip) and combine to deliver a film that is sexy without being salacious.
State of PlayAndrew O'Dea
A team of investigative reporters try to solve the murder of a congressman's mistress.
This is a reasonably well-executed political thriller. Surprisingly, sharp dialogue provides witty yet sporadic comical relief, while the carefully plotted conspiracy makes for a polished although somewhat uninspired movie. Unlikely contrivances and one climatic plot twist too many mean that, at times, the film seems to meander and lack coherent direction. However, despite this state of flux, "State of Play" is redeemed by an intelligent script and moments of genuine tension that provide enough surprises, thrills, and intrigue to entertain.
The MistAnthony Macali
A freak storm unleashes a species of blood-thirsty creatures on a small town, where a band of citizens hole-up in a supermarket and fight for their lives.
"The Mist" is your stock standard horror film where you throw a bunch of people in a room, endanger their lives, and see how they react. The result is a colourful quarrel of religion, reason and rationale. The joy comes from watching the locals get their comeuppance as the poor-looking monsters feast on them. In these films you always find yourself questioning the decisions the characters make. Our protagonists' judgement at the end is truly mystifying.