Super 8Anthony Macali
After witnessing a mysterious train crash, a group of friends in the summer of 1979 begin noticing strange happenings going around in their small town.
"Super 8" incites nostalgia, as we share the enthusiasm of the young crew making a short film. Just as the wonderfully realised characters start to develop, an underwhelming and subsequently non-threatening accident crashes the party in more ways than one. Strange things start to happen, some large objects get thrown about, but all it seems to do is rile our interest. Unfortunately the kids stop being kids, turn into detectives, and unveil a remarkably poor revelation. Not that great.
Die Hard 4.0Anthony Macali
McClane takes on an Internet-based terrorist organization who is systematically shutting down the US.
This film will appeal those who like their action old school; bad guys and henchman vs the reluctant good guys, carrying an array of bullet wounds and the burden of the country. The director has a real eye for action, the first half of the movie is a refreshing and entertaining thrill of big booms and familiar wisecracks. It's a lot of fun when the baddies die hard, usually with big thuds from large falls. You know it's wandered too far when the pursuits take John to the top of the fighter jet. I prefer my new school action grounded in reality.
Dolphin TaleAnne Murphy
A story centred on the friendship between a boy and a dolphin whose tail was lost in a crab trap.
An amazing heart-warming tale, pardon the pun, based on a real story is related in "Dolphin Tale". This movie will be embraced by young audiences as an exciting adventure in an adult world. Older kids may find it formulaic as adversity is transformed into triumph, but nonetheless it's stirring viewing. The dolphin is a scene stealing star that puts the rest of the cast in the drink despite their solid performances in this family friendly fun film. Move over Flipper.
The TownThomas Jones
As he plans his next job, a longtime thief tries to balance his feelings for a bank manager connected to one of his earlier heists, as well as the FBI agent looking to bring him and his crew down.
"The Town" is your classic cops and robbers fare, with a little bit of heart. The robbery scenes are exhilarating and are directed in such a way that you share the thrill of being chased, and the adrenalin which comes with the risk of getting caught. The problem with this film lies in the moments between the robberies, where a story tries to develop but really only slows the whole thing down. Much like its characters, this film is a goodie and a baddie.
A father goes undercover for the DEA in order to free his son who was imprisoned after being set up in drug deal.
"Snitch" seizes upon the value of a 'based on true events' premise and tells the story of an amiable father who throws himself into the most dangerous of situations. Trying to win the trust of shady drug lords isn't easy, creating an atmosphere loaded with suspense. It quickly becomes apparent that our wishful hero is out of his depth, and the film is successful enough in its character portrayals that we actually care. Each move may be predictable, but the ride is enjoyable enough. Dobbed in.
Project XAnthony Macali
Three high school seniors throw a birthday party to make a name for them.
"Project X" is yet another 'found-footage' experiment that is full of surprises. The simple agenda breeds plenty of hilarious moments, with the attention firmly focused on the trio at the centre of the party, and their wide range of responses to the gathering chaos. It certainly is the most epic teen party to hit the screen, and while the parading nudity and constant binge-drinking might not appeal to every goer, it does highlight the stupid (and irreversible) things we do for a night of fun and ecstasy. Project success.
Vantage PointAnthony Macali
With a Rashomon narrative style, the attempted assassination of the president is told from several different perspectives.
"Vantage Point" might seem interesting at first, with its "different points of view" storytelling, large ensemble cast and an American president. In truth, it's a bit repetitive and formulaic, with revelations only coming after we endure the assassination again and again. In the end, the bad guys die, there's a car chase to please all the confused viewers, and the story gets nicely wrapped up. Entertaining enough, but still annoying.
As Dr. Will Caster works toward his goal of creating an omniscient, sentient machine, a radical anti-technology organization fight the threat of artificial intelligence.
"Transcendence" is a story high in concept, but low on explanation. Despite the director's best efforts, it's difficult to succumb to the doomsday scenario dreamed up. Moving at a quantum-like pace, the film readily skips over the 'science' and settles on exploring the apprehension and awe of a supercomputer with a brain. While impressive in its infancy, the plot descends into all kinds of silliness and confusion towards the end. Makes less sense.
Alice in WonderlandAndrew O'Dea
19-year-old Alice returns to the magical world from her childhood adventure.
"Alice in Wonderland" is a pleasant movie that revisits all of its familiar and much loved characters in splendid detail. The gorgeously rendered fantastical world is a visual delight, counteracting the lack of plot substance in parts. Disappointingly, you can't help but feel that the irresistible combination of director and source material has given way somewhat to studio convention. Although most (including the little ones) will find the film's sense of escapism enjoyable, it's forgivable to be late for this not-so-important date!
The Way BackAndrew O'Dea
Siberian gulag escapees walk 4000 miles overland to freedom in India.
A testament to the resilience of the human spirit, "The Way Back" is authentic film-making that proves you don't need CGI to create a sweeping epic. The incredibly long running time and deliberate pacing commands you to appreciate the vast distances and stunning landscapes of the protagonists' journey, step by slow step. One suspects this was entirely the director's intention, and in this regard credit is undeniably due. Some will no doubt be inspired by this sprawling story, but others may get lost along the way.
The Twilight Saga: Breaking Dawn - Part 2Anthony Macali
After the birth of Renesmee, the Cullens gather other vampire clans in order to protect the child from a false allegation that puts the family in front of the Volturi.
The immortal franchise has come to an end, with "Breaking Dawn - Part 2" proving they really didn't need to split the last chapter. Picking up from where previous film finished, the going is slow. Thankfully, the vampires of the world come to hand, showcasing their special powers and effectively covering the thin plot. Despite such adversity, the journey eventually gets wrapped up rather neatly, and it's a stirring goodbye. Finally the light goes out on a saga to be cherished... and now forgotten.
A veteran assigned to extract Earth's remaining resources begins to question what he knows about his mission and himself.
"Oblivion" is a dystopian thriller that plays like a mix-tape of science fiction flicks; borrowing heavily from like-minded genre films that came before it. For the most part, the movie is fairly engaging, and it's difficult not to appreciate the sweeping landscapes and polished production values that are matched to a pulsating soundtrack. Yet for all the visceral flair, it's a shame the story lacks the originality and tension to distinguish itself from being just another clone. Too obvious.
The Twilight Saga: New MoonAnthony Macali
Realising Bella will never be safe as long as he's around, Edward makes the difficult decision to leave.
This sequel significantly outshines its predecessor, as the presence of a storyline improves it in leaps and bounds. The eclipse of romance is welcome, as we share Bella's pain and encourage her recklessness. Despite console from (decidedly buff) friend Jacob, her time spent moping takes a lot longer than the film lets you believe. Their performances are less than desirable, but we find some hope in the small moments of action, laughter and extension of the mythology. Less brood and more mood, "New Moon" has successfully revived the saga.
A cropdusting plane with a fear of heights lives his dream of competing in a famous around-the-world aerial race.
"Planes" is a simple story of flying fun. The premise is basic and sticks to a tried formula, lacking the boost in creativity required to distinguish this animation from the rest. As a result, the film is best suited to the youngest of age groups, who will marvel at the soaring aeroplanes brought to life in colourful 3D. There is plenty of spectacle and lots of racing, astutely captured and easy to follow, darting to the finish of a short and sweet running time. Fly in, fly out.
An out-of-the-way diner becomes the unlikely battleground for the survival of the human race when God loses faith in humankind...
Anyone seeing "Legion" hoping t enjoy anything even remotely theological will be sorely disappointed. The premise is absurd, and the plot downright confusing. Guns and explosions are the film's first commandment, yet combined with a mock serious tone and some hilariously perplexing moments, it manages to be oddly fun. Although far from divine, it'll be entertaining enough for those who think they might enjoy a movie about 'angels with machine guns'...
A post-apocalyptic nightmare in which all of humanity is threatened.
This gorgeously animated film is extraordinary in its detail. Definitely not for children, the imaginative premise is rich in symbolism and provides some exhilarating (and at times gruesome) action sequences. Unfortunately, the screenplay doesn't come close to matching the visual style, and it often labours and fails to engage on an emotional level. Though their character development may be flawed, there is still something oddly compelling about our numerical heroes. More style than substance, "9" falls quite a bit short of the perfect 10.
One ChanceAnthony Macali
The true story of Paul, an amateur opera singer who became a phenomenon after winning "Britain's Got Talent".
"One Chance" is the inspirational story of Paul Potts, and his competition with the forces preventing him from singing opera. Bullied at school, he received no support from his father and lacks the confidence to hold his nerve on stage. While the film only scratches at the surface of these issues, it's still uncomfortable to watch. Thankfully there are many moments of humour throughout to curb the continuous heartbreak, especially when the road to success is this long. An emotional winner.
Great ExpectationsAnne Murphy
A humble orphan suddenly becomes a gentleman with the help of an unknown benefactor.
"Great Expectations" could be the original coming-of-age tale, and with its themes of social class, justice, love and obsession, it is apparent the original work was written by a social critic. It's probable that those who have not read the source material will enjoy the movie the most, although reading it could be marginally quicker than the film running time. Still, it is well worth taking the time to watch this sumptuous and well acted nineteenth century London drama with its gothic overtones. Expectations exceeded.
Two friends hired to police a small town that is suffering under the rule of a rancher.
"Appaloosa" respects the conventions of a traditional western, with its slow pacing intersected by the gun-slinging one would expect. The chemistry and repartee between the two leads is superb, and together they excel in dialogue and humour that is as dry and effective as the dusty landscape that dominates the film. However, the fundamental flaw is that it presents a story all too familiar - that's not to say it doesn't make an entertaining western - it's just that, at times, it lacks the tension and emotion of a 'good-ole-duel' to separate it from the rest.
The Inbetweeners 2Andrew O'Dea
Neil, Will and Simon receive an invite from Jay to join him in Australia whilst on his gap year, who promises them it's "the sex capital of the world".
"The Inbetweeners 2" reunites its audience with the foul mouthed, awkward quartet in this relentless procession of puerile comedy. Those expecting anything even remotely more than lowbrow humour and excrement gags will be sorely disappointed. Shock value is at the forefront of what is an otherwise flimsy film, with some truly cringe-worthy set pieces providing moments of genuinely uproarious laughter. Well-good banter.
Killing Them SoftlyAndrew O'Dea
A professional enforcer investigates a heist that went down during a mob-protected poker game.
"Killing Them Softly" is both an arresting crime drama and socio-political commentary of the USA's 2008 economic crisis. The fusion of a violent underworld and pessimistic critique of capitalism is a strange mix, and the adjustment can be distracting. If nothing else though, it provides thought-provoking viewing even if the references are heavy-handed at times. The dialogue is cynical, the cinematics stylish and the acting superb; yet the fuse is an extremely slow burn. Some will be dismayed at the lack of explosiveness, while others will enjoy seeing the killing done 'softly'.
Based on actual events, a plot to assassinate Hitler is unfurled during the height of WWII.
The strength of this film lies in a superb production design that helps to construct a positively accurate and immersive account of 1940's Berlin. It creates a stylistic period feel that is amplified by a stirring orchestral score throughout. Unfortunately, much of the authenticity, and subsequent integrity, is lost on American and British accents portraying German ones; as well as an unbefitting and uninspiring performance from the lead. "Valkyrie" definitely won't cater to everyone, but those impassioned by this period in history may find it rousing.
A thriller centred on the threat posed by a deadly disease and an international team of doctors.
"Contagion" is a convincing film, possibly too much so considering the subject matter. Although it engages on an intellectual level, it fails to engage emotionally. People get sick and die while the shortfalls of human nature are exposed, but we don’t seem to care all that much. That's not to take away from the oustanding direction which is absolutely world class, nor the pulsating soundtrack that does well to heighten the tension. It's just that you need more symptoms to sustain a story such as this one. Not quite infectious enough…
Life of PiAnthony Macali
A young man who survives a disaster at sea is hurtled into an epic journey of discovery. While cast away, he forms an unexpected connection with a fearsome Bengal tiger.
"Life of Pi" charts an amazing story of survival, feats of courage and countless horizons. There are plenty of opportunities to gaze at majestic visuals, from exotic animals to the colours of the sea, enriched with dream-like sequences that grant the freedom to push the artistic boundaries, 3D and all. The film's biggest struggle is the amount of time spent on a life-boat, reaching a point to drive its audience sea-sick. A far from thrilling, yet nonetheless beautiful adventure.
Death RaceAndrew O'Dea
Ex-con Jensen Ames is forced by the warden of a notorious prison to compete in our post-industrial world's most popular sport: a car race in which inmates must kill one another on the road to victory.
"Death Race" is a film pertaining to pure mindless entertainment. It takes us on a violent ride fuelled by all the fast cars, big guns, explosions and gore one would typically expect from the unashamed action genre. Fans of such cheap thrills will revel in the fun generated by the constant high-octane race sequences, while those seeking more dramatic substance will find the movie as a whole severely lacking.