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Iron Man 2
Andrew O'Dea
Billionaire Tony Stark must contend with deadly issues involving the government, his own friends, as well as new enemies due to his superhero alter ego Iron Man.
"Iron Man 2" is fuelled by ultra-impressive effects and some explosively awesome action. The plot is a little rusty and isn't helped by the uneccessary introduction of characters for inevitable future franchises. Thankfully, it's redeemed by both leads who are superb in their roles, and they combine brilliantly to capture the loveably narcissistic Tony Stark and the hulking Russian menace Ivan Vanko. Not completely iron-clad, but there's definitely more than enough firepower to entertain the fanboys.
The Book of Eli
Andrew O'Dea
A post-apocalyptic tale, in which a lone man fights his way across America in order to protect a sacred book that holds the secrets to saving humankind.
"The Book of Eli" is a very well made movie, but only from a visual standpoint. Unfortunately, stylish sepia tones and occasional moments of choreographed brilliance are outweighed by a gaping storyline. Even though it manages to raise some intriguing spiritual conundrums, the nonsensical plot fails to lend these questions of morality any real substance. This shortfall is only made worse by an abursd plot twist that fails to be anywhere near as as reverent as it aspires to be. Amen.
Kick-Ass
Andrew O'Dea
An unnoticed high school student with no powers or training decides to become a super-hero.
"Kick-Ass" weaves teen melodrama with some of the coarsest language and most gratuitous and glorious violence ever seen on screen. Every action sequence is amazingly original, bolstered by inventive choreography and superb production values. Although the storyline is flimsy in parts, the uneven pacing may be considered deliberate, as our expectations are frequently and often shockingly shattered at any given moment. The director is to be applauded for this completely unrestrained film, free from industry conformity. Genuinely messed up, but totally kicks ass.
Date Night
Wendy Slevison
In New York City, a case of mistaken identity turns a bored married couple's attempt at a glamorous and romantic evening into something more thrilling and dangerous.
With its highly talented stars and strong supporting cast, this movie should have been a sure thing. What a disappointment that it's barely funny, and even worse, actually quite boring. The staging and script are clumsy, trying way too hard to garner laughs. Somehow nothing seems to click, and you just end up feeling uncomfortable watching so much effort for so little return. Like a bad date, "Date Night" makes you wish you'd opted for a quiet night in.
Clash of the Titans
Anthony Macali
The mortal son of the god Zeus embarks on a perilous journey to stop the underworld and its minions from spreading their evil to Earth as well as the heavens.
"Clash of the Titans" is one of those big budget blockbusters bursting with special effects that attempt to distract the viewer from the mediocre story, clunky dialogue and wooden characters. Sure, there is great production value, but that doesn't atone for how atrociously boring this film is, or how the retrofitted 3D makes a mess of anyone possessing long hair - demigod and mortal alike. It may bring Gods to life, but will destroy the faith of anyone wishing to worship this horrendous beast.
She's Out of My League
Anthony Macali
An average Joe meets the perfect woman, but his lack of confidence and the influence of his friends and family begin to pick away at the relationship.
"She's Out of My League" is a formulaic film about formulas. The amusing calculations rank partners and simply highlight the fact that the annoying Kirk really is undeserving of his 'Hard 10' crush. It's only fair to rate the movie itself accordingly. Moments of awkwardness +1, cliché after cliché -1, two-dimensional characters -2. With such an emphasis on character, it's a shame the cast share very few redeeming qualities. A story of questionable truth and out of its depth.
The Last Song
Wendy Slevison
A rebellious girl is sent to a Southern beach town for the summer to stay with her father.
"The Last Song" was specifically created as a vehicle for its female lead to make the shift to more adult dramatic roles, but regrettably it won't help her career as much as she may have hoped. The movie is everything you'd expect – a cheesy, schmaltzy tear-jerker. While the young stars do their best to provide some sense of authenticity to their roles, the overwrought, overloaded and implausible plot make it very hard work for cast and viewer alike. It almost certainly won't be the amiable young star's last song, but sadly isn't her best.
How to Train Your Dragon
Andrew O'Dea
A hapless young Viking who aspires to hunt dragons becomes the unlikely owner of a young dragon himself, and learns there may be more to the creatures than he assumed.
"How to Train Your Dragon" is a beautifully imagined film driven as much by its story as the dazzlingly rendered visuals. The intelligent script provides plenty of fun for adults and kids alike, as thrilling elements of action and adventure combine to create stunning 3D flying sequences. We're enchanted and charmed by a wonderfully eclectic bunch of characters, particularly the relationship between Hiccup and his pet dragon. Sensationally entertaining from head to tail, this movie soars.
Brothers
Anne Murphy
A young man comforts his older brother's wife and children after he goes missing in Afghanistan.
"Brothers" is as compelling as it is emotional, a powerful combination. As the title suggests, the focus is our most important relationships, the ones with family. The story navigates some difficult political and ethical terrain and is all the better for doing so without judgement. The audience is treated as intelligent, and almost everything is pared back except the strong performance from the entire cast. The overall tone and simple background setting are downplayed for realism, and the lingering memories are heart wrenching. He ain't heavy...
Cop Out
Anthony Macali
A comedy about a veteran NYPD cop whose rare baseball card is stolen. Since it's his only hope to pay for his daughter's upcoming wedding, he recruits his partner to track down the thief.
"Cop Out" is a deliberate homage to the budding action-comedy films of the eighties, and does them a great injustice. There are some jokes, but they mainly consist of characters behaving badly to themes of terribly distorted music that insult the subject of its imitations. Admittedly, there is fun pondering over the motivations of the cast and if they realised they were a partner to such a flop. This film should be suspended without release.
The Rebound
Anthony Macali
In New York City, a single mom captivates her new neighbour, a much younger man.
"The Rebound" is a perfectly serviceable romantic comedy that ticks all the right boxes. There is great chemistry between the two leads, even though the children steal the show with their questionable preciousness and jocularity. The movie's worst quality would be the title, partly derived by Sandy's unique profession in sport statistics, making her even more appealing to the boys. As predictable as it may be, it's nicely wrapped up in a series of extended montages, preventing any forays into the over-soppy. The aim is true, as this film scores a winner in all the right categories.
Green Zone
Andrew O'Dea
Discovering covert and faulty intelligence causes a U.S. Army officer to go rogue as he hunts for Weapons of Mass Destruction in an unstable region.
"Green Zone" is a more of a thriller than an action film. Those expecting a series of gunfights will be sorely disappointed, as the crux of the story stems from its political subtext, interesting as it is. Although the battle footage brings an admirably tense and frenetic realism, the cinematography is at times a little too chaotic, and the grainy hand-held camerawork tends to hold it back rather than enhance. All points to consider before deciding whether or not to spend your green on this one.
Cirque du Freak: The Vampire's Assistant
Courtney Slevison
A teenage boy unknowingly breaks a 200-year-old truce between two warring factions of vampires.
This film has all the right ingredients but never quite lives up to its initial promise. There is great potential in the colourful and quirky characters, but due to a slow and drawn-out plot, they never really get fleshed out. Lying somewhere between comedy and pre-teen horror, there just aren't enough laughs or scares to succeed in either genre. As the title clearly suggests, this film is designed to be the first of a franchise, but for a film about vampires and circus freaks, it just doesn't have enough bite to keep you hooked.
Dear John
Courtney Slevison
A romantic drama about John, a soldier on leave who falls for Savannah, a conservative college student.
We are in very familiar territory with "Dear John", a sappy clichè -ridden tale of young love. This film struggles to elicit an emotional response due to its clumsy dialogue and bland montages spanning John and Savannah's years apart. The rare moments of honest human connection take place between John and his autistic father, yet the tenderness shared between the two is somehow missing between the young lovers. Dear John? Return to sender.
The Men Who Stare at Goats
Anne Murphy
A reporter in Iraq might just have the story of a lifetime when he meets a former member of the U.S. Army's New Earth Army, a unit that employs paranormal powers in their missions.
"The Men Who Stare at Goats" is goofy and amicably humoured, yet it's disappointing and insufficiently acerbic considering the military parody it aspires to be. The good natured cast are excellent although it's a shame one of them isn't a goatherd as this movie is a little free range. The story is funny enough, but the plot wanders pointlessly, leaving the audience glassy eyed and staring.