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Harry Potter and the Order of the Phoenix
Anthony Macali
With their warning about Lord Voldemort's return scoffed at, Harry and Dumbledore are targeted by the Wizard authorities as an authoritarian bureaucrat slowly seizes power at Hogwarts.
Harry endears Hogwarts, a home of magic tricks, lavish feasts and Quiddich heroics, which is not as much fun when he who should not be named (Voldemort) is tormenting his mind. Potter fights some real evil this time around; defending against the dark arts, blinding dementors and stunning evil Azkaban escapees. Join the wonderful ensemble cast of Dumbledore's army in the most terrifying and suspenseful instalment of the series yet. Darker is better.
He's Just Not That Into You
Wendy Slevison
This Baltimore-set movie of interconnecting story lines deals with the challenges of trying to understand human behaviour.
Adapted from the best-selling book of the same name, this movie is overpopulated with under-developed characters making mistakes, behaving badly, and being downright stupid - surprise surprise, mostly the women. An ensemble cast, who individually can be very good, get lost in the mire of a script laden with stereotypes. While generally entertaining, there are sections where you find yourself not caring who's just not into who.
Hellboy II: The Golden Army
Anthony Macali
The mythical world starts a rebellion against humanity in order to rule the Earth, so Hellboy and his team must save the world from the rebellious creatures.
"Hellboy I"I is a CGI camp of cogs of creatures. We still love the band from the Bureau of Paranormal Research and Defence, a bunch of down-to-earth superheroes who fight the bad guys at night, and amusingly discuss their personal relationships by day. Like Abe and Hellboy, it's an odd mix that relishes in a refreshing world of supernatural creativity and action. The film doesn't take itself too seriously, and is all the better for it.
Hereafter
Tom Jones
A drama centered on three people who are touched by death in different ways.
For a film with such promise; the director and cast are of the highest caliber, this movie really falls short on all levels. With the exception of a couple of scenes (the opening is on another level of film direction), the story, characters, and climax are all rather lame. A film on this material should force audiences to question their faith in the afterlife or the ability to communicate with the dead. Instead, it looks uninspiringly at the experiences of three individuals with no agenda on the subject presented. "Hereafter" - underwhelming in life and death.
High School Musical 3: Senior Year
Anthony Macali
Troy and Gabriella struggle with the idea of being separated from one another as college approaches. Along with the rest of the crew, they stage a spring musical to address their fears about their future.
"High School Musical 3" might be better suited for the stage, but definitely not for the big screen. It feels like cameras were simply stationed in front of each performance, creating a dull and disappointing view considering the potential of cinema. The dance choreography is impressive, far superior to the songs that take too long to gather any momentum or vivacity. The climax is a simple re-hash of the film's earlier songs, and like my senior year, I couldn't wait for it to be over.
Hitman
Anthony Macali
A gun-for-hire known only as Agent 47 is ensnared in a political conspiracy, which finds him pursued by both Interpol and the Russian military as he treks across Eastern Europe.
Agent 47 is best described as a focused man, more satisfied in making his kill than pleasuring his women. It's these anti-bond heroics that are refreshing to watch. Unfortunately, the film suffers from the uninteresting police in his pursuit, overplayed in typical hammy performances. The action scenes are also wasted in some bad forms of style and nuisance editing. This adaptation is still a hit above your usual video game exploit.
Hoodwinked Too! Hood vs. Evil
Anne Murphy
Red Riding Hood is training in the group of Sister Hoods, when she and the Wolf are called to examine the mysterious sudden disappearance of Hansel and Gretel.
Red is a girl who stands up for herself and knocks her opponents out, delivering action before comedy. Still, the snappy dialogue and cracking one-liners are welcome in movies aimed at younger audiences, providing enjoyment for the grown-ups. Annoyingly, there's some not so subtle stereotyping, and you can't help noticing the baddies are all chubby and the goodies fit and trim. Wink, wink, as all in all, it's more good than evil.
Horrible Bosses
Anthony Macali
Three friends conspire to murder their awful bosses when they realize they are standing in the way of their happiness.
"Horrible Bosses" does have some funny moments, but you would know that if you saw the trailer. Unfortunately the feature doesn't breed anything new, struggling to stretch its thin plot based on a wicked daydream. Ridiculous situations ensue and our heroes grow less likeable and more smug. Each skit draws in its fair share of laughs, but you remain wary of such a slick production and notable cast, and can't help from feeling both are a little wasted. A comedy (and film) of errors.
Horton Hears a Who!
Luke Bartter
Horton the Elephant struggles to protect a microscopic community from his neighbors who refuse to believe it exists.
As the strip mining of our youths continues, this is the first Dr. Seuss film adaptation that maintains the appeal of the original source. It's a vivid and exciting world, with genuine warmth, humour and true "Seuss-esque" dialogue. The plot does slow in the middle, but recovers for a satisfying finalé. With a good message about imagination, friends and just listening, "Horton" is worth looking out for, especially if you need to keep some little folk entertained.
Hot Fuzz
Anthony Macali
A city cop, too good for his job, is reallocated by his colleagues to the English country town of Sanford. The cop soon discovers a lot of suspicious accidents in this supposedly quiet town.
There are many laughs in this tribute to the buddy cop films of the eighties with countless references (some purposely orchestrated). The grande finalé should have started earlier in the film, but was not unwelcome and provides the best satire. If your humour welcomes fly-kicking elderly citizens to the head, you will enjoy this.
Hotel for Dogs
Andrew O'Dea
Two kids secretly take in nine stray dogs at a vacant house.
"Hotel for Dogs" is full of cute dogs doing cute things; suffice to say that the canine stars outshine the human ones. It's our furry friends that provide all of the often hilarious and adorable scenes. The plot is somewhat formulaic, but that's to be expected from a children's movie. Kids will love it, but ultimately, the success of this film will be greatly influenced as to whether or not viewers fit into the dog loving demographic. It'll perform neat tricks for some, but will roll over and play dead for others.
How Do You Know
Wendy Slevison
After being cut from the USA softball team, Lisa evaluates her life while in the middle of a love triangle, as a corporate guy in crisis competes with her current baseball-playing beau.
"How Do You Know" is a perfect example of how a fine movie is far more than the sum of its parts. The pedigree of the cast and director would have one believe that this could only be a sure thing, but unfortunately for all involved, it falls far short of being anything more than a waste of time and (lots of) money. It's excessively drawn-out and lacks warmth, chemistry and sincerity. So now you know - this film is to be shunned.
How to Lose Friends & Alienate People
Anthony Macali
A British writer struggles to fit in at a high-profile magazine in New York.
This film could have been a shrewd attack on the culture of celebrity, but decides to play it safe instead, directly contradicting the very ethos of our main character, Sidney Young. As hard as Sidney tries to lose friends, mostly by getting into the most contrived and ridiculous of situations, he still seems to charm his work colleagues, while entertaining the audience with his seditious wit. "How to Lose Friends & Alienate People" is about an enjoyable character, one with a message inconsistent with the very fluff of his own story.
How to Train Your Dragon
Andrew O'Dea
A hapless young Viking who aspires to hunt dragons becomes the unlikely owner of a young dragon himself, and learns there may be more to the creatures than he assumed.
"How to Train Your Dragon" is a beautifully imagined film driven as much by its story as the dazzlingly rendered visuals. The intelligent script provides plenty of fun for adults and kids alike, as thrilling elements of action and adventure combine to create stunning 3D flying sequences. We're enchanted and charmed by a wonderfully eclectic bunch of characters, particularly the relationship between Hiccup and his pet dragon. Sensationally entertaining from head to tail, this movie soars.
Hugo
Anthony Macali
Set in 1930s Paris, an orphan who lives in the walls of a train station is wrapped up in a mystery.
"Hugo" is a magical story for kids with a penchant for adventure. A fantastic French train station is brought to life, and thanks to some crafty 3D, delves into the gleaming maze of clocks and cogs that surround the walls. As our young characters continue to solve the puzzle, the plot strangely shifts, taking the audience in a completely new direction... to explore the birth of cinema. It's an odd division in the film, and accompanied by a few irrelevant supporting members, unsettles the enchantment of this visual treasure. All the pieces seem to fit.