A political thriller advancing the theory that it was in fact Edward De Vere, Earl of Oxford who penned Shakespeare's plays.
The identity of one of our greatest writers is scrutinised in "Anonymous", a tawdry tale of fiction staged as lusty historical drama. The audience is kept busy trying to work out who's who as the time-frame jumps into the past and back again, causing confusion when we try to match the older and younger actors of the same character. Sordid conspiracies abound, and it's all a bit fanciful, convoluted and overly long. As they say in the classics, "It's not Shakespeare".
In TimeCourtney Slevison
In a future where people stop aging at 25, and time is literally money, having the means to buy your way out of the situation is a shot at immortal youth.
This is a slick, futuristic action-thriller with one of the most original and refreshing movie premises in the sci-fi genre to date. Visually, the film is awesome; the stylised landscape and clothing help to tell the story of a strange world, each scene worthy of a portrait. Thoroughly entertaining and thought-provoking, "In Time" is only slightly hindered by performances of the two leads, but thankfully it's what goes on around them that steals the show. Definitely one worth making the time to see.
The youngest son of an alcoholic former boxer returns home, where he's trained by his father for competition in a mixed martial arts event - a path that puts him on a collision with his older brother.
"Warrior" is a surprisingly affecting movie. The fight choreography is exceptional, and the rush of adrenaline as the kicks and punches fly is palpable. We feel every bone-crunching hit, but the beauty is that there's enough heart to match the violence. Although it may border on cliché at times, there is an undeniable emotional honesty behind the action, carried by a trio of outstanding acting performances from the male leads. A knock-out film that will leave you counting stars...
The Three MusketeersAndrew O'Dea
The Musketeers unite to save the French throne and prevent Europe from being engulfed in war.
This take on "The Three Musketeers" is an unoriginal and pointless exercise that would have the original author of the classic rolling in his grave. A blatant attempt at a 'franchise cash-grab', this film has all the charisma and wit of a feathered plume. The special effects alone are dismally substandard, and as if it weren't enough, we're also exposed to 3D in its most exploitative form; a retro-fitted mess that adds nothing to the action except to serve as an annoying excuse to shoot cannonballs and point swords in our faces. All for one? One to miss.
A thriller centred on the threat posed by a deadly disease and an international team of doctors.
"Contagion" is a convincing film, possibly too much so considering the subject matter. Although it engages on an intellectual level, it fails to engage emotionally. People get sick and die while the shortfalls of human nature are exposed, but we don’t seem to care all that much. That's not to take away from the oustanding direction which is absolutely world class, nor the pulsating soundtrack that does well to heighten the tension. It's just that you need more symptoms to sustain a story such as this one. Not quite infectious enough…
What's Your NumberAnthony Macali
A woman looks back at the past twenty men she's had relationships with in her life and wonders if one of them might be her one true love.
In a story about finding 'the one', "What's Your Number" is concerned about the number of partners you have slept with. The city setting is beautifully shot, and a vast contrast to the crude nature of much of the discussion. The romantic duo at is generally likeable, always walking and eating and conveniently wearing very little. Sadly, their plight is not one you can sympathise with, extending far beyond our span of attention. My number? 2 stars...
Real SteelAnthony Macali
Set in the near future, where robot boxing is a top sport, a struggling promoter feels he's found a champion in a discarded robot.
"Real Steel" is your favourite boxing movie played out by robots. The start is a little worrisome as our protagonist father essentially sells his son, but that won't deter the kids who will find this blockbuster most appealing. The fighting bots look big and strong, battling for cash in some impressive urban environments. Aside from the aesthetics, you can expect the heart-warming plot to follow instruction from the cliché ridden films before it. The steel isn't real, but the CGI is pretty solid.
City kid Ren McCormack moves to a small town where rock 'n' roll and dancing have been banned, but his rebellious spirit shakes the town up and he sets out to have the rules abolished.
This remake of the classic is bound to have its sceptics, both those who are fans of the original, as well as those who had no interest in it the first time around. All cynicism will be pushed aside however, as this film is simply too fun to not enjoy. The two young leads carry the movie with an authenticity that lifts it from the cheesy mess it could have been, and the impressive choreography gives "Footloose" an exuberance that will have you dancing in the aisles.
Crazy, Stupid, Love.Andrew O'Dea
A father's life unravels dealing with a marital crisis and managing the relationship with his children.
This multigenerational love story is a cut above your average romantic comedy, and for the most part, is a funny, honest and insightful film. The only pity is that long stretches of engaging rom-com fare are punctuated by brief moments of that gooey clichéd stuff we're all too familiar with. However, bolstered by a stellar cast who are sublime and charm us senseless in their individual roles, "Crazy, Stupid, Love." still provides a refreshing insight into the humour, tragedy, and wonderfully weird circumstances of love. Whether it's stupid or not is completely up to you.
The SmurfsAnthony Macali
The evil wizard Gargamel chases the tiny blue Smurfs out of their magical village.
If you watched the original cartoon, then this 3D reanimation of "The Smurfs" marks a nostalgic return, with young newcomers also sharing in the wonder of these cute-little-blue guys. They enter the real world, and it's funny watching them run amok, in particular Clumsy Smurf, who loves to cause trouble with satisfying results. Beyond these initial encounters, the story lacks imagination and is best suited to the tiniest of toddlers. Let's hope any further arrivals are reserved to once in a blue moon.
Monte CarloAnthony Macali
Three young women are whisked away to Monte Carlo after one of the girls is mistaken for an heiress.
There are very few surprises in "Monte Carlo", and much like its three heroines, we're encouraged to 'seize the moment'. The film's charm is impossible to resist, and the French coastal setting, with its lavish hotels and lookouts, is the perfect playground for the affable young cast. They play out the familiar premise with great humour, and even share a few messages and morals along the way. While slightly over-staying its welcome, the movie remains ashamedly fun, appealing to the hopeless dreamer inside all of us.
A young man sets out to uncover the truth after finding his baby photo on a missing persons website.
This movie feels like nothing more than an extended show reel for the young male lead, dreamed up by studio execs to make an easy buck. The space around the teen heartthrob is filled with an established and highly-regarded supporting cast, who have nothing to work with in a film that has been clumsily put together without even attempting to be clever, entertaining or exciting; all things a good spy flick should be. Underwhelming and completely devoid of any originality or inspiration, "Abduction" is a waste of time.
The Change UpAndrew O'Dea
A comedy in which a married father accidentally switches bodies with his best friend, leading to a series of wildly complex difficulties.
This instalment of the body-swap genre is ultimately a crass affair, and is largely dependant on shock value rather than wit – not to say it's completely devoid of any intelligence. Like its protagonists, the audience too will be split, as the film's talented cast push the boundaries of tastefulness. Some will find the perverse humour laugh-out-loud funny, while others will simply find it vulgar and clichéd. "The Change Up" is definitely borderline... it really could go either way.
The Lion KingAndrew O'Dea
Tricked into thinking he killed his father, a guilt ridden lion cub flees into exile.
Although 3D doesn't add a great deal to this conceptually brilliant masterpiece, we are thankful for the opportunity to once again view this magical movie on the big screen. "The Lion King" is a sprawling and grandiose epic played out across the African savannah, driven by a story that is Shakespearian-esque, and a soundtrack that is both uplifting and fun. The hand-drawn animation is still as exquisite and extraordinarily beautiful as ever. What a pleasure that generations both old and new are still able to enjoy and marvel in its magnificence. The king of cartoons, this is a royal treat.
Fright NightCourtney Slevison
A teenager suspects that his new neighbour is a vampire.
The 'teenage vampire flick' has become a cinema epidemic, and "Fright Night" wastes no time in slotting itself right into the sexy/comedy/horror genre. Neither funny nor scary enough to hold its own, this latest addition feels like a clumsy mash-up of movies we have all seen before and is therefore predictable, soulless and unengaging. For some, it may be an enjoyable enough way to spend a couple of hours, but ultimately this one is frightfully forgettable.
A group of zoo animals decide to break their code of silence in order to help their lovable zoo keeper find love.
There are two incompatible angles in "Zookeeper": romance and talking animals. The largely unfunny romantic thread might appeal to adolescents, but it's unlikely to ignite much interest in a family-fun setting. The zoo animal antics could amuse young audiences if they talked about something other than how to attract a mate; conversations that probably won't resonate with kids. If only these beasts had decent script writers... what's said in the zoo should stay in the zoo.
15-year-old Oliver Tate has two objectives: To lose his virginity before his next birthday, and to extinguish the flame between his mother and an ex-lover who has resurfaced in her life.
There is an underlying idealism and sentimentality to "Submarine" that is tenderly masked by moments of genuine hilarity. Just like sonar, you can't see it, but you can feel it there. The humour is oddball and quirky, but never to the point where it's self-aware. With a soundtrack that is simply sublime, and whimsical visuals to match, this is a stylish and funny story told with great affinity by a clearly talented first-time director. Submarine down. Periscopes, emotion, and laughter up.
One DayAndrew O'Dea
After spending the night together on the night of their college graduation Dexter and Em are shown each year on the same date to see where they are in their lives.
"One Day" represents a promising move away from the fabricated, sickly modern trend of most romantic dramas. This movie poignantly captures the complexity of relationships and the way lives meander and inextricably change, bolstered by the terrific on-screen chemistry of our two leads. We enjoy the way they generate humour and warmth in the same way we appreciate how the film explores themes of love and loss. Whatever happens tomorrow, you'll always have today.
Horrible BossesAnthony Macali
Three friends conspire to murder their awful bosses when they realize they are standing in the way of their happiness.
"Horrible Bosses" does have some funny moments, but you would know that if you saw the trailer. Unfortunately the feature doesn't breed anything new, struggling to stretch its thin plot based on a wicked daydream. Ridiculous situations ensue and our heroes grow less likeable and more smug. Each skit draws in its fair share of laughs, but you remain wary of such a slick production and notable cast, and can't help from feeling both are a little wasted. A comedy (and film) of errors.
A priest disobeys church law to track down the vampires who kidnapped his niece.
"Priest" makes the most of its short running time to deliver what is, in the end, a sleek action flick. Sure, there are clichés aplenty and the dialogue may cause you to wane at times, but it's all offset by some seriously stylish action sequences. What else could you honestly expect from a film where the hero flings ninja-stars in the shape of a crucifix? Although lacking in originality and littered with flaws, the target demographic will nonetheless be more than satisfied by this perfectly acceptable vehicle of vampire-slaying. Say 'Three Hail Marys' for enjoying this guilty pleasure.
Conan the BarbarianAndrew O'Dea
The tale of Conan the Cimmerian and his adventures across the continent of Hyboria on a quest to avenge the murder of his father and the slaughter of his village.
"Conan the Barbarian" is a spectacle without substance. Produced on a large scale, the set design and fight sequences are initially impressive, replete with gruesome, blood-spattering violence. Most disappointing though, is that ultimately the film becomes repetitive and tiresome. Amplified by the lack of any characterisation at all, the audience soon discovers there's no backbone to the bone-crushing... and the most barbaric thing is the fact you have to pay the cost of admission.
Jane EyreAnne Murphy
A mousy governess who softens the heart of her employer soon discovers that he's hiding a terrible secret.
A film adaption of a literary classic is rarely considered as good the book but this one is superb. "Jane Eyre" is likely to captivate all, including the most avid readers among us. This effort is well cast, capturing a perfect balance of brooding passion and guarded vulnerability. The cinematography captures a gothic austerity on the screen that reflects the social confines and well mannered restraint of the times, balanced by a landscape of moody spellbinding moors. Passionate plain Jane.
Green LanternWendy Slevison
A test pilot is granted a mystical green ring that bestows him with otherworldly powers, as well as membership into an intergalactic squadron tasked with keeping peace within the universe.
This movie adaptation of the comic-book superhero is a blast. There's a lot packed in, but it's easy for a novice to pick up the story and enjoy the ride. Fantastic CGI and special effects are balanced by the charming, slightly swaggering characterisation of our very human hero. Before he can save the world, he has to learn to face his own fears, a big task for this trainee Lantern who has spent his life shirking responsibility. Obey the green light and go see it!
Cowboys & AliensAnthony Macali
A spaceship arrives in Arizona, 1873, to take over the Earth, starting with the Wild West region.
"Cowboys and Aliens" really is as stupid as the title suggests. What begins promisingly as a well-grounded western with a barely acceptable premise, slowly turns to farcical romp. It seems the 'aliens' are reduced to a basic condiment, simply added as a side dish, or a spice, in an otherwise very bland story. Sure, it's probably the only chance you'll get to see an extraterrestrial get hog-tied, but that's no excuse for a film where the characters and audience share a single plight… as mere victims of gold-digging.
The BeaverAnthony Macali
A troubled husband and executive adopts a hand-puppet as his sole means of communicating.
"The Beaver" is really funny and really sad, chipping away at a frenetic pace. The puppet is strangely hypnotic, with an accent and antics that produce most of the laughs in a performance clearly indebted to his master. We're soon reminded the situation is quite serious, and that some outlets often serve as rather unorthodox modes of therapy. While the audience might have the required patience for such, the characters do not. The son wrestles with issues of his own, pressing a sub-plot that doesn't quite work. On the whole though, this outfit is short, shrewd and deeply moving.