Trouble with the CurveAnthony Macali
An ailing baseball scout in his twilight years takes his daughter along for one last recruiting trip.
Don't expect too much baseball in "Trouble with the Curve". Instead, this offering plays more like one of those 'father-daughter relationship' movies. The father, grumpy and old, is stuck in his ways, spending most of his time grumbling and moaning while watching the game he loves. His daughter, a lawyer, is busy, career driven and resentful. The performances are heartfelt, but sadly the film is a little dull, and ties all the loose ends ever so neatly. No curve balls here, this story is predictable as can be... better picks out there.
Les MisérablesAnne Murphy
In 19th-century France, Jean Valjean, who for decades has been hunted by the ruthless policeman Javert after he breaks parole, agrees to care for factory worker Fantine's daughter, Cosette.
You can hear the people sing. "Les Miserables" is a long song, with barely a spoken word to interrupt the stirring score. This is an operatic production of majestic proportions with a cast comprised of movie royalty who give all to their rousing performances. Sadly the connection between the central star-crossed lovers is the flimsiest construct in the film but most will forgive that and dream a dream. Vive la Révolution.
Pitch PerfectAnthony Macali
Beca, a freshman at Barden University, is cajoled into joining The Bellas, her school's all-girls singing group.
"Pitch Perfect" is camp as hell, and a lot of fun. The a capella renditions are surprisingly entertaining, taking some of our favourite songs and lending them a new voice. Our performers are largely a group of misfits, an eclectic and dynamic bunch of girls who dance and step to a great amount of llaughter and conflict. Wittingly tongue-in-cheek, this film is bound to appeal to those fond of music and singing. Destined for stardom.
Celeste & Jesse ForeverAnne Murphy
A divorcing couple tries to maintain their friendship while they both pursue other people.
Here is a likeable couple who prove that breaking up is hard to do. "Celeste and Jesse Forever" is really the opposite of a 'rom-com', so much so it could be labelled as an 'unrom-com' except that it is oddly romantic despite the efforts to part. The script is witty, it skips along with clever banter and we're delivered an honest snapshot of a good, but not quite good enough, relationship. This movie has both endearing moments and painful realisations but on balance there are more laughs then tears. BFF's.
The Perks of Being a WallflowerAnne Murphy
An introverted freshman is taken under the wings of two seniors who welcome him to the real world.
Loners know that adolescence is a time of alienation. While nobody wants to be like everybody else, shyness is a disability, and we tend to have a biting need for friendship and belonging. The director demonstrates remarkable sensitivity in showing the agony of awkward social situations and largely avoiding cliché. The central characters are entrancing as they navigate their lives with quirky individualism, and they're interesting and real. Tissues are recommended for this piercing movie that is as troubling as it is vivacious. It gets better, wallflowers.
The Twilight Saga: Breaking Dawn - Part 2Anthony Macali
After the birth of Renesmee, the Cullens gather other vampire clans in order to protect the child from a false allegation that puts the family in front of the Volturi.
The immortal franchise has come to an end, with "Breaking Dawn - Part 2" proving they really didn't need to split the last chapter. Picking up from where previous film finished, the going is slow. Thankfully, the vampires of the world come to hand, showcasing their special powers and effectively covering the thin plot. Despite such adversity, the journey eventually gets wrapped up rather neatly, and it's a stirring goodbye. Finally the light goes out on a saga to be cherished... and now forgotten.
Bond's loyalty to M is tested as her past comes back to haunt her.
The opening scene sets the tone for this sublime thriller where the tension is maintained amidst action sequences that are both stylish and gritty. While the scenery and cinematography are exhilarating, the beauty of "Skyfall" lies in its emotional depth and grim poignancy. Nods to the franchise origins are sophisticated and sincere, and the intelligent backstory of our beloved icon is underpinned by a polished script, taut direction and exquisite cast, all of whose interplay and on-screen chemistry mark this instalment as one of the best. Undoubtedly earns its licence to thrill.
Alex CrossAnthony Macali
A homicide detective is pushed to the brink of his moral and physical limits as he tangles with a ferociously skilled serial killer who specializes in torture and pain.
"Alex Cross" is your typical crime-thriller that some studio thought warranted a big-screen production. The titular detective is a notable presence, showing off his impressive analytical skills and wracking his brain to solve the puzzle and motive of a crazed killer. The pace is mild, and the rather psychotic turn mid-way adds some weight to the situation, but the shift is rather abrupt and dubious. An investigation-by-numbers that is moderately suspenseful.
The MasterStefan Bugryn
In 50's America, a lost soul floats through life after WWII, falling under the charm of a cult leader.
Despite the ongoing sense of anticipation, there was little in the way of 'big' moments throughout this extended 'bro-mance'. At times, you can't help but feel a little lost with where the story is heading, or exactly what it's trying to achieve. However, what saves it are the stellar performances from both leads, as well as the luscious production values and direction. The score, which really makes the pace of the story feel energised, is mesmerising. It all looks and sounds great, but feels a little lacklustre. Not a master, but perhaps its apprentice.
Dredd 3DAndrew O'Dea
In a violent, futuristic city where the police have the authority to act as judge, jury and executioner, a cop teams with a trainee to take down a gang that deals the reality-altering drug, SLO-MO.
"Dredd 3D" is a classic grindhouse shoot 'em up. Bullets rip through faces and bodies splatter from a great height in glorious slow-motion, stylishly drawing out each bloody micro-second. While the 3D effects do nothing but enhance a terrible sense of retro-fitting, gore-addicts will still no-doubt be enthralled by the relentlessly graphic violence; even though it only serves as compensation for the tired and unimaginative 'cops vs bad guys' storyline. Bordering on dreadful.
End of WatchAnne Murphy
Two young officers are marked for death after confiscating a small cache of money and firearms from the members of a notorious cartel, during a routine traffic stop.
If you hear that "End of Watch" is a cop-buddy movie don't be misled; this riveting and intense drama is much more than that. It's a film that is so good it transcends the simple genre classification, so edgy that it redefines police-buddy movies. Although the pace is fast space is made for a rarely witnessed humanness in uniform, with a friendship that goes beyond mere allegiance. Keep watching.
A young boy conducts a science experiment to bring his beloved dog back to life.
"Frankenweenie" is the pet project of its director, brought to life in trademark gothic style and ethereal black and white. The cute story is bound to resonate with any person caring for a creature of their own, but the kids can only make it last so far. Despite all the odd and wonderful characters, and the adorable dog Sparky, you have to wonder who the target audience is in this animation veiled by horror. All of the nods and winks to the many iconic films of its inspiration can't save this beast, eventually waning in interest. Frankly boring.
A dramatization of the 1980 joint CIA-Canadian secret operation to extract six fugitive American diplomatic personnel out of revolutionary Iran.
"Argo" captures your attention from start to finish. If you're not familiar with the political context, don't stress, as the brilliant opening sequence will give you all the background you need. Once up to speed, you can fully appreciate the treacherous and volatile situation of the time, made even more unbelievable by its grounding in a true story. The ensemble cast is brilliant, doing their best to prolong the exciting suspense and tension throughout. The result is universally good. Ar, go watch it.
Killing Them SoftlyAndrew O'Dea
A professional enforcer investigates a heist that went down during a mob-protected poker game.
"Killing Them Softly" is both an arresting crime drama and socio-political commentary of the USA's 2008 economic crisis. The fusion of a violent underworld and pessimistic critique of capitalism is a strange mix, and the adjustment can be distracting. If nothing else though, it provides thought-provoking viewing even if the references are heavy-handed at times. The dialogue is cynical, the cinematics stylish and the acting superb; yet the fuse is an extremely slow burn. Some will be dismayed at the lack of explosiveness, while others will enjoy seeing the killing done 'softly'.
A bootlegging gang is threatened by a new deputy and authorities who want a cut of their profits.
"Lawless" is steeped in dirt and bloody vengeance, painting a grim and violent picture amongst what is a distinct and evocative recreation of depression-era America. Masterfully crafted and beautifully filmed, it's the style and attention to detail that coerces us to overlook the minor storytelling flaws that hold it back from being a potential classic. Performances from the leads as well as terrific ensemble cast are terrific, underpinned by a sublime 'hillbilly' score. Uncomfortable and unsettling, this entertaining jar o' moonshine kicks like a mule.
Taken 2Andrew O'Dea
In Istanbul, retired CIA operative Bryan Mills and his wife are taken hostage by the father of a kidnapper Mills killed while rescuing his daughter.
"Taken 2" is a classic action-film guilty pleasure. Our hero gallivants around Istanbul destroying Albanian bad-guys like a grenade thrown amongst a cluster of defenceless pigeons – without mercy – and to the point of almost being comical. The plot holes pile as high as the body count, and if you expect anything remotely more than bullets, karate-chops and explosions then you will be sorely disappointed. If that's the sort of thing you're after... then get taken... again.
In 2072, when the mob wants to get rid of someone, the target is sent 30 years into the past, where a hired gun awaits.
What would you do if you met yourself 30 years from now? Would you hug and tell yourself how healthy you look? This time travel film is far from some ploy to sell you life insurance. The characters are trying to kill their future selves, in a roundabout way. It is seriously cool. The plot is unpredictable for the entirety and the characters are as disturbing as they are likeable. Prepare yourself for hours of post film analysis. It's a ride
Hotel TransylvaniaThomas Jones
Dracula, who operates a high-end resort away from the human world, goes into overprotective mode when a boy discovers the resort and falls for the count's teen-aged daughter.
Depicting Dracula, Frankenstein, the big bad wolf and all the other legends as suffering from the same dilemmas and stresses as humans, was obviously designed to offer greater perspective to the intended audience. Unfortunately these characters are likely to keep children awake at night. Despite all their human charm and sense of humour, they are still scary, particularly to look at. Undeniably, this film is entertaining, but parental guidance is necessary. It is the mash, it is the monster mash.
A freak tsunami traps shoppers at a coastal Australian supermarket inside the building - along with a 12-foot Great White Shark.
"Bait" is the story of a very hungry shark, brought beyond the shore with the help of some unremarkable special effects. Once the disaster subsides, the talent emerges from the water and we have the consummate setting for chills and spills. They make it quite clear which fish we want to live, and the chumps to be chewed, not shying from the blood and limbs synonymous with killer sharks, yet still suffers from taking itself a little too seriously. Dead in the water.
Madagascar 3: Europe's Most WantedAnthony Macali
Alex the Lion, Marty the Zebra, Gloria the Hippo and Melman the Giraffe join a travelling circus on their back home to New York.
"Madagascar 3" starts like most franchises that run out of ideas... by travelling to Europe. Within the wag of a tail, our favourite animal friends are overseas and roaring along at a frantic pace, opening with a ruckus to satisfy the most attention-seeking of kids. Once the initial excitement dies down, the energy runs out, and the film resorts to the limitless colour and fireworks at its disposal to enthral over the thin circus plot. An uninspiring show.
The WatchAndrew O'Dea
Four men who form a neighbourhood watch group as a way to get out of their day-to-day family routines find themselves defending the Earth from an alien invasion.
This is a high-concept, low-brow comedy that simply doesn't work. Sure, the initial shock-value might elicit some laughs, but a lazily written script will ensure that variations of the same vulgar gags will become tiresome and stale. Even some genuinely funny moments from particular leads aren't enough to resurrect a story which is nothing more than an after-thought to a barrage of unoriginal toilet humour. Don't watch "The Watch".
Hit and RunAnthony Macali
A man on the witness protection program decides to risk it all to follow his girlfriend.
"Hit & Run" begins in a small country town, the home of Annie and Charles, quietly in love, and sharing a chemistry that actually creates a concern for their fate. In their escape they hit the ground running with plenty of bumps along the way, obstacles in the form of deranged ex-boyfriends and small-time criminals who play with great madness and humour. High-octane chases dominate the latter parts of the film, sure to entertain an audience that share the similar fetish for cars as its main character. A fast and fun ride.
Moonrise KingdomAnthony Macali
A pair of young lovers flee their town, which causes a local search party to fan out and find them.
"Moonrise Kingdom" follows the sweet romance of two misunderstood kids, who find solace in one another after everyone else has given up on them. The narrow island setting is full of quirks, making use of a tour guide to describe some of its more famous tidbits, and adding a homely touch to the affair and adventure. A colourful cast push the expedition along, playing the frustrated parents and companions with good humour and trepidation; but the heart of the film lies in the relationship, a chronicle of a harmonising affection from a simpler time. A love story to rise up and conquer all.
The Expendables 2Stefan Bugryn
The Expendables reunite for another mission that ends up being a personal vendetta for revenge.
Thank God they made "The Expendables 2" fun, because if it wasn't, it wouldn't have worked. On an artistic level, this film is as stale and unoriginal as a piece of toast; but on a fanboy level, it's as good as it gets, pure action-indulgence. The genre-heroes poke fun at themselves and each other, jamming countless references for fans young and old. They weave in and out of the formula that made them stars, having as much fun as the audience, and showing the world they haven't been expended just yet.
Total RecallAndrew O'Dea
A factory worker begins to suspect that he is a spy after having fake memories planted in his head.
"Total Recall" is an unimaginative, humourless insult to the original sci-fi classic it is based upon. A convoluted script that takes itself way too seriously is only compounded by a host of cheesy one-liners delivered by actors that have neither the charm nor charisma to pull them off. The CGI is excessive and poorly executed, although certain fanboys might be pleased by the 'extra titillation' on offer. The entire movie feels like one continuous chase scene, propelled by a storyline that is nothing more than lame political allegory. If only it was possible not to recall this disaster.