- Arrange By »
- Title
- Release Date
- Stars
Is Anybody There?
Anne Murphy
Set in 1980s seaside England, this is the story of Edward, an unusual ten year old boy growing up in an old people's home run by his parents.
The movie is charming in a traditionally British way and disappoints for not being more than a quaint period piece, albeit a recent period. A tinkly slow soundtrack accompanies a tinkly slow story. The themes of aging and death don't offer the audience more than creeping rigor mortis as the story fails to engross. See it only for the fine performance of the lead actor and be warned that nobody else is there.
My Year Without Sex
Wendy Slevison
An understated look at love and life in middle-class Australian suburbia.
Watching this film feels a bit like peering in your neighbours' window and secretly watching them go about their lives. What you see is familiar in its detail, insightful in its observations, and at times confronting in its honesty. It boldly broaches the big questions, as well as the little everyday ones. Tenderly crafted, and featuring stellar performances, "My Year Without Sex" is an affirmation of the trials and tribulations of love, relationships, family and yes, sex.
Quiet Chaos
Anne Murphy
A look at the strange bereavement behavior of an Italian executive.
The portrayal of loss in this film evokes W.H. Auden's poem that opens with the line "Stop all the clocks...". Everything is changed and pared back to essentials by an unexpected death. The everyday world continues on around the slowing of the central characters, drawing empathetic viewers into this well told tale. The movie is a subdued but sure-footed meditation on grieving as lives and priorities are reassessed. More contemplative than chaotic, and recommended for its heartfelt quiet.
- Genre » Drama Romance
- Release » Limited 21 May 2009
- Festival » Italian Film Festival 2009
A Film with Me in It
Anne Murphy
A couple of out of work actors find themselves in a predicament, as accidental deaths pile up around them.
The situation the characters in this movie find themselves in is both dark and comical, but as a black comedy, it fails to deliver. The premise is clever but never witty, and the characters are droll and bumbling, comedic without being funny. There are all of the necessary ingredients to arouse laughter, but when it's served up the dish simply fails to amuse. Something about this film with me in the audience just doesn't seem right.
Samson and Delilah
Wendy Slevison
Samson and Delilah's world is an isolated community in the Central Australian desert. When tragedy strikes, they turn their backs on home and embark on a journey of survival.
"Samson and Delilah" is an exquisite film which offers an uncompromising yet intimate perspective on the complex problems that face our Indigenous population. Beautifully shot, with almost no dialogue, and featuring 14-year-old untrained actors in the lead roles, this is a poignant, raw, and brutally honest portrait of a race of people we judge so harshly and/or choose to ignore. It should be compulsory viewing for all Australians.
The Baader Meinhof Complex
Anne Murphy
A look at Germany's terrorist group, The Red Army Faction (RAF), which organised bombings, robberies, kidnappings and assassinations in the late 1960s and '70s.
This film covers some of Europe's political history in a time of protest and radical activism. The era is faithfully reproduced in what is a technically well-crafted, interesting movie. Depicting real people and events, the tone is necessarily violent and ruthless. It becomes increasingly confronting as the terrorists' motivation fails to be explained, and their actions consequently lack meaning. A complex story about the extremism of idealists without ideals.
Tenderness
Anne Murphy
A juvenile offender with psychopathic tendencies is released from detention and hooks up with a twisted young girl, while a semi-retired cop dogs their tracks.
An unhinged murderer, a hackneyed lieutenant, and a troubled teenager from a damaged background play out this crime thriller. Reasonable watching descends into cliché as it becomes hard to pick which of the characters is the more stereotyped. Suspense is defused by moments corny enough to elicit laughter. Predictably, neither callousness nor tenderness delivers redemption, not for the players, and not for the film.
Tulpan
Anne Murphy
A sailor returns to the steppes of Kazakhstan with a dream of a simple existence as a shepherd. He discovers love in the life he lives rather, than the love of his life.
"Tulpan" is a story mostly shown in real time. The director uses no special effects, and the unorchestrated soundtrack is composed of the everyday cacophony of life in a crowded yurt, accompanied by the rush of violent windstorms. There are actors, of course, but the most heart-rending scenes are played out by a sheep and a camel. The simple yet tenacious characters save this delightful drama from being pure documentary.
Elegy
Andrew O'Dea
Cultural critic David Kepesh finds his life - which he indicates is a state of "emancipated manhood - thrown into tragic disarray by a student who awakens a sense of sexual possessiveness in her teacher.
This intelligent movie explores the often volatile and intertwined moralities of love, ageing and commitment. Most remarkable is the outstanding performance of the lead actor, whose character engagingly exposes some of the more confronting philosophical and psychological nuances of men. Apart from some unfortunate moments of predictable melodrama, "Elegy" remains a refreshingly provocative film, eloquent enough to be an elegy unto itself.
Mary and Max
Anne Murphy
A tale of friendship between two unlikely pen pals.
This meticulously constructed claymation is a mostly sombre film for older audiences. The characters and their surrounds are faultlessly observed, giving rise to frequent humorous moments, lifting the tone from what may have otherwise been despairingly gloomy. The predominantly monochromatic landscape serves to reinforce the serious nature of the themes of loneliness and mental illness. The movie is so finely balanced that ultimately the desperate is also oddly endearing.
Camino
Anne Murphy
Inspired by real events, a young Spanish girl is gracious in accepting her imminent death from an aggressive cancer while she is preoccupied with daydreams about a boy from theatre group.
This extraordinary film is both a pleasure to watch, and yet difficult viewing; most disquieting is the way in which the religiously devout are overtly mocked for their piety and fervent belief. Camino is a well crafted movie; particularly notable are the fantasy dream sequences used to escape dark realities and pursue faith in love; an emotional drama overpowering in its intensity.
Let the Right One In
Wendy Slevison
Oscar, a young bullied boy, meets Eli, a beautiful girl who turns out to be a vampire.
If you thought all the original ideas for vampire movies had been used up, think again. Set in Sweden, this film uses the icy, austere conditions to illustrate and emphasise the lonely isolation of its young protagonists. This film holds nothing back as it deals with issues of first love and bullying, contrasted against the violent world of the vampire. The young stars are astonishingly good, and this innovative movie rates highly among the alumni of its genre.
Summer Hours
Wendy Slevison
Two brothers and a sister witness the disappearance of their childhood memories when they must relinquish the family belongings to ensure their deceased mother's succession.
The star of "Summer Hours" is the exquisitely beautiful French countryside; the actors are largely wasted in this tepid examination of family dynamics upon the death of the stabilising matriarch. As the film languorously tells its tale, we never really get to know or care about the individual characters and their stories. In fact, it was actually difficult to ascertain any point to the movie at all, and by the end you find yourself longing for a change of season.
Easy Virtue
Anne Murphy
An Englishman marries a glamorous American. When he brings her home to meet the parents, she arrives like a blast from the future - blowing their entrenched stuffiness out the window.
Set on a magnificent English country estate just after the First World War, this archetypal comedy of manners counterbalances predictable stereotypes with effervescent dialogue, and the result is captivating. Battle lines are drawn up and spirited repartee is fired between the pretentious and the sassy. The movie's salacious undertone is irresistible, particularly as the niceties don't mask the loathing. Virtue versus vice, and vice versa.
Frozen River
Wendy Slevison
Two women are drawn into border smuggling across the frozen water of the St. Lawrence River.
"Frozen River" is a stark and gritty portrait of two women struggling on the harsh edges of society, trying to protect their children from the bleakness of their environment, both physical and emotional. Linked by their almost primal maternal determination, their desperation leads them into criminality. There is no allowance for sentimentality in this outstanding film, and the authentic performances leave you feeling that you have much to be thankful for as you return to your much easier (and warmer) life.