Law Abiding Citizen
Anthony Macali
A frustrated man decides to take justice into his own hands after a plea bargain sets one of his family's killers free.
"Law Abiding Citizen" wastes no time delving straight into an egregious game of 'good guys vs bad guys'. At times, the way it manages to sway favour between lawyer and particularly clever murderer hungry for revenge can be intriguing. But flick the switch, and suddenly you find yourself locked into some inescapable moments of sinister dialogue and contrivance. It's a shame this thriller takes such a long time to teach its lesson of justice, only for the the final verdict to be a disappointment.
Spider-Man 3
Anthony Macali
Peter Parker is having relationship issues with Mary Jane, continued conflict with Harry and faces the threat of three new villains. One is alien goo that bonds to Peter amplifying his darker qualities.
The first delightfully explored the transformation of Peter into Spidey. The second he encountered Dr. Octopus. The third... more villains? They must have run out of ideas with the introduction of many new characters, all with cobweb thin backgrounds. The only relief is when Peter relishes the power of the Venom suit, transforming him into dancing fool causing him to swat Mary Jane, a guilty highlight in the film. This spider has finally been squished.
Winter's Bone
Stefan Bugryn
A young girl sets out to find the truth of her father's disappearance whilst looking after her dysfunctional family.
This is a disappointing movie that promises a lot yet delivers little. The whole story acts as a tense build up to a secret a community of drug addled Southerners are keeping. But once you get to where it's headed, you feel like it wasn't worth the time, and it plays out rather banal. The set design and acting are actually both impressive, but they do not make up for the weak storyline. Sticks, stones, and a bad film will break "Winter's Bones"... and your enjoyment.
2012
Anthony Macali
An epic adventure about a global cataclysm that brings an end to the world.
For the most part, "2012" requires you to be strapped in as you are overwhelmed by loud noises and CGI carnage. But what little joy there is to savour in the crumbling of national monuments is quickly lost in the cracks of boredom. There are only so many times a plane can out-run impending destruction before a plot becomes anymore predictable, while we look at our watches and wonder why oh why is it taking so long for the world to end? Yet another disappointment from a director of disasters.
The Expendables
Stefan Bugryn
A team of mercenaries head to South America on a mission to overthrow a dictator.
"The Expendables" is a testosterone fuelled man-movie that packs a record amount of masculinity into an extremely unoriginal script. The premise is simple, and has been done over a million times in one way or another. The characters are like big plastic action figures with no depth behind barrels of sweaty muscle, and their swift delivery of bullets and pain is matched only by their cheesy one liners and laughable acting. If mindless action and explosions is your thing, drop everything and see this movie. Otherwise, expend your time elsewhere.
The Mummy: Tomb of the Dragon Emperor
Anthony Macali
In the Far East, trouble-seeking father-and-son duo Rick and Alex O'Connell unearth the mummy of the first Emperor of Qin -- a shape-shifting entity who was cursed by a wizard centuries ago.
This movie is your typical Hollywood adventure flick; family friendly, light-hearted, simple plot with simple characters. But at what point in time did copious amounts of computer generated scenes substitute for real action? It makes the film lifeless, uninspiring and unbelievable. "Tomb of the Dragon Emperor" delivers all you would expect in its mediocrity. We can only hope this story is finally dead, destined for burial, and never to be unearthed again.
Street Kings
Anthony Macali
Tom is a veteran cop who finds life difficult to navigate after the death of his wife. When evidence implicates him in the execution of a fellow officer, he is forced to go up against the cop culture.
"Street Kings" is a dull, clichéd and terrible episode of life on the streets of LA. You have the African-American brother, the Mexicano Esé, the Korean Triad and the hard-boiled cops who always look out for each other and play the tough guy. The whole setup is embarrassing, with very mediocre and laughable dialogue, as well as unthreatening criminals who always end up helping the police. Filmed in a style where excessive grittiness is king, this is actually bad.
Tenderness
Anne Murphy
A juvenile offender with psychopathic tendencies is released from detention and hooks up with a twisted young girl, while a semi-retired cop dogs their tracks.
An unhinged murderer, a hackneyed lieutenant, and a troubled teenager from a damaged background play out this crime thriller. Reasonable watching descends into cliché as it becomes hard to pick which of the characters is the more stereotyped. Suspense is defused by moments corny enough to elicit laughter. Predictably, neither callousness nor tenderness delivers redemption, not for the players, and not for the film.
Fast & Furious
Luke Bartter
An FBI agent and a fugitive use street racing to infiltrate and take down a notorious crime lord.
For a film about racing fast cars, the pace is sluggish, bogged down with too many characters, and suffers from an over-abundance of pointless non-car chase related scenes. Not completely embracing the ridiculous premise like the previous films, "Fast & Furious" is humourless and juvenile. The lack of fun makes the painful leaps of logic even more obvious, leaving an uneven mess that's rarely explosive or exciting. It may be slick and loud, but unfortunately there's nothing under the hood. For the auto-obsessed only.
Killer Elite
Andrew O'Dea
When his mentor is taken captive, a retired member of Britain's Elite Special Air Service is forced into action. His mission: kill three assassins dispatched by their cunning leader.
Shot in a gritty visual style, "Killer Elite" simply lacks the flair to separate it from the rest of the paint-by-numbers action flicks. There are definitely pockets of impressive, adrenaline-fueled action sequences and stunts, yet as the plot unfolds and the body count rises, the audience will find themselves misguided by a storyline that is over-complicated. This isn't helped by the wooden leading man and a supporting cast who should've simply done better. All killer, no filler.
Unknown
Andrew O'Dea
A man awakens from a coma, only to discover that someone has taken on his identity and that no one believes him. With the help of a young woman, he sets out to prove who he is.
The premise of "Unknown" is solid, but it's the execution that falters. You can't help but shake the feeling you've seen it all before, only done much better. Most disappointing is the talented cast that is wasted in underwhelming, forgettable roles. An inevitable twist might explain inconsistencies in the plot, but it only leads to a pedestrian climax that will have most wishing the amnesia that plagues the protagonist could've translated to the viewing experience as well. Forget it.
Transporter 3
Anthony Macali
Frank Martin puts the driving gloves on to deliver Valentina, the kidnapped daughter of a Ukranian government official, from Marseilles to Odessa on the Black Sea.
Third time around, it's obviously hard to keep things fresh. "Transporter 3" pushes the boundaries in action and style, with absolutely preposterous results. If the story wasn't so grounded in reality, they could get away with such absurdity, but the expressionless one-dimensional characters and "fast-forward the action bits" film technique make it very frustrating to watch. This movie is a disappointing package that never delivers.
My Bloody Valentine
Courtney Slevison
A decade after the notorious Valentine's Day massacre, Tom returns to his quaint hometown only to find that a string of similar murders has started up.
A remake of the 1981 movie of the same name, "My Bloody Valentine" suffers from a serious case of been there, done that. The film is basically a string of clichéd horror scenarios strung together by a weak and confusing plot. The characters are stiff and unlikeable, making it hard to care when they get hacked to pieces by the revenge-seeking serial killer. While aspiring to be a classic retro slasher flick, this movie struggles to be anything but a waste of time.
Twilight
Andrew O'Dea
A teenage girl risks everything when she falls in love with a vampire.
"Twilight" is in essence a thinly veiled melodrama. The bulk of the film constitutes parading an endless procession of our star-crossed lovers staring longingly at each other, which achieves nothing but to reduce it to a lumbering bore. It feels like filler to a paper-thin plot, glaringly prevalent when crucial story revelations are uncovered simply by using an online search engine. An overwhelming sense of the anemic is coupled with dialogue that is as bland and as pale as the vampires' ridiculous skin. Appropriately put, this movie sucks.
A Nightmare on Elm Street
Anthony Macali
A re-imagining of the horror icon Freddy Krueger, a serial-killer who wields a glove with four blades embedded in the fingers and kills people in their dreams, resulting in their real death in reality.
Without an introduction, "A Nightmare on Elm Street" is terribly confusing. Some cool transitional effects blur the real and dream worlds: Freddy appears loudly, he cuts, blood is spilled... and the kids die in an amusing fashion. The result isn't very good, as too much tension is drawn from sound and not setup. Despite many micro-lapses, it does its best to keep you alive till the very end, and it eventually starts to make a little sense. It's difficult to stay awake during this deeply inferior remake.