Sunshine
Anthony Macali
This film takes you on board spaceship "Icarus II" where an international crew of scientists attempt to reignite a dying sun with a payload of explosives.
The mission is dangerous (the sun is pretty hot) and it's interesting to see how the crew react when their lives and the future of mankind is at risk. Thrilling stuff that will entertain those who don't favour science fiction.
Insidious
Stefan Bugryn
A family is haunted by evil spirits who try to embody their comatose child.
This has to be one of the scariest movies made in a long time. As a narrative, it doesn't break any new boundaries, but uses old-school shock tactics extremely well. It thrives on familiar moments like 'what's around the corner?', and 'who made that noise?', whilst slowly revealing the plot (and genuinely horrific creatures) as you go along. There are odd moments of humour that break the mood and don't belong in the film, but as a salute to the Hollywood Book of Horror, it is a frightening treat.
Anything for Her
Anne Murphy
With no legal means left to him, a high school teacher devises a daring plan to rescue his wrongfully imprisoned wife from jail.
"Anything for Her" is a gripping thriller that will be watched heart pumping, and eyes glued to the screen. Tension is maintained throughout this tightly edited and well acted film that moves credibly between middle-class lives and the underside of the streets of Paris. While it may stretch plausibility, it is an action packed yarn that prompts questions about innocence and guilt, love and desperation.
Iron Man 2
Andrew O'Dea
Billionaire Tony Stark must contend with deadly issues involving the government, his own friends, as well as new enemies due to his superhero alter ego Iron Man.
"Iron Man 2" is fuelled by ultra-impressive effects and some explosively awesome action. The plot is a little rusty and isn't helped by the uneccessary introduction of characters for inevitable future franchises. Thankfully, it's redeemed by both leads who are superb in their roles, and they combine brilliantly to capture the loveably narcissistic Tony Stark and the hulking Russian menace Ivan Vanko. Not completely iron-clad, but there's definitely more than enough firepower to entertain the fanboys.
Drive
Anthony Macali
A Hollywood stunt performer who moonlights as a wheelman discovers that a contract has been put on him after a heist gone wrong.
"Drive" is an odd little film about a man, his car, and a story that happens in between. By day, our enigmatic driver is quite reserved, and we watch his encounters with trepidation and a pop soundtrack. By night, the base is turned up, and we're placed in the seat next to him evading the police with great thrill. The middle stint might be slow going, but be warned… the violence revs up, and we have no idea where the story is headed. It's the quiet ones you have to watch.
Blessed
Anne Murphy
Seven lost children wander the night streets while their mothers await their return home.
"Blessed" pulls no punches as it explores a day in several corrugated relationships between mothers and their children. Melbourne is the gritty urban setting, effectively underscored by a pulsing soundtrack. For a film so set on portraying realism, it is surprising that some of the intertwined storylines stretch credibility beyond the boundary of believable. This is counterbalanced by a couple of stand-out performances that could wrench a still-beating heart right of your chest. Dead-beat, down-beat, cursed, cursing and blessed.
Body of Lies
Andrew O'Dea
Based on Washington Post columnist David Ignatius's 2007 novel about a CIA operative who uncovers a lead on a major terrorist leader suspected to be operating out of Jordan.
"Body of Lies" is a political thriller that presents a current perspective of the turmoil pertinent to the Middle East. Rather than descending into patriotic nonsense, it takes a pointed look behind the veil of the 'War on Terror'. Those with a vested interest in the often volatile yet delicate balance of diplomacy and international espionage will find this film intellectually engaging, while others may find the portion of action sequences, however impressive, lacking.
Angels & Demons
Wendy Slevison
Symbologist Robert Langdon works to solve a murder and prevent a terrorist act against the Vatican.
A definite prerequisite for enjoyment of this film is an ability to suspend reality, and just go for the crazy ride. The cinematography, music score and CGI are all top quality. The stunning Roman scenery, much of it authentically recreated in a studio in LA, makes a perfect backdrop for this thrilling, albeit absurd, murder mystery. Action-packed from start to finish, this well-crafted movie doesn't take itself too seriously. It's entertaining and heaps of fun. Nothing sinful about that.
Cloverfield
Anthony Macali
Cloverfield follows five New Yorkers from the perspective of a hand-held video camera. The movie starts as a monster of unknown origin destroys a building.
"Cloverfield" is filmed from the perspective of its protagonists using a hand-held camcorder, a technique which is effective for the majority of the short running time. The monster is a mighty sight to behold, and you wish it featured more. It's the monster's spawns that are the stars, their calls and cackles leaving you in fits of laughter, rather than frightened from their beckoning bite. By the end, you are exhausted, and perhaps nauseous, from the non-stop footage.
Paranormal Activity
Wendy Slevison
A couple becomes increasingly disturbed by a nightly demonic presence.
The title of this 'mockumentary' alone will be enough to send shivers down the spines of some. Following the 'haunted house' premise, this is a low-budget, high-scare-count thriller that works well due to the apparent normalcy of the protagonists. Filmed simply and sparingly - the hand-held camera work is a perfect device for enhancing the disarming 'real-life' quality - the suspense builds slowly but effectively. So does the nervous tension in the cinema, and the nail marks in the armrest! Not for the faint-hearted, take a friend and go in daylight hours.
Zodiac
Anthony Macali
Story of the 1960's Zodiac Killer who committed a series of murders and taunted police.
"Zodiac" is a movie of obsession, set comfortably in the pale inner city of San Francisco. The start is fractured with murders, orchestrated in a fashion that exhibits the killer's sadistic nature. You can sense the frustration of detectives, an emotion shared for the length of this film. The pace livens on the enthusiasm of cartoonist Robert Graysmith, as you share his fixation in finding the right suspect while sacrificing family commitments. This film rewards patience with the final breakthrough providing a fitting conclusion to a well-told story.
The Girl Who Kicked the Hornets' Nest
Tom Jones
Lisbeth is recovering and awaiting trial for three murders. Mikael must prove her innocence, but Lisbeth must be willing to share the details of her sordid experiences with the court.
Millennium fans will be fulfilled by this portrayal of the final book of the series. The magnitude of this story is handled well, despite feeling a little rushed at times. The quickened pace impacts on the suspense, which is never given enough time to really build. Consequently, the film feels less like a thriller and more like a courtroom drama. However, the acting is superb, the story is bold and the climax… revenge has never tasted so sweet. She's kicking nests... and goals.
Before the Devil Knows You're Dead
Luke Bartter
When two brothers organize the robbery of their parents' jewelery store the job goes horribly wrong, triggering a series of events that sends them hurtling towards a shattering climax.
"Before the Devil Knows You're Dead" is a challenging film which has intense performances and a compelling story, but is rarely enjoyable. The crime is revealed early on and shifts between before and after, gradually revealing each of the characters' perspective and situation, with a constant and uncomfortably building tension. Interesting to watch, but ultimately very unpleasant, it's recommended, but remember what you're getting yourself into.
Blame
Anthony Macali
A group of young vigilantes seeking revenge for a sexual betrayal fall far from grace.
From the outset, "Blame" is quite sinister. It becomes apparent quite early that the act of murder is a difficult thing, especially on a whim and in the hands of the naivety of youth. While the poor execution might raise questions from the audience, it's a suitable plot device to put strain on the determined characters. Across the group, the performances are uneven, but a chilling score chimes in at all the right moments to carry on the drama. If only the director didn’t reveal too many details to make the guesswork easy. Still, you cannot fault the tension.
Limitless
Courtney Slevison
A writer discovers a top-secret drug that allows him to use 100% of his mind.
From the opening credits, which take you zooming through the streets of New York, you know you are in for a ride. This fast-paced action thriller takes you into the colour-saturated, visually intense universe of the lead character. The relationships between the characters aren't particularly well-developed but all roles are performed well. The film doesn't delve into the moral implications of the effects of the drug but it's an entertaining trip, appealing to our deepest desires of wealth, intelligence, power and the ability to do whatever we want.