Death Race
Andrew O'Dea
Ex-con Jensen Ames is forced by the warden of a notorious prison to compete in our post-industrial world's most popular sport: a car race in which inmates must kill one another on the road to victory.
"Death Race" is a film pertaining to pure mindless entertainment. It takes us on a violent ride fuelled by all the fast cars, big guns, explosions and gore one would typically expect from the unashamed action genre. Fans of such cheap thrills will revel in the fun generated by the constant high-octane race sequences, while those seeking more dramatic substance will find the movie as a whole severely lacking.
A Mighty Heart
Anthony Macali
The film is based on Mariane Pearl's account of the terrifying and unforgettable story of her husband, Wall Street Journal reporter Danny Pearl's life and death.
"A Mighty Heart" is a genuine and heartfelt account of tragedy. The excellent performances reflect a true sense of the frustration, determination and suffering of all those involved. The film struggles to draw the audience into the investigation, presumably of little concern to the director with motives that seem to favour accuracy over entertainment. An authentic portrayal with a good heart, but little excitement.
Surrogates
Anthony Macali
Set in a futuristic world where humans live in isolation and interact through surrogate robots, a cop is forced to leave his home for the first time in years in order to investigate puzzling murders.
"Surrogates" presents a curious concept that tactfully blends intrigue with action. It races through the premise, leaving little time to question any ambiguities, while providing an opportune setup to parade a world of eye-pleasing 'models'. While the story maintains this heightened pace, a consequence is that many of the sub-plots are neglected trying to keep up. Solid performances, storyline and action make this a vehicle just good enough to inhabit.
Sweeney Todd
Anthony Macali
The infamous story of Benjamin Barker, a.k.a Sweeney Todd, who sets up a barber shop down in London which is the basis for a sinister partnership with his fellow tenant, Mrs. Lovett.
"Sweeney Todd" is as dark and twisted as it is a dull and boring. We know Sweeney wants revenge, but can't he stop singing and staring angrily out his window - just get on with the job. Few of the songs are enjoyable, and they all tend to slow the plot to an almost unbearable halt. Some will enjoy the throat-slashing and corpse-thudding antics of the barber, but after having watched this film, I found myself seeking my own vengeance and salvation.
Super 8
Anthony Macali
After witnessing a mysterious train crash, a group of friends in the summer of 1979 begin noticing strange happenings going around in their small town.
"Super 8" incites nostalgia, as we share the enthusiasm of the young crew making a short film. Just as the wonderfully realised characters start to develop, an underwhelming and subsequently non-threatening accident crashes the party in more ways than one. Strange things start to happen, some large objects get thrown about, but all it seems to do is rile our interest. Unfortunately the kids stop being kids, turn into detectives, and unveil a remarkably poor revelation. Not that great.
Watchmen
Andrew O'Dea
When an ex-superhero is murdered, a vigilante named Rorschach begins an investigation into the murder, which begins to lead to a much more terrifying conclusion.
"Watchmen" is by all accounts yet another successful comic-book adaptation, resplendent in its visual flair. The artistic style matches the grandeur of a plot that also manages to deliver intellectually, as it explores the complex nature of mankind. However, the disapointing drawback is a myriad of subplots that dilute the story, making it feel convoluted at times. Still worth a watch - if not for the brilliant title sequence, then for the vintage soundtrack.
Brighton Rock
Anne Murphy
Charts the headlong fall of Pinkie, a razor-wielding disadvantaged teenager with a death wish.
"Brighton Rock" is a moody and suspenseful thriller, set by a gaudy seaside carnival. A serving girl looking for love gets entangled with a criminal establishing the central tension between good and evil. The movie is dark but the chilling tone becomes hard to hold as the odd scene teeters on a melodramatic precipice... almost, but not quite, compromising its otherwise ruthless edge. An unmistakably English veneer of tea-shop gentility is cracked by hardened characters and gripping action. Callous at its core. Brighton rocks unrelentingly.
Day Watch
Anthony Macali
In the war between the forces of Light and Dark, a device is found that can restore life to Moscow.
"Day Watch" is an eternal struggle between good viewing and bad. You have the good watch, its dark gothic style, impending dread and gloom, and an interesting support cast, whose stories and developments expand the scope of the others, showing more to war than the two bosses and the great ones. And you have the bad watch, a long running time, an out-of-context lesbian kissing scene, and the entire fate of the future lying in a piece of chalk. An entertaining sequel that suffers in its departure from darkness.
Vantage Point
Anthony Macali
With a Rashomon narrative style, the attempted assassination of the president is told from several different perspectives.
"Vantage Point" might seem interesting at first, with its "different points of view" storytelling, large ensemble cast and an American president. In truth, it's a bit repetitive and formulaic, with revelations only coming after we endure the assassination again and again. In the end, the bad guys die, there's a car chase to please all the confused viewers, and the story gets nicely wrapped up. Entertaining enough, but still annoying.
Red State
Stefan Bugryn
Three young teenagers get more than they bargained for when they accept an online invitation for sex.
"Red State" is a bit weird, but weird in a good way. It's a real genre bender. The films begins as your average teen horror, then reverts to action, before finishing off as a comedy - all with socio-political undertones! Just as you think you know where it's going to turn, it hits you with a different twist. Characters are chopped, changed and dropped like flies. The plot thickens more than the blood that is spilled. An interesting state to be in... whatever it may be!
The Uninvited
Courtney Slevison
Anna Rydell returns home to her sister Alex after a stint in a mental hospital, though her recovery is jeopardised thanks to her cruel stepmother, aloof father, and the presence of a ghost in their home.
What could have been yet another sub-par thriller with predictable plot twists, manages to transcend the status-quo with excellent performances from the leading actresses. The story isn't particularly inspired or original, but it does have a killer twist that you definitely won't see coming. With stylish visuals and the occasional satisfying jolt of suspense, "The Uninvited" makes for a more than adequate Friday night thrill.
Terminator Salvation
Andrew O'Dea
After Skynet has destroyed much of humanity in a nuclear holocaust, a group of survivors led by John Connor struggles to keep the machines from finishing the job.
This movie is a gritty, post-apocalyptic action showcase. Outstanding effects and camerawork capture an endless flow of action sequences with consummate precision. Purists will gorge on a glut of adrenaline-fuelled mayhem and dazzling pyrotechnics, while those who require a little more substance will be disappointed by a plot that's about as emotionally engaging as a T-100. Still, there's enough promise to suggest this franchise will definitely "be back"...
The Silence
Anne Murphy
The bicycle of a missing girl is found in the exact place where another girl was killed 23 years ago.
A cold case that mirrors a current crime is reopened, and the dual storyline is effective as each amplifies the loss and despair of the other. Beyond the suspense of the police investigation are stories of suffering by the families of the victims. Not surprisingly, the criminals are revealed as unsettling individuals. It's the depth of the characters, revealing chilling psychological profiles of the transgressors, that sets this movie apart from TV dramas with similar story-lines. Worth talking about.
- Genre » Crime Drama Thriller
- Release » Limited 07 Apr 2011
- Festival » Festival of German Films 2011
The Debt
Anthony Macali
Retired Mossad secret agents learn of some shocking news about one of their colleagues.
A curious remake, "The Debt" is the American production of an Israeli story with Israeli agents. There is no problem translating the narrative, as our main characters live in the present day with a large burden from their past. Their history unfolds through flashbacks, but it's difficult to engage with the younger selves who seem suitably miscast. A sample of their fate is revealed in the beginning, and it does thwart a lot of the suspense. The rest of the history is captivating enough, as our spies execute a mission tainted with emotion. A film that owes much to its story.
Valkyrie
Andrew O'Dea
Based on actual events, a plot to assassinate Hitler is unfurled during the height of WWII.
The strength of this film lies in a superb production design that helps to construct a positively accurate and immersive account of 1940's Berlin. It creates a stylistic period feel that is amplified by a stirring orchestral score throughout. Unfortunately, much of the authenticity, and subsequent integrity, is lost on American and British accents portraying German ones; as well as an unbefitting and uninspiring performance from the lead. "Valkyrie" definitely won't cater to everyone, but those impassioned by this period in history may find it rousing.