The Mist
Anthony Macali
A freak storm unleashes a species of blood-thirsty creatures on a small town, where a band of citizens hole-up in a supermarket and fight for their lives.
"The Mist" is your stock standard horror film where you throw a bunch of people in a room, endanger their lives, and see how they react. The result is a colourful quarrel of religion, reason and rationale. The joy comes from watching the locals get their comeuppance as the poor-looking monsters feast on them. In these films you always find yourself questioning the decisions the characters make. Our protagonists' judgement at the end is truly mystifying.
The Mechanic
Tom Jones
Follows an elite hit man as he teaches his trade to an apprentice who has a connection to one of his previous victims.
Sure the plot-line is uncomplicated, the acting is over-the-top and the stunts impossible, but who really cares? "The Mechanic" is pure entertainment. The hero himself, with his 'take no prisoner' attitude, will have men wanting to be him and women wanting... are there any women in the audience? This film is definitely one for the boys, with the uncensored action/violence sequences, the guns and good guys vs. bad guys battles. Broken down? Go see the Mechanic.
The Lovely Bones
Anthony Macali
Centers on a young girl who has been murdered and watches over her family and killer from heaven.
This movie fields some grim subject matter, only to raise the question: why make it? It's an honest display of a family in disarray, broken and unable to heal. However, apart from this genuine touch, it only manages to wander through a gallery of postcard landscapes in an attempt to inspire hope beyond death. Or perhaps the director just wanted to borrow the climatic scenes of suspense and unease from the book? Like its heroine, "The Lovely Bones" lives in a world of limbo, stuck somewhere in between a good and a bad film.
The Kingdom
Anthony Macali
A team of US government agents is sent to investigate the bombing of a facility in the Middle East.
"The Kingdom" is an entertaining venture into a world of foreign affairs and the war against terror. The reality is frightening, in particular a bomb-making sequence where the device is constructed under a careful and meticulous preparation that sends chills down your spine. Unfortunately, much of the weight of discussion is lost in the final chapter, where a questionable chase rocket-launches into action. The forensics, politics and explosions will find an audience, but the message is lost in all the debris.
The Killer Inside Me
Anne Murphy
A West Texas deputy sheriff is slowly unmasked as a psychotic killer.
Small town post-war America is faithfully captured and depicted in a way that almost elicits nostalgia, even for those of us who weren't there. "The Killer Inside Me" is dark and moody as well as stylish, as is the film-noir tradition. Watching the sociopathic protagonist committing a string of murders while maintaining his deception is profoundly disturbing. Sadistic elements of the story-line are intended to shock; the violence is brutal and administered with pre-meditated determination but most chilling is the demeanour of the murderer. There is not a flicker of remorse inside this killer.
The Hurt Locker
Andrew O'Dea
In a dangerous game of cat-and-mouse in the chaos of war, an Army bomb squad unit must come together in a city where everyone is a potential enemy and every object could be a deadly bomb.
"The Hurt Locker" is far from being just another war movie; it's a brilliantly directed human drama and intense psychological thriller. It ignores plot conventions, pompous flag waving and political commentary in favour of a gritty realism that unceremoniously hurls you onto the front line. The film doesn't glorify violence, yet somehow we're absorbed by an inescapable tension and this supremely masculine story that so vividly presents a sense of what it's like in war-torn Iraq. Simply dynamite.
The Housemaid
Anne Murphy
A man's affair with his family's housemaid leads to a dark consequences.
"The Housemaid" is an erotically charged study of the ruthless politics of gender and social position. Money provides the wherewithal to dispense with morality and it is replaced with malice so calculated it's breathtaking. Power is potently portrayed. The onscreen representation of the central family's elaborate lifestyle is lavish and visually opulent. The dark suspense builds and culminates in an ending that is disquieting and memorable, with an odd epilogue tacked on the end as a jarringly surreal close. Well maid, right up to the superfluous flourish of the finish.
The Happening
Luke Bartter
When large amounts of people start inexplicably committing suicide in America, panic ensues.
The real disappointment about this movie stems from it's obvious lack of quality throughout. Other than a few intense scenes, it's dull and long-winded, so your curiosity runs out regardless of the unusual phenomenon. When you stop caring about the 'why' or even what happens to the characters, watching feels like a task. Tedious and lifeless, the most mysterious thing is how "The Happening" managed to get made into a feature film.
The Good Neighbour
Anne Murphy
Two neighbours discover they are lonely kindred spirits until they are involved in a hit and run and events spiral out of control.
A story of a tangled web of deception that gets more convoluted and tense with each scene. The suspense builds, and although tense cinema viewing, it is not quite edge-of-the-seat viewing. As the plot twists and turns and a sense of impending doom builds, it becomes obvious things will not end well. Even so, this well crafted movie holds plot surprises to maintain interest right through to the close. Love thy neighbour.
- Genre » Drama Thriller
- Release » Limited 19 Apr 2012
- Festival » Festival of German Films 2012
The Girl with the Dragon Tattoo
Anne Murphy
Swedish thriller based on Stieg Larsson's novel about a journalist and a young female hacker.
Central to "The Girl with the Dragon Tattoo" is a riveting and complex story that is pieced together like a jigsaw puzzle, as investigations progress and secrets are revealed. Intrigue is carried by the solid cast of characters especially thorough the more sadistic and violent scenes. The cold Swedish countryside provides an appropriate backdrop for those grim and confronting elements of the tale, and the result is gripping. A thoroughly modern take on the classic thriller, complete with a fearless super sleuth; she's the one with the tattoo...
The Girl with the Dragon Tattoo
Anthony Macali
Journalist Mikael is aided in his search for a woman who has been missing for forty years by Lisbeth, a young computer hacker.
"The Girl with the Dragon Tattoo" is a classic whodunit set in Sweden and is genuinely captivating from start to finish. A rich set of characters drive the story, each with their own motives, and at times, sinister agendas. Our young heroine is the most impressive in a striking and memorable performance. Just be warned, the film is long, and there are some particularly disturbing scenes, but they all play their part in the arresting plot. Can't wait to see the girl again.
The Girl Who Played with Fire
Tom Jones
As computer hacker Lisbeth and journalist Mikael investigate a sex-trafficking ring, Lisbeth is accused of three murders, causing her to go on the run while Mikael works to clear her name.
Set in the country famous for IKEA, this film is much the same as visiting one of their superstores, minus the ball pit. There are countless twists and turns as you follow the path of these complex characters, and at the end, you pick up the pieces. The epic plotline is full of suspenseful and provocative drama, delivered at a pace which will leave you behind if you don't keep up. The best in Swedish design. Ja!
The Girl Who Kicked the Hornets' Nest
Tom Jones
Lisbeth is recovering and awaiting trial for three murders. Mikael must prove her innocence, but Lisbeth must be willing to share the details of her sordid experiences with the court.
Millennium fans will be fulfilled by this portrayal of the final book of the series. The magnitude of this story is handled well, despite feeling a little rushed at times. The quickened pace impacts on the suspense, which is never given enough time to really build. Consequently, the film feels less like a thriller and more like a courtroom drama. However, the acting is superb, the story is bold and the climax… revenge has never tasted so sweet. She's kicking nests... and goals.
The Final Destination
Courtney Slevison
After a teen's premonition of a deadly race-car crash helps saves the lives of his peers, Death sets out to collect those who evaded their end.
Grisly, gory death now comes at us in 3D, yet nothing exciting or fresh is added to the genre. The plot is crazy, convoluted and makes little attempt to be original. This completely unnecessary addition to the franchise takes it to ridiculous new lows, such as death by car wash. Yes, really. Let's just hope they mean it when they say 'final'.
The Expendables
Stefan Bugryn
A team of mercenaries head to South America on a mission to overthrow a dictator.
"The Expendables" is a testosterone fuelled man-movie that packs a record amount of masculinity into an extremely unoriginal script. The premise is simple, and has been done over a million times in one way or another. The characters are like big plastic action figures with no depth behind barrels of sweaty muscle, and their swift delivery of bullets and pain is matched only by their cheesy one liners and laughable acting. If mindless action and explosions is your thing, drop everything and see this movie. Otherwise, expend your time elsewhere.