Safe
Wendy Slevison
Mei, a young girl whose memory holds a priceless numerical code, finds herself pursued by the Triads, the Russian mob, and corrupt NYC cops.
The male star of this movie has almost created his own genre and "Safe" is the latest addition to his body of work. As always, the action is full-on and the body count super high - for fans, this is more of what they love. The plot almost seems to be an afterthought, but with the adrenalin racing and reality enjoyably suspended for an hour or two, who cares? It's safe to say that if you're up for the ride, you'll have a blast!
The Woman in the Fifth
Anne Murphy
American writer Tom Ricks comes to Paris desperate to put his life together again and win back the love of his estranged wife and daughter.
The actor's performances are very good, the cinematography is considered, and dramatic tension is maintained throughout. Audiences will still wonder what happened when the plot is unfolded and will want to decipher what looks like an allegorical representation of the psyche of a writer. This movie will instigate discussions to determine how to explain the outcome. There are no tidy conclusions, and the story will linger beyond first viewing and into the fifth.
The Good Neighbour
Anne Murphy
Two neighbours discover they are lonely kindred spirits until they are involved in a hit and run and events spiral out of control.
A story of a tangled web of deception that gets more convoluted and tense with each scene. The suspense builds, and although tense cinema viewing, it is not quite edge-of-the-seat viewing. As the plot twists and turns and a sense of impending doom builds, it becomes obvious things will not end well. Even so, this well crafted movie holds plot surprises to maintain interest right through to the close. Love thy neighbour.
- Genre » Drama Thriller
- Release » Limited 19 Apr 2012
- Festival » Festival of German Films 2012
Battleship
Wendy Slevison
A fleet of ships is forced to do battle with an armada of unknown origins in order to discover and thwart their destructive goals.
Adapted from the board game of the same name, "Battleship" is one hell of a movie. For some, it may actually feel as though you are in Hell. Laughably bad dialogue, ludicrously over-the-top CGI, apathetic acting and a volume level that could permanently damage ear drums all combine to make this film an unforgettable/unforgivable viewing experience. Massive suspension of disbelief required - the plot holes go all the way to the bottom of the ocean, along with the ship. It's a s(t)inker.
Margin Call
Andrew O'Dea
Follows key people at a bank, over a 24-hour period, during the early stages of the financial crisis.
Greed and opportunism are rife in this ensemble drama that paints a very loose snap-shot of the foundations of capitalist society, bottled into one investment firm on the eve of a financial crisis. The story is dialogue-driven, and although it deftly ponders the volatile issue of money versus morality, it fails to really delve past the numbers, lacking the visceral punch or emotional drive to grab our attention. Some will find this film serviceable enough as financial thriller, but for those wanting a little more emotional involvement, "Margin Call" is not a wise investment.
The Raid
Tom Jones
A SWAT team becomes trapped in a tenement run by a ruthless mobster and his army of killers and thugs.
'This film contains scenes of violence' is an understatement when it comes to "The Raid". It's all violence, with a handful of scenes to remind you that there is a point to this mortal combat, even if that point is going to be forgotten as soon as the credits role. Surprisingly, the acting in these scenes is seriously impressive and actually heightens the reality and terror of the situation. But it's the fight scenes which will draw the crowd, and they are as ridiculous as they are entertaining. Finish him!
The Devil Inside
Wendy Slevison
In Italy, a woman becomes involved in a series of unauthorized exorcisms.
This movie follows the lead of others in its genre by using the found-footage, hand-held camera, mockumentary style of filming. The problem is we've see it all before. Despite strong attempts at realism, including using a highly talented contortionist for the possession scenes, and interviews with real specialists discussing exorcism to add credibility to the fact/fiction pitch, the film is disappointingly clichéd and time-worn. Worst of all, though, it's just not scary! And as for the ending, what the devil were they thinking?
Gone
Wendy Slevison
When her sister disappears, Jill is convinced the serial killer who kidnapped her has returned.
When a movie reaches fever pitch very early on, where else can it go but down? That's the case, resoundingly, for this one-dimensional would-be thriller. It's like paint by numbers. Young blonde heroine, tick. Orphaned and living alone with her younger sister amidst thousands of acres of forest, tick. Strange loner who people have noticed but know nothing about, tick. Oh dear, ho hum. How do they even raise the money to make this clichéd and vapid sop? As soon as you leave the cinema, all thought of this film and everyone involved in it will be…GONE!
Killer Elite
Andrew O'Dea
When his mentor is taken captive, a retired member of Britain's Elite Special Air Service is forced into action. His mission: kill three assassins dispatched by their cunning leader.
Shot in a gritty visual style, "Killer Elite" simply lacks the flair to separate it from the rest of the paint-by-numbers action flicks. There are definitely pockets of impressive, adrenaline-fueled action sequences and stunts, yet as the plot unfolds and the body count rises, the audience will find themselves misguided by a storyline that is over-complicated. This isn't helped by the wooden leading man and a supporting cast who should've simply done better. All killer, no filler.
Martha Marcy May Marlene
Anne Murphy
Haunted by painful memories and increasing paranoia, a damaged woman struggles to re-assimilate with her family after fleeing an abusive cult.
The fragile bonds of family come under scrutiny in this psychological thriller, and makes for tense viewing from the opening scenes right until the second it finishes. The film is dark and taut as memories are seamlessly threaded with the present. The film-maker is deft, using the past to explain today and develop a sense of impending threat in the audience. While watching it becomes harder to breathe as the story unfolds. Mal-adjusted mentality methodically manipulated.
Man on a Ledge
Tom Jones
As a police psychologist works to talk down an ex-con who is threatening to jump from a Manhattan hotel rooftop, the biggest diamond heist ever committed is in motion.
Any film that starts with a car chase in a cemetery is bound to be good. "Man on Ledge" is packed with non-stop drama, suspense, action and characters. There are so many players in this game, each with their own rising stakes, and the way the multiple stories unfold simultaneously, with not a minute of screen time wasted, is incredibly smart and highly entertaining. Don’t let the title deceive you, the plot is a lot thicker and will keep you on the ledge of your seat.
Chronicle
Stefan Bugryn
Three high school friends gain superpowers after making an incredible discovery.
All the audience needs to know is this movie is nowhere near as cool as it sounds. "Chronicle" might have its moments, like a seriously awesome action scene towards the end, but as for the rest, it simply falls short of being anything really unique. Instead, it will be left to your imagination to fill in the gaps of what it could've been. Sometimes the film is just plain awkward to watch, thanks in no large part to the B-grade scripting, dialogue, special effects, acting... pretty much all of it. Chronicle this one as 'fail'.
Tinker Tailor Soldier Spy
Anthony Macali
In the bleak days of the Cold War, espionage veteran George Smiley is forced from semi-retirement.
"Tinker Tailor Soldier Spy" is terribly confusing. The cast is fantastic of course, but there are too many of them to keep track of. This isn't helped by the constant time shifts and the fact that everyone's story is marred with some kind of secret orcover-up. Perhaps if you can manage to look past the elegant period setting and splendid-looking pastels, and concentrate hard enough, the pieces of the puzzle will all fit. Most however, will reach the end only to wonder, "what the hell just happened?!" You'll need a dossier to accompany the screening.
The Girl with the Dragon Tattoo
Anthony Macali
Journalist Mikael is aided in his search for a woman who has been missing for forty years by Lisbeth, a young computer hacker.
"The Girl with the Dragon Tattoo" is a classic whodunit set in Sweden and is genuinely captivating from start to finish. A rich set of characters drive the story, each with their own motives, and at times, sinister agendas. Our young heroine is the most impressive in a striking and memorable performance. Just be warned, the film is long, and there are some particularly disturbing scenes, but they all play their part in the arresting plot. Can't wait to see the girl again.
The Skin I Live In
Anne Murphy
A brilliant plastic surgeon, haunted by past tragedies, creates a type of synthetic skin.
The narrative of "The Skin I Live In" is as intriguing as it is twisted, central to the plot is a contemporary and perverse Frankenstein character. This is an ethically challenging story of an obsessive patriarch, sinister gender control is stirred with psychological intrigue to create a morally unsettling but memorable movie. The nightmarish elements are balanced by the visually sophisticated and vibrant tone presented on screen. Your skin may crawl, but an imprint is left getting right under the skin.