(500) Days of SummerWendy Slevison
A romantic comedy about a woman who doesn't believe in true love, and the man who falls for her.
"(500) Days of Summer" is an offbeat romantic comedy that challenges the familiar elements of this genre by turning them upside down. Precisely because of this, some viewers will love it; some not so much. The film's distinctively quirky style is inspired by the first-time-feature director's background in music video. With perfectly-cast leads and an intriguing soundtrack, this movie should work but ultimately lacks the essentials of humour and warmth to pull off its dare to convention.
17 AgainCourtney Slevison
In 1989, Mike O'Donnell was the star of his high school basketball team. Now 20 years later, with his glory days behind him, a magical encounter gives him the chance to be 17 again.
In a familiar body-swap genre, this movie shines with charm and good-humour. The film is led by the brilliant casting of the main character, with a great supporting cast. While clearly aimed at teenage girls, "17 Again" will reach a broader audience due to its big heart and great comedic moments. The perfect film for undemanding, feel-good fun.
3 IdiotsAmit Jain
Two uni friends embark on a quest to find their lost friend.
This film is witty, emotional and uncontrollably entertaining. Questioning the current education system in India, the movie is subtle in its messages and the many golden rules which can change one's life in a big way. The cinematography and locations used are simply breathtaking. "3 Idiots" is a laughing riot that talks about the most important of human pursuits and preaches not to chase success, but to "...chase excellence and success will follow".
A Little Bit of HeavenTom Jones
A guarded woman finds out she's dying of cancer, but when she meets her match, the threat of falling in love is scarier than death.
This film is the most superficial and farcical depiction of a woman battling cancer ever to grace our screens. It goes so far the wrong way (think puns about colon cancer) that anyone who has experienced or been affected by the disease is likely to be offended by the way the subject is treated. The acting is of a quality you'd expect from a high school drama class and the script is terrible; heaven is a white cloud. Hard to like, even a little bit.
About TimeAnthony Macali
At the age of 21, Tim discovers he can travel in time and change what happens and has happened in his own life.
"About Time" is one of those sweet romantic comedies designed for everybody to love, with the added gimmick of time-travel to keep the story moving forward. It's a plot device we've all seen before, but the charming set of characters allow a welcome and constant reminder to treasure every moment of our day-to-day lives. Despite the lack of originality, there's enough laughter and plenty of good-will to forgive the film for its obvious flaws. About life.
Adam, a lonely man with Asperger's Syndrome, develops a relationship with his upstairs neighbour.
A somewhat eccentric addition to the romantic comedy genre, this utterly charming and insightful film deals with a condition not fully understood by most people. The title character is realistically and sensitively portrayed, while the female lead perfectly sustains him, in roles which will help raise public profile about the small yet significant segment of our society who suffers from Aspergers. This movie is a quirky, unassuming and tenderly realised story about a search for love and acceptance, something much more difficult for "Aspies" than most.
Set in the summer of 1987 and centered around a recent college grad who takes a nowhere job at his local amusement park, only to find it's the perfect course to get him prepared for the real world.
Despite its 'indy' pretensions, this story has more heart than its formulaic predecessors. Sure, it might follow your typical boy meets girl scenario, but it rises above the cliché with a cast who wonderfully capture the fun, frivolity and angst of the time. Although short on the laughs it may promise, it still makes you feel warm and fuzzy inside. Coupled with an awesome 80's soundtrack en-loop, "Adventureland" is a charming ride about growing up and finding love.
A historical drama set in Roman Egypt, concerning a slave who turns to the rising tide of Christianity while falling in love with the famous female philosophy professor Hypatia of Alexandria.
This visually extravagant epic looks to the skies pondering shape of our universe, while on the ground bloody religious disputes are fought with stones and daggers. Disappointing is the production sloth that depicts one side as dirty and grey and the other as pale and clean. Barely forgivable, even in the 400AD setting, is a disquieting patriarchal tone discolouring ancient Alexandria. Unforgivable, is the lack of dramatic tension as "Agora" devolves into tedium.
Ajab Prem Ki Ghazab KahaniAmit Jain
A story about a carefree, immature young man whose sole purpose of life is to share joy and laughter. In his pursuit of spreading happiness he meets a beautiful girl and falls in love.
"Ajab Prem ki Ghazab Kahani" (The Amazing Story of Strange Love) is a no-brainer comedy suitable for kids and young adults. The story is slack, and the plot lacks any realism. The sets are designed to mimic a fairyland, and the soundtrack consists of a few romantic and fast beats. A slap-slick and in your face comedy that will mildly amuse and entertain.
Angèle and TonyAnne Murphy
A fragile woman returns to the seaside town of Normandy on completing a jail term and meets a fisherman through a personal ad.
The sensitivities around relationships are captured with few words in this intimate exploration of human connections. The characters are forthright and defensive, whatever warmth they may have is not to be squandered, and their innermost temperaments are reflected in the windswept coastline and grey subdued ocean. The tone is understated and the film is all the more powerful for the simplicity with which it captures restrained expressions of longing. Tony ❤ Angele and vice versa.
Anna KareninaAnne Murphy
Set in late-19th-century Russia high-society, the aristocrat Anna Karenina enters into a life-changing affair with the affluent Count Vronsky.
The sets and staging in this rendition of "Anna Karenina" are impressive, and a glow of opulence illuminates the screen. A theatre stage is used as a creative device that achieves both a contemporary feel and an historic authenticity to the mood of the production, while the dance scenes alone will ignite passions. The grand and daring love affair soars at the centre of the saga, and thankfully questions on morality and society from the original text are preserved. To die for...
A group of good looking Israeli men hang out at the same library, bar, and beds.
The physical encounters that make up the greater part of this movie are frequent and torrid. There is more heavy breathing than dialogue, and the storyline feels underdeveloped as a result. Desire and sex are not confused with love, and it's all a little cold as a result. Odd that with such pumping action, emotions are so understated. There is no deceit, an absence of jealousy; the characters are as cool as they're hot. "Antarctica" - little wonder the ice caps are melting.
Anything for HerAnne Murphy
With no legal means left to him, a high school teacher devises a daring plan to rescue his wrongfully imprisoned wife from jail.
"Anything for Her" is a gripping thriller that will be watched heart pumping, and eyes glued to the screen. Tension is maintained throughout this tightly edited and well acted film that moves credibly between middle-class lives and the underside of the streets of Paris. While it may stretch plausibility, it is an action packed yarn that prompts questions about innocence and guilt, love and desperation.
Are We Officially Dating?Anthony Macali
Three best friends find themselves where we've all been - at that confusing moment in every dating relationship when you have to decide "So... where is this going?"
That awkward moment "Are We Official Dating?" is about is barely spoken out. What dominates most of the discussion of its young cast is how sex and relationships work in the modern day, in all of its vulgar and candid glory. Regrettably the film is a little too inconsistent to get its underlying moral messages across, serving up a disconnected mix of comedic set pieces and 'dating' advice. A refreshing topic, but not bold enough to challenge the Hollywood ideals. Caught in the middle.
Fledgling writer Briony Tallis, as a 13-year-old, irrevocably changes the course of several lives when she accuses her older sister's lover of a crime he did not commit.
"Atonement" is a love story torn by unfortunate circumstance. Briony's interpretation of events are marred by jealously, and cleverly presented in a style that shows the points of view of all involved. These key events play alongside a beautiful score, complete with resounding keys of a type-writer that haunts throughout. This film is a timeless period piece and an admiral adaptation that shows the power of the written-word.
Obsessed with Pride and Prejudice, a woman travels to a Jane Austen theme park in search for her perfect gentleman.
This is one of those times when the story ought to have remained a literary piece and not have been brought to the screen. The actors ham up romance scenes in a corny but corseted way. "Austenland" is daffy, cute and insubstantial; there is no trace of the wit and wisdom of the author on whose classic works this fantasy piece teeters. Not the end of the world, but it is a relief to reach this land's end.
Set in northern Australia before World War II, an English aristocrat who inherits a sprawling ranch reluctantly pacts with a stock-man in order to protect her new property from a takeover plot.
"Australia" reverently captures the culture of our land, from the quintessential outback "aussie" to the native spiritual Aboriginals. This is an ideal, albeit clichéd, backdrop for a romance to develop, and this relationship persistently takes centre stage, overshadowing the many sad events within the story. Ambitious in scope and venture, "Australia" is our country's patriotic film, and despite some underwhelming key scenes, is one to be proud of.
Beautiful LiesAnne Murphy
An anonymous love letter leads to a slew of misunderstandings.
Frivolous, frothy, and fabulous rather than slight. In short, everything hoped for from a good French rom-com is served up in "Beautiful Lies". It is delectable. The comic storyline is complicated enough to tease out laughter around situations of mistaken identities and misguided efforts of matchmaking. There's no mistaking funny for ridiculous however; this is an intelligent and warm movie that brims with affection. The delightful cast bring depth to the characters, who relate genuinely to each other and the audience can't help but care what happens in the end. Sincerely comique.
Before MidnightAnne Murphy
We meet Jesse and Celine in Greece, almost two decades have passed since their first meeting on a train bound for Vienna.
The talkies were invented for the couple in this story. "Before Midnight" is a conversation first and foremost, and film is merely the medium it's recorded on. Relationships are complex and involve compromise. It's a pleasure to be privy to an intimate but seemingly everyday sort of dialogue about lives spent together and the future to come. All is achieved with a natural style and there is little feeling that what plays out is being acted out. Magical without pumpkins.
Big Mamma's BoyAnthony Macali
Rocco struggles to choose between the love of his life and his doting, over-protective Italian mother.
"Big Mamma's Boy" is an admirable attempt at cross-culture comedy, though its appeal outside the uniquely Italian and Australian community is always in doubt. Fast-paced dialect is slowed down and accents are accentuated as the humour reaching for that wider 'family-friendly' audience, but the result "no taste so good". The suburbs of Melbourne are a welcome backdrop, but too many jokes miss the mark when you to try to please everybody. Some ham-full acting and haphazard skits make the film as patchy as a lasagne. A lot to love, though more could have been left at home.
Blue Is the Warmest ColourAnthony Macali
Adele's life is changed when she meets Emma, a young woman with blue hair.
"Blue Is the Warmest Colour" is an intimate and uncompromising story about first loves, sexual discovery and desire. The camera is close-up and firmly focused on the young Adele, adding an emotional reality that leads you to believe you are watching a true story unfold. You cannot imagine any other cast playing these spirited characters, and their performances are fascinating. Some of the more graphic scenes will shock, and although the film is too long, you can't deny the amazing storytelling. Red hot.
Blue ValentineAnne Murphy
The film centres on a contemporary married couple, charting their evolution over a span of years by cross-cutting between time periods.
"Blue Valentine" is like stepping through a dream door into the spiral of a failing relationship between a husband and wife; you're drawn into the minutiae of love and frustration. The couple's interactions are intensely scrutinised, almost dissected by the camera, over a period stretching a little more than a day. The experience of watching is both compelling, and at the same time, a little like trying to breathe under water, such is its wrenching emotional grip. Valentines don't come any more blue.
Bran Nue DaeAnne Murphy
In the summer of 1965 a young man is filled with the life of the idyllic old pearling port Broome - fishing, hanging out with his mates and his girl.
It's a pleasure to watch a colourful Australian film that doesn't skirt around serious indigenous issues. Even with its underlying messages "Bran Nue Dae" is far from sombre; humour and music are the vehicles used to stir the collective conscience of the audience. This is a funny, high-spirited and rollicking road trip with an outstanding ensemble cast. If only every day dawned so brightly...
Bride WarsWendy Slevison
Two best friends become rivals when they schedule their respective weddings on the same day.
If your idea of comedy is watching two intelligent and astute female characters descend into idiocy over their oh-so-precious weddings, then you may just enjoy this movie. To everyone else, I offer a warning - AVOID. "Bride Wars" is squirmingly bad clichéd drivel, which relies too heavily on uninspired sight gags for its laughs. There are far more worthy films for discerning moviegoers to spend their money on, and supporting this rubbish only encourages more of it.
Bright StarWendy Slevison
Based on the romance between 19th century poet John Keats and Fanny Brawne.
There are two 'bright stars' in this exquisite film - the leading lady, with her flawless performance, and the poetry, which will have viewers searching for their high school poetry books seeking to revisit the works of the romantic poets. This beautifully filmed glimpse into lives 190 years ago succeeds due to the stunningly simple way it tells its story of an intense and yet ultimately doomed love. Shakespearian in its tragedy, "Bright Star" is exceptional movie-making... a leading light not to be missed.