Little Deaths
Anne Murphy
Composed of disturbingly sensual and terrifying short narratives, unified by the twin themes of sex and death.
Stories that usually only live in one's imagination emerge on to the screen. The quality production has a dreamlike quality. The narrative is more creative, more hedonistic, and a little more hysterical than everyday ordinary reality; needless to say it is more enjoyable too. There is more suggested than consummated on the screen, and risqué elements are implied rather than explicit. "Little Deaths" is deftly handled so the libidinous tone doesn't sink to lewd. Good Australian film making lives a little.
Life as We Know It
Tom Jones
Two single adults become caregivers to an orphaned girl when their mutual best friends die in an accident.
The title captures the entire essence of this film. Everything about it is what we have seen, have known and have come to expect from this type of feel good film. There is nothing really new or different. The cast play the same roles we all know that they'll play. The plot has all the ingredients we know are needed to make a romantic comedy; romance and comedy. "Life as We Know It", is as we know it and nothing else.
Summer Coda
Anthony Macali
Hitchhiking home to a family she's never known, Heidi meets Michael. In the stunning orange groves of country Australia, they embark on an adventure, discovering their secrets and lives.
"Summer Coda" is a delightful film ripe with colour. The story wonderfully captures the spirit and hospitable culture of its setting, sharing the joy and happiness of drinking and dining with newly acquainted company. The beauty of the scenery and cast is truly enamouring as they make orange picking look terribly fun. While it takes a while to hit the heavy drama, it still garners plenty of emotion when it arrives. Bright and sunny and cheerfully heart-warming.
Eat Pray Love
Anne Murphy
A married woman realizes how unhappy her marriage really is, and that her life needs to go in a different direction.
This movie is true to the book, only with the content trimmed back as is expected of best sellers translated for the screen. It's still big with over 2 hours of viewing. A personal story of discovery, with an angst ridden heroine, fantastic shot-on-location scenery, and the obligatory happy ending. "Eat Pray Love" is so eminently watchable you will even pardon the good looking actors for being so immaculately coiffed. Readers will embrace this girls own adventure and love.
Ten Winters
Anne Murphy
Timing is everything as friends who are drawn to each other miss opportunities to become a couple but keep connecting by chance during a decade.
Winter in Venice looks cold, the back drops are frosty, a stark contrast to the central characters who are warm and real. There is a good deal of restraint exercised, and love-lorn resignation experienced, by the friends as they fail to connect romantically over the ten year period covered by the movie. The unrequited attraction of the couple is understated and compelling to watch as each year passes and fate conspires to keep them apart. "Ten Winters" is one great story.
- Genre » Romance Drama
- Release » Limited 01 Oct 2010
- Festival » Italian Film Festival 2010
Marriage and other Disasters
Anne Murphy
Disillusioned with romance, an unmarried woman finds herself organising her sister's wedding.
"Marriage and other Disasters" has all the elements of a romantic comedy, and then some. There is the likeable cast playing mismatched couples, then there are the requisite independent and romantically available parties, the ubiquitous hopeful parents, the comical disaster-dates, the looming wedding and a certain depth that's often lacking in the genre. This movie is also intelligent, with a sassy savvy woman in the lead, it's delightfully laced with irony and served with breathtaking Italian scenery. Look elsewhere for disasters.
- Genre » Romance Comedy
- Release » Limited 02 Oct 2010
- Festival » Italian Film Festival 2010
Charlie St. Cloud
Tom Jones
Charlie St. Cloud is a young man overcome by grief at the death of his younger brother. So much so that he takes a job as caretaker of the cemetery in which his brother is buried.
Under usual circumstances, if someone could see dead people, they'd be called crazy. But apparently, if that someone is incredibly good looking, it's endearing. For a film, which deals with heavy subject matter, it's rather underwhelming. Too much emphasis is placed on peripherals (what do geese have to do with anything?) and not enough on the tragedy and trauma, which comes with losing someone. When it comes to Charlie, best stick to the regular seven stages of mourning.
Easy A
Tom Jones
A clean cut high school student relies on the school's rumour mill to advance her social and financial standing.
Forget what you think this film is going to be like (you aren't even going to hear 'like' after every second word). This is a new generation teen flick. It's witty, intellectual and no subject is taboo. The characters are multidimensional and worldly. An original and funny take on that common double standard of society; the guy gets all the glory, the more he can score. While the girl can do the same and yet you call her... You get the picture.
Going the Distance
Courtney Slevison
A look at the trials and tribulations of a long-distance relationship.
"Going the Distance" is a pretty stock-standard romantic comedy. However, having a couple on either sides of the country attemps a twist that simply doesn't work. The pace feels rushed and you never quite feel the chemistry that is meant to be keeping the couple together despite the odds. The leads put in a likeable effort, but the movie as a whole ends up feeling a bit strained, and some moments are just plain awkward. If you go the distance with this film, unfortunately you will be disappointed.
Matching Jack
Wendy Slevison
A woman struggles with her son's illness and her husband's infidelity.
Watching "Matching Jack" is a bit like spending two hours in the Oncology Ward of a Children's Hospital, and whilst compassionately acknowledging that for many families, this is their dreadful reality, it's pretty tough on the ordinary movie-goer. The film is about sick children, and in spite of a romance and a 'happy' ending, this fact leaves a slight feeling of discomfort - it's too emotionally overworked to be a documentary, but too tragically true to life to be entertaining. Tears will flow, but it just feels a bit too orchestrated... disappointing diagnosis for one of Australia's well-known film-making teams.
Cairo Time
Anne Murphy
A romantic drama about a brief, unexpected love affair that catches two people off-guard.
Cairo creates a magnificent backdrop for this movie, the mood is exotic and the scenery is breathtaking. The pace in the summer heat is languid, and the already heavy atmosphere is laden with meaningful glances. Without meaning to give anything away, the previous sentences provide a full plot description, as not very much happens. "Cairo Time" is well produced and almost serves better as a travel documentary than a romantic drama, as charming as the love story is. Slow, subtle and lingering, it might stay around for a time.
Killers
Wendy Slevison
A vacationing couples' idyllic life is upset when they discover that everyone wants to kill them.
"Killers" fails spectacularly in every area. Apart from the beauty of Nice in the early scenes, there is very little to make this movie worth seeing. The two leads, with zero chemistry, awkwardly make their way through a shemozzle of a story that you will find yourself laughing at for all the wrong reasons. Uninspired direction does nothing to save this film from an appalling script and insincere performances. Mixing romantic comedy with violent action is a risky endeavor which simply doesn't work in this instance. Avoid, even if all you're doing is killing time.
Me and Orson Welles
Anne Murphy
A teenager is cast in the production of "Julius Caesar" directed by a young Orson Welles in 1937.
"Me and Orson Welles" is a coming of age drama within a convincing theatrical setting. The era is authentically replicated, and the characters so well drawn the audience is transported to thinking we're watching Orson Welles in his prime. The raging genius, ruthless manipulator, and ambitious actor and director are all credibly presented. Theatre life and backstage dramas within the chaos of the production process are all used to enthral, and it's crowned by romantic intrigue. This is a well directed movie that ends with applause.
Leaving
Anne Murphy
Suzanne is a well to do married woman and mother in the south of France.
"Leaving" is a sensual summertime love story set to the lazy sound of crickets, where passion is taken to the brink of histrionics in this ardent tale of an illicit romance. The realism of the story is first apparent in the soundtrack which consists mostly of the amplified background noises of the everyday. Whatever your moral stance, the strong performances allow audience members to be swept up, embraced in the fervour, held by the story, and then left panting. No leaving early.
Every Jack has a Jill
Anne Murphy
Jack is encouraged to take the romantic Paris vacation he won, despite just being dumped by his girlfriend.
Despite the odd title, "Every Jack has a Jill" is a thoroughly enjoyable romantic comedy. The genre dictates the happy outcome so the ending is no surprise. Apart from the conclusion the rest of the story is delightfully unpredictable with a cast of eccentric characters. See this movie to enjoy a warm hearted story which has all the quirky and charming elements required to weave an endearing spell.
- Genre » Comedy Romance
- Release » Limited 01 Jul 2010
- Festival » French Film Festival 2010