Blue Valentine
Anne Murphy
The film centres on a contemporary married couple, charting their evolution over a span of years by cross-cutting between time periods.
"Blue Valentine" is like stepping through a dream door into the spiral of a failing relationship between a husband and wife; you're drawn into the minutiae of love and frustration. The couple's interactions are intensely scrutinised, almost dissected by the camera, over a period stretching a little more than a day. The experience of watching is both compelling, and at the same time, a little like trying to breathe under water, such is its wrenching emotional grip. Valentines don't come any more blue.
Bran Nue Dae
Anne Murphy
In the summer of 1965 a young man is filled with the life of the idyllic old pearling port Broome - fishing, hanging out with his mates and his girl.
It's a pleasure to watch a colourful Australian film that doesn't skirt around serious indigenous issues. Even with its underlying messages "Bran Nue Dae" is far from sombre; humour and music are the vehicles used to stir the collective conscience of the audience. This is a funny, high-spirited and rollicking road trip with an outstanding ensemble cast. If only every day dawned so brightly...
Bride Wars
Wendy Slevison
Two best friends become rivals when they schedule their respective weddings on the same day.
If your idea of comedy is watching two intelligent and astute female characters descend into idiocy over their oh-so-precious weddings, then you may just enjoy this movie. To everyone else, I offer a warning - AVOID. "Bride Wars" is squirmingly bad clichéd drivel, which relies too heavily on uninspired sight gags for its laughs. There are far more worthy films for discerning moviegoers to spend their money on, and supporting this rubbish only encourages more of it.
Bright Star
Wendy Slevison
Based on the romance between 19th century poet John Keats and Fanny Brawne.
There are two 'bright stars' in this exquisite film - the leading lady, with her flawless performance, and the poetry, which will have viewers searching for their high school poetry books seeking to revisit the works of the romantic poets. This beautifully filmed glimpse into lives 190 years ago succeeds due to the stunningly simple way it tells its story of an intense and yet ultimately doomed love. Shakespearian in its tragedy, "Bright Star" is exceptional movie-making... a leading light not to be missed.
Broken Embraces
Anne Murphy
Harry Caine, a blind writer, reaches this moment in time when he has to heal his wounds from 14 years back.
A film-maker has made a film where the central character is a film-maker; hence a movie is created within this movie. "Broken Embraces" is a multi-layered exploration of love, passion and deception. A tantalising production, stylish to the point of being stylised, this is truly sophisticated viewing. A elaborate timeline is used to deconstruct the typical sequence of events. Questioning where a tale begins or ends, the editor is empowered to determine the story. Embrace with enthusiasm.
Burning Man
Anne Murphy
An English chef with a restaurant on Bondi Beach is trying to put his life and his relationship with his son back on track.
"Burning Man" is a pastiche of scenes that don't follow a sequential time-line but nonetheless build into a sorrowful narrative. Forget chronological sequencing, this is a compelling portrayal of grief, a time when events don't evolve in a linear sequence, and emotion reigns. It's just in time for the audience that the jigsaw of memories piece together and the emotional impact of the story is felt, packing a punch. Tears will quench the flames.
Café de Flore
Anne Murphy
A love story between a man and woman, and a love story set four decades earlier between a mother and her son.
"Café de Flore" has two distinct threads that are separated in time and interwoven into one movie like a dream within a dream. The story is one of love and obsession and it is told with a sense of unease that builds along with anticipation about what might transpire. This movie is as engrossing as it is puzzling, with content so emotional you can't help but be drawn in and watch entranced. Book a table.
Cairo Time
Anne Murphy
A romantic drama about a brief, unexpected love affair that catches two people off-guard.
Cairo creates a magnificent backdrop for this movie, the mood is exotic and the scenery is breathtaking. The pace in the summer heat is languid, and the already heavy atmosphere is laden with meaningful glances. Without meaning to give anything away, the previous sentences provide a full plot description, as not very much happens. "Cairo Time" is well produced and almost serves better as a travel documentary than a romantic drama, as charming as the love story is. Slow, subtle and lingering, it might stay around for a time.
Caramel
Anthony Macali
A romantic comedy centered on the daily lives of five Lebanese women living in Beirut.
It appears chick-flicks can transcend world boundaries. "Caramel" is time spent with friends - five women working in a salon, all trying to remove the issues in their lives. Such real-life problems we can relate to; from lust, romance, age, to daunting marriages. With genuine affection from the director's touch, we actually care about these characters, and enjoy their company, all the while adversely sympathising with them in the arduous scenes. This film is a refreshing sweet of cultural insight and winsome friends.
Charlie St. Cloud
Tom Jones
Charlie St. Cloud is a young man overcome by grief at the death of his younger brother. So much so that he takes a job as caretaker of the cemetery in which his brother is buried.
Under usual circumstances, if someone could see dead people, they'd be called crazy. But apparently, if that someone is incredibly good looking, it's endearing. For a film, which deals with heavy subject matter, it's rather underwhelming. Too much emphasis is placed on peripherals (what do geese have to do with anything?) and not enough on the tragedy and trauma, which comes with losing someone. When it comes to Charlie, best stick to the regular seven stages of mourning.
Cheri
Anne Murphy
The son of a courtesan retreats into a fantasy world after being forced to end his relationship with the older woman who educated him in the ways of love.
Visually impressive with sumptuous settings and costumes, this movie indulges with viewing pleasure. The characters are free of social mores in a gilded era. The central theme is love spanning a generational divide. A fading beauty contrasted with a beatified youth. Despite the setting and the situation, the pace is indolent, without the exuberance of emotional highs or troughs of despair. "Cheri" manages to be glorious, even if wistfully restrained.
Confessions of a Shopaholic
Wendy Slevison
A college graduate lands a job as a financial journalist in New York City to support her shopping addiction, and falls for a wealthy entrepreneur.
This is a movie that does not take itself too seriously. Equate it to eating fairy floss, and you will not be disappointed. It is fun, flighty and a visual feast for fashionistas. The leading lady makes a very cute clothes-horse, and handles the amusing script splendidly. Having a laugh whilst we are in the middle of a recession is nothing to feel guilty about. So, relax and enjoy - no confession necessary.
Crazy Heart
Anthony Macali
A faded country music musician is forced to reassess his dysfunctional life during a doomed romance that also inspires him.
"Crazy Heart" has great country songs that will appeal to all fans of music. It plays as an insight of a washed-up musician - old, poor, and often drunk, with little comfort/relief but for his recollections of his time at the top and continued luck with the ladies. Perhaps the story shows too much admiration for 'Bad Blake', who gets away a little too easily with some of his lesser qualities. In the end, the film is a one-man show, with a central performance strong and charming enough to uplift the masses.
Crazy, Stupid, Love.
Andrew O'Dea
A father's life unravels dealing with a marital crisis and managing the relationship with his children.
This multigenerational love story is a cut above your average romantic comedy, and for the most part, is a funny, honest and insightful film. The only pity is that long stretches of engaging rom-com fare are punctuated by brief moments of that gooey clichéd stuff we're all too familiar with. However, bolstered by a stellar cast who are sublime and charm us senseless in their individual roles, "Crazy, Stupid, Love." still provides a refreshing insight into the humour, tragedy, and wonderfully weird circumstances of love. Whether it's stupid or not is completely up to you.
Dear John
Courtney Slevison
A romantic drama about John, a soldier on leave who falls for Savannah, a conservative college student.
We are in very familiar territory with "Dear John", a sappy clichè -ridden tale of young love. This film struggles to elicit an emotional response due to its clumsy dialogue and bland montages spanning John and Savannah's years apart. The rare moments of honest human connection take place between John and his autistic father, yet the tenderness shared between the two is somehow missing between the young lovers. Dear John? Return to sender.