The DUFFJan Di Pietro
A high school senior instigates a social pecking order revolution after finding out that she has been labelled the DUFF (Designated Ugly Fat Friend) to her prettier more popular friends.
This film is the epitome of pop culture: there are social media gags left, right and center. There are times when the story feels like one long advertisement for the film's fad catch phrase, 'duff', but it warms on you, and becomes genuinely funny thanks to enjoyable performances and clever script work. Don't expect art, but this could be a defining film for young spectators. Bring your "DUFF" to this one.
A Little ChaosThomas Jones
A female landscape-gardener is awarded the esteemed assignment to construct the grand gardens at Versailles.
Set in the days when periwigs were 'in', "A Little Chaos" depicts one of the earliest examples of a backyard blitz, as our heroine gets her hands dirty to create an outside ballroom at the Palace of Versailles. Overcoming bad weather, a saboteur, and a wheelbarrow full of skepticism, she proves to be more than just a dame in a dress. Despite this garden show including a budding romance and a buried past, ultimately it fails to grow on the audience.
Top FiveAnne Murphy
A comedian tries to make it as a serious actor when his reality-TV star fiancée talks him into broadcasting their wedding on her TV show.
The phrases 'intermittently funny', 'crass' and 'predictable' are all that's needed to sum up "Top Five" and then words fail. If only words had failed the writer, director, and lead actor.
Fifty Shades of GreyAnthony Macali
Literature student Anastasia's life changes forever when she meets handsome billionaire Christian.
"Fifty Shades of Grey" is a story about the allure of wealth, and bizarre sexual contractual agreements that arise from 'dating' a wealthy man. An introduction to these politics from our two leads is assuredly the most interesting part of the film. Unfortunately the rest is a bitter disappointment, dominated by a tiring and flirtatious game of to-and-fro, a precursor to the passionless and sanitised sex that follows. Attractive leads, inadvertent laughs and very little to love. Don't submit to boredom.
The One I LoveAnne Murphy
Struggling with a marriage on the brink of falling apart, a couple escapes for a weekend in pursuit of their better selves, only to discover an unusual dilemma that awaits them.
"The One I Love" is an offbeat exploration of affairs of the heart and it's amusing if not outright funny. The plot is intriguing with a premise that confounds before it unfolds, so be sure not to let anyone reveal the story before you see it. Apart from the captivating performances of the lead actors, what makes this movie so diverting is the puzzle it presents. She loves me, she loves me not.
Love, RosieAnthony Macali
Lifelong friends Rosie and Alex discover the challenges of staying in touch as they grow older, live apart and meet new people.
"Love, Rosie" is a glossy and predictable romantic comedy that forgoes personality. Despite the best efforts of the charming and gorgeous leads, we care very little for their fate. This is a film of close-up passionate kisses and beautiful sun rays gleaming through the background, interlaced with awkward and unrealistic comedy setups that draw restrained bouts of laughter. Many years pass, boredom sets in, and we're still left looking for something real. Lots of love, but no heart.
The Best of MeJan Di Pietro
A pair of former high school sweethearts reunite after many years when they return to visit their small hometown.
There have been fine romance-dramas of a similar ilk to this film, but this one falls far short of the mark. You will not learn anything, you will not feel anything; no, scratch that... you might actually love it if you keep a stack of cheap romance novels on your bedside table. The story is unbelievable in a bad way, and the key narrative events can be sniffed a mile off. Sure to polarise audiences, "The Best Of Me" is not the best of cinema.
Appropriate BehaviourAnne Murphy
Shirin is struggling to become an ideal Persian daughter, politically correct bisexual and hip young Brooklynite but fails miserably in her attempt at all identities.
Well this is 'the' city and there is plenty of sex, but there's no mascara, cocktails or designer shoes; this is a down to earth production starring real girls. Central to the story is the disintegration of a relationship, and the breakup seems to have plunged the characters into an affect-less zone with little emotion. The flat-lining and eye-rolling mostly creates a quirky mood that works partly because the film finishes before the opportunities for dialogue run out. Nothing inappropriate.
Blue Is the Warmest ColourAnthony Macali
Adele's life is changed when she meets Emma, a young woman with blue hair.
"Blue Is the Warmest Colour" is an intimate and uncompromising story about first loves, sexual discovery and desire. The camera is close-up and firmly focused on the young Adele, adding an emotional reality that leads you to believe you are watching a true story unfold. You cannot imagine any other cast playing these spirited characters, and their performances are fascinating. Some of the more graphic scenes will shock, and although the film is too long, you can't deny the amazing storytelling. Red hot.
Are We Officially Dating?Anthony Macali
Three best friends find themselves where we've all been - at that confusing moment in every dating relationship when you have to decide "So... where is this going?"
That awkward moment "Are We Official Dating?" is about is barely spoken out. What dominates most of the discussion of its young cast is how sex and relationships work in the modern day, in all of its vulgar and candid glory. Regrettably the film is a little too inconsistent to get its underlying moral messages across, serving up a disconnected mix of comedic set pieces and 'dating' advice. A refreshing topic, but not bold enough to challenge the Hollywood ideals. Caught in the middle.
Winter's TaleAnthony Macali
A burglar falls for an heiress as she dies in his arms. When he learns that he has the gift of reincarnation, he sets out to save her.
The greatest miracle in "Winter's Tale" is how the film was born in the first place. For the most part, it doesn't make any sense, and talk of true love and flying horses only complicates matters even more. The funny thing is (aside from the cringe-worthy dialogue) is that the audience may actually find themselves interested in seeing just what other foolishness they might come up with. It seems the only magic lies in making up rules along the way to suit the story. Destined to fail.
Labor DayAnne Murphy
Depressed single mom Adele and her son Henry offer a wounded, fearsome man a ride.
Five days can pass with a blink in screen time, but in this two hour effort the "Labor Day" weekend seems interminable, and staying engaged takes a bit of effort. This low-action romance might leave you snickering as the credits roll, such is the implausibility, and it's difficult to believe it's supposed to be taken seriously. Fortunately the actors keep the film together with fine performances, yet as hard as they work, their efforts are insufficient to weigh credibility to the story. Even if you're ready for the weekend, just keep Friday on your mind.
A lonely writer develops an unlikely relationship with his newly purchased software.
Inquisitive, imaginative and intelligent, "Her" is a touching commentary about the modern realities of human connection. At the film's heart is a poignant relationship between a man and his operating system, but this is not a cautionary tale, rather an elegantly crafted and vulnerable story free of cynicism. The movie's charm lies in the way it will emotionally resonate so differently with different people, underpinned by an exquisite direction and brilliant performances. A wistful meditation about love, loss, and relationships in a rapidly advancing and technological world. She's a beauty.
The Spectacular NowAnne Murphy
A hard-partying high school senior's philosophy on life changes when he meets the not-so-typical "nice girl."
Some matches are made in heaven, and the romantic match central to "Spectacular Now" is made on a front lawn. That should tell you that this is a quirky but down to earth tale. The focus is on the now rather than the future, but the past looms large for the characters. Spectacular suggests grand, but it's the simplicity of the everyday that is most engaging. Then there is self-discovery, ubiquitous and inevitable in coming-of-age movies, and breathtaking here. Simply stupendous.
Obsessed with Pride and Prejudice, a woman travels to a Jane Austen theme park in search for her perfect gentleman.
This is one of those times when the story ought to have remained a literary piece and not have been brought to the screen. The actors ham up romance scenes in a corny but corseted way. "Austenland" is daffy, cute and insubstantial; there is no trace of the wit and wisdom of the author on whose classic works this fantasy piece teeters. Not the end of the world, but it is a relief to reach this land's end.
Enough SaidAnne Murphy
A divorced woman who decides to pursue the man she's interested in learns he's her new friend's ex-husband.
Reading the synopsis you might assume the relationship central to "Enough Said" is fraught, which would misrepresent this intelligent and nuanced comedy. Maybe any romantic pairing is complicated, even the flirtatious liaison that this couple starts out with. While there are complexities inherent in the story line, the movie is deceptively simple, and the realism disarming, almost achingly so. How do you love someone just as they are and not for how you want them to be? Say it again...
About TimeAnthony Macali
At the age of 21, Tim discovers he can travel in time and change what happens and has happened in his own life.
"About Time" is one of those sweet romantic comedies designed for everybody to love, with the added gimmick of time-travel to keep the story moving forward. It's a plot device we've all seen before, but the charming set of characters allow a welcome and constant reminder to treasure every moment of our day-to-day lives. Despite the lack of originality, there's enough laughter and plenty of good-will to forgive the film for its obvious flaws. About life.
Mood IndigoAnthony Macali
A woman suffers from an unusual illness caused by a flower growing in her lungs.
"Mood Indigo" is out-there. Riding a fine line between wild creativity and self-indulgence, there are numerous moments of tedious viewing. While the setting appears to be the real world, most of the objects and people we're normally familiar with interact in very peculiar ways. The dreamlike blend of reality and quirkiness is weird, alienating the audience from the characters and their struggles. Despite the subject matter, it's a difficult story to treat seriously. You've got to be in the right mood for this perplexing mess.
The Best OfferAnne Murphy
A story centered on an eccentric art auctioneer and his obsession with an heiress/collector.
Movies are rarely as alluring as this mystery crime story. Not only is the clever story well told, but it's artistically portrayed on the screen, a combination that ensures it is a pleasure to watch. There's a sophisticated mix of obsession and passion; emotions often associated with art and the people who inhabit the rarified atmospheres of galleries and auction houses. The premise is intriguing enough to hold interest right up until the credits, even if you manage to anticipate the outcome. No further bidding required.
Before MidnightAnne Murphy
We meet Jesse and Celine in Greece, almost two decades have passed since their first meeting on a train bound for Vienna.
The talkies were invented for the couple in this story. "Before Midnight" is a conversation first and foremost, and film is merely the medium it's recorded on. Relationships are complex and involve compromise. It's a pleasure to be privy to an intimate but seemingly everyday sort of dialogue about lives spent together and the future to come. All is achieved with a natural style and there is little feeling that what plays out is being acted out. Magical without pumpkins.
Much Ado About NothingAnne Murphy
A modern retelling of Shakespeare's classic comedy about two pairs of lovers with different takes on romance and a way with words.
Finally a rom-com that is unabashedly romantic and laugh-out-loud funny. The ingredients of this movie create a heady cocktail that ensures audience delight. First take a work published in 1600, stage it as a garden party with players costumed in business attire speaking with American accents, sit back, and swig. The secret is having the cast drink a lot, it works, and the otherwise silly plot twists make more sense than ever. Ta-dah and much ado.
Despicable Me 2Anne Murphy
Gru is recruited by the Anti-Villain League to help deal with a powerful new super criminal.
Despicable has become respectable and it must be Spring as dating and romance are the featured themes. The writers have set up their reformed villain to meet a love interest and create a traditional family. How’s that for uninspired? Needless to say, "Despicable Me 2" is not as delightful as its predecessor. Thankfully those little yellow guys, the minions, make merry with fart jokes and other slapstick mayhem; they are more attuned to junior audiences than the besotted lead characters. Disappointed me.
Happiness Never Comes AloneAnne Murphy
Sacha is only interested in one night stands and has a phobia of children, until he meets Charlotte, the divorced mother-of-three and ex-wife of one his employer's powerful clients.
This French rom-com is delightful, and there's much enjoy. Unfortunately, like many in the genre, there's not a lot to make it memorable. The good-looking leads enchant with their on-screen chemistry, and the humour has a physicality to it that borders on slap-stick, providing an amusing touch of vaudevillian styling. You can't help but be enamoured - this movie delivers a delightful affair of the heart. Happiness, apparently, comes for couples.
The Great GatsbyAnne Murphy
A Midwestern war veteran finds himself drawn to the past and lifestyle of his millionaire neighbour.
"The Great Gatsby" as a book is a literary classic and it's difficult to review the movie without making comparisons. Most viewers will watch with some sort of expectation. Do so at the peril of your enjoyment, look too critically and you'll see this is not a perfect image of the novel. Forget familiarity, the director has delivered a turbo-charged, multi-coloured and visually spectacular version of the story and intriguing characters alike. This film version is true to the source but somehow greater.
A Lisbon woman seeks out a man who has a secret connection to her neighbour’s past life on a farm by Mount Tabu in Africa.
The film-maker's craft is skillfully realised in stunning black and white, and "Tabu" is visually rewarding. Innovative audio techniques leave the telling of the background story to a narrator with a flat style that eventually weighs down interest. The real let down is a plot that lacks depth. The movie is not redeemed by its symbolism... a crocodile obviously warns of lurking danger. Ironically it's the very same reptile that remains the only snappy thing about this film. Not fabu(lous).