Me Before YouJessica Avelsgaard
A recently retrenched young woman becomes the carer for a mercurial quadriplegic man and finds love where she least expected.
"Me Before You" is a hesitant and slow burning story of love and self-discovery. It's an interesting and unconventional take on the romance genre, but it isn't entirely convincing as some of the emotional blows miss their mark. Some superb moments of humor help to break up the drama along accompanied by an excellent soundtrack. Overall, the film plays viewer's heartstrings like a violin. Me before tissue.
Hello, My Name Is DorisAnne Murphy
After her mother dies a woman goes through a late-life-crisis and falls for a much younger man.
The central character is vulnerable and quirky, and thanks to the good grace of the director, she is portrayed with sensitivity. Humour is developed without mocking and we're allowed to feel a genuine empathy with a lonely hoarder who owns a single cat. She also has a vintage wardrobe and retro style that is to die for. All in all, "Hello My Name is Doris" is a well-structured movie that is likely to appeal to discerning audiences who like some complexity from a rom-com. Love, whatshername.
My Big Fat Greek Wedding 2Stefan Sgarioto
Amidst a massive family revelation that demands another Greek wedding, Toula and Ian also deal with the fact that their daughter wants move interstate for college.
It's quite easy to say that "My Big Fat Greek Wedding 2" is bigger, fatter and 'Greekier' than its predecessor; however there comes a point when you realise you've been just been fed re-heated leftovers. Aside from a few plot tweaks, there isn't anything actually new being brought to the table. Not that it really matters though, because just like the first serving, there are plenty of crazy family antics and corny sitcom style jokes to keep the audience satisfied. No BYO baklava required.
In the 1950s a young Irish girl migrates to Brooklyn, where she must learn to fall on her feet.
"Brooklyn" is an old-fashioned, simple, and exquisitely told romance story. It's a gorgeous looking film with the perfect match of characters and locales. For most parts the film dailies along, anchored by mesmerising performances that bring it to life and draw the emotion. The lead features in almost every frame, and could not be better cast. Her portrayal is wonderful to watch, as we observe her character learn, grow and shine in the limelight. Immigrants unite... this is an incredibly charming voyage.
1950s New York, a shy young woman and a sophisticated older woman discover a mutual attraction after an encounter in a department store.
"Carol" proves to be as complicated as it is elegant, with a constrained mood that reflects the conservative social mores of the period. The central romance requires a discretion that is perfectly captured by the director in a series of seductively framed small moments. Every element is exquisite, from the refined costumes to the vintage period set details. The desire and longing between the two women is so palpable you can feel your own heart aching. Adulation.
By the SeaAnne Murphy
The marriage of a heavy drinking writer and his wife comes under scrutiny when they holiday in a small French seaside village.
The celebrity pull of the lead actors is undeniable, and it even feels a little voyeuristic to be watching this couple as they play out their relationship as another imagined pair. "By the Sea" is intriguing and stylish, but also very long. This lengthy movie is not well served by its languid pace, and at times seems to stretch on interminably. In addition to the star power the stunning seaside setting ensures watchability. That sinking feeling.
Last Cab to DarwinAnne Murphy
A taxi driver with a terminal condition embarks on a long drive to Darwin in order to die with dignity.
"Last Cab to Darwin" is unmistakably an Australian film. You could change the towns and the countryside but the characters are true-blue types not found anywhere else in the world. The cinematography is stunning, with the road trip crossing a magnificent sunburnt country. In addition to the characters and scenery we are rewarded further by the unsentimental exploration of vexing social issues. The movie personalises ordeals, and then tackles them with heart just as any archetypal taxi driver might do. Dinky die.
Holding the ManAnne Murphy
The attraction between John and Tim started in High School in the 70s their relationship lasted for over 15 years until John's death due to HIV/AIDS.
The only not quite believable piece in this poignant and earnest story of star-crossed lovers is watching the central actors playing high school boys. They’re adults dressed as boys, and sadly they look it. Apart from this misstep the love story is compelling for the way the relationship endures, especially against the odds. Tissues are recommended, as this powerful movie will have a lasting impact on any beating heart. Never let go.
The Diary of a Teenage GirlAnne Murphy
It's the 1970s and the city is San Francisco, and teenage Minnie starts an affair with the handsomest man in the world, her mother's boyfriend
The situation is morally alarming, and the characters are authentic, so it is a relief the story is delivered without preaching or judging. We get to watch an engrossing depiction of discovering one's womanhood. It is a delight to see a story related by a young woman protagonist, especially a tale so daring and honest. We share her joy of embracing all parts of herself, including her angst and self-doubts. Remember your own teenage years?
Having thought that monogamy was never possible, a commitment-phobic career woman may have to face her fears when she meets a good guy.
Sassy and laugh out loud funny, "Trainwreck" sets a new standard for modern rom-coms. More than the script, which is sharp and absolutely hilarious, it is the lead character, in particular who steals the show, and delights by deftly turning the tables on gender stereotypes. It is she who calls the shots with her romantic hook-ups. You forgive her sexism as she delivers a performance with an aura of innocence and crackling wit. This wreck is no accident.
The DUFFJan Di Pietro
A high school senior instigates a social pecking order revolution after finding out that she has been labelled the DUFF (Designated Ugly Fat Friend) to her prettier more popular friends.
This film is the epitome of pop culture: there are social media gags left, right and center. There are times when the story feels like one long advertisement for the film's fad catch phrase, 'duff', but it warms on you, and becomes genuinely funny thanks to enjoyable performances and clever script work. Don't expect art, but this could be a defining film for young spectators. Bring your "DUFF" to this one.
A Little ChaosThomas Jones
A female landscape-gardener is awarded the esteemed assignment to construct the grand gardens at Versailles.
Set in the days when periwigs were 'in', "A Little Chaos" depicts one of the earliest examples of a backyard blitz, as our heroine gets her hands dirty to create an outside ballroom at the Palace of Versailles. Overcoming bad weather, a saboteur, and a wheelbarrow full of skepticism, she proves to be more than just a dame in a dress. Despite this garden show including a budding romance and a buried past, ultimately it fails to grow on the audience.
Top FiveAnne Murphy
A comedian tries to make it as a serious actor when his reality-TV star fiancée talks him into broadcasting their wedding on her TV show.
The phrases 'intermittently funny', 'crass' and 'predictable' are all that's needed to sum up "Top Five" and then words fail. If only words had failed the writer, director, and lead actor.
Fifty Shades of GreyAnthony Macali
Literature student Anastasia's life changes forever when she meets handsome billionaire Christian.
"Fifty Shades of Grey" is a story about the allure of wealth, and bizarre sexual contractual agreements that arise from 'dating' a wealthy man. An introduction to these politics from our two leads is assuredly the most interesting part of the film. Unfortunately the rest is a bitter disappointment, dominated by a tiring and flirtatious game of to-and-fro, a precursor to the passionless and sanitised sex that follows. Attractive leads, inadvertent laughs and very little to love. Don't submit to boredom.
The One I LoveAnne Murphy
Struggling with a marriage on the brink of falling apart, a couple escapes for a weekend in pursuit of their better selves, only to discover an unusual dilemma that awaits them.
"The One I Love" is an offbeat exploration of affairs of the heart and it's amusing if not outright funny. The plot is intriguing with a premise that confounds before it unfolds, so be sure not to let anyone reveal the story before you see it. Apart from the captivating performances of the lead actors, what makes this movie so diverting is the puzzle it presents. She loves me, she loves me not.
Love, RosieAnthony Macali
Lifelong friends Rosie and Alex discover the challenges of staying in touch as they grow older, live apart and meet new people.
"Love, Rosie" is a glossy and predictable romantic comedy that forgoes personality. Despite the best efforts of the charming and gorgeous leads, we care very little for their fate. This is a film of close-up passionate kisses and beautiful sun rays gleaming through the background, interlaced with awkward and unrealistic comedy setups that draw restrained bouts of laughter. Many years pass, boredom sets in, and we're still left looking for something real. Lots of love, but no heart.
The Best of MeJan Di Pietro
A pair of former high school sweethearts reunite after many years when they return to visit their small hometown.
There have been fine romance-dramas of a similar ilk to this film, but this one falls far short of the mark. You will not learn anything, you will not feel anything; no, scratch that... you might actually love it if you keep a stack of cheap romance novels on your bedside table. The story is unbelievable in a bad way, and the key narrative events can be sniffed a mile off. Sure to polarise audiences, "The Best Of Me" is not the best of cinema.
Appropriate BehaviourAnne Murphy
Shirin is struggling to become an ideal Persian daughter, politically correct bisexual and hip young Brooklynite but fails miserably in her attempt at all identities.
Well this is 'the' city and there is plenty of sex, but there's no mascara, cocktails or designer shoes; this is a down to earth production starring real girls. Central to the story is the disintegration of a relationship, and the breakup seems to have plunged the characters into an affect-less zone with little emotion. The flat-lining and eye-rolling mostly creates a quirky mood that works partly because the film finishes before the opportunities for dialogue run out. Nothing inappropriate.
Blue Is the Warmest ColourAnthony Macali
Adele's life is changed when she meets Emma, a young woman with blue hair.
"Blue Is the Warmest Colour" is an intimate and uncompromising story about first loves, sexual discovery and desire. The camera is close-up and firmly focused on the young Adele, adding an emotional reality that leads you to believe you are watching a true story unfold. You cannot imagine any other cast playing these spirited characters, and their performances are fascinating. Some of the more graphic scenes will shock, and although the film is too long, you can't deny the amazing storytelling. Red hot.
Are We Officially Dating?Anthony Macali
Three best friends find themselves where we've all been - at that confusing moment in every dating relationship when you have to decide "So... where is this going?"
That awkward moment "Are We Official Dating?" is about is barely spoken out. What dominates most of the discussion of its young cast is how sex and relationships work in the modern day, in all of its vulgar and candid glory. Regrettably the film is a little too inconsistent to get its underlying moral messages across, serving up a disconnected mix of comedic set pieces and 'dating' advice. A refreshing topic, but not bold enough to challenge the Hollywood ideals. Caught in the middle.
Winter's TaleAnthony Macali
A burglar falls for an heiress as she dies in his arms. When he learns that he has the gift of reincarnation, he sets out to save her.
The greatest miracle in "Winter's Tale" is how the film was born in the first place. For the most part, it doesn't make any sense, and talk of true love and flying horses only complicates matters even more. The funny thing is (aside from the cringe-worthy dialogue) is that the audience may actually find themselves interested in seeing just what other foolishness they might come up with. It seems the only magic lies in making up rules along the way to suit the story. Destined to fail.
Labor DayAnne Murphy
Depressed single mom Adele and her son Henry offer a wounded, fearsome man a ride.
Five days can pass with a blink in screen time, but in this two hour effort the "Labor Day" weekend seems interminable, and staying engaged takes a bit of effort. This low-action romance might leave you snickering as the credits roll, such is the implausibility, and it's difficult to believe it's supposed to be taken seriously. Fortunately the actors keep the film together with fine performances, yet as hard as they work, their efforts are insufficient to weigh credibility to the story. Even if you're ready for the weekend, just keep Friday on your mind.
A lonely writer develops an unlikely relationship with his newly purchased software.
Inquisitive, imaginative and intelligent, "Her" is a touching commentary about the modern realities of human connection. At the film's heart is a poignant relationship between a man and his operating system, but this is not a cautionary tale, rather an elegantly crafted and vulnerable story free of cynicism. The movie's charm lies in the way it will emotionally resonate so differently with different people, underpinned by an exquisite direction and brilliant performances. A wistful meditation about love, loss, and relationships in a rapidly advancing and technological world. She's a beauty.
The Spectacular NowAnne Murphy
A hard-partying high school senior's philosophy on life changes when he meets the not-so-typical "nice girl."
Some matches are made in heaven, and the romantic match central to "Spectacular Now" is made on a front lawn. That should tell you that this is a quirky but down to earth tale. The focus is on the now rather than the future, but the past looms large for the characters. Spectacular suggests grand, but it's the simplicity of the everyday that is most engaging. Then there is self-discovery, ubiquitous and inevitable in coming-of-age movies, and breathtaking here. Simply stupendous.
Obsessed with Pride and Prejudice, a woman travels to a Jane Austen theme park in search for her perfect gentleman.
This is one of those times when the story ought to have remained a literary piece and not have been brought to the screen. The actors ham up romance scenes in a corny but corseted way. "Austenland" is daffy, cute and insubstantial; there is no trace of the wit and wisdom of the author on whose classic works this fantasy piece teeters. Not the end of the world, but it is a relief to reach this land's end.