1408
Anthony Macali
A man who specializes in debunking paranormal occurrences checks into the fabled room 1408.
Your typical bad guy comes in the form of a mask-wearing, knife-wielding bandit, or some kind of monster or creature. But a hotel room? Funny enough, a room can be scary - and frightening enough to make you question your very own alarm clock, telephone and the walls of your home. This lodge haunts your past, with plenty of suicidal ghosts to keep you company. It's thrilling and chilling stuff, only suffering in the certain level of unease that comes in the frantic finalé. A terrifying film of terrifying heights.
Angels & Demons
Wendy Slevison
Symbologist Robert Langdon works to solve a murder and prevent a terrorist act against the Vatican.
A definite prerequisite for enjoyment of this film is an ability to suspend reality, and just go for the crazy ride. The cinematography, music score and CGI are all top quality. The stunning Roman scenery, much of it authentically recreated in a studio in LA, makes a perfect backdrop for this thrilling, albeit absurd, murder mystery. Action-packed from start to finish, this well-crafted movie doesn't take itself too seriously. It's entertaining and heaps of fun. Nothing sinful about that.
Beautiful Kate
Wendy Slevison
A writer is asked to return to the family home, to say goodbye to his father who is dying.
There is so much in this stunning film that is beautiful. The performances from the male leads are superb, and it's the direction and script, from a first-time feature director, that make it possible. The cinematography perfectly captures the beauty and isolation of the homestead where the story takes place; and the music score does what the best do - enhance, while not overtaking. "Beautiful Kate" is a memorable and significant contribution to Australian film-making and viewing.
Blindness
Wendy Slevison
A doctor's wife becomes the only person with the ability to see in a town where everyone is struck with a mysterious case of sudden blindness.
This allegorical film depicts societal collapse, triggered by mass loss of sight, accompanied by the descent into ugly degradation as people struggle against each other for survival. Filmed with a starkness that provides a sense of the white fog which precedes the blindness, and displaying a fiercely committed performance from the lead actress, this movie is a challenging experience which is certain to stimulate both thought and conversation afterwards.
Breach
Anthony Macali
A young FBI agent is assigned to observe the more senior Robert Hanssen, suspected of selling secrets to the Soviet Union in the biggest security breach in US history.
Join the investigation as you watch the screen closely, looking for clues and scrutinising every move. It's a real joy uncovering and unravelling the secrets of the case. The motives behind the characters are portrayed clearly in a story that holds true. This tense espionage drama breached all expectations.
Changeling
Wendy Slevison
A mother's kidnapped son is returned to her, but she realises immediately that the boy is not hers.
"Changeling" is an example of classic movie making at it's most potent. A magnificent unhurried telling of an extraordinary true story, it's also a commentary on social and moral dilemmas still faced today. The authentic visual feel, exceptional cast and old-style direction combine to create an outstanding film. A superb performance by the lead actress pays no heed to her physical beauty, focusing wholly on the anguish, despair and struggle of an ordinary woman fighting to be heard by the powers-that-be. Has anything really changed?
Children of Men
Anthony Macali
In 2027, as humankind faces the likelihood of its own extinction, a disillusioned government agent agrees to help transport and protect a miraculously pregnant woman.
This is a disturbing look at London in anarchy, rife with violence and refugees impounded in cages. The future is glum when no children exist. The Bexhill refugee camp scenes towards the end are breath-taking. If you don't understand why there are no children in this movie, or continue to question it, this movie is not for you.
Cloverfield
Anthony Macali
Cloverfield follows five New Yorkers from the perspective of a hand-held video camera. The movie starts as a monster of unknown origin destroys a building.
"Cloverfield" is filmed from the perspective of its protagonists using a hand-held camcorder, a technique which is effective for the majority of the short running time. The monster is a mighty sight to behold, and you wish it featured more. It's the monster's spawns that are the stars, their calls and cackles leaving you in fits of laughter, rather than frightened from their beckoning bite. By the end, you are exhausted, and perhaps nauseous, from the non-stop footage.
Doubt
Wendy Slevison
Set in 1964, Doubt centres on a nun who confronts a priest, suspecting him of abusing a student.
"Doubt" is an example of the play-to-film translation not always succeeding. Featuring two highly acclaimed actors, a very good support cast, and a fine reputation as a stage piece, what could go wrong? Well, something did. The lead performances, while magnificent, overshadow the subtle material; the glaring metaphorical symbols used are clumsily overworked, and several serious issues, besides the main one, are highlighted and then largely ignored. Worth seeing, as there are some truly great scenes.
Eastern Promises
Anthony Macali
The film follows the mysterious and ruthless Nikolai, who is tied to one of London's most notorious organized crime families.
Glimpses of the criminal underworld will always interest us ordinary, nice folk. "Eastern Promises" is no different, with its shady Russian mafia conducting business in equally shady parts of London. A film of mixed emotions, the charismatic performances undermine the atrocities we witness and listen to in a narrated diary. At times this flurry of conscience is uncomfortable, a minimal hinder in this compelling and disturbing piece.
Harry Potter and the Deathly Hallows: Part 1
Andrew O'Dea
Harry, Hermoine and Ron race against time and evil to destroy the Horcruxes.
This penultimate chapter of the Potter franchise undoubtedly cements its transition from children's story to mature fantasy. Tinged with frightening scenes and violent action sequences, the decidedly dark and brooding tone is established from the outset. Credit is due to direction that still manages to strike a balance between tragedy and humour, while the special effects throughout are simply spectacular. This film basically serves as a vehicle to build suspense and anticipation for the climactic final installment, and now the stage is set for what promises to be a magical conclusion...
Harry Potter and the Half-Blood Prince
Andrew O'Dea
As Harry Potter begins his 6th year at Hogwarts, he discovers an old book mysteriously marked "This book is the property of the Half-Blood Prince" and begins to learn more about Voldemort's dark past.
"Harry Potter and the Half-Blood Prince" is one of the darkest and most thoroughly entertaining instalments yet. Wondrous set designs are darkly lit, and add to the brooding nature of the film. Despite these dark overtones, moments of teen romance add a genuine comical touch. There seems to be decidedly less action, preferring to elaborate on characters core to the story, setting the up the franchise for an inevitably epic conclusion. A spellbinding tale, darker is definitely better.
Harry Potter and the Order of the Phoenix
Anthony Macali
With their warning about Lord Voldemort's return scoffed at, Harry and Dumbledore are targeted by the Wizard authorities as an authoritarian bureaucrat slowly seizes power at Hogwarts.
Harry endears Hogwarts, a home of magic tricks, lavish feasts and Quiddich heroics, which is not as much fun when he who should not be named (Voldemort) is tormenting his mind. Potter fights some real evil this time around; defending against the dark arts, blinding dementors and stunning evil Azkaban escapees. Join the wonderful ensemble cast of Dumbledore's army in the most terrifying and suspenseful instalment of the series yet. Darker is better.
Hot Fuzz
Anthony Macali
A city cop, too good for his job, is reallocated by his colleagues to the English country town of Sanford. The cop soon discovers a lot of suspicious accidents in this supposedly quiet town.
There are many laughs in this tribute to the buddy cop films of the eighties with countless references (some purposely orchestrated). The grande finalé should have started earlier in the film, but was not unwelcome and provides the best satire. If your humour welcomes fly-kicking elderly citizens to the head, you will enjoy this.
I've Loved You So Long
Wendy Slevison
This powerful story explores the tentative relationship between two sisters who barely know each other, as a shell-shocked Juliette arrives to live with her younger sister Lea, after being away for 15 years.
"I've Loved You So Long" is a raw, sparse film about human pain that is at times difficult to watch, and yet mesmerising. As Juliette slowly but uncompromisingly opens and embraces her new life, we rejoice as she finally begins to reclaim power from the oppressive secrets of her past. With an exquisitely stripped-down performance from the lead actress, this magnetic, emotionally wrenching film is very highly recommended.