Incendies
Anthony Macali
A mother's last wishes send twins Jeanne and Simon on a journey to Middle East in search of their tangled roots.
"Incendies" reveals the remarkable journey of a mother, in search of an explanation for her enduring state of despair. As her kids set out on their quest, the truth is exposed through the seamless weaving of past and present. Nawal's story is one burdened by war, religion and tradition, highlighting the generational gap and the sheltered knowledge we have of the 'primitive' views of a past that can cause so much nurtured grief. The fire burns strong and powerful, but very slow.
Knowing
Anthony Macali
A teacher opens a time capsule that has been dug up at his son's elementary school; in it are some chilling predictions lead him to believe his family plays a role in the events that are about to unfold.
"Knowing" is a movie about numbers and creepy whispering guys who ghost around gifting children smooth black rocks and cute white rabbits. These are but small examples of its absurdity, and should only appeal to those sadistic few who enjoy seeing large groups of people killed in disastrous CGI mayhem (or the constant and expressionless face of the lead actor). Knowing this is what the future may hold, there is no excuse to watch this film.
Mirrors
Anthony Macali
An ex-cop and his family are the target of an evil force that is using mirrors as a gateway into their home.
Mirrors are pretty scary, uncanny in their ability to reveal unsightly curves and impure skin. This film takes it to a whole new level. The mirrors in "Mirrors" like to trap souls, absorb bullets, and callously break jawbones. A premise such as this is purely ridiculous, and far from chilling, despite some great creepy locations. Upon reflection, "Mirrors" has many laughable scenes, and if not taken seriously, is as satisfying as the rather amusing ending.
Moon
Anthony Macali
Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he works alongside his computer, GERTY.
"Moon" is no pioneer, but is still a quietly quaint and enjoyable movie. Lacking the grandeur of most space odysseys, this film is all about Sam, and we become immersed in his isolation and apprehension. The atmosphere is boosted by an accomplished score, creating tension in tandem with the computer GERTY, whose indifferent disposition is as discomforting as his voice. It certainly won't rock science fiction, but will definately re-energise the genre.
Passengers
Andrew O'Dea
A grief counselor working with a group of plane-crash survivors finds herself at the root of a mystery when her clients begin to disappear.
"Passengers" is a horrible drama that fails dismally in its feeble attempt to pose as a thriller. Everything about the movie is decidedly uneventful, accentuated by sluggish pacing and an unremarkable script. The gloomy camerawork throughout succeeds only in making the vapid plot seem monotonous; the only respite coming when it inevitably crashes and burns in a dissatisfying twist-ending. If you pay to go watch this film, you will have been taken for a ride.
Red Riding Hood
Andrew O'Dea
In a medieval village, a young girl falls for an orphaned woodcutter, much to her family's displeasure.
"Red Riding Hood" is a bumpy ride. Imagination and creativity certaintly aren't lacking, and the film somehow manages to maintain an air of mystery amongst some seriously banal dialogue and laughable clichés. The hackneyed script is offset by some splendid cinematography, impressive production values and a mesmerising lead actress. Yet it's these unfortunate let downs that will constantly have you lamenting a darker promise unfulfilled, without the hindrance of what is clearly poor, one-dimensional direction. Definitely a case of big ears, big eyes, big teeth... no bite.
Safe House
Anthony Macali
A young CIA agent is tasked with looking after a fugitive in a safe house. But when the safe house is attacked, he finds himself on the run with his charge.
You can't help but laugh at the irony of "Safe House". What is supposed to be a temporary detention and interrogation room for captured criminals is a mere launching pad for the first of many intense shoot-outs and car chases. The action doesn't stop, and the film's suspense remains taut throughout thanks to some handy camerawork, a pumping soundtrack and the frenzied senior officials all pointing fingers at one another. Guns, lies, espionage… nobody's safe.
Sherlock Holmes
Andrew O'Dea
Detective Holmes engages in a battle of wits and brawn with a nemesis who threatens all of England.
Although faithful to the source material, this movie isn't bound to it, and the legendary detective presented is an eccentric and captivatingly flawed hero that boxes, boozes, and deduces. The stylishly monochromatic production of a grimy 19th century London provides a perfect backdrop as we delight in the exchanges of wit and banter between Holmes and his trusty counterpart Watson. Combining sublime action sequences and a gripping plot to boot, "Sherlock Holmes" equates to some seriously entertaining viewing. It's elementary.
Sherlock Holmes: A Game of Shadows
Andrew O'Dea
Sherlock Holmes and his sidekick Dr. Watson join forces to outwit and bring down their fiercest adversary, Professor Moriarty.
"Sherlock Holmes: A Game of Shadows" is a film dotted with action, mystery, intrigue and humour, picking up right where its predecessor left off. The audience will once again regale in the superbly realised relationship between Holmes and Watson, their chemistry and witty banter providing the perfect accompaniment to an intricate storyline and a series of gripping action sequences. Although some may find this instalment overly stylised, most fans will no doubt be satisfied. It's elementary.
Shutter Island
Anthony Macali
Set in 1954, Federal Marshal Teddy Daniels is investigating the disappearance of a murderess who has escaped from a hospital for the criminally insane.
"Shutter Island" opens with a dreadfully ominous musical composition, promptly setting the tone for this dark and disturbing thriller. The hospital for mental health is the perfect setting for the director to play games with the mind, as Teddy's scrutiny slowly intensifies, clouding his dreams with reality. The fragments of his delusions are haunting, as you're drowned in a loud and often exaggerated score. It will send shudders down the spine, keep you guessing, and enthral to the very end.
Source Code
Andrew O'Dea
An action thriller centered on a soldier who wakes up in the body of an unknown man and discovers he's part of a mission to find the bomber of a Chicago commuter train.
Although the premise of this film is both complicated and perplexing, you inevitably appreciate the refreshing inventiveness and deft touch of a director who clearly knows how to build suspense. The sublime and deliberate pacing, which is difficult to maintain considering the film revisits the same scene over and again, still manages to keep you intrigued. The constantly changing plot will keep you guessing on an immersive ride that makes "Source Code" equal to, or greater than... entertaining.
State of Play
Andrew O'Dea
A team of investigative reporters try to solve the murder of a congressman's mistress.
This is a reasonably well-executed political thriller. Surprisingly, sharp dialogue provides witty yet sporadic comical relief, while the carefully plotted conspiracy makes for a polished although somewhat uninspired movie. Unlikely contrivances and one climatic plot twist too many mean that, at times, the film seems to meander and lack coherent direction. However, despite this state of flux, "State of Play" is redeemed by an intelligent script and moments of genuine tension that provide enough surprises, thrills, and intrigue to entertain.
Surveillance
Anthony Macali
An FBI agent tracks a serial killer with the help of three of his would-be victims - all of whom have wildly different stories to tell.
It's always captivating when information is revealed the way this film does. Three victims are interviewed by the cops; three different perspectives are intertwined; and then the audience is left to put the pieces together. The performances are strong across the board, all accessories to driving the speeding tension. A riveting story, twisted narrative and sadistic characters make "Surveillance" an engrossing thriller.
The Bourne Ultimatum
Andrew O'Dea
Bourne dodges new, superior assassins as he searches for some finality to his unknown past.
"The Bourne Ultimatum" is a spy-thriller that magnificently meanders its way through Moscow, Madrid, London, Morocco and New York. The movie travels at a frantic pace, and the camera never stops moving either, as it compels us to identify with the urgency of every scenario Bourne is confounded with. We are forced to brace ourselves as the thrill of the chase creates a gripping tension. The intense action sequences that result are a seamless constant, and bring an uncompromising yet exquisite realism to the film that you cannot help but marvel at.
The Box
Anthony Macali
A small wooden box arrives on the doorstep of a married couple, who know that opening it will grant them a million dollars and kill someone they don't know.
Based on a short-story, this creepy film doesn't live up to its promising premise. A lot of weird stuff happens - blood noses, gateways, lightening and other unintentionally funny moments of suspense. The score is atmospheric, performances solid, but intriguing questions of morality are lost in the frustratingly ponderous revelations. The lesson here is to stay at home in your box, perhaps watch the box, and avoid the confusion that is "The Box".