Tinker Tailor Soldier Spy
Anthony Macali
In the bleak days of the Cold War, espionage veteran George Smiley is forced from semi-retirement.
"Tinker Tailor Soldier Spy" is terribly confusing. The cast is fantastic of course, but there are too many of them to keep track of. This isn't helped by the constant time shifts and the fact that everyone's story is marred with some kind of secret orcover-up. Perhaps if you can manage to look past the elegant period setting and splendid-looking pastels, and concentrate hard enough, the pieces of the puzzle will all fit. Most however, will reach the end only to wonder, "what the hell just happened?!" You'll need a dossier to accompany the screening.
Sherlock Holmes: A Game of Shadows
Andrew O'Dea
Sherlock Holmes and his sidekick Dr. Watson join forces to outwit and bring down their fiercest adversary, Professor Moriarty.
"Sherlock Holmes: A Game of Shadows" is a film dotted with action, mystery, intrigue and humour, picking up right where its predecessor left off. The audience will once again regale in the superbly realised relationship between Holmes and Watson, their chemistry and witty banter providing the perfect accompaniment to an intricate storyline and a series of gripping action sequences. Although some may find this instalment overly stylised, most fans will no doubt be satisfied. It's elementary.
Incendies
Anthony Macali
A mother's last wishes send twins Jeanne and Simon on a journey to Middle East in search of their tangled roots.
"Incendies" reveals the remarkable journey of a mother, in search of an explanation for her enduring state of despair. As her kids set out on their quest, the truth is exposed through the seamless weaving of past and present. Nawal's story is one burdened by war, religion and tradition, highlighting the generational gap and the sheltered knowledge we have of the 'primitive' views of a past that can cause so much nurtured grief. The fire burns strong and powerful, but very slow.
Source Code
Andrew O'Dea
An action thriller centered on a soldier who wakes up in the body of an unknown man and discovers he's part of a mission to find the bomber of a Chicago commuter train.
Although the premise of this film is both complicated and perplexing, you inevitably appreciate the refreshing inventiveness and deft touch of a director who clearly knows how to build suspense. The sublime and deliberate pacing, which is difficult to maintain considering the film revisits the same scene over and again, still manages to keep you intrigued. The constantly changing plot will keep you guessing on an immersive ride that makes "Source Code" equal to, or greater than... entertaining.
Red Riding Hood
Andrew O'Dea
In a medieval village, a young girl falls for an orphaned woodcutter, much to her family's displeasure.
"Red Riding Hood" is a bumpy ride. Imagination and creativity certaintly aren't lacking, and the film somehow manages to maintain an air of mystery amongst some seriously banal dialogue and laughable clichés. The hackneyed script is offset by some splendid cinematography, impressive production values and a mesmerising lead actress. Yet it's these unfortunate let downs that will constantly have you lamenting a darker promise unfulfilled, without the hindrance of what is clearly poor, one-dimensional direction. Definitely a case of big ears, big eyes, big teeth... no bite.
Zero Focus
Anne Murphy
Spurred by the disappearance of a newly-wed husband, three women in post-war Japan are drawn into a murder mystery.
"Zero Focus" is a mystery thriller set in post-war Japan. The plot is complicated and bodies pile up as the murders out-number the suspects. The movie is moody and melodramatic, evoking the classical work of directors from a past era. Despite the cultural setting there is familiarity to the style and unusual camera angles. The lengthy drama is eventually brought to a lengthy conclusion, but no thread is left unexplained as final scene follows final scene, leaving focus diminished.
- Genre » Drama Mystery
- Release » Limited 02 Dec 2010
- Festival » Japanese Film Festival 2010
Harry Potter and the Deathly Hallows: Part 1
Andrew O'Dea
Harry, Hermoine and Ron race against time and evil to destroy the Horcruxes.
This penultimate chapter of the Potter franchise undoubtedly cements its transition from children's story to mature fantasy. Tinged with frightening scenes and violent action sequences, the decidedly dark and brooding tone is established from the outset. Credit is due to direction that still manages to strike a balance between tragedy and humour, while the special effects throughout are simply spectacular. This film basically serves as a vehicle to build suspense and anticipation for the climactic final installment, and now the stage is set for what promises to be a magical conclusion...
Shutter Island
Anthony Macali
Set in 1954, Federal Marshal Teddy Daniels is investigating the disappearance of a murderess who has escaped from a hospital for the criminally insane.
"Shutter Island" opens with a dreadfully ominous musical composition, promptly setting the tone for this dark and disturbing thriller. The hospital for mental health is the perfect setting for the director to play games with the mind, as Teddy's scrutiny slowly intensifies, clouding his dreams with reality. The fragments of his delusions are haunting, as you're drowned in a loud and often exaggerated score. It will send shudders down the spine, keep you guessing, and enthral to the very end.
Sherlock Holmes
Andrew O'Dea
Detective Holmes engages in a battle of wits and brawn with a nemesis who threatens all of England.
Although faithful to the source material, this movie isn't bound to it, and the legendary detective presented is an eccentric and captivatingly flawed hero that boxes, boozes, and deduces. The stylishly monochromatic production of a grimy 19th century London provides a perfect backdrop as we delight in the exchanges of wit and banter between Holmes and his trusty counterpart Watson. Combining sublime action sequences and a gripping plot to boot, "Sherlock Holmes" equates to some seriously entertaining viewing. It's elementary.
The Imaginarium of Doctor Parnassus
Anthony Macali
The story of Dr Parnassus and his extraordinary 'Imaginarium', a travelling show where members of the audience get an irresistible opportunity to choose between light and joy or darkness and gloom.
"The Imaginarium of Doctor Parnassus" daringly paints a picture of the adventurous world that is your fantasy. The mystery behind the mirror provides plenty of curiosity and suspense, as we take a front-seat to the allure and charm of the 'Imaginarium'. To our modest disappointment, the production loses some of the gamble on its hollow and luckless storyline. Creatively colourful and grand, this film is an entertaining show for those with an open mind.
The Box
Anthony Macali
A small wooden box arrives on the doorstep of a married couple, who know that opening it will grant them a million dollars and kill someone they don't know.
Based on a short-story, this creepy film doesn't live up to its promising premise. A lot of weird stuff happens - blood noses, gateways, lightening and other unintentionally funny moments of suspense. The score is atmospheric, performances solid, but intriguing questions of morality are lost in the frustratingly ponderous revelations. The lesson here is to stay at home in your box, perhaps watch the box, and avoid the confusion that is "The Box".
Moon
Anthony Macali
Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he works alongside his computer, GERTY.
"Moon" is no pioneer, but is still a quietly quaint and enjoyable movie. Lacking the grandeur of most space odysseys, this film is all about Sam, and we become immersed in his isolation and apprehension. The atmosphere is boosted by an accomplished score, creating tension in tandem with the computer GERTY, whose indifferent disposition is as discomforting as his voice. It certainly won't rock science fiction, but will definately re-energise the genre.
Van Diemen's Land
Anthony Macali
The true story of Alexander Pearce, Australia's most notorious convict. In 1822, Pearce and seven fellow convicts escaped from Macquarie Harbour.
"Van Diemen's Land" plays like a horror/slasher film. The format is very simple: convicts sit by the fire hiding fears they're the next to be killed, and then proceed to walk through the forest (in the most captivating moments of the film), before one is inevitably bludgeoned to death for food. If we were able to associate more with the characters' hunger and desperation, it may have had a greater impact, but in the end it's just simple and barbaric.
Beautiful Kate
Wendy Slevison
A writer is asked to return to the family home, to say goodbye to his father who is dying.
There is so much in this stunning film that is beautiful. The performances from the male leads are superb, and it's the direction and script, from a first-time feature director, that make it possible. The cinematography perfectly captures the beauty and isolation of the homestead where the story takes place; and the music score does what the best do - enhance, while not overtaking. "Beautiful Kate" is a memorable and significant contribution to Australian film-making and viewing.
Harry Potter and the Half-Blood Prince
Andrew O'Dea
As Harry Potter begins his 6th year at Hogwarts, he discovers an old book mysteriously marked "This book is the property of the Half-Blood Prince" and begins to learn more about Voldemort's dark past.
"Harry Potter and the Half-Blood Prince" is one of the darkest and most thoroughly entertaining instalments yet. Wondrous set designs are darkly lit, and add to the brooding nature of the film. Despite these dark overtones, moments of teen romance add a genuine comical touch. There seems to be decidedly less action, preferring to elaborate on characters core to the story, setting the up the franchise for an inevitably epic conclusion. A spellbinding tale, darker is definitely better.