Paranormal ActivityWendy Slevison
A couple becomes increasingly disturbed by a nightly demonic presence.
The title of this 'mockumentary' alone will be enough to send shivers down the spines of some. Following the 'haunted house' premise, this is a low-budget, high-scare-count thriller that works well due to the apparent normalcy of the protagonists. Filmed simply and sparingly - the hand-held camera work is a perfect device for enhancing the disarming 'real-life' quality - the suspense builds slowly but effectively. So does the nervous tension in the cinema, and the nail marks in the armrest! Not for the faint-hearted, take a friend and go in daylight hours.
The BoxAnthony Macali
A small wooden box arrives on the doorstep of a married couple, who know that opening it will grant them a million dollars and kill someone they don't know.
Based on a short-story, this creepy film doesn't live up to its promising premise. A lot of weird stuff happens - blood noses, gateways, lightening and other unintentionally funny moments of suspense. The score is atmospheric, performances solid, but intriguing questions of morality are lost in the frustratingly ponderous revelations. The lesson here is to stay at home in your box, perhaps watch the box, and avoid the confusion that is "The Box".
The Final DestinationCourtney Slevison
After a teen's premonition of a deadly race-car crash helps saves the lives of his peers, Death sets out to collect those who evaded their end.
Grisly, gory death now comes at us in 3D, yet nothing exciting or fresh is added to the genre. The plot is crazy, convoluted and makes little attempt to be original. This completely unnecessary addition to the franchise takes it to ridiculous new lows, such as death by car wash. Yes, really. Let's just hope they mean it when they say 'final'.
Sorority RowCourtney Slevison
A group of sorority sisters try to cover up the death of their house-sister after a prank gone wrong, only to be stalked by a serial killer.
"Sorority Row" is a typical 80's slasher remake aimed at horny teenagers, promising a few thrills and a few hot girls. The premise evaporates pretty quickly and you won't scream, but rather laugh at the parade of horror clichés and squealing, bra-clad, sorority girls. Definitely not the smartest or scariest horror flick you'll see, but possibly one of the most fun to watch if you don't take it too seriously.
Seven lost children wander the night streets while their mothers await their return home.
"Blessed" pulls no punches as it explores a day in several corrugated relationships between mothers and their children. Melbourne is the gritty urban setting, effectively underscored by a pulsing soundtrack. For a film so set on portraying realism, it is surprising that some of the intertwined storylines stretch credibility beyond the boundary of believable. This is counterbalanced by a couple of stand-out performances that could wrench a still-beating heart right of your chest. Dead-beat, down-beat, cursed, cursing and blessed.
A failed medical experiment turns a man of faith into a vampire.
Take equal parts sex, love, murder, humour, religion, violence and vampires. Add one talented, visually adventurous director and a good dash of excellent acting, and you have a wild and unique cocktail called "Thirst." Drink it up, and you will definitely feel as though you have had an unusual, albeit lengthy, experience. This horror/comedy saga has so much going on that your head will be spinning by the last drop. A taste sensation not for the faint-hearted, but plenty of shocks and laughs for those brave enough to try it.
Drag Me to HellAnthony Macali
A loan officer ordered to evict an old woman from her home finds herself the recipient of a supernatural curse, which turns her life into a living hell.
"Drag Me to Hell" is silly, funny, and far from scary. There are some frights and jumps, often summoned by a shadowy silence broken by loud crescendos. Any moments of genuine terror are banished by absurd humour, and its this release of tension that makes the film such a joy. While the second half might not match the quality of the first, it breaks the curse of formulaic cinema and is a movie that is equally distinct and entertaining.
The UninvitedCourtney Slevison
Anna Rydell returns home to her sister Alex after a stint in a mental hospital, though her recovery is jeopardised thanks to her cruel stepmother, aloof father, and the presence of a ghost in their home.
What could have been yet another sub-par thriller with predictable plot twists, manages to transcend the status-quo with excellent performances from the leading actresses. The story isn't particularly inspired or original, but it does have a killer twist that you definitely won't see coming. With stylish visuals and the occasional satisfying jolt of suspense, "The Uninvited" makes for a more than adequate Friday night thrill.
Let the Right One InWendy Slevison
Oscar, a young bullied boy, meets Eli, a beautiful girl who turns out to be a vampire.
If you thought all the original ideas for vampire movies had been used up, think again. Set in Sweden, this film uses the icy, austere conditions to illustrate and emphasise the lonely isolation of its young protagonists. This film holds nothing back as it deals with issues of first love and bullying, contrasted against the violent world of the vampire. The young stars are astonishingly good, and this innovative movie rates highly among the alumni of its genre.
The UnbornCourtney Slevison
A young woman fights the spirit that is slowly taking possession of her.
While this film succeeds in providing some moments of suspense and the odd fright, the shocks are cheap and the story is completely unoriginal. The director has relied on gory effects to scare the punters, instead of good old fashioned story-telling. When there are some true masterpieces in the horror genre, sloppy films like this just seem like a waste of time. See something else.
My Bloody ValentineCourtney Slevison
A decade after the notorious Valentine's Day massacre, Tom returns to his quaint hometown only to find that a string of similar murders has started up.
A remake of the 1981 movie of the same name, "My Bloody Valentine" suffers from a serious case of been there, done that. The film is basically a string of clichéd horror scenarios strung together by a weak and confusing plot. The characters are stiff and unlikeable, making it hard to care when they get hacked to pieces by the revenge-seeking serial killer. While aspiring to be a classic retro slasher flick, this movie struggles to be anything but a waste of time.
An ex-cop and his family are the target of an evil force that is using mirrors as a gateway into their home.
Mirrors are pretty scary, uncanny in their ability to reveal unsightly curves and impure skin. This film takes it to a whole new level. The mirrors in "Mirrors" like to trap souls, absorb bullets, and callously break jawbones. A premise such as this is purely ridiculous, and far from chilling, despite some great creepy locations. Upon reflection, "Mirrors" has many laughable scenes, and if not taken seriously, is as satisfying as the rather amusing ending.
Diary of the DeadAnthony Macali
A group of young film students run into real-life zombies while filming a horror movie of their own.
The internet video revolution has spawned a number of these "home camcorder" films. This medium is ideal for creating a claustrophobic and isolated environment, the perfect playground for zombies to scare. A relentless sense of dread seeps from the screen, a feeling that augments the relief and humour of other parts of the story. Scenes often end in fits of laughter, with the living dead dispatched in an array of innovative manners. With a mix of solid scares and laughs, and a fresh new perspective, "Diary of the Dead" is great fun.
The OrphanageAnthony Macali
A woman brings her family back to her childhood home, where she opens an orphanage for handicapped children. Before long, her son starts to communicate with an invisible new friend.
There aren't many things creepier than a house haunted by ghost children. In a scare climax, a medium channels the voices and cries of the sick orphans. It might be a little clichéd, but it's far from shallow. It also deals with grief and loss, themes supported by impressive performances. While the story lingers in these moments, the twists of the finalé forgive the build-up. A beautiful story of life and death, "The Orphanage" is a film not to be abandoned.
The MistAnthony Macali
A freak storm unleashes a species of blood-thirsty creatures on a small town, where a band of citizens hole-up in a supermarket and fight for their lives.
"The Mist" is your stock standard horror film where you throw a bunch of people in a room, endanger their lives, and see how they react. The result is a colourful quarrel of religion, reason and rationale. The joy comes from watching the locals get their comeuppance as the poor-looking monsters feast on them. In these films you always find yourself questioning the decisions the characters make. Our protagonists' judgement at the end is truly mystifying.