Warm BodiesAndrew O'Dea
After R (a highly unusual zombie) saves Julie from an attack, the two form a relationship that sets in motion a sequence of events that might transform the entire lifeless world.
This offering from the 'zom-rom-com' movement is a refreshing approach to the tale of teen-romance. Zombie purists expecting an onslaught of guts and gore will be sorely disappointed, as at its heart, this movie is an unlikely love story that bucks convention. Although the action and comedy are sparse, it still entertains when necessary. With more wit and life than most from the genre, "Warm Bodies" makes for a surprisingly charming film. Dead on.
Hansel & Gretel: Witch HuntersAndrew O'Dea
Hansel & Gretel are bounty hunters who track and kill witches all over the world. As the fabled Blood Moon approaches, the siblings encounter a new form of evil that might hold a secret to their past.
The old adage hints that you should never judge a movie by its title, but in this retelling of the classic fable, audiences would be remiss to expect anything remotely more than Hansel & Gretel... hunting witches. The premise is ludicrous and predictable in this film that values style over substance, yet action fans will nonetheless be entertained by watching a host of witches serving as nothing else but vessels to cackle then splatter across the screen. Don't be lured by this candy.
A misunderstood boy takes on ghosts, zombies and grown-ups to save his town from a centuries-old curse.
"ParaNorman" has an admirable vision; introducing a younger audience to the world of horror. From the outset, the slightly warped aesthetics grab your attention, signalling an animation far from normal. There are plenty of ghouls, but they are a small distraction. At its core, the story is about a kid fighting his fears and the bullies at school. It's a touching experience and one with welcome bouts of humour. Inspiring a generation to battle their demons, this film is alive and well.
A young boy conducts a science experiment to bring his beloved dog back to life.
"Frankenweenie" is the pet project of its director, brought to life in trademark gothic style and ethereal black and white. The cute story is bound to resonate with any person caring for a creature of their own, but the kids can only make it last so far. Despite all the odd and wonderful characters, and the adorable dog Sparky, you have to wonder who the target audience is in this animation veiled by horror. All of the nods and winks to the many iconic films of its inspiration can't save this beast, eventually waning in interest. Frankly boring.
A freak tsunami traps shoppers at a coastal Australian supermarket inside the building - along with a 12-foot Great White Shark.
"Bait" is the story of a very hungry shark, brought beyond the shore with the help of some unremarkable special effects. Once the disaster subsides, the talent emerges from the water and we have the consummate setting for chills and spills. They make it quite clear which fish we want to live, and the chumps to be chewed, not shying from the blood and limbs synonymous with killer sharks, yet still suffers from taking itself a little too seriously. Dead in the water.
The Woman in BlackAnthony Macali
A lawyer travels to a remote village where he discovers the vengeful ghost terrorizing the locals.
The message is clear from "The Woman in Black". Stay away, or be haunted. A mist-laden and exquisite countryside plays host to the ghost, a town riddled with scary looking kids and impending doom. The film is at its terrifying best with the lead simply exploring the dark house of his confinement. In a time when one cannot simply turn on the lights, every creak and crack builds unbearable tension. Unfortunately this apprehension doesn't last to the end. Good old-fashioned frights.
The Devil InsideWendy Slevison
In Italy, a woman becomes involved in a series of unauthorized exorcisms.
This movie follows the lead of others in its genre by using the found-footage, hand-held camera, mockumentary style of filming. The problem is we've see it all before. Despite strong attempts at realism, including using a highly talented contortionist for the possession scenes, and interviews with real specialists discussing exorcism to add credibility to the fact/fiction pitch, the film is disappointingly clichéd and time-worn. Worst of all, though, it's just not scary! And as for the ending, what the devil were they thinking?
Underworld: AwakeningAnthony Macali
In a changed world, humans have discovered the existence of both Vampire and Lycan clans.
Selene wakes to a slightly new and promising premise, although nothing has really changed in "Underworld: Awakening". Cue the familiar leather, washed-out hues and dramatic, flickering, down-lights. Some sinister human characters are introduced and they successfully stretch the short running-time, often with scenes faithfully inserted between the countless Vampire/Lycan in-fighting. While the action sequences are impressive, they go far too long, thanks in part to the resilience of each race. You won't find fresh blood here.
The Darkest HourTom Jones
In Moscow, five young people lead the charge against an alien race who have attacked Earth via our power supply.
What this film lacks in originality, it makes up for in its effects. The cinematography is seriously cool, particularly the large-scale depictions of Moscow as a ghost town, which will have you wondering 'how'd they do that?' The acting falls a bit on the melodramatic side and you kind of wish the invisible threat, which they are all running from, was more frightening. For a big budget, end of the world flick this does not fail to capture you for a darkest hour (and a half).
Red StateStefan Bugryn
Three young teenagers get more than they bargained for when they accept an online invitation for sex.
"Red State" is a bit weird, but weird in a good way. It's a real genre bender. The films begins as your average teen horror, then reverts to action, before finishing off as a comedy - all with socio-political undertones! Just as you think you know where it's going to turn, it hits you with a different twist. Characters are chopped, changed and dropped like flies. The plot thickens more than the blood that is spilled. An interesting state to be in... whatever it may be!
Fright NightCourtney Slevison
A teenager suspects that his new neighbour is a vampire.
The 'teenage vampire flick' has become a cinema epidemic, and "Fright Night" wastes no time in slotting itself right into the sexy/comedy/horror genre. Neither funny nor scary enough to hold its own, this latest addition feels like a clumsy mash-up of movies we have all seen before and is therefore predictable, soulless and unengaging. For some, it may be an enjoyable enough way to spend a couple of hours, but ultimately this one is frightfully forgettable.
A priest disobeys church law to track down the vampires who kidnapped his niece.
"Priest" makes the most of its short running time to deliver what is, in the end, a sleek action flick. Sure, there are clichés aplenty and the dialogue may cause you to wane at times, but it's all offset by some seriously stylish action sequences. What else could you honestly expect from a film where the hero flings ninja-stars in the shape of a crucifix? Although lacking in originality and littered with flaws, the target demographic will nonetheless be more than satisfied by this perfectly acceptable vehicle of vampire-slaying. Say 'Three Hail Marys' for enjoying this guilty pleasure.
A group of students investigate a series of mysterious bear killings, but learn that there is something more dangerous going on. They follow a strange hunter, and learn that he is actually a troll hunter.
Those who don't take this film too seriously are certain have a lot of fun, as the film's comedy is essentially rooted in this very mantra. The director is to be applauded for the resourcefulness of integrating the giant trolls - almost seamlessly - on what must have been a very modest budget. Although the film has a tendency to become quite languid at times, its drolly comic style and the beautiful fjords and forests of Norway littered throughout make it watchable. Fee, fi, fo... fun!
A family is haunted by evil spirits who try to embody their comatose child.
This has to be one of the scariest movies made in a long time. As a narrative, it doesn't break any new boundaries, but uses old-school shock tactics extremely well. It thrives on familiar moments like 'what's around the corner?', and 'who made that noise?', whilst slowly revealing the plot (and genuinely horrific creatures) as you go along. There are odd moments of humour that break the mood and don't belong in the film, but as a salute to the Hollywood Book of Horror, it is a frightening treat.
Scream 4Courtney Slevison
Ten years have passed, and massacre survivor Sidney Prescott has returned to her hometown.
This instalment of the popular horror franchise reinvents the slasher genre for a savvy new audience. From the hilarious and scream-inducing opening sequence, it's clear that while the film doesn't take itself too seriously, you will definitely be in for a scare. While some of the plot twists are quite predictable, there's some fantastic dialogue and great performances from the predominantly young cast. "Scream 4" plays with the traditional horror formula, letting you believe you know what's coming next, before shocking you with a plot twist that will leave you screaming for more.