10,000 BCAnthony Macali
A prehistoric epic that follows a young mammoth hunter's journey through uncharted territory to secure the future of his tribe.
I can only imagine how this film's pre-production went. "We can have a script or generate a woolly mammoth? We could cast decent actors or generate another woolly mammoth? Maybe consider throwing in some pre-historic authenticity, or just go with another one of those impressive woolly mammoths?". As empty as the desert, and unintelligent as the dialogue and cavemen that inhabit this film, "10000 BC" is one of the worst films in history.
12 Years a SlaveAnthony Macali
In the antebellum United States, Solomon Northup, a free black man from upstate New York, is abducted and sold into slavery.
"12 Years a Slave" is more than just a black man sharing his first-hand account... it's a raw and visceral experience. This narrative isn't afraid to hide the senseless violence and bigotry of the time, revealing a truly horrifying portrait of humanity. It's a stark contrast to the beautiful visuals of the film, which also serve to scar in our memory with some of the more striking scenes. A story of equal intrigue and importance. Many years an injustice.
King Leonidis leads a band of elite warriors to war in the defence of their revered Sparta.
A gourmet for the purest of action fans, "300" is a visual feast. It doesn't concede to that typical movie concept whereby our heroes find themselves vastly outnumbered only to overcome insurmountable odds. Amidst all the testosterone and glistening abdominal muscles, it still does well to conjure inspiration and give substance to the brave three hundred's valour and sacrifice. It's brutal, but ultimately moving. With ferocious battle sequences choreographed using superlative CGI, and a plot to match, slaughter never looked this good.
300 Rise of an EmpireAndrew O'Dea
Greek general Themistokles leads the charge against invading Persian forces.
"300: Rise of an Empire" is an epic spectacle of video-game violence and gore. This stylised action fantasy retains the familiar and flashy comic-book style of the franchise, replete with blood-spattering slow motion and enough visceral excess to keep the senses engaged. Although it pales in comparison when evoking the same emotional vigour of its predecessor, the void is redeemed by the sultry, murderous heroine at its center who steals and carries the show. Not bad as a stand-alone movie, it's just missing some limbs.
A Mighty HeartAnthony Macali
The film is based on Mariane Pearl's account of the terrifying and unforgettable story of her husband, Wall Street Journal reporter Danny Pearl's life and death.
"A Mighty Heart" is a genuine and heartfelt account of tragedy. The excellent performances reflect a true sense of the frustration, determination and suffering of all those involved. The film struggles to draw the audience into the investigation, presumably of little concern to the director with motives that seem to favour accuracy over entertainment. An authentic portrayal with a good heart, but little excitement.
A historical drama set in Roman Egypt, concerning a slave who turns to the rising tide of Christianity while falling in love with the famous female philosophy professor Hypatia of Alexandria.
This visually extravagant epic looks to the skies pondering shape of our universe, while on the ground bloody religious disputes are fought with stones and daggers. Disappointing is the production sloth that depicts one side as dirty and grey and the other as pale and clean. Barely forgivable, even in the 400AD setting, is a disquieting patriarchal tone discolouring ancient Alexandria. Unforgivable, is the lack of dramatic tension as "Agora" devolves into tedium.
A Mayan village is overrun by a vicious tribe, imprisoning the men and sentencing them to be sacrificed.
"Apocalypto" throws you deep into the jungle, welcoming the simple life of hunting to eat, tribal dances and procreation. The editing is fast, setup brilliant and characters superb. You will be gripped and curious and always anticipating the fate of our heroes.
A TV mini-series, chronicling the exploits of Carlos the Jackal, edited and cut for showing as a movie.
Carlos is an interesting figure to discover more about. He comes across as an opportunistic mercenary rather than a terrorist dedicated to a cause, and what's apparent is the ego of a man who considered himself a revolutionary. Part history and part reconstruction, the use of news footage provides a documentary sense of realism. A small screen budget is evident in the uneven set quality, lighting, and the use of a hand held camera; it's all a bit bumpy. Complex politics make surprisingly tedious viewing.
A mother's kidnapped son is returned to her, but she realises immediately that the boy is not hers.
"Changeling" is an example of classic movie making at it's most potent. A magnificent unhurried telling of an extraordinary true story, it's also a commentary on social and moral dilemmas still faced today. The authentic visual feel, exceptional cast and old-style direction combine to create an outstanding film. A superb performance by the lead actress pays no heed to her physical beauty, focusing wholly on the anguish, despair and struggle of an ordinary woman fighting to be heard by the powers-that-be. Has anything really changed?
Che: Part 1Andrew O'Dea
In 1956, Ernesto 'Che' Guevara and a band of Castro-led Cuban exiles mobilize an army to topple the regime of dictator Fulgencio Batista.
This film is an austere portrayal of the mechanics of Che and his guerrilla war rather than an account of the man himself. His political and social ideals are interwoven - and impressively not championed - as we traverse the sumptuous Cuban landscape and share in his experience that was the armed struggle of the revolution. A stylish overture of sorts opens the film, and it sets the tone for the sprawling and vividly authentic epic that is to come.
Che: Part 2Andrew O'Dea
In 1967, 'Che' leads a small partisan army to fight an ill-fated revolutionary guerrilla war in Bolivia.
"Che: Part 2" is the culmination of a fascinating journey that marks Che's ultimate downfall. This film maintains the authenticity of "Part 1", albeit with a darker, more pensive tone. It evokes a sombre sense of impending doom whilst remaining as historically faithful as possible, refusing to glamorise its subject. This uncompromising approach is refreshing, and the lead actor's enigmatic performance is truly worthy of encompassing the man who is arguably the most iconic figure of the 20th century.
Five Minutes of HeavenAnne Murphy
The story of former UVF member Alistair Little. Twenty-five years after Little killed Joe Griffen's brother, the media arrange an auspicious meeting between the two.
"Five Minutes of Heaven" looks back at crimes committed as acts of civil war, exploring important themes of hatred and forgiveness. It's an uneven production that stumbles through some very stagy and clumsy scenes, though is fortunately redeemed by a powerful and unexpected climax. This movie is uncomfortable viewing about the lingering impacts of violence and living with indelible memories that prevent healing. Hard to glimpse heaven from hell.
A dramatic retelling of the post-Watergate television interviews between British talk-show host David Frost and former president Richard Nixon.
"Frost/Nixon" is an intelligent and provocative political drama. The film's strength lies in dialogue that is witty and engaging, delivered by superlative performances from the two leads. Frost and Nixon are combatants slugging out a verbal war, gaining ascendancy only to be countered. Their battle of wills generates cinema that is completely engrossing. Who'd have thought that two men sitting down and talking to each other could be so entertaining?
Get LowAnne Murphy
Equal parts folk tale, fable and real-life legend about the mysterious, 1930s Tennessee hermit who famously threw his own rollicking funeral party.
"Get Low" is a good old fashioned hokey folky story with warm understated performances from a big name cast, and a mule. It's deftly crafted and charming to watch. There's a slow build around the themes of guilt and forgiveness before the eventual plot reveal. Although tears are coaxed out during the long awaited climax, this movie will be watched for the dawdling journey rather than the ending. Hard not to like but lacking real highs and lows.
Giovanna's FatherAnne Murphy
A protective father stands by his misfit daughter after she commits a terrible crime.
Complex reactions to tragedy are explored in this story of obsession. With war as the backdrop, relationships are ravaged while Bologna is bombed. "Giovanna's Father" is not easy viewing and interest is held by the unconventional story-line. The soundtrack maintains a steady rhythm, and the use of sepia tones aids in recreating a past era of hardship. Superb performances by the lead actors are convincing and avoid being melodramatic, with the spotlight firmly on Giovanna's Father rather than the dastardly deeds of his daughter.