The story of Steve Jobs' ascension from college dropout into one of the most revered creative entrepreneurs of the 20th century.
"Jobs" follows a small tenure of the famous entrepreneur, from the birth of the home-PC, to the tumultuous times of leading a publicly listed company. In a largely neglectable performance, we discover a determined and at times difficult figure, with a very strict vision and diet. At its best, the story excels in simply documenting the journey, captivating your attention without frills. Once you reach the end, despite the uneventfulness, you'll want to see more evolution. Static and compliant.
What Maisie KnewAnne Murphy
In New York City, a young girl is caught in the middle of her parents' bitter custody battle.
The protagonist is a six year old and we see only what she witnesses and we hear only what she does. Both her resilience and her fragility are apparent. "What Masie knew" is loaded with emotion and doesn't sink into sentimentality; the tone is delightfully precocious in this uncommonly well-crafted movie. The narcissism of some of the adults comes off as brat-like, their poor behaviours glaringly transparent in contrast to the more opaque and thoughtful attitude of the child. Wise Masie.
Frances HaAndrew O'Dea
A story that follows a New York woman who throws herself headlong into her dreams.
"Frances Ha" is an unassuming and offbeat comedy about life, loves and messy rooms. Shot entirely in inky black and white against a New York City backdrop, the film's colour radiates from the whimsy and charm of the affable Frances. Her flawed character is an aimless yet endearing underachiever, and despite the glaring criticisms her questionable life-choices might draw, her gleeful exuberance and goofball nature has an appeal which makes her disarmingly likeable. An affectionate salute to our disjointed lives; fall for Frances.
The TurningAnne Murphy
A collection of 17 short films, each episode drawn from a different chapter of the book.
Each of the individual pieces to this film is a minor masterpiece, poignant in its own way, familiar stories of longing and regret in an unmistakably Australian setting. Presented as one three hour movie, "The Turning" asks much of its audience. The trouble is that the central linking thread is not always apparent, as each piece has its own writer, director and cast. It's not straightforward to spot the same characters in different stories; they’re more connected in the book than they appear on the screen. Quite a turn of events.
Mood IndigoAnthony Macali
A woman suffers from an unusual illness caused by a flower growing in her lungs.
"Mood Indigo" is out-there. Riding a fine line between wild creativity and self-indulgence, there are numerous moments of tedious viewing. While the setting appears to be the real world, most of the objects and people we're normally familiar with interact in very peculiar ways. The dreamlike blend of reality and quirkiness is weird, alienating the audience from the characters and their struggles. Despite the subject matter, it's a difficult story to treat seriously. You've got to be in the right mood for this perplexing mess.
In the year 2154, a man takes on a mission that could bring equality to a grossly polarised Earth.
"Elysium" is an absorbing sci-fi adventure loaded with allegory. Although the political overtones can be heavy-handed at times, it's always refreshing to view a movie where the guns and explosions are balanced by an intelligent and relevant social conscience.The production values are superb, and impressive visuals add weight to a succession of gritty action sequences full of gory violence and splatter. While the conclusion is a little predictable, the brisk pacing and intensity make this film about dystopian class division exciting and imaginative enough to entertain.
Behind the CandelabraThomas Jones
The tempestuous relationship between Liberace and his (much younger) lover is recounted.
Surprisingly, for a film about a figure as flamboyant as Liberace, it’s a little dark. The central relationship spirals into some very odd and destructive behaviour; imagine your boyfriend wanting to adopt you as his son. From the fashions and furnishings, to the stigmas surrounding homosexuality, this film accurately captures the era with which it is set. Though at times it does become a bit farcical, there are award-worthy performances all round, particularly from the man who is the candelabra.
The Way Way BackAnthony Macali
14-year-old Duncan is having a rough time enjoying his vacation away with his mother and new boyfriend, until finds an unexpected friend in Owen, manager of the Water Wizz water park.
"The Way Way Back" is a coming-of-age tale that will make you wish for summertime. The warm beach-side is an interesting setting to play out the conflict, as the shy Duncan wrestles with the reality of his newly blended family. With the help of the most unexpected of strangers, he slowly gains confidence and there is great joy to be found in watching him grow. A wonderful mix of laughter and drama, held together by a fantastic cast. Take the vacation.
The RocketAnne Murphy
A boy who is believed to bring bad luck to everyone around him leads his family and two new friends through Laos to find a new home.
"The Rocket" plays as a crowd-pleaser, perhaps that's because the target audience is hard to define. The setting is post-war Laos and the protagonist is a child but there are scenes that might be confronting for children. The movie is pleasing, quite exhilarating, a crowd-pleaser must be a movie with such broad appeal that you enjoy it even if you don't identify as the target demographic. Not rocket science but it's a blast.
The Bling RingThomas Jones
Inspired by actual events, a group of fame-obsessed teenagers use the internet to track celebrities' whereabouts in order to rob their homes.
Anyone who admires or tries to emulate the lives of celebrities, prepare for disappointment. You'll find little inspiration here, except maybe the very cool soundtrack. This film does not glamorise, or popularise this culture, which is arguably a healthy step in the right direction. The characters have zero substance, except what they snort. They're not likable, funny, endearing, or worth pitying; their story isn't even compelling, just repetitive. Steal, party, steal, party, you get the picture.
The Best OfferAnne Murphy
A story centered on an eccentric art auctioneer and his obsession with an heiress/collector.
Movies are rarely as alluring as this mystery crime story. Not only is the clever story well told, but it's artistically portrayed on the screen, a combination that ensures it is a pleasure to watch. There's a sophisticated mix of obsession and passion; emotions often associated with art and the people who inhabit the rarified atmospheres of galleries and auction houses. The premise is intriguing enough to hold interest right up until the credits, even if you manage to anticipate the outcome. No further bidding required.
After India's father dies, her Uncle Charlie, who she never knew existed, comes to live with her and her unstable mother.
In a movie fraught with dichotomies, a mother and daughter vie for the attention mysterious uncle who is both sinister and smooth. The film is as stylish as the story is twisted. Unfortunately, the more macabre the plot becomes, the more predictable the next development is. The initially promising premise reveals itself as shallow. "Stoker" is visually stunning, almost gothic in style as is hinted at in the title, although the setting is modern day. Chilling but nothing preternatural.
Before MidnightAnne Murphy
We meet Jesse and Celine in Greece, almost two decades have passed since their first meeting on a train bound for Vienna.
The talkies were invented for the couple in this story. "Before Midnight" is a conversation first and foremost, and film is merely the medium it's recorded on. Relationships are complex and involve compromise. It's a pleasure to be privy to an intimate but seemingly everyday sort of dialogue about lives spent together and the future to come. All is achieved with a natural style and there is little feeling that what plays out is being acted out. Magical without pumpkins.
Two teenage boys encounter a fugitive and form a pact to help him evade the bounty hunters on his trail and to reunite him with his true love.
"Mud" is a hold-your-breath atmospheric thriller set down South in the US. As expected, the ol' boys are hardened characters seeking either redemption or revenge but this intense movie really belongs to the two wide-eyed young boys and their adventures in a grim adult world. While distracted by women, they are discovering what it takes to be a man and how the bonds forged between men prove more steadfast than other embittering relationships. Gritty.
Lost in the forest, a group of friends wander around in a desperate search, trying to avoid their already written story.
Without trying you may find yourself becoming part of this film, the sixth soul looking for a way out. Your vision is impaired when what you see is contained to a single lens. If you keep watching, and don't turn from the screen, the effect of these extended single shots can be surprising. You hear things, and see things - bodies, shapes, shadows. Then as the camera moves you deeper into the woods…there's nothing. It's creative, compelling, and complex. And green, it's very green.
A Gun in Each HandAnne Murphy
A series of five vignettes exploring the relationship crises of middle aged men.
This movie is a conversation starter. After watching the intimate conversations on the screen, there will much to talk about, particularly with a member of the opposite sex. "A Gun in Each Hand" is thought provoking, and we're given a fly-on-the-wall chance to witness men talking and sharing about their feelings and relationships. They are all struggling in some way and the director's slightly cynical touch is light enough that we can connect with both their desires and concerns. Straight shooters, or trying to be…
Baby BluesThomas Jones
Natalia really wanted to have a baby. Now she has got one and her extrovert seventeen-year-old life has suddenly become one big struggle.
Idiotic teenage parents should be outlawed. Prepare for your anger to intensify, as you sit incapable of doing anything, and watch the appalling parenting of an innocent child. Highly stylised, with brightly coloured scenery, and a pretty twisted euro-techno soundtrack, this film is bold in its delivery of such a grim subject. The acting at times is a bit melodramatic, but equally it works at enhancing how unlikable all the characters are. Time to saddle up, and get on your high horse.
Alberto forms an unusual friendship with Luly, the manager of the 24-hour gym where he works as a night guard.
For anyone who finds the idea of open caskets a bit nauseating, this film is like looking in one for a really long time. And instead of an embalmed body with nice clothes and make-up, imagine if it was undressed and still decomposing. This is not a horror flick in the 'who's behind the door' kind of way, but its real-life quality makes it so disturbing and quite hard to watch. Not suitable for children, or anyone having a good day.
Satellite BoyThomas Jones
Pete lives with his grandfather in an old, abandoned outdoor cinema in the desert. When the old drive-in is threatened with demolition, ten year old Pete takes off to the city to save his home.
This film effectively handles the topical issues of mining and land rights, capturing a real innocence on the matter. The way the young Aboriginal boys use the land and the way miners use the land are opposed, the dynamic played out without blatantly plugging any political agenda. With picture-postcard cinematography throughout, the audience can enjoy the story for what it is, as a platform for discussion, or as inspiration for your next getaway. Walkabout anyone?
In the HouseAnne Murphy
A sixteen-year-old boy insinuates himself into the house of a fellow student from his literature class and writes about it in essays for his French teacher.
"In the House" cleverly and deliberately blurs the line between fact and fiction. As the plot develops, we are left to ponder what game is being played. This is a clever movie where the audience could feel as manipulated as any of the characters; is there a disquieting undertone of malevolence or was it imagined? After all, this is a witty story about story-telling and it is a good story well told. Inside, outside, and upside down.
World War ZAndrew O'Dea
U.N. employee Gerry Lane traverses the world in a race against time to stop the Zombie pandemic.
"World War Z" is an apocalyptic thriller that spans the globe. What it lacks in gore and horror, it makes up for with epic, large-scale action sequences, and the brisk pacing is indicative of a film that has favoured cinematic spectacle over the socio-political commentary of its source material. Although the story may feel somewhat predictable as our hero evades a procession of close calls, it nevertheless remains an entertaining enough adventure. Sure to divide the audience, it could've been better with a little less 'A to B' and a little more 'Z'...
The Great GatsbyAnne Murphy
A Midwestern war veteran finds himself drawn to the past and lifestyle of his millionaire neighbour.
"The Great Gatsby" as a book is a literary classic and it's difficult to review the movie without making comparisons. Most viewers will watch with some sort of expectation. Do so at the peril of your enjoyment, look too critically and you'll see this is not a perfect image of the novel. Forget familiarity, the director has delivered a turbo-charged, multi-coloured and visually spectacular version of the story and intriguing characters alike. This film version is true to the source but somehow greater.
A father goes undercover for the DEA in order to free his son who was imprisoned after being set up in drug deal.
"Snitch" seizes upon the value of a 'based on true events' premise and tells the story of an amiable father who throws himself into the most dangerous of situations. Trying to win the trust of shady drug lords isn't easy, creating an atmosphere loaded with suspense. It quickly becomes apparent that our wishful hero is out of his depth, and the film is successful enough in its character portrayals that we actually care. Each move may be predictable, but the ride is enjoyable enough. Dobbed in.
A Lisbon woman seeks out a man who has a secret connection to her neighbour’s past life on a farm by Mount Tabu in Africa.
The film-maker's craft is skillfully realised in stunning black and white, and "Tabu" is visually rewarding. Innovative audio techniques leave the telling of the background story to a narrator with a flat style that eventually weighs down interest. The real let down is a plot that lacks depth. The movie is not redeemed by its symbolism... a crocodile obviously warns of lurking danger. Ironically it's the very same reptile that remains the only snappy thing about this film. Not fabu(lous).
An art auctioneer who has become mixed up with a group of criminals partners with a hypnotherapist in order to recover a lost painting.
"Trance" is a demonstration in the odd behaviours associated with art, hypnosis and love. What starts as an apparent heist film quickly transitions into a psychological thriller, challenging the audience to discover the truth. With each chapter, the story introduces new pieces of the puzzle and dissecting each revelation delivers a sense of accomplishment. Driven by a great cast of ensnaring characters, the only frustrating memory might be a plot-twist too many. A riveting piece missing perfection.