About TimeAnthony Macali
At the age of 21, Tim discovers he can travel in time and change what happens and has happened in his own life.
"About Time" is one of those sweet romantic comedies designed for everybody to love, with the added gimmick of time-travel to keep the story moving forward. It's a plot device we've all seen before, but the charming set of characters allow a welcome and constant reminder to treasure every moment of our day-to-day lives. Despite the lack of originality, there's enough laughter and plenty of good-will to forgive the film for its obvious flaws. About life.
Mystery RoadAnne Murphy
An indigenous detective returns to the Outback to investigate the murder of a young girl.
A slow burning thriller without a backing soundtrack, the pace seems all the slower accompanied by the background silence. "Mystery Road" turns the camera on a host of social issues, from racial tensions, alcohol abuse to the dark side of the drug world, prostitution, and domestic violence... and this is only a small town. The problems are observed and not preached about - the only patronising done by the lead characters' colleagues. Disquietingly insightful. The location is certainly no mystery; this is slo-mo Australia.
Two astronauts try to make it back to Earth after an accident leaves them stranded and adrift in space.
This is a triumph in film-making. It's a captivatingly visceral and immersive experience grounded by jaw dropping visual effects and sound design, complementing one of the most engaging stories of survival you will see. So much truth is given to every aspect of the journey, making it feel incredibly authentic and genuinely absorbing. "Gravity" is edge-of-your-seat drama and action that will remain with you long after the credits roll. A modern classic.
The story of Linda Lovelace, who is used and abused by the porn industry at the behest of her coercive husband, before taking control of her life.
One can imagine there is more to tell about the story of the young woman who 'starred' in a porno film that became a cultural phenomenon in the 1970's, and despite its name was not about a giraffe. The tale is sordid, ultimately it is about degradation and abuse, and it evokes empathy for the main character. The disco soundtrack is excellent and the support actors are credible as thugs in body shirts. Hard core.
Blue JasmineAnne Murphy
A life crisis causes a vapid and narcissistic socialite to head to San Francisco, where she tries to reconnect with her sister.
This is a global financial crisis aftermath movie, where we are drawn to watching those who had it all, and their lives after the loss of that excess. How do you keep it together when your life comes apart? "Blue Jasmine" exposes a taut human fragility through its characters, family, lovers and strangers. Our simplicity is in full view along with our complexity and a confounding ability to see ourselves as we imagine we are. Sharp, dark and smart, in hues of blue.
White House DownAndrew O'Dea
A policeman must save his child and protect the president from a group of paramilitary invaders.
Action junkies will be enthralled by this fist-pumping spectacle, a shameless popcorn flick that would have its audience believe the President of the USA is capable of firing rocket launchers from a speeding armoured-limousine. Some of the set-pieces are explosive, and while the special effects are impressive, they eventually become tiresome and repetitive. The lead is perfectly suited to his role as the action star, but isn't helped by moments of dialogue and patriotism so cringe-worthy that they become downright hilarious. Was it meant to be a comedy? White House frown.
The Mortal Instruments: City of BonesAnthony Macali
When her mother disappears, Clary learns that she descends from a line of shadow hunters.
This story of a fantastical world hidden among ours, a long-standing mythology of good vs evil, and a pair of star-crossed creatures finding love in the unlikeliest of places is starting to feel all too familiar. "The Mortal Instruments: City of Bones" makes up the rules along the way, providing answers to all the supernatural wonders and armaments for our drab protagonists. The continuous hocus-pocus soon transforms into boredom, and the inevitable romance hinted throughout is cringe-worthy, out of place in a film otherwise dark in tone. Full of the mundane.
The story of Steve Jobs' ascension from college dropout into one of the most revered creative entrepreneurs of the 20th century.
"Jobs" follows a small tenure of the famous entrepreneur, from the birth of the home-PC, to the tumultuous times of leading a publicly listed company. In a largely neglectable performance, we discover a determined and at times difficult figure, with a very strict vision and diet. At its best, the story excels in simply documenting the journey, captivating your attention without frills. Once you reach the end, despite the uneventfulness, you'll want to see more evolution. Static and compliant.
What Maisie KnewAnne Murphy
In New York City, a young girl is caught in the middle of her parents' bitter custody battle.
The protagonist is a six year old and we see only what she witnesses and we hear only what she does. Both her resilience and her fragility are apparent. "What Masie knew" is loaded with emotion and doesn't sink into sentimentality; the tone is delightfully precocious in this uncommonly well-crafted movie. The narcissism of some of the adults comes off as brat-like, their poor behaviours glaringly transparent in contrast to the more opaque and thoughtful attitude of the child. Wise Masie.
Frances HaAndrew O'Dea
A story that follows a New York woman who throws herself headlong into her dreams.
"Frances Ha" is an unassuming and offbeat comedy about life, loves and messy rooms. Shot entirely in inky black and white against a New York City backdrop, the film's colour radiates from the whimsy and charm of the affable Frances. Her flawed character is an aimless yet endearing underachiever, and despite the glaring criticisms her questionable life-choices might draw, her gleeful exuberance and goofball nature has an appeal which makes her disarmingly likeable. An affectionate salute to our disjointed lives; fall for Frances.
The TurningAnne Murphy
A collection of 17 short films, each episode drawn from a different chapter of the book.
Each of the individual pieces to this film is a minor masterpiece, poignant in its own way, familiar stories of longing and regret in an unmistakably Australian setting. Presented as one three hour movie, "The Turning" asks much of its audience. The trouble is that the central linking thread is not always apparent, as each piece has its own writer, director and cast. It's not straightforward to spot the same characters in different stories; they’re more connected in the book than they appear on the screen. Quite a turn of events.
Mood IndigoAnthony Macali
A woman suffers from an unusual illness caused by a flower growing in her lungs.
"Mood Indigo" is out-there. Riding a fine line between wild creativity and self-indulgence, there are numerous moments of tedious viewing. While the setting appears to be the real world, most of the objects and people we're normally familiar with interact in very peculiar ways. The dreamlike blend of reality and quirkiness is weird, alienating the audience from the characters and their struggles. Despite the subject matter, it's a difficult story to treat seriously. You've got to be in the right mood for this perplexing mess.
In the year 2154, a man takes on a mission that could bring equality to a grossly polarised Earth.
"Elysium" is an absorbing sci-fi adventure loaded with allegory. Although the political overtones can be heavy-handed at times, it's always refreshing to view a movie where the guns and explosions are balanced by an intelligent and relevant social conscience.The production values are superb, and impressive visuals add weight to a succession of gritty action sequences full of gory violence and splatter. While the conclusion is a little predictable, the brisk pacing and intensity make this film about dystopian class division exciting and imaginative enough to entertain.
Behind the CandelabraThomas Jones
The tempestuous relationship between Liberace and his (much younger) lover is recounted.
Surprisingly, for a film about a figure as flamboyant as Liberace, it’s a little dark. The central relationship spirals into some very odd and destructive behaviour; imagine your boyfriend wanting to adopt you as his son. From the fashions and furnishings, to the stigmas surrounding homosexuality, this film accurately captures the era with which it is set. Though at times it does become a bit farcical, there are award-worthy performances all round, particularly from the man who is the candelabra.
The Way Way BackAnthony Macali
14-year-old Duncan is having a rough time enjoying his vacation away with his mother and new boyfriend, until finds an unexpected friend in Owen, manager of the Water Wizz water park.
"The Way Way Back" is a coming-of-age tale that will make you wish for summertime. The warm beach-side is an interesting setting to play out the conflict, as the shy Duncan wrestles with the reality of his newly blended family. With the help of the most unexpected of strangers, he slowly gains confidence and there is great joy to be found in watching him grow. A wonderful mix of laughter and drama, held together by a fantastic cast. Take the vacation.
The RocketAnne Murphy
A boy who is believed to bring bad luck to everyone around him leads his family and two new friends through Laos to find a new home.
"The Rocket" plays as a crowd-pleaser, perhaps that's because the target audience is hard to define. The setting is post-war Laos and the protagonist is a child but there are scenes that might be confronting for children. The movie is pleasing, quite exhilarating, a crowd-pleaser must be a movie with such broad appeal that you enjoy it even if you don't identify as the target demographic. Not rocket science but it's a blast.
The Bling RingThomas Jones
Inspired by actual events, a group of fame-obsessed teenagers use the internet to track celebrities' whereabouts in order to rob their homes.
Anyone who admires or tries to emulate the lives of celebrities, prepare for disappointment. You'll find little inspiration here, except maybe the very cool soundtrack. This film does not glamorise, or popularise this culture, which is arguably a healthy step in the right direction. The characters have zero substance, except what they snort. They're not likable, funny, endearing, or worth pitying; their story isn't even compelling, just repetitive. Steal, party, steal, party, you get the picture.
The Best OfferAnne Murphy
A story centered on an eccentric art auctioneer and his obsession with an heiress/collector.
Movies are rarely as alluring as this mystery crime story. Not only is the clever story well told, but it's artistically portrayed on the screen, a combination that ensures it is a pleasure to watch. There's a sophisticated mix of obsession and passion; emotions often associated with art and the people who inhabit the rarified atmospheres of galleries and auction houses. The premise is intriguing enough to hold interest right up until the credits, even if you manage to anticipate the outcome. No further bidding required.
After India's father dies, her Uncle Charlie, who she never knew existed, comes to live with her and her unstable mother.
In a movie fraught with dichotomies, a mother and daughter vie for the attention mysterious uncle who is both sinister and smooth. The film is as stylish as the story is twisted. Unfortunately, the more macabre the plot becomes, the more predictable the next development is. The initially promising premise reveals itself as shallow. "Stoker" is visually stunning, almost gothic in style as is hinted at in the title, although the setting is modern day. Chilling but nothing preternatural.
Before MidnightAnne Murphy
We meet Jesse and Celine in Greece, almost two decades have passed since their first meeting on a train bound for Vienna.
The talkies were invented for the couple in this story. "Before Midnight" is a conversation first and foremost, and film is merely the medium it's recorded on. Relationships are complex and involve compromise. It's a pleasure to be privy to an intimate but seemingly everyday sort of dialogue about lives spent together and the future to come. All is achieved with a natural style and there is little feeling that what plays out is being acted out. Magical without pumpkins.
Two teenage boys encounter a fugitive and form a pact to help him evade the bounty hunters on his trail and to reunite him with his true love.
"Mud" is a hold-your-breath atmospheric thriller set down South in the US. As expected, the ol' boys are hardened characters seeking either redemption or revenge but this intense movie really belongs to the two wide-eyed young boys and their adventures in a grim adult world. While distracted by women, they are discovering what it takes to be a man and how the bonds forged between men prove more steadfast than other embittering relationships. Gritty.
Lost in the forest, a group of friends wander around in a desperate search, trying to avoid their already written story.
Without trying you may find yourself becoming part of this film, the sixth soul looking for a way out. Your vision is impaired when what you see is contained to a single lens. If you keep watching, and don't turn from the screen, the effect of these extended single shots can be surprising. You hear things, and see things - bodies, shapes, shadows. Then as the camera moves you deeper into the woods…there's nothing. It's creative, compelling, and complex. And green, it's very green.
A Gun in Each HandAnne Murphy
A series of five vignettes exploring the relationship crises of middle aged men.
This movie is a conversation starter. After watching the intimate conversations on the screen, there will much to talk about, particularly with a member of the opposite sex. "A Gun in Each Hand" is thought provoking, and we're given a fly-on-the-wall chance to witness men talking and sharing about their feelings and relationships. They are all struggling in some way and the director's slightly cynical touch is light enough that we can connect with both their desires and concerns. Straight shooters, or trying to be…
Baby BluesThomas Jones
Natalia really wanted to have a baby. Now she has got one and her extrovert seventeen-year-old life has suddenly become one big struggle.
Idiotic teenage parents should be outlawed. Prepare for your anger to intensify, as you sit incapable of doing anything, and watch the appalling parenting of an innocent child. Highly stylised, with brightly coloured scenery, and a pretty twisted euro-techno soundtrack, this film is bold in its delivery of such a grim subject. The acting at times is a bit melodramatic, but equally it works at enhancing how unlikable all the characters are. Time to saddle up, and get on your high horse.
Alberto forms an unusual friendship with Luly, the manager of the 24-hour gym where he works as a night guard.
For anyone who finds the idea of open caskets a bit nauseating, this film is like looking in one for a really long time. And instead of an embalmed body with nice clothes and make-up, imagine if it was undressed and still decomposing. This is not a horror flick in the 'who's behind the door' kind of way, but its real-life quality makes it so disturbing and quite hard to watch. Not suitable for children, or anyone having a good day.