The IntouchablesStefan Bugryn
The true story of a quadriplegic aristocrat who forms an unlikely friendship with a young man.
"The Intouchables" could very well have been a cliché ridden odd-couplestinker, but instead, proves to be an amazingly touching experience. The loveable characters manage to make light of a hard situation with ease, avoiding cheesy sentimentality by delivering one of the most genuine friendships in modern cinema. The storyline is so charmingly simple, with much of the beauty derived from the fact that you find yourself laughing along with them in an otherwise depressing situation. Topped off with a mesmerising piano score, this one can't be ignored.
The Disappearance of Alice CreedAndrew O'Dea
Two men fortify a nondescript apartment so it can serve as a prison before kidnapping a woman.
"The Disappearance of Alice Creed" sets the tone from the outset, with a dialogue-free opening act that is as methodical and gripping as the film itself. Shot almost entirely in a confined space, excellent camera work and direction help to maintain its claustrophobic nature and sustain an air of tension. It moves from confrontation to revelation with doses of dry humour in just the right places to lace the suspense. With superb acting performances from the cast (all three of them) and a tight focus, you won't need to search any further than this if you're looking for a smart, engaging thriller.
Get LowStefan Bugryn
An old hermit throws himself a funeral party... while he's still alive.
This thoughtful meditation on forgiveness starts out as a comedy, but unravels to become something much more poignant. The joke of the 'funeral party' lasts only briefly, while the true drama slowly creeps in. What really makes this film work is the fine acting by the three leads. The odd sense of humour, and some truly touching moments are delivered with marvellous poise by the cast. Combined with stylish music, customers and production design, it makes for a very enjoyable movie... and that's the low down!
Moonrise KingdomAnthony Macali
A pair of young lovers flee their town, which causes a local search party to fan out and find them.
"Moonrise Kingdom" follows the sweet romance of two misunderstood kids, who find solace in one another after everyone else has given up on them. The narrow island setting is full of quirks, making use of a tour guide to describe some of its more famous tidbits, and adding a homely touch to the affair and adventure. A colourful cast push the expedition along, playing the frustrated parents and companions with good humour and trepidation; but the heart of the film lies in the relationship, a chronicle of a harmonising affection from a simpler time. A love story to rise up and conquer all.
Che: Part 2Andrew O'Dea
In 1967, 'Che' leads a small partisan army to fight an ill-fated revolutionary guerrilla war in Bolivia.
"Che: Part 2" is the culmination of a fascinating journey that marks Che's ultimate downfall. This film maintains the authenticity of "Part 1", albeit with a darker, more pensive tone. It evokes a sombre sense of impending doom whilst remaining as historically faithful as possible, refusing to glamorise its subject. This uncompromising approach is refreshing, and the lead actor's enigmatic performance is truly worthy of encompassing the man who is arguably the most iconic figure of the 20th century.
The FighterAnne Murphy
A look at the early years of boxer "Irish" Micky Ward and his brother who helped train him before going pro in the mid 1980's.
If you thought stories of the boxing hero had retired to their corner, grab a ringside seat... "The Fighter" will get you in a clinch. Oddly the fighter himself is the most conventional, and possibly the least interesting character in the ensemble. There are no glass jaws among his family, brawlers all. While not landing a full body blow, the action is powerful if punishing to watch. The gloves are off, and the audience is delivered a TKO.
A Dangerous MethodAnne Murphy
A look at how the relationship between Carl Jung and Sigmund Freud gives birth to psychoanalysis.
"A Dangerous Method" documents the shared origins of what have become rival doctrines, following the professional friendship and falling out of the earliest proponents of 'the talking cure'. The actor's performances ensure compelling, if at times uncomfortable, viewing. The period in modern history is faithfully depicted and attention is paid to details which highlight the differences between the lifestyles and theories of kindred pioneers. Even more engrossing than the look is the dialogue; unsurprisingly the screenplay is based on a non-fiction book. No slips, Freudian or otherwise.
You'll Miss MeAnne Murphy
The lives of six people converge briefly at an airport, where arrivals and departures are the norm.
"You'll Miss Me" is composed of a delightful series of vignettes that deftly intersect and overlap, exploring loves lost and found. The movie delves into the emotions of people with vastly different lives, the laughs laced with feelings. The production has a warm hearted feel, perhaps only possible because it's French - it's certainly not as theatrical as the English ensemble pieces it is so reminiscent of. Try not to miss this one.
Marcelline has the lead role in Turgenev's "A Month in the Country" and is in rehearsal for the stage production while rendezvousing with her real and imagined mid-life crisis.
This is a charming dramatic comedy about arriving at a certain life stage unfulfilled by the journey and irrevocably aging. Time ticks to an off-beat rhythm as players and characters collide, even the director's metronome can't restore a more even beat for members of the cast. It's the off-stage drama that is most engaging, where emotions are held in check only to emerge in theatrically inappropriate ways. Encore.
The White RibbonAnne Murphy
Strange events happen in a small village in the north of Germany during the years just before World War I, which seem to be ritual punishment.
"The White Ribbon" is visually mesmerising, artistically captured in black and white with a period detail that is meticulously reproduced, particularly in the costumes of the farming villagers. With its fascist undertones this film is a harrowing watch for all of its lengthy run time, and even then there is no reward of a conclusion or explanation. Austere, relentless, seething with hatred and cruelty, this is unforgiving viewing. The film evokes a sense of impending doom, with blue ribbon success.
The WayAnne Murphy
A father heads overseas to recover the body of his estranged son who died while traveling the "El Camino de Santiago," and decides to take the pilgrimage himself.
'El Camino de Santiago', or 'The Way of St James', has been a Christian pilgrimage for a thousand years and this movie shows why the walk is more travelled now than ever before. The story may be fiction, but the trail itself, the magnificent scenery, and the diverse experiences of pilgrims are real. Not everyone's path, but those who do watch will experience a melancholic and moving film. This way for a life affirming journey.
The DescentAnthony Macali
A group of six woman organize an adventure trip to go cave exploring. Things start to go wrong when they venture down unchartered caverns.
This is a classic genre movie exploiting the chilling atmosphere of murky caves and uncomfortably claustrophobic tunnels. As our adventures descend into the dark, the tension increases and the Gollum-like creatures come out to play. These predators are vicious, predictably narrowing our crew one victim at a time... with excessive blood so thick, it forms pools. A delight for horror fans who don't plan to delve into the sub terrane in the near future.
The Last StationAnne Murphy
A historical drama that illustrates Russian author Leo Tolstoy's struggle to balance fame and wealth with his commitment to a life devoid of material things.
Anchored with a passionate but philosophically-conflicted relationship between a husband and wife, "The Last Station" is a sweeping period piece that manages not to overwhelm with historical trappings. The a story is engrossing where, given the subject, it could have been rather dour. The players resist melodrama; there's an almost capricious tone that makes this film a pleasure to watch. It's not revealing too much to say the last station is the end of line.
Chinese Take-AwayAnne Murphy
In Buenos Aires, the bitter and methodic Roberto is a lonely man and the owner of a hardware store.
Don’t be misled by the title, "Chinese Take-Away" is original cinema fare. The characters are human to a fault, simple and uncomplicated. They stumble through day-to-day trying to get through some extraordinary and unexpected circumstances. That is the charm of this movie, perfectly balancing between the everyday-ordinary and the synchronistic and inexplicable. The result is quirky and beguiling, and it's simply delightful to watch the story unfold without being able to predict the direction or outcome. Recommend you eat in.
The MessengerAnne Murphy
An American soldier struggles with an ethical dilemma when he becomes involved with a widow.
"The Messenger" delivers emotional punches in relentless succession in a context of heartbreaking realism. More than a war film, or even a film about the army, this is a movie about loss and grief, mostly expressed by men. Harrowing exchanges made when people are at their most vulnerable are intense to witness, made no less easy by scenes where withheld emotions seethe within the characters. Thankfully there are strands of camaraderie and humour threaded throughout, and they serve to strengthen the compelling messages.
Capitalism: A Love StoryAnthony Macali
An examination into disastrous impact of corporate dominance on the everyday lives of Americans.
"Capitalism: A Love Story" is a compelling perspective of America's social system, often highlighting its evil... at times literally. The greed driving some institutions is sickening (and legal), as the film covers the history of the American government's economic reform that perpetrated the great financial crisis. Amongst the criticism and hard facts are some genuine heart-felt moments, which work well to destroy any notions of opportunistic America, and inspire the lower and middle classes to fight those controlling all the money and the world.
Shutter IslandAnthony Macali
Set in 1954, Federal Marshal Teddy Daniels is investigating the disappearance of a murderess who has escaped from a hospital for the criminally insane.
"Shutter Island" opens with a dreadfully ominous musical composition, promptly setting the tone for this dark and disturbing thriller. The hospital for mental health is the perfect setting for the director to play games with the mind, as Teddy's scrutiny slowly intensifies, clouding his dreams with reality. The fragments of his delusions are haunting, as you're drowned in a loud and often exaggerated score. It will send shudders down the spine, keep you guessing, and enthral to the very end.
Members of a world-renowned string quartet struggle to stay together in the face of death, competing egos and insuppressible lust.
When you find yourself weeping in a cinema, why is it that you cry? Is it for the life loves and losses of fictional characters or for your own fragile mortality? Something extraordinary is orchestrated when a writer and director conspire to bring a finely tuned production to the screen. Credit must also go to the talented actors who perform together seamlessly as a quartet. "Performance" is played like a concerto. Bravo!
The HedgehogAnne Murphy
Paloma is a serious, but deeply bored 11 year old, who decides to kill herself on her twelfth birthday.
"The Hedgehog" is a melancholic and elegantly understated character study, artistically crafted and entrancing. The film's direction is deft, uncovering a very moving exploration of the human condition beneath a simple tale. The story is focused on three intelligently drawn characters with rich inner lives in which they insulate themselves from the world outside. The performances of the lead roles are without fault, balancing humorous, absurd, and enigmatic characteristics. We see both the prickles on the outside and the warm hearted inside of a hedgehog.
Julie & JuliaAnne Murphy
Julia Child's story of her start in the cooking profession is intertwined with blogger Julie Powell's 2002 challenge to cook all the recipes in Child's first book.
Two storylines are baked together, although about 50 years separate them, and the result is delicious. Scenes effortlessly transport the viewer in and out of the lives and kitchens of Julie and Julia, capturing a shared passion for cooking. The characters are wonderful, warm, and loving; their relationships golden roasted and close to perfect. This movie is appetizingly presented and readily devoured. As both Julie and Julia would have said... bon appetit!
The Iron LadyTom Jones
A look at the life of Margaret Thatcher, the former Prime Minister of the United Kingdom.
Romance or political drama? "The Iron Lady" could be shelved under either genre as it depicts the political rise and fall of Margaret Thatcher against the backdrop of her mourning the passing of her husband. There is a nice balance of both plotlines and the inclusion of real footage adds conviction to this film. The performance of the lead is so convincing it's like a Madame Tussauds figure coming to life. Thatcher herself endorsed 'doing something' rather than trying to be 'somebody'. With that in mind, do something... go and see this film.
Inside Llewyn DavisAnne Murphy
A week in the life of a young singer navigating the Greenwich Village folk scene of 1961.
"Inside Llywen Davis" provides an in-depth portrait of one man, and a reflection on life. The protagonist has been following a dream and starts to realise that he is living a mundane nightmare. There's no plot to speak of, and this portrayal of the daily grind captures a surreal quality. The cinematography is extraordinary, finding beauty in the grim of winter and grime of the city. As for the folky soundtrack, let's just say you can hear the whistle blow a hundred miles...
Quiet ChaosAnne Murphy
A look at the strange bereavement behavior of an Italian executive.
The portrayal of loss in this film evokes W.H. Auden's poem that opens with the line "Stop all the clocks...". Everything is changed and pared back to essentials by an unexpected death. The everyday world continues on around the slowing of the central characters, drawing empathetic viewers into this well told tale. The movie is a subdued but sure-footed meditation on grieving as lives and priorities are reassessed. More contemplative than chaotic, and recommended for its heartfelt quiet.
The Other SideAnne Murphy
A drag queen returns, bereft, to the village and family he left 17 years ago.
The film has a rhythmic heartbeat as it traverses the delicate territories of love lost and dreams unfulfilled. It is possible to come home and still be on the other side, the other side of understanding and the other side of reconciliation. The landscape of relationship is tenderly navigated and the unrequited yearning of each character is faultlessly depicted. Watching "The Other Side" is like being subjected to open heart surgery with deft and precise incisions that lay bare the most vulnerable of places.
The Ides of MarchStefan Bugryn
A game of dirty politics plays out behind the scenes of the campaign for a Presidential candidate.
This is minimalistic film-making at it's best. The movie tackles some truly hard-hitting notions, but packs its punch with the little things. It's captivating to watch the actors hold back the emotion, where the drama is implied rather than thrown in your face. The long stares. The knowing eyes. It all sizzles in the background… but you can definitely feel it. The director could have easily gone for high melodrama, but instead went for the complete opposite, and it paid off remarkably. A vote of confidence.