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A failed medical experiment turns a man of faith into a vampire.
Take equal parts sex, love, murder, humour, religion, violence and vampires. Add one talented, visually adventurous director and a good dash of excellent acting, and you have a wild and unique cocktail called "Thirst." Drink it up, and you will definitely feel as though you have had an unusual, albeit lengthy, experience. This horror/comedy saga has so much going on that your head will be spinning by the last drop. A taste sensation not for the faint-hearted, but plenty of shocks and laughs for those brave enough to try it.
Red CliffAndrew O'Dea
Based on the events during the Three Kingdoms period in Ancient China, The Battle of Red Cliffs.
"Red Cliff" is a plush historical epic of the grandest scale. The scope is enormous and perfectly realised in sublimely sweeping battle scenes. Due in most part to this release being a condensed version of the original, some of the character development has clearly had to have made way in favour of the action sequences. However, the brilliance of the exhilirating battle choreography and dazzling effects alone are enough to render this film a period war movie of the highest quality.
Winged CreaturesAnne Murphy
A group of strangers form a unique relationship with each other after surviving a random shooting.
Normality is shattered by a horrific event and the characters fall apart in ways that beggar belief. Truth is reportedly stranger than fiction, and in this instance the clumsy storylines drawn out of the central trauma have little semblance to possible truth. PTSD reactions should be left to psychologists not scriptwriters. This is as downbeat a movie as you're ever likely to see, and all the more irksome for the condescending portrayals of the working class characters. Fly away.
Coco avant ChanelAnne Murphy
The story of Coco Chanel's rise from obscure beginnings to the heights of the fashion world.
"Coco avant Chanel" is an elaborate, elegant production with stylish backdrops and sweeping scenes of the French countryside. The trouble is the movie doesn't have depth beyond the pleasing visual ambiance. In fact it is a little unforgivable that this bio-pic is uninteresting enough to bore in parts, given the allure and achievements of the central character. Lacking 'oh-la-la' this coco is served unfashionably lukewarm.
Two LoversAnne Murphy
A Brooklyn-set romantic drama about a bachelor torn between the family friend his parents wish he would marry and his beautiful but volatile new neighbour.
This is an impressive movie, with compelling portrayals of fragile, damaged personalities that draw the viewer into the vortex of their various relationship complexities. The film maker is a deft story teller, balancing hope with hopelessness while casting a compassionate eye over the foibles, the addictions and the all too human yearnings of the characters. Moody night time NYC landscapes are traversed as assuredly as the turmoils of the lovers. Love to love.
Sunshine CleaningAnne Murphy
In order to raise the tuition to send her young son to private school, a mum starts an unusual business, a biohazard removal/crime scene clean-up service, with her unreliable sister.
This is an endearing movie in a low key 'indie' style. A beguiling cast portray a dysfunctional family facing their everyday relationship challenges. The comedy is so heartfelt that laughs catch on the way up, almost mutating into sobs, before rising as smiles. The tone is as mirthful as it is melancholic, despite the dark storylines. "Sunshine Cleaning" is the perfect antidote for messy everyday lives.
What Just Happened?Wendy Slevison
Two weeks in the life of a fading Hollywood producer who's having a rough time trying to get his new picture made.
What a disappointment. "What Just Happened" is a film boasting an amazing pedigree, but has no apparent storyline or plot, no standout performances and no characters we care anything about; not even the big-name actors playing themselves can do anything to invigorate this lifeless, pointless exercise. Unfortunately, all you are likely to think as you leave the cinema after watching this movie is "what just happened?" And the answer is... not much.
Is Anybody There?Anne Murphy
Set in 1980s seaside England, this is the story of Edward, an unusual ten year old boy growing up in an old people's home run by his parents.
The movie is charming in a traditionally British way and disappoints for not being more than a quaint period piece, albeit a recent period. A tinkly slow soundtrack accompanies a tinkly slow story. The themes of aging and death don't offer the audience more than creeping rigor mortis as the story fails to engross. See it only for the fine performance of the lead actor and be warned that nobody else is there.
My Year Without SexWendy Slevison
An understated look at love and life in middle-class Australian suburbia.
Watching this film feels a bit like peering in your neighbours' window and secretly watching them go about their lives. What you see is familiar in its detail, insightful in its observations, and at times confronting in its honesty. It boldly broaches the big questions, as well as the little everyday ones. Tenderly crafted, and featuring stellar performances, "My Year Without Sex" is an affirmation of the trials and tribulations of love, relationships, family and yes, sex.
Set in the summer of 1987 and centered around a recent college grad who takes a nowhere job at his local amusement park, only to find it's the perfect course to get him prepared for the real world.
Despite its 'indy' pretensions, this story has more heart than its formulaic predecessors. Sure, it might follow your typical boy meets girl scenario, but it rises above the cliché with a cast who wonderfully capture the fun, frivolity and angst of the time. Although short on the laughs it may promise, it still makes you feel warm and fuzzy inside. Coupled with an awesome 80's soundtrack en-loop, "Adventureland" is a charming ride about growing up and finding love.
Quiet ChaosAnne Murphy
A look at the strange bereavement behavior of an Italian executive.
The portrayal of loss in this film evokes W.H. Auden's poem that opens with the line "Stop all the clocks...". Everything is changed and pared back to essentials by an unexpected death. The everyday world continues on around the slowing of the central characters, drawing empathetic viewers into this well told tale. The movie is a subdued but sure-footed meditation on grieving as lives and priorities are reassessed. More contemplative than chaotic, and recommended for its heartfelt quiet.
The WindowAnne Murphy
An ill and aged author has his housekeeper preparing for the visit of his estranged son.
Related as a simple tale, this film is a gently paced contemplation of life and death. Scenes are deftly painted with an aesthetic eye. The cinema screen becomes an artist's canvas coloured with the haze of summer and reminiscences. It is a rare pleasure for the audience to be credited with the intelligence to sketch sub-plots, rather than having it all spelled out. A melancholic but unsentimental study of mortality; pausing for a view through this window is recommended.
Insignificant ThingsAnne Murphy
Esmeralda is a teenager who collects little objects she finds, creating a box of insignificant treasures.
The movie unfolds through four vignettes tenderly woven together with the shared threads of lives that intersect. "Insignificant Things" explores important relationships that are undervalued and it does so with a deft touch. This is a finely tuned and detailed piece that is incisive and affecting without becoming despairing. A film so well crafted that it mesmerises is a very significant thing indeed.
State of PlayAndrew O'Dea
A team of investigative reporters try to solve the murder of a congressman's mistress.
This is a reasonably well-executed political thriller. Surprisingly, sharp dialogue provides witty yet sporadic comical relief, while the carefully plotted conspiracy makes for a polished although somewhat uninspired movie. Unlikely contrivances and one climatic plot twist too many mean that, at times, the film seems to meander and lack coherent direction. However, despite this state of flux, "State of Play" is redeemed by an intelligent script and moments of genuine tension that provide enough surprises, thrills, and intrigue to entertain.
A couple are considering sending back a difficult adopted child.
The plot outline suggests that this should be a tense and emotional film, as a pair grapples with their situation and subsequent decision. The expected intensity, given the subject of the souring reality of a long-held dream, is not realised. Along with a failure to deliver an emotional punch, there are other difficulties: the real time pace drags, use of symbolism is too overt, and an unlikely sub-plot that detracts from the main story complicates the film. All in all it is a shame.