- Arrange By »
- Title
- Release Date
- Stars
- « Previous
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 9
- 10
- 11
- 12
- 13
- 14
- 15
- 16
- 17
- 18
- 19
- 20
- 21
- 22
- 23
- 24
- 25
- 26
- 27
- 28
- 29
- 30
- 31
- Next »
Contraband
Anthony Macali
To protect his brother-in-law from a drug lord, a former smuggler heads to Panama to score millions of dollars in counterfeit bills.
"Contraband" doesn't move along at a great speed of knots, but contains plenty of drama and thrills. For the most part, the story takes place on a ship, and the environment is a not often seen and interesting place. The hand-held camera style is distracting, regularly zooming in and out of focus. There's a lot to like about our main character, using his street-smarts to continually outwit his sinister opponents. In the end, this predictable import brings home the goods.
Tyrannosaur
Anne Murphy
The story of Joseph, a man plagued by violence and a rage that is driving him to self-destruction.
"Tyrannosaur" is harrowing viewing. Filmed with an uncompromising eye for realism, there’s an intensity to this movie that’s rarely captured with such bruising effect. Anger, rage and torment are central to the story and expressed without inhibition. Expect a confronting experience, one that will leave audiences wrung out, if not reeling from the relentless blows landed. The cast are credible and the performances delivered are absolutely convincing, particularly when somewhere from the depths of hopelessness something transformative is glimpsed. As riveting as it is grim.
My Week with Marilyn
Anne Murphy
Colin Clark, an employee of Sir Laurence Olivier's, documents the tense interaction between Olivier and Marilyn Monroe during production of The Prince and the Showgirl.
There's not a lot of plot to get lost in just an intimate week with the movie star we remember for her reputation for being as fragile as she was glamorous. "My Week with Marilyn" is an engaging in-depth character study. The lead actor delivers a spell-binding and authentic portrait of the screen legend as complex woman who shone in front of the camera and struggled with insecurity behind the scenes. Not only gentlemen will prefer this blonde.
Extremely Loud & Incredibly Close
Tom Jones
A nine-year-old amateur inventor, Francophile, and pacifist searches New York City for the lock that matches a mysterious key left behind by his father, who died in the World Trade Center.
The centre of the world and its inhabitants, as seen and experienced through the eyes and mind of a young boy, are dynamically depicted in this film about loss and the journey one takes to feel found. The central plotline struggles to sustain your interest for the entirety and the loose ends could be tied quicker, but the moments where life and all its eccentricities are pulled back to a very literal and innocent place are quite compelling. All in all, extremely heartfelt, incredibly nice.
Gone
Wendy Slevison
When her sister disappears, Jill is convinced the serial killer who kidnapped her has returned.
When a movie reaches fever pitch very early on, where else can it go but down? That's the case, resoundingly, for this one-dimensional would-be thriller. It's like paint by numbers. Young blonde heroine, tick. Orphaned and living alone with her younger sister amidst thousands of acres of forest, tick. Strange loner who people have noticed but know nothing about, tick. Oh dear, ho hum. How do they even raise the money to make this clichéd and vapid sop? As soon as you leave the cinema, all thought of this film and everyone involved in it will be…GONE!
The Grey
Andrew O'Dea
In Alaska, an oil drilling team struggle to survive after a plane crash strands them in the wild. Hunting the humans are a pack of wolves who see them as intruders.
This tale of survival is a surprisingly philosophical one. "The Grey" is still punctuated by enough action to thrill, but at its core remains a meditation on existentiality and an intelligent snapshot about man's primal will to live. Unsparingly bleak, the film's spiritual agenda is stripped as bare as the cold and wild backdrop it's set against; carried by some superb characterisation and the commanding presence of its leading man. Once more into the fray...
Shame
Tom Jones
In New York City, a man's carefully cultivated private life, which allows him to indulge his sexual addiction, is disrupted when his sister arrives unannounced for an indefinite stay.
It's ironic, a movie with a one-worded title conjures up so many more. To name but just a few, "Shame" is explicit, dark, confronting, honest and in every essence of the word, brilliant. Everything, absolutely everything, about the central character and his lifestyle is exposed, and yet at the same time the audience is denied a lot of context surrounding who, what and why for the film's entirety. However this conflict, along with everything else, simply works. In one word... shameless.
The Artist
Anne Murphy
Hollywood, 1927: Silent movie star George Valentin wonders if the arrival of talking pictures will cause him to fade into oblivion.
Prepare to be transported to a past era in Hollywood by "The Artist". There are many adjectives to describe the nostalgic venture including: charming, original, witty, surprising, and stylish. In short a captivating movie, and all the more so for daring to be all but silent and presented in black and white. It is a pleasure to be entertained by a romance that eschews modern effects and remains authentic to the period portrayed. Paints a picture.
Martha Marcy May Marlene
Anne Murphy
Haunted by painful memories and increasing paranoia, a damaged woman struggles to re-assimilate with her family after fleeing an abusive cult.
The fragile bonds of family come under scrutiny in this psychological thriller, and makes for tense viewing from the opening scenes right until the second it finishes. The film is dark and taut as memories are seamlessly threaded with the present. The film-maker is deft, using the past to explain today and develop a sense of impending threat in the audience. While watching it becomes harder to breathe as the story unfolds. Mal-adjusted mentality methodically manipulated.
J. Edgar
Andrew O'Dea
Director of the FBI for almost 40 years, J.Edgar Hoover was feared and admired, reviled and revered.
This biopic is as unprovocative as it is uninformative. So much of "J Edgar" is dedicated towards an unnecessary focus on the man's battle with his sexuality and unrequited romance that it loses direction. Eventually, it labours towards the end of what is ultimately a dull and turgid affair. Utterly disappointing when you consider the talent of the director and the squandered opportunity to delve into the life of one of the most influential and controversial characters in the history of the United States. Sucks almost as much as the protagonists' vacuous namesake.
Weekend
Anne Murphy
Russell heads out to a gay club and picks up Glen just before closing time and what's expected to be just a one-night stand becomes something else, something special.
"Weekend" is a low key movie grounded in realism that presents a romance between two men who have only a weekend to spend together. The simple naturalistic style of this film is balanced by its emotional honesty. The performance from the two leads is genuine and understated, lending authenticity to this modest but deceptively intense exploration of falling in love. I've got Friday on my mind.
Tinker Tailor Soldier Spy
Anthony Macali
In the bleak days of the Cold War, espionage veteran George Smiley is forced from semi-retirement.
"Tinker Tailor Soldier Spy" is terribly confusing. The cast is fantastic of course, but there are too many of them to keep track of. This isn't helped by the constant time shifts and the fact that everyone's story is marred with some kind of secret orcover-up. Perhaps if you can manage to look past the elegant period setting and splendid-looking pastels, and concentrate hard enough, the pieces of the puzzle will all fit. Most however, will reach the end only to wonder, "what the hell just happened?!" You'll need a dossier to accompany the screening.
Young Adult
Stefan Bugryn
A deluded writer returns to her hometown to wreck her high school sweethearts marriage.
This is a light film on the outside that ends up being quite socially morbid on the inside, all because of the main character. You probably won't like her... but that's the point. She's the person that never grew up and has all the bad attributes of a 16 year old schoolgirl; spiteful, rude, selfish. But it’s still a very real story, one most people might even relate to. The tone is quite playful, but the themes are actually quite debauched. Gets a tick of approval for young and old.
The Descendants
Tom Jones
A land baron tries to re-connect with his two daughters after his wife suffers a boating accident.
The depiction of suburban life in Hawaii adds some interest to this film, but the central dramas are not particularly compelling or original. The moments of potential intrigue don't last long enough, so the stakes for the hero character are never raised high enough to set your heart racing. The narrative voice-over is unwarranted, something the director obviously worked out a third of the way into making the film, as it's nowhere to be heard in last two thirds. Descending in more ways than one.
Hugo
Anthony Macali
Set in 1930s Paris, an orphan who lives in the walls of a train station is wrapped up in a mystery.
"Hugo" is a magical story for kids with a penchant for adventure. A fantastic French train station is brought to life, and thanks to some crafty 3D, delves into the gleaming maze of clocks and cogs that surround the walls. As our young characters continue to solve the puzzle, the plot strangely shifts, taking the audience in a completely new direction... to explore the birth of cinema. It's an odd division in the film, and accompanied by a few irrelevant supporting members, unsettles the enchantment of this visual treasure. All the pieces seem to fit.