J. EdgarAndrew O'Dea
Director of the FBI for almost 40 years, J.Edgar Hoover was feared and admired, reviled and revered.
This biopic is as unprovocative as it is uninformative. So much of "J Edgar" is dedicated towards an unnecessary focus on the man's battle with his sexuality and unrequited romance that it loses direction. Eventually, it labours towards the end of what is ultimately a dull and turgid affair. Utterly disappointing when you consider the talent of the director and the squandered opportunity to delve into the life of one of the most influential and controversial characters in the history of the United States. Sucks almost as much as the protagonists' vacuous namesake.
A New Yorker moves to Los Angeles in order to figure out his life while he house-sits for his brother, and he soon sparks with his brother's assistant.
"Greenberg" is a guy who is annoying and weird, so aloof that you may question his mental state. At the beginning, you empathise with the man, but this doesn't last long, as you become bored by his antics and frustrated by his social encumbrance. It's difficult to root for such a character, especially when his old friends, and particularly the vulnerable assistant, suffer from his selfishness. Yes, life must be tough without any responsibility... poor Greenberg.
Riding across Manhattan in a stretch limo in order to get a haircut, a 28-year-old billionaire asset manager's day devolves into an odyssey with a cast of characters that start to tear his world apart.
The extravagant excesses and the tech-bubble of late last century are the subject "Cosmopolis". Unfortunately this is a stilted, stagey film. Apparently the original dialogue of the book this movie was adapted from has been used, but it gives the production and its monotone soliloquies a wooden feel. Maybe the best conversations will be the discussions provoked after watching the movie while sipping a cosmopolitan.
A disenfranchised teenager who lives in a housing estate in Paris befriends three young women.
The director has employed realism in following one woman's day-to-day life. The central character is marginalised by virtue of her gender, colour, age and impoverished existence. Joining a gang provides belonging. While the filmmaking approach is bold, it's also uncomfortably raw, relying on incidental dialogue and minimal narrative structure. The cost to the audience is coherency. There are a couple of standout scenes but insufficient to save the viewing time from seeming interminable. Girl without a cause.
The ButlerStefan Bugryn
The story of Cecil Gaines, who for three decades served as the chief butler in the White House for eight consecutive US Presidents.
The main problem with "The Butler" is it tries to fit too much into tight parameters, and becomes a little trying as a result. In fact, there's so much going on, it actually feels like there's nothing going on at all. The story between the lead character and his son is engaging enough, but even so, there isn't much depth to the lead himself. He is actually a little boring, much like the entire movie. You'll be better served somewhere else.
Winter's BoneStefan Bugryn
A young girl sets out to find the truth of her father's disappearance whilst looking after her dysfunctional family.
This is a disappointing movie that promises a lot yet delivers little. The whole story acts as a tense build up to a secret a community of drug addled Southerners are keeping. But once you get to where it's headed, you feel like it wasn't worth the time, and it plays out rather banal. The set design and acting are actually both impressive, but they do not make up for the weak storyline. Sticks, stones, and a bad film will break "Winter's Bones"... and your enjoyment.
High School Musical 3: Senior YearAnthony Macali
Troy and Gabriella struggle with the idea of being separated from one another as college approaches. Along with the rest of the crew, they stage a spring musical to address their fears about their future.
"High School Musical 3" might be better suited for the stage, but definitely not for the big screen. It feels like cameras were simply stationed in front of each performance, creating a dull and disappointing view considering the potential of cinema. The dance choreography is impressive, far superior to the songs that take too long to gather any momentum or vivacity. The climax is a simple re-hash of the film's earlier songs, and like my senior year, I couldn't wait for it to be over.
Charlie St. CloudThomas Jones
Charlie St. Cloud is a young man overcome by grief at the death of his younger brother. So much so that he takes a job as caretaker of the cemetery in which his brother is buried.
Under usual circumstances, if someone could see dead people, they'd be called crazy. But apparently, if that someone is incredibly good looking, it's endearing. For a film, which deals with heavy subject matter, it's rather underwhelming. Too much emphasis is placed on peripherals (what do geese have to do with anything?) and not enough on the tragedy and trauma, which comes with losing someone. When it comes to Charlie, best stick to the regular seven stages of mourning.
Grace of MonacoAnne Murphy
The story Grace Kelly's crisis of marriage and identity, during a political dispute between Monaco and France, and a looming invasion of Monaco.
We're informed that this is a fictitious account of real events and it's impossible to discern what's real and what's not. It's an intriguing story that might have worked better as complete fiction. The princess is acted with beauty and grace, pardon the pun, but there are an annoying number of full screen close-ups of her countenance. If the camera is looking for warts shouldn't it focus on a frog or the prince? Airy-fairytale.
Matching JackWendy Slevison
A woman struggles with her son's illness and her husband's infidelity.
Watching "Matching Jack" is a bit like spending two hours in the Oncology Ward of a Children's Hospital, and whilst compassionately acknowledging that for many families, this is their dreadful reality, it's pretty tough on the ordinary movie-goer. The film is about sick children, and in spite of a romance and a 'happy' ending, this fact leaves a slight feeling of discomfort - it's too emotionally overworked to be a documentary, but too tragically true to life to be entertaining. Tears will flow, but it just feels a bit too orchestrated... disappointing diagnosis for one of Australia's well-known film-making teams.
A domestic wife to a rich husband resorts to desperate measures to secure an inheritance for her son.
This is the kind of a movie where you feel like you're always waiting for something to happen. You just hope the ending is worth all the dull, overly drawn out moments you sit through. In short... it's not worth it. The director might call it suspense, but it resonates only as disappointment. There is no real reward for your patience. The cinematography and acting are both sumptuous, but they don't make up for what’s lacking; any true moments of real, hard hitting drama. Ele….Nah!
The Bucket ListAnthony Macali
Two terminally ill men escape from a cancer ward and head off on a road trip with a wish list of to-dos before they die.
The problem about these two men, apart from their uninspired performances, is the fact we don't care if they pass away or not. Their ambitions are more comparable to household chores, as they trudge along each adventure in vapid fashion. The whole act is a little too cheesy, corny, and convenient for my liking. Better suited for a TV midday movie, this film should not be on your list.
The EclipseAnne Murphy
In a seaside Irish town, a widower sparks with a visiting horror novelist while he also begins to believe he is seeing ghosts.
There's a dose of horror, a hint of romance, a touch of drama, some grieving, and a lot of mystery as we wonder where the plot of this film went. "The Eclipse" begs for a stronger narrative thread as the story plays out as a mish-mash of underdeveloped elements. The moody and uneven Irish coast is scenically captured as a backdrop, however moody and uneven are only gratifying when delivered by nature, not the director. An eclipse of coherence.
The Man Who Came With The SnowWendy Slevison
A man enters a bar, sits and observes, not speaking. Gradually, the silent presence of the stranger disturbs the other customers.
This bleak film, set in Tajikistan, begins as a tableau, monochromatic but for the violent splashes of red placed artfully throughout. In stark contrast, the snow and wind rage outside, the elements as harsh as life in this place. While an interesting study in the power of stillness, this film never engages the viewer. Perhaps the severity of the setting defines it too strongly... there is just no warmth to be found.
The WordsAnne Murphy
A writer at the peak of his literary success discovers the steep price he must pay for stealing another man's work.
"The Words" is a story about a story within a story. With a great cast and the main characters playing authors it's ironic that what this film lacks is script development. Ambitious in scope, it lacks depth and ultimately contains insufficient intrigue to hold interest and it comes across as contrived. There's a melodramatic build to a final twist or surprise, and then the surprise is that there is no surprise; an anti-climax. Writers block?
A group of good looking Israeli men hang out at the same library, bar, and beds.
The physical encounters that make up the greater part of this movie are frequent and torrid. There is more heavy breathing than dialogue, and the storyline feels underdeveloped as a result. Desire and sex are not confused with love, and it's all a little cold as a result. Odd that with such pumping action, emotions are so understated. There is no deceit, an absence of jealousy; the characters are as cool as they're hot. "Antarctica" - little wonder the ice caps are melting.
Marley & MeWendy Slevison
A family learns important life lessons from their adorable, but naughty and neurotic dog.
"Marley and Me" positions itself as a romantic comedy but unfortunately it fails to deliver. With no chemistry between its lead actors, the characters and plot are difficult to engage with, and you find yourself not really caring about the human stars. It's the 22 adorable Labradors who share the role of Marley that are the best part of this movie, and the only laughs come from the innumerable scenes of chewing and destruction. For dog-lovers with lots of patience only.
The events in a night, from dusk to dawn, at a roadside kebab caravan, Kantina.
People come and go throughout the night, what brings them to the canteen is a mystery - most don't drop in for the food. What does happen is a confusion of events and characters. Greek speakers in the audience will chuckle more than the non-Greek speakers, as the subtitles seem to lose something in translation. As the canteen's patrons muddled along throughout the disjointed storyline, it's no surprise the production quality suffered the same fate and was inconsistent from scene to scene. You'll be left hungry after visiting "Canteen".
Special TreatmentAnne Murphy
A world-weary psychoanalyst and a classy prostitute both struggle with relationship issues.
The premise for "Special Treatment" is intriguing, but unfortunately the film fails to leverage the plot for comic or dramatic interest. While parallels are sketched between the professions of the two main characters, the outlines drawn are insufficient to sustain audience curiosity, which is not encouraged to deepen into involvement. The supporting cast suffer in undeveloped roles, as clients and friends, they fail to bring enough colour to the screen to be appreciated as eccentric, and subsequently end up looking pitiful. Better treatment required to make this movie special.
A couple are considering sending back a difficult adopted child.
The plot outline suggests that this should be a tense and emotional film, as a pair grapples with their situation and subsequent decision. The expected intensity, given the subject of the souring reality of a long-held dream, is not realised. Along with a failure to deliver an emotional punch, there are other difficulties: the real time pace drags, use of symbolism is too overt, and an unlikely sub-plot that detracts from the main story complicates the film. All in all it is a shame.
Winter's TaleAnthony Macali
A burglar falls for an heiress as she dies in his arms. When he learns that he has the gift of reincarnation, he sets out to save her.
The greatest miracle in "Winter's Tale" is how the film was born in the first place. For the most part, it doesn't make any sense, and talk of true love and flying horses only complicates matters even more. The funny thing is (aside from the cringe-worthy dialogue) is that the audience may actually find themselves interested in seeing just what other foolishness they might come up with. It seems the only magic lies in making up rules along the way to suit the story. Destined to fail.
Heaven Knows WhatStefan Bugryn
Two junkies share their on-again, off-again relationship with a chaotic love triangle for heroin.
In an attempt to stay as real as possible, this film falls comfortably short of providing any enjoyment from its visceral experience. It doesn't go further than providing lots of close up shots with an obnoxious accompanied by unsatisfying electronic score. Yes, we are meant to feel like it's authentic, with the actors playing the parts were actually previous junkies themselves, but nothing good comes from the messy narrative. It had much potential from the start, and ends up disappointing us again and again as the story progresses. Heaven knows this isn't good.
Trouble with the CurveAnthony Macali
An ailing baseball scout in his twilight years takes his daughter along for one last recruiting trip.
Don't expect too much baseball in "Trouble with the Curve". Instead, this offering plays more like one of those 'father-daughter relationship' movies. The father, grumpy and old, is stuck in his ways, spending most of his time grumbling and moaning while watching the game he loves. His daughter, a lawyer, is busy, career driven and resentful. The performances are heartfelt, but sadly the film is a little dull, and ties all the loose ends ever so neatly. No curve balls here, this story is predictable as can be... better picks out there.
Street KingsAnthony Macali
Tom is a veteran cop who finds life difficult to navigate after the death of his wife. When evidence implicates him in the execution of a fellow officer, he is forced to go up against the cop culture.
"Street Kings" is a dull, clichéd and terrible episode of life on the streets of LA. You have the African-American brother, the Mexicano Esé, the Korean Triad and the hard-boiled cops who always look out for each other and play the tough guy. The whole setup is embarrassing, with very mediocre and laughable dialogue, as well as unthreatening criminals who always end up helping the police. Filmed in a style where excessive grittiness is king, this is actually bad.
Winged CreaturesAnne Murphy
A group of strangers form a unique relationship with each other after surviving a random shooting.
Normality is shattered by a horrific event and the characters fall apart in ways that beggar belief. Truth is reportedly stranger than fiction, and in this instance the clumsy storylines drawn out of the central trauma have little semblance to possible truth. PTSD reactions should be left to psychologists not scriptwriters. This is as downbeat a movie as you're ever likely to see, and all the more irksome for the condescending portrayals of the working class characters. Fly away.