Antarctica - Movie Poster

Antarctica

2.0 Anne Murphy

A group of good looking Israeli men hang out at the same library, bar, and beds.

The physical encounters that make up the greater part of this movie are frequent and torrid. There is more heavy breathing than dialogue, and the storyline feels underdeveloped as a result. Desire and sex are not confused with love, and it's all a little cold as a result. Odd that with such pumping action, emotions are so understated. There is no deceit, an absence of jealousy; the characters are as cool as they're hot. "Antarctica" - little wonder the ice caps are melting.


Bottle Shock - Movie Poster

Bottle Shock

3.0 Anthony Macali

The story of the early days of Californian wine-making, featuring the now infamous blind Paris wine-tasting of 1976, which has come to be known as "Judgment of Paris".

Bottle Shock is a whimsical tale of wine, passion and love. Unfortunately, it's the servings of love that are the most unpalatable, with some thin romances used to fill out a lean plot. Such a story accords the film-makers an opportunity to showcase the stunning Californian wine country, and they squeeze every last drop of it, producing a film that should cater to most tastes.


The Other Side - Movie Poster

The Other Side

4.0 Anne Murphy

A drag queen returns, bereft, to the village and family he left 17 years ago.

The film has a rhythmic heartbeat as it traverses the delicate territories of love lost and dreams unfulfilled. It is possible to come home and still be on the other side, the other side of understanding and the other side of reconciliation. The landscape of relationship is tenderly navigated and the unrequited yearning of each character is faultlessly depicted. Watching "The Other Side" is like being subjected to open heart surgery with deft and precise incisions that lay bare the most vulnerable of places.


Dog Tags - Movie Poster

Dog Tags

3.0 Anne Murphy

Two displaced and unconventional men discovering what it is to be sons, fathers, and lovers.

This could have been a road movie, if only the car had been more reliable. Geographically, not a lot of distance is covered in small town USA. It is a different story emotionally, however, as the two central characters encounter each other while each is traversing his respective family landscape. The restrained style of the film lends cohesion to a sequence of unlikely events shared by this improbable pair, as they seek to discover themselves. Identity has infinite possibilities once the dog tags are discarded.


Blindness - Movie Poster

Blindness

3.5 Wendy Slevison

A doctor's wife becomes the only person with the ability to see in a town where everyone is struck with a mysterious case of sudden blindness.

This allegorical film depicts societal collapse, triggered by mass loss of sight, accompanied by the descent into ugly degradation as people struggle against each other for survival. Filmed with a starkness that provides a sense of the white fog which precedes the blindness, and displaying a fiercely committed performance from the lead actress, this movie is a challenging experience which is certain to stimulate both thought and conversation afterwards.


Let the Right One In - Movie Poster

Let the Right One In

4.0 Wendy Slevison

Oscar, a young bullied boy, meets Eli, a beautiful girl who turns out to be a vampire.

If you thought all the original ideas for vampire movies had been used up, think again. Set in Sweden, this film uses the icy, austere conditions to illustrate and emphasise the lonely isolation of its young protagonists. This film holds nothing back as it deals with issues of first love and bullying, contrasted against the violent world of the vampire. The young stars are astonishingly good, and this innovative movie rates highly among the alumni of its genre.


Dolls and Angels - Movie Poster

Dolls and Angels

2.5 Anne Murphy

Chririne and Lya are sisters growing into womanhood, who need to escape their abusive father and tense family situation.

Survival in the projects on the outskirts of Paris necessitates navigating the dark shadows of the glamorous city of love. This movie's raw tone is at times hard to watch, depicting love as having many forms of expression, including physical violence. The characters are either so strong (all of the women) or so obnoxious (most of the men) that it's hard to connect with them. The angels become dolls to survive - wooden caricatures more typical of puppets.


Notorious - Movie Poster

Notorious

2.5 Anthony Macali

The life and death story of Notorious B.I.G. (a.k.a. Christopher Wallace), who came straight out of Brooklyn to take the world of rap music by storm.

Notorious is a biopic of one the greatest, Biggie Smalls, who curiously narrates himself in this film of his life, from hustling on the streets to becoming the king of East-Coast hip-hop. Despite his many indiscretions, Big Poppa is portrayed favourably, because as you know, "Mo Money = Mo Problems". However, such empathy only detracts from the portrait of an already dubious character, even though his music is obviously tight.


Appaloosa - Movie Poster

Appaloosa

3.0 Andrew O'Dea

Two friends hired to police a small town that is suffering under the rule of a rancher.

"Appaloosa" respects the conventions of a traditional western, with its slow pacing intersected by the gun-slinging one would expect. The chemistry and repartee between the two leads is superb, and together they excel in dialogue and humour that is as dry and effective as the dusty landscape that dominates the film. However, the fundamental flaw is that it presents a story all too familiar - that's not to say it doesn't make an entertaining western - it's just that, at times, it lacks the tension and emotion of a 'good-ole-duel' to separate it from the rest.


Seraphine - Movie Poster

Seraphine

3.0 Anne Murphy

Based on the life of French painter Séraphine de Senlis.

Séraphine's paintings reflect both her simplicity and her deep commune with nature. The artist's life is appropriately rendered with compelling images of rural life in the French village of Senlis before World War 2. Although visually delightful, the characters and story are sketched without sufficient dimension to enthral the viewer. The aesthetic experience would be enhanced by a stronger narrative dimension.


Actresses - Movie Poster

Actresses

4.0 Anne Murphy

Marcelline has the lead role in Turgenev's "A Month in the Country" and is in rehearsal for the stage production while rendezvousing with her real and imagined mid-life crisis.

This is a charming dramatic comedy about arriving at a certain life stage unfulfilled by the journey and irrevocably aging. Time ticks to an off-beat rhythm as players and characters collide, even the director's metronome can't restore a more even beat for members of the cast. It's the off-stage drama that is most engaging, where emotions are held in check only to emerge in theatrically inappropriate ways. Encore.


Dean Spanley - Movie Poster

Dean Spanley

4.0 Wendy Slevison

Set in Edwardian England where upper lips are always stiff, a cantankerous old man and his long-suffering son begin a strange journey that eventually allows the old man to find his heart.

This is a truly original story of love, loss, and grief, populated by intelligent and disarmingly eccentric characters. The story starts slowly, but before the viewer can summon a yawn, they are drawn in, entranced, as the well-told tale unfolds - both poignant and comical at the same time. Offbeat, whimsical, moving and very funny, you'd have to be barking mad to miss it.


Last Chance Harvey - Movie Poster

Last Chance Harvey

2.5 Wendy Slevison

In London for his daughter's wedding, a rumpled man finds his romantic spirits lifted by a new woman in his life.

"Last Chance Harvey" is the story of a late-in-life romance between two dull and dreary characters who feel that life is passing them by. With no sizzle between the stars, and no sparkle in the script, the audience has no investment at all in the relationship. The film is stolid and unsatisfying, offering little more than a chance to have a snooze, which you might as well do at home.


The Reader - Movie Poster

The Reader

4.0 Andrew O'Dea

Post-WWII Germany: Nearly a decade after his affair with an older woman came to a mysterious end, law student Michael Berg re-encounters his former lover as she defends herself in a war-crime trial.

"The Reader" is a compelling story that takes a very different approach to the Holocaust. The impeccably considerate and pensive style of the film helps us empathise with a character who, by rights, we should loathe. Amplified by an extraordinary performance from the lead actress, it exercises our moral compass, forcing us to wrestle with the issue of law versus morality. An ultimately moving and thought-provoking account set against a dark chapter in history.


W. - Movie Poster

W.

3.0 Andrew O'Dea

A chronicle on the life and presidency of George W. Bush.

This movie is not what people might expect, as it sets out to construct an almost empathetic "W". The undeniable highlight is the superbly convincing portrayal by the lead actor, who manages to embody the character study so well, sometimes you forget just who's on screen. However, criticism lies in a feeling that the biopic resigns itself not to delve deeper in its attempt to humanise the man. Although this nonpartisan style may disappoint some, the insight provided by the filmmaker makes it a film that shouldn't be "misunderestimated".