When a landlady, to protect her sexy niece, turns down two young men eager to rent her apartment, they pretend to be gay.
Similar stories in Hollywood have produced deplorable fare, but how does the Bollywood version compare? Laughs are the same, elicited from the "obvious" humour in straight people playing gay stereotypes. The best scenes involve Sam's mother, who unintentionally becomes aware of his lifestyle change, a key scene that introduces the running themes of family and forgiveness. "Dostana" is superficial, but you will find it hard to resist its glamour and charm.
Set in northern Australia before World War II, an English aristocrat who inherits a sprawling ranch reluctantly pacts with a stock-man in order to protect her new property from a takeover plot.
"Australia" reverently captures the culture of our land, from the quintessential outback "aussie" to the native spiritual Aboriginals. This is an ideal, albeit clichéd, backdrop for a romance to develop, and this relationship persistently takes centre stage, overshadowing the many sad events within the story. Ambitious in scope and venture, "Australia" is our country's patriotic film, and despite some underwhelming key scenes, is one to be proud of.
The HappeningLuke Bartter
When large amounts of people start inexplicably committing suicide in America, panic ensues.
The real disappointment about this movie stems from it's obvious lack of quality throughout. Other than a few intense scenes, it's dull and long-winded, so your curiosity runs out regardless of the unusual phenomenon. When you stop caring about the 'why' or even what happens to the characters, watching feels like a task. Tedious and lifeless, the most mysterious thing is how "The Happening" managed to get made into a feature film.
The story recounts the early life of Genghis Khan who was a slave before going on to conquer half the world.
Epic in its scope, "Mongol" details the feuds and hardships Genghis Khan had to overcome in becoming a feared conqueror. Not an accurate historical account, but with great performances, music and cinematography, it's easy to forgive any liberties taken in the story. Replete with rousing battles and satisfying drama, even people who don't like subtitles should see Mongol. Violent, spectacular and moving. Highly recommended.
The WacknessAndrew O'Dea
A lonely teenager spends his last summer before university selling marijuana throughout New York City, trading it with his unorthodox psychotherapist for treatment.
"The Wackness" follows the empathetic character of social outcast and drug dealer Luke Shapiro, centering on the unlikely friendship he develops with his eccentric therapist, Dr. Squires. In each other they find a solace of sorts, sharing their parallel frustrations with life. This movie is entertaining in its strangeness, as it paints an almost sardonic humour through the juxtaposition of adolescent anxiety and middle-aged depression.
A sex-addicted con-man pays for his mother's hospital bills by playing on the sympathies of those who rescue him from choking to death.
Victor Mancini is your atypical hero. Beneath a vivid sex addiction that thrives with perverse nudity is a man affectionate to his mother and seeking redemption from his self-destructive way of life. He also strives to identify his father, which leads to a bizarre and confusing set of events. It's this outlandish story that, complete with moral dilemmas and plot twists, heighten "Choke's" appeal, despite requiring your attention till the end.
Death Defying ActsLuke Bartter
On a tour of Britain in 1926, Harry Houdini enters into a passionate affair with a psychic out to con the famous magician.
Despite "Death's" great cast and look, it is disappointingly unengaging and flat. The director might want you to think "what happens next?", but never answers the question "why should you care?". The detachment from the characters severs all tension and excitement, even making Houdini's stunts seem lacklustre. Not worth your time, unless you really want to make a donation to support local cinema. Not even Houdini himself could escape the mediocrity of this film.
The CounterfeitersAndrew O'Dea
The Counterfeiters is the true story of the largest counterfeiting operation in history, set up by the Nazis in 1936.
"The Counterfeiters" presents a completely different sort of holocaust story. Saloman Sorowitz is captured and forced into a concentration camp to produce fake banknotes for the Nazi's. It challenges us through Saloman's quandary by raising provocative moral dilemmas. The movie doesn't impose a right or wrong, instead the viewer is subtly invited to ascertain their own beliefs. This brilliant film is surely no fraud, it's near enough a masterpiece.
Burn After ReadingAndrew O'Dea
A disk containing the memoirs of a CIA agent ends up in the hands of two unscrupulous gym employees who attempt to sell it.
"Burn after Reading" is a wry, satirical comedy that revels in its own quirkiness. The outstanding performances convey a series of characters that haven't a clue what's going on - and neither do we - but therein lies the fun. The plot is as brilliant as it is convoluted. We don't see anything coming as each twist gathers momentum, creating a hilarious sense of the inconsequential. An absurdly entertaining film.
21 is the fact-based story about six MIT students who were trained to become experts in card counting and subsequently took Vegas casinos for millions in winnings.
This decidedly Hollywood account of the MIT Blackjack team is fair entertainment that will please gamblers and confuse others. After a slow setup we race through the rules of 21 and jet off to Las Vegas to enjoy the highs of bringing down the house. The movie can't maintain this level of fun, with its weak plot rising to the surface in a manufactured ending that feels contrived. Once you see past the flashy bright lights, you realise "21" isn't a big winner.
Sex and the CityAnthony Macali
The girls are back in town.
If the idea of watching 4 back-to-back episodes of "Sex and the City" sounds alluring, then you will love this. The length might be epic, but the pace is aligned with the TV show, maintaining all the fun, fashion and sex. We love spending time with these characters as they face some of the tougher challenges in life like marriage and divorce, a step above the usual frivolous banter of the series. On the other hand, if you're not a fan of our mid-forty heroinés, you will despise the glimpses into their lives. Fans of the show will find this film fabulous.
Body of LiesAndrew O'Dea
Based on Washington Post columnist David Ignatius's 2007 novel about a CIA operative who uncovers a lead on a major terrorist leader suspected to be operating out of Jordan.
"Body of Lies" is a political thriller that presents a current perspective of the turmoil pertinent to the Middle East. Rather than descending into patriotic nonsense, it takes a pointed look behind the veil of the 'War on Terror'. Those with a vested interest in the often volatile yet delicate balance of diplomacy and international espionage will find this film intellectually engaging, while others may find the portion of action sequences, however impressive, lacking.
Smart PeopleAnthony Macali
Into the life of a widowed professor comes a new love and an unexpected visit from his brother.
"Smart People" is a comedy with a pretentious title, but enough wit to make it enjoyable. The film centres round a naive professor and how most of the people in his life loathe him. He falls in love with his nurse, a former student with an infatuation with the arrogant scholar that is questionable. It's the playful dynamics of his gifted family, and in particular, the sarcasm and rudeness of his daughter which are the most fun to watch. If only all those other issues didn't get in the way of spending time with this family. Interesting people, but not the smartest film.
A romantic comedy centered on the daily lives of five Lebanese women living in Beirut.
It appears chick-flicks can transcend world boundaries. "Caramel" is time spent with friends - five women working in a salon, all trying to remove the issues in their lives. Such real-life problems we can relate to; from lust, romance, age, to daunting marriages. With genuine affection from the director's touch, we actually care about these characters, and enjoy their company, all the while adversely sympathising with them in the arduous scenes. This film is a refreshing sweet of cultural insight and winsome friends.
The DuchessAnthony Macali
A chronicle of the life of 18th century aristocrat Georgiana, Duchess of Devonshire.
"The Duchess" is a window into the intriguing life of Georgiana, a view that overlooks her reputable politics in favour of her more lascivious endeavours. Extravagant romanticism flourishes in 1700's England, a time of manners, costumes and beauty. A significant contrast to the inner turmoil that dwells in the Duke's house, burdens of birthing a male heir exact many sacrifices. Outstanding performances portray the many troubled characters of this film, in a period drama that only suffers from an imbalance of love and politics.
Street KingsAnthony Macali
Tom is a veteran cop who finds life difficult to navigate after the death of his wife. When evidence implicates him in the execution of a fellow officer, he is forced to go up against the cop culture.
"Street Kings" is a dull, clichéd and terrible episode of life on the streets of LA. You have the African-American brother, the Mexicano Esé, the Korean Triad and the hard-boiled cops who always look out for each other and play the tough guy. The whole setup is embarrassing, with very mediocre and laughable dialogue, as well as unthreatening criminals who always end up helping the police. Filmed in a style where excessive grittiness is king, this is actually bad.
Son of RambowAndrew O'Dea
Set in the early 80's, this is a comedy about friendship, faith and the weird business of growing up.
"Son of Rambow" is a quirky comedy that takes us on a nostalgia trip. It rekindles our sense of youthful exuberance as we're invited into the imaginations of a couple of schoolboys as they set about creating their own crude and amusing homemade 'Rambo' movie. Through their unlikely friendship we remember the ecstasy and difficulties of being a kid. Though the story lacks excitement in parts, and suffers prematurely from a relatively dull climax, lovers of heartfelt movies will find it very engaging.
The Diving Bell and the ButterflyAnthony Macali
The true story of Elle editor Jean-Dominique Bauby who suffers a stroke and has to live with an almost totally paralyzed body; only his left eye isn't paralyzed.
"The Diving Bell and the Butterfly" is both a beautifully inspiring and tragic story. With clever use of the medium, the director throws us into the perspective of our unfortunate patient. Elle's cynical outlook provides more laughs than sympathy, as he serves his imprisonment and takes the opportunity to seek closure and follow his dreams - such a task our able-bodied selves often find too difficult. A wonderful film, and a celebration of life.
Poignant coming-of-age story of a precocious and outspoken young Iranian girl that begins during the Islamic Revolution.
It's surprising how touching this black and white animation is. With sharp contours and pale gradients, the film looks astounding, but also portrays a "dark" period of Marjane's life. Her narrative provides earnest accounts of Iran's history, family and moving out of home; growing into an acute perspective of life in these times of revolution. You leave the cinema in a wake of colours, realising the splendour of freedom.
Vantage PointAnthony Macali
With a Rashomon narrative style, the attempted assassination of the president is told from several different perspectives.
"Vantage Point" might seem interesting at first, with its "different points of view" storytelling, large ensemble cast and an American president. In truth, it's a bit repetitive and formulaic, with revelations only coming after we endure the assassination again and again. In the end, the bad guys die, there's a car chase to please all the confused viewers, and the story gets nicely wrapped up. Entertaining enough, but still annoying.
An inside look at Italy's modern-day crime families. Based on a book by Roberto Saviano.
This film is a sprawling mess of characters and storylines. You see a mafia suit distribute money among the neighbourhood, two gung-ho youths wanting to be gangsters, and a guy who creates skirts in a workshop. It leaves us clueless as to how all these scenes fit together to create the big picture. Trying to make sense of it all is a slow and boring exercise. "Gomorrah" is a poorly executed and frustrating insight into the Italian underworld.
Forgetting Sarah MarshallAnthony Macali
Devastated Peter takes a Hawaii vacation in order to deal with recent break-up with his TV star girlfriend, Sarah. Little does he know Sarah's travelling to the same resort as her ex.
"Forgetting Sarah Marshall" is a delightful comedy filled with many interesting characters. The best parts are the small snippets that fall in-between scenes. These whimsical moments contain some of the best jokes, but also some welcome insights into our protagonists. The only disappointing bits are the undue vulgarity and contrivances towards the end. This film is a memorable mix of laugh-out-loud scenarios and genuine heartbreak.
Before the Devil Knows You're DeadLuke Bartter
When two brothers organize the robbery of their parents' jewelery store the job goes horribly wrong, triggering a series of events that sends them hurtling towards a shattering climax.
"Before the Devil Knows You're Dead" is a challenging film which has intense performances and a compelling story, but is rarely enjoyable. The crime is revealed early on and shifts between before and after, gradually revealing each of the characters' perspective and situation, with a constant and uncomfortably building tension. Interesting to watch, but ultimately very unpleasant, it's recommended, but remember what you're getting yourself into.
There Will Be BloodAnthony Macali
A story about family, greed, religion, and oil, centered around a turn-of-the-century prospector in the early days of the business.
"There Will Be Blood" is a raw and compelling film about one man, driven to succeed if only to be regarded as successful rather than flourish in riches. Any person who stands in his way is a considered a threat and a competitor, a philosophy that makes him neurotic and psychotic. A vigorous score heightens the dread and tension, and evokes strong emotion in this story of an entrepreneur of undeniable intensity and greed.
An FBI agent tracks a serial killer with the help of three of his would-be victims - all of whom have wildly different stories to tell.
It's always captivating when information is revealed the way this film does. Three victims are interviewed by the cops; three different perspectives are intertwined; and then the audience is left to put the pieces together. The performances are strong across the board, all accessories to driving the speeding tension. A riveting story, twisted narrative and sadistic characters make "Surveillance" an engrossing thriller.