He's Just Not That Into YouWendy Slevison
This Baltimore-set movie of interconnecting story lines deals with the challenges of trying to understand human behaviour.
Adapted from the best-selling book of the same name, this movie is overpopulated with under-developed characters making mistakes, behaving badly, and being downright stupid - surprise surprise, mostly the women. An ensemble cast, who individually can be very good, get lost in the mire of a script laden with stereotypes. While generally entertaining, there are sections where you find yourself not caring who's just not into who.
Whisky with VodkaAnne Murphy
A renowned actor named Otto is the epitome of the problematic but beloved ladies man.
Movies about producing movies are always interesting, and "Whisky with Vodka" doesn't disappoint on that front. With lots of takes and re-takes as the talent misbehaves, this film within a film starts to take shape. Themes of aging are explored without connecting directly to the emotions involved, and the script plays more for gags than for soul searching. It suffers from not being more tightly edited, but perhaps there were too many anecdotes drawn from real life to squeeze into the plot. Amiable and spirited without a lasting hangover, it will be dissipated by the morning after.
Eat Pray LoveAnne Murphy
A married woman realizes how unhappy her marriage really is, and that her life needs to go in a different direction.
This movie is true to the book, only with the content trimmed back as is expected of best sellers translated for the screen. It's still big with over 2 hours of viewing. A personal story of discovery, with an angst ridden heroine, fantastic shot-on-location scenery, and the obligatory happy ending. "Eat Pray Love" is so eminently watchable you will even pardon the good looking actors for being so immaculately coiffed. Readers will embrace this girls own adventure and love.
The story of an aging couple who are crippled by the devastating effects of a stroke.
"Amour" acts like a claustrophobic, tightening grip that doesn't let you breathe until the credits roll, and is certainly an uncomfortable movie to watch. Just as one of the visiting characters states, "...I had a beautiful and sad moment with you", which is exactly what this experience feels like; an observational look at a couple's silent yet divinely emotional demise into old age. The discreet moments and absence of music can be deafening, adding to the overall and ever-increasing sense of tension and sadness. Lots of tough love for the audience.
The Lucky OneTom Jones
A Marine travels to North Carolina after serving three tours in Iraq and searches for the unknown woman he believes was his good luck charm during the war.
If you start to notice more and more photos of women popping up in obscure places, this film is to blame. It gives single women hope that a man could be out there trying to find them right at this minute. Some may call it stalking, but apparently if he's incredibly good looking and has a pet dog it's not weird at all. This film ticks all women's boxes. It is romantic and sad at the same time. If this is what you're looking for, you're in luck.
The Twilight Saga: Breaking Dawn - Part 2Anthony Macali
After the birth of Renesmee, the Cullens gather other vampire clans in order to protect the child from a false allegation that puts the family in front of the Volturi.
The immortal franchise has come to an end, with "Breaking Dawn - Part 2" proving they really didn't need to split the last chapter. Picking up from where previous film finished, the going is slow. Thankfully, the vampires of the world come to hand, showcasing their special powers and effectively covering the thin plot. Despite such adversity, the journey eventually gets wrapped up rather neatly, and it's a stirring goodbye. Finally the light goes out on a saga to be cherished... and now forgotten.
The Clink of IceAnne Murphy
An alcoholic writer is visited by an incarnation of his cancer.
"The Clink of Ice" is as original as it is deeply and darkly humorous. Imagine bantering with your life threatening illness and laughing. The premise of personifying a malignant disease in a suit sets up an intriguing film. Not that there is anything funny about cancer or facing death. Typically we deride perverse situations as being as 'funny as cancer' but the director and cast prove dexterous enough to turn that assertion around. As bleak as the themes of the movie are, the clinking of ice muffles the death knell.
For Those Who Can Tell No TalesAnne Murphy
An Australian tourist discovers the silent legacy of wartime atrocities when she arrives in a seemingly idyllic little town on the border of Bosnia and Serbia.
This is a moving portrayal of coming to terms with atrocities of the recent past. The story is based on the real life experiences of one of the writers, who is also the lead actor, and it has an authentic feel. If only the tone didn't get quite so preachy; the superior analysis of an outsider with the privilege of coming in as a tourist does irritate a little. Importantly though it does give voice...
Tinker Tailor Soldier SpyAnthony Macali
In the bleak days of the Cold War, espionage veteran George Smiley is forced from semi-retirement.
"Tinker Tailor Soldier Spy" is terribly confusing. The cast is fantastic of course, but there are too many of them to keep track of. This isn't helped by the constant time shifts and the fact that everyone's story is marred with some kind of secret orcover-up. Perhaps if you can manage to look past the elegant period setting and splendid-looking pastels, and concentrate hard enough, the pieces of the puzzle will all fit. Most however, will reach the end only to wonder, "what the hell just happened?!" You'll need a dossier to accompany the screening.
The Lovely BonesAnthony Macali
Centers on a young girl who has been murdered and watches over her family and killer from heaven.
This movie fields some grim subject matter, only to raise the question: why make it? It's an honest display of a family in disarray, broken and unable to heal. However, apart from this genuine touch, it only manages to wander through a gallery of postcard landscapes in an attempt to inspire hope beyond death. Or perhaps the director just wanted to borrow the climatic scenes of suspense and unease from the book? Like its heroine, "The Lovely Bones" lives in a world of limbo, stuck somewhere in between a good and a bad film.
Seven PoundsWendy Slevison
An IRS agent with a fateful secret embarks on an extraordinary journey of redemption by forever changing the lives of seven strangers.
"Seven Pounds" is an average movie that could have been better with a heavier hand from the editing department and a lighter touch from the director. The story, while powerful and engaging, evolves slowly, and there are too many lingering shots of the main character's pained face. When all the pieces of the puzzle do finally come together, the factual implausibility unfortunately weakens the film's credibility.
Pride and GloryAnthony Macali
A saga centered on a multi-generational family of NYPD officers. The family's moral codes are tested when Ray Tierney, investigates a case that reveals an incendiary police corruption scandal.
"Pride and Glory" is a slick production, albeit with a gritty "handheld" style. The characters shoot through scripted dialogue in indistinguishable fashion, lacking the creativity to generate an interesting "corrupt cops" story. To the films' credit, the ways the 'force' extract information from the bad guys is refreshingly original. The producers should take pride in these rare moments as the rest of the film is slow, tiresome and far from glorious.
I Am LegendAnthony Macali
Years after a plague kills most of humanity and transforms the rest into monsters, the sole survivor in New York City struggles valiantly to find a cure.
This post-apocalyptic thriller is all too familiar, with too much focus on a barren New York that becomes dull quickly after the excessive panning. More tameness comes in the form of the terrible infected, tanned a bland grey and lacking physicality. A group of computer generated embodiments are simply not as menacing as real people dressed in pale makeup and blood. Often tense but far from legendary.
Zero FocusAnne Murphy
Spurred by the disappearance of a newly-wed husband, three women in post-war Japan are drawn into a murder mystery.
"Zero Focus" is a mystery thriller set in post-war Japan. The plot is complicated and bodies pile up as the murders out-number the suspects. The movie is moody and melodramatic, evoking the classical work of directors from a past era. Despite the cultural setting there is familiarity to the style and unusual camera angles. The lengthy drama is eventually brought to a lengthy conclusion, but no thread is left unexplained as final scene follows final scene, leaving focus diminished.
A man's unhappy existence comes unravelled after a chance encounter with an old friend's son.
Post-apartheid South Africa looks dated, painted in sepia tones, in this film about repression and infatuation. The central character is tormented with closeted rage. He is so emotionally taut there is an almost explosive undercurrent threading the increasingly uncomfortable scenes. Although noisy with background sounds there are long sequences without dialogue which serves to add to the dangerous mood. Ultimately the narrative is insufficient to provide coherence, which lets down interest as the pace stumbles. Mirror mirror on the wall not much beauty here at all.
Last Chance HarveyWendy Slevison
In London for his daughter's wedding, a rumpled man finds his romantic spirits lifted by a new woman in his life.
"Last Chance Harvey" is the story of a late-in-life romance between two dull and dreary characters who feel that life is passing them by. With no sizzle between the stars, and no sparkle in the script, the audience has no investment at all in the relationship. The film is stolid and unsatisfying, offering little more than a chance to have a snooze, which you might as well do at home.
Away We GoAnne Murphy
A couple who is expecting their first child travel around the U.S. in order to find a perfect place to start their family.
This film is a road movie at heart, and disappointingly fails to connect with the audience's heart. A lot of miles are traversed by the central couple but this is a study of people met on the journey rather than the places travelled to. The characters encountered are shallow and vulgar stereotypes, and their depiction is coloured with contempt rather than wit or insight. The resultant product is slight; funny without being funny ha-ha.
Fair GameTom Jones
A CIA agent's identity is revealed by the White House to discredit her husband after he writes a piece saying that the Bush administration had manipulated intelligence about weapons of mass destruction.
"Fair Game" is a dummies take on the 'he said/she said' enquiries which led to President Bush declaring that Iraq possessed weapons of mass destruction. Although this political drama is easy-to-follow, you kind of wish there were more thrills, shocks or unforeseen twists in the script, which at times lacks impact. The inclusion of real footage enhances the film; as it goes from being less conspiracy based to looking more like a historical account. Neither right nor wrong, just fair.
Mood IndigoAnthony Macali
A woman suffers from an unusual illness caused by a flower growing in her lungs.
"Mood Indigo" is out-there. Riding a fine line between wild creativity and self-indulgence, there are numerous moments of tedious viewing. While the setting appears to be the real world, most of the objects and people we're normally familiar with interact in very peculiar ways. The dreamlike blend of reality and quirkiness is weird, alienating the audience from the characters and their struggles. Despite the subject matter, it's a difficult story to treat seriously. You've got to be in the right mood for this perplexing mess.
Caesar Must DieStefan Bugryn
Inmates of an Italian prison rehearse a performance of Shakespeare's 'Julius Caesar'.
The line between reality and fiction are blurred here, where prisoners are acting in a script within a script, and follow the play in and out of real life. The whole film is a novel concept, but it doesn't work perfectly. It has its moments, but the fact that you aren't invited to care about any of the characters doesn't help its cause. Like the prisoners themselves, it tries hard to be quite important, but it's nothing too special. Watch this only if you want to experience something different.
The TreeAnne Murphy
Fate strikes taking the father of a family of four and leaving his daughter convinced that her dad still lives in the giant fig tree growing near their house.
There is a tension between holding on and letting go, mourning and living that's central to the plot. The idea behind the story is imaginative and unfortunately the movie lacks depth on the screen as does the dialogue that fails to hold interest. Even the characters at their best are blandly stereotypical. Thankfully the Australian countryside is magnificent, as is the titular tree. It just doesn't take root.
A bandit leader kidnaps the wife of the policeman who killed his sister, but later falls in love with her.
This film attempts to recreate the Indian mythology of "Ramayana" into a modern tale. The cinematography is amazing, magnificently shot in the remote jungles of India and accompanied by a beautiful soundtrack. However, even though the music may be a treat to your ears, the film lacks soul in terms of story, and the screenplay lacks substance or the presence of an exciting climax. Although "Raavan" might lose direction in its distinction between the main character's identity as brutal demon or outlaw helping the poor, it's still worth a watch if not simply for the stellar cast.
Public EnemiesAndrew O'Dea
The Feds try to take down notorious American gangsters John Dillinger, Baby Face Nelson and Pretty Boy Floyd during a booming crime wave in the 1930s.
"Public Enemies" feels like a series of tommy-gun battles and antique car chases, which although very impressive, do not constitute a good story. It's not terrible, but there's simply not enough build up to pivotal scenes, and the lead actors (who are great in their roles) are hindered by a severe lack of character development. A major annoyance is the camerawork; digitally shot, but not used to good effect. The only heist here is having to pay for admission.
Like CrazyAnthony Macali
A British student falls for an American, only to be separated from him after overstaying her visa.
"Like Crazy" is a hazy memory of a distant relationship. A couple separated by an ocean, and thanks to their foolishness, a visa. They walk, they laugh, they fall in love, and it quickly turns saccharine. If you don't sympathise with the plight of the two, the story becomes quite tedious. Captured are some beautifully observed and genuine moments, but they are lost in the introduction of new characters of affection. The experience is like watching two people kissing in a park. You tend to stare, before quickly wishing they would find a room, and not a film.
Route IrishAndrew O'Dea
A private security contractor sets out to discover the truth about his friend's death in Iraq.
Although gripping at times, "Route Irish" is too often let down by pointless tangents in its story and the fact that it constantly feels the need to explain the plot rather than letting the audience figure it out for themselves. Not exactly the most effective technique when trying to heighten a 'thriller'. Combined with a melodramatic ending and characterisation that is let down by some sub-par acting, the film attempts to make a concerted political commentary on the Iraqi war that doesn't quite have the impact it should. No through-road.