In Harlem, an overweight, illiterate teen who is pregnant with her second child is invited to enrol in an alternative school in hopes that her life can head in a new direction.
Part grimly realistic and part fairy tale, "Precious" is the gritty story of one girls nightmarish existence. There is a redemptive thread thanks to the resilient core of the central character, but that element alone is insufficient to lift the bleak realism to an entertaining level. At the same time the raw exposed mood is compromised by a couple of plot twists that swim in sentimentalism. The emotional content is as uneven as the camera work. Precious but tarnished.
A Telecom Company is troubled by a number of mishaps to its network and employees.
The story of "Flicker" is set in a conventional office, pale and dull and host to a number of workers with peculiar problems. Many are unmotivated or sad, but all of them granted small quirks to make the film that little more amusing. Surprisingly these nuances aren't the problem, as we share a certain empathy in relation to these well-developed characters. The issue is how it all fits into the big picture, and the continual jumps in the narrative becomes frustrating and lacks any real connection (aside from the common employer they share). Not as bright as you might think.
Rabbit HoleWendy Slevison
Life for a happy couple is turned upside down after their young son dies in an accident.
"Rabbit Hole" wants to be an authentic and poignant exploration of grief and the differing ways in which people deal with it. Unfortunately, despite excellent performances from a fabulous supporting cast, the film feels slightly contrived and unconvincing - due mainly to the much lauded leading lady, who plays her role with about as much emotional depth as the wrinkles on her forehead. You feel as though you are watching her act the way she thinks someone might behave in such tragic circumstances. The journey through this rabbit hole just doesn't quite lead to wonderland.
The King is DeadAnne Murphy
Open inspection in a leafy neighbourhood. Max and Therese decide that here is the house for them.
"The King is Dead!" provides an interesting take on a neighbours-from-hell saga that is not quite interesting enough to really delight. It is a clash of cultures when a cosy middle-class couple move next door to simpler drug dealing folk. There are a few laughs to be had as the plot dawdles and drags, but expect stereotypes drawn with a heavy hand, and disappointingly, we watch caricatures rather than characters. Still, you can't help wondering what you might do in this situation. Neighbours, everybody needs good neighbours…
Away We GoAnne Murphy
A couple who is expecting their first child travel around the U.S. in order to find a perfect place to start their family.
This film is a road movie at heart, and disappointingly fails to connect with the audience's heart. A lot of miles are traversed by the central couple but this is a study of people met on the journey rather than the places travelled to. The characters encountered are shallow and vulgar stereotypes, and their depiction is coloured with contempt rather than wit or insight. The resultant product is slight; funny without being funny ha-ha.
Public EnemiesAndrew O'Dea
The Feds try to take down notorious American gangsters John Dillinger, Baby Face Nelson and Pretty Boy Floyd during a booming crime wave in the 1930s.
"Public Enemies" feels like a series of tommy-gun battles and antique car chases, which although very impressive, do not constitute a good story. It's not terrible, but there's simply not enough build up to pivotal scenes, and the lead actors (who are great in their roles) are hindered by a severe lack of character development. A major annoyance is the camerawork; digitally shot, but not used to good effect. The only heist here is having to pay for admission.
Mood IndigoAnthony Macali
A woman suffers from an unusual illness caused by a flower growing in her lungs.
"Mood Indigo" is out-there. Riding a fine line between wild creativity and self-indulgence, there are numerous moments of tedious viewing. While the setting appears to be the real world, most of the objects and people we're normally familiar with interact in very peculiar ways. The dreamlike blend of reality and quirkiness is weird, alienating the audience from the characters and their struggles. Despite the subject matter, it's a difficult story to treat seriously. You've got to be in the right mood for this perplexing mess.
The Twilight Saga: Breaking Dawn - Part 1Anthony Macali
The Quileute close in on expecting parents Edward and Bella, whose unborn child poses different threats to the wolf pack and vampire coven.
First there was the brooding, then the moping, followed by a lot kissing... and now the consummation everybody has been waiting for. In "The Twilight Saga: Breaking Dawn – Part 1" nothing else happens. It feels like the most disconnected chapter of the series, with little reference to the past and no conflict to sink our teeth into. They simply transformed the book into a film, a process that could only be satisfying to its readers. Breaks your heart.
Van Diemen's LandAnthony Macali
The true story of Alexander Pearce, Australia's most notorious convict. In 1822, Pearce and seven fellow convicts escaped from Macquarie Harbour.
"Van Diemen's Land" plays like a horror/slasher film. The format is very simple: convicts sit by the fire hiding fears they're the next to be killed, and then proceed to walk through the forest (in the most captivating moments of the film), before one is inevitably bludgeoned to death for food. If we were able to associate more with the characters' hunger and desperation, it may have had a greater impact, but in the end it's just simple and barbaric.
Seven PoundsWendy Slevison
An IRS agent with a fateful secret embarks on an extraordinary journey of redemption by forever changing the lives of seven strangers.
"Seven Pounds" is an average movie that could have been better with a heavier hand from the editing department and a lighter touch from the director. The story, while powerful and engaging, evolves slowly, and there are too many lingering shots of the main character's pained face. When all the pieces of the puzzle do finally come together, the factual implausibility unfortunately weakens the film's credibility.
Pride and GloryAnthony Macali
A saga centered on a multi-generational family of NYPD officers. The family's moral codes are tested when Ray Tierney, investigates a case that reveals an incendiary police corruption scandal.
"Pride and Glory" is a slick production, albeit with a gritty "handheld" style. The characters shoot through scripted dialogue in indistinguishable fashion, lacking the creativity to generate an interesting "corrupt cops" story. To the films' credit, the ways the 'force' extract information from the bad guys is refreshingly original. The producers should take pride in these rare moments as the rest of the film is slow, tiresome and far from glorious.
A drama centered on three people who are touched by death in different ways.
For a film with such promise; the director and cast are of the highest caliber, this movie really falls short on all levels. With the exception of a couple of scenes (the opening is on another level of film direction), the story, characters, and climax are all rather lame. A film on this material should force audiences to question their faith in the afterlife or the ability to communicate with the dead. Instead, it looks uninspiringly at the experiences of three individuals with no agenda on the subject presented. "Hereafter" - underwhelming in life and death.
Margin CallAndrew O'Dea
Follows key people at a bank, over a 24-hour period, during the early stages of the financial crisis.
Greed and opportunism are rife in this ensemble drama that paints a very loose snap-shot of the foundations of capitalist society, bottled into one investment firm on the eve of a financial crisis. The story is dialogue-driven, and although it deftly ponders the volatile issue of money versus morality, it fails to really delve past the numbers, lacking the visceral punch or emotional drive to grab our attention. Some will find this film serviceable enough as financial thriller, but for those wanting a little more emotional involvement, "Margin Call" is not a wise investment.
Coco avant ChanelAnne Murphy
The story of Coco Chanel's rise from obscure beginnings to the heights of the fashion world.
"Coco avant Chanel" is an elaborate, elegant production with stylish backdrops and sweeping scenes of the French countryside. The trouble is the movie doesn't have depth beyond the pleasing visual ambiance. In fact it is a little unforgivable that this bio-pic is uninteresting enough to bore in parts, given the allure and achievements of the central character. Lacking 'oh-la-la' this coco is served unfashionably lukewarm.
Set on a rural farm in New Zealand in 1984, Boy, is the story of an 11 year old with a vivid imagination coming face to face with life's realities.
This coming of age tale is sweet at heart and the unpretentious portrayal of Boy's story is endearing. The comedic moments and the uniquely Maori dialogue make this film. However, the one-incident-after-another plot wears a bit thin at times and leaves a few too many loose threads. Is Boy the man? Nah bro'!
Whip ItAnthony Macali
In Bodeen, Texas, an indie-rock loving misfit finds a way of dealing with her small-town misery after she discovers a roller derby league in nearby Austin.
"Whip It" is a movie about girls on skates, who find strength and delight in bumping one another on the circuit. It's unfortunate the story doesn't race as fast as our heroine Bliss, as she competes with a mother beaming with morals and a predictable plot. The familiar formula will best serve an audience of younger girls, who may gather some inspiration from this flick. Despite a team of superstar actresses, the moments of boredom outscore moments of fun.
Shadow DancerAnthony Macali
Set in 1990s Belfast, an active member of the IRA becomes an informant for MI5.
"Shadow Dancer" is the intriguing story of Colette, mother to a son, sister to her passionate IRA brothers, and reluctant spy for the police. The story unveils the struggle on both sides of the war, drawing tension from the faction politics and exquisitely shot surroundings shrouded in mist. You can see the inner conflict etched on their faces, which are impressive to watch, but the rest of the film requires a certain patience. Without being close to the subject matter, it is easy to lose interest by the end. A fire that burns very slow.
Villa AmaliaWendy Slevison
A woman suddenly decides to leave her partner of 15 years, after finding him passionately embracing another woman.
"Villa Amalia" tells the story of a woman who confidently and dispassionately erases everything from her existing life in order to embark on a liberating journey of renewal and anonymity. This movie is almost clinical in its lack of sentiment, and no affection or empathy for the main character is ever garnered. This is obviously the director's intention, but amidst the warmth and sun of the Amalfi coast setting, it's ultimately unsatisfying to feel so cold.
Last Chance HarveyWendy Slevison
In London for his daughter's wedding, a rumpled man finds his romantic spirits lifted by a new woman in his life.
"Last Chance Harvey" is the story of a late-in-life romance between two dull and dreary characters who feel that life is passing them by. With no sizzle between the stars, and no sparkle in the script, the audience has no investment at all in the relationship. The film is stolid and unsatisfying, offering little more than a chance to have a snooze, which you might as well do at home.
Restless CityAnne Murphy
Tells the story of an African immigrant surviving on the fringes of New York City where music is his passion, life is a hustle and falling in love is his greatest risk.
Senegalese immigrants who survive on the fringe of US city life are the subject of this uneven movie. Perhaps the reason for the rough on-screen presentation and crooked camera angles is to present images as the characters experience them, but it is a bumpy ride for audiences. "Restless City" can also be appreciated as bold and innovative film making, one that will divide opinion but is interesting nonetheless. Restless spirits.
White House DownAndrew O'Dea
A policeman must save his child and protect the president from a group of paramilitary invaders.
Action junkies will be enthralled by this fist-pumping spectacle, a shameless popcorn flick that would have its audience believe the President of the USA is capable of firing rocket launchers from a speeding armoured-limousine. Some of the set-pieces are explosive, and while the special effects are impressive, they eventually become tiresome and repetitive. The lead is perfectly suited to his role as the action star, but isn't helped by moments of dialogue and patriotism so cringe-worthy that they become downright hilarious. Was it meant to be a comedy? White House frown.
Taken 2Andrew O'Dea
In Istanbul, retired CIA operative Bryan Mills and his wife are taken hostage by the father of a kidnapper Mills killed while rescuing his daughter.
"Taken 2" is a classic action-film guilty pleasure. Our hero gallivants around Istanbul destroying Albanian bad-guys like a grenade thrown amongst a cluster of defenceless pigeons – without mercy – and to the point of almost being comical. The plot holes pile as high as the body count, and if you expect anything remotely more than bullets, karate-chops and explosions then you will be sorely disappointed. If that's the sort of thing you're after... then get taken... again.
Mademoiselle ChambonAnne Murphy
Jean, his loving wife and son live a simple, happy life.
"Mademoiselle Chambon" is an emotional drama laden with unexpressed feeling that hovers between sensitive and stagnant. While subtlety must have been the director's intention, the effect is slack and stifled. The story has a very long fuse, as restraint is favoured over illicit passion. Unfortunately, the wick is so slow burning that by the final scene interest in the characters has been extinguished. With barely any action and sparse dialogue, the movie fails to ignite (which could be the point), and for many this film will seem pointless.
Zero FocusAnne Murphy
Spurred by the disappearance of a newly-wed husband, three women in post-war Japan are drawn into a murder mystery.
"Zero Focus" is a mystery thriller set in post-war Japan. The plot is complicated and bodies pile up as the murders out-number the suspects. The movie is moody and melodramatic, evoking the classical work of directors from a past era. Despite the cultural setting there is familiarity to the style and unusual camera angles. The lengthy drama is eventually brought to a lengthy conclusion, but no thread is left unexplained as final scene follows final scene, leaving focus diminished.
Fair GameTom Jones
A CIA agent's identity is revealed by the White House to discredit her husband after he writes a piece saying that the Bush administration had manipulated intelligence about weapons of mass destruction.
"Fair Game" is a dummies take on the 'he said/she said' enquiries which led to President Bush declaring that Iraq possessed weapons of mass destruction. Although this political drama is easy-to-follow, you kind of wish there were more thrills, shocks or unforeseen twists in the script, which at times lacks impact. The inclusion of real footage enhances the film; as it goes from being less conspiracy based to looking more like a historical account. Neither right nor wrong, just fair.