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Looking for Eric
Anne Murphy
Eric, a postman whose life is descending in to crisis, receives some life coaching from Eric Cantona.
For the most part, the tone of "Looking for Eric" has a steady down beat of realism as individuals within a loosely connected family tackle emotional issues including loss and depression. The cast extends beyond family to encompass important relationships with friends, heroes, and deadbeats. The plot is refreshingly unpredictable with a triumphant, if somewhat incongruent, conclusion tacked on. All is forgiven as the credits roll... the audience feels good and Eric may have found what he was looking for.
Giovanna's Father
Anne Murphy
A protective father stands by his misfit daughter after she commits a terrible crime.
Complex reactions to tragedy are explored in this story of obsession. With war as the backdrop, relationships are ravaged while Bologna is bombed. "Giovanna's Father" is not easy viewing and interest is held by the unconventional story-line. The soundtrack maintains a steady rhythm, and the use of sepia tones aids in recreating a past era of hardship. Superb performances by the lead actors are convincing and avoid being melodramatic, with the spotlight firmly on Giovanna's Father rather than the dastardly deeds of his daughter.
- Genre » Drama History War
- Festival » Italian Film Festival 2009
Funny People
Andrew O'Dea
A seasoned comedian forms a friendship after learning of his terminal, inoperable health condition.
"Funny People" is an inventive albeit meandering comedy. Sometimes sophisticated and sometimes crass, it presents an intriguing blend of humour and sentiment. Terrific performances from the leads and supporting cast are bolstered by a host of obscure cameos, including one of the most hilariously 'honest' Australian characters to be shown in an American film. This movie is far from seamless, and seems to drag in parts, but still retains enough moments of genuine insight and laughter to entertain most.
Blessed
Anne Murphy
Seven lost children wander the night streets while their mothers await their return home.
"Blessed" pulls no punches as it explores a day in several corrugated relationships between mothers and their children. Melbourne is the gritty urban setting, effectively underscored by a pulsing soundtrack. For a film so set on portraying realism, it is surprising that some of the intertwined storylines stretch credibility beyond the boundary of believable. This is counterbalanced by a couple of stand-out performances that could wrench a still-beating heart right of your chest. Dead-beat, down-beat, cursed, cursing and blessed.
Push
Andrew O'Dea
Two young Americans with special abilities must race to find a girl in Hong Kong before a shadowy government organization called Division does.
"Push" is a forgettable addition to the 'superheroes' genre. The only superpower present here is the uncanny ability to teleport from one completely inane plot hole to another. The storyline is as boring as it is confusing, exacerbated by flimsy handheld camerawork and an unflattering visual style. Even the ostentatious action sequences end up looking like nothing more than sci-fi muddle. When push comes to shove, this film falls flat on its face.
The Soloist
Andrew O'Dea
An L.A. journalist befriends a homeless Julliard-trained musician, while looking for a new article.
This movie is a sensitive but surprisingly unmoving portrait of a unique friendship. The performances from the two leads are solid, but are wasted on a story that isn't as meaningful as it should be. Although this true narrative admirably raises some important social issues, it also fails to adequately explore them. You can't help but feel what should be a powerful film instead seems prosaic and lacks any real substance, making "The Soloist" a sweet song that simply sings out of tune.
Fighting
Andrew O'Dea
In New York City, a young counterfeiter is introduced to the world of street fighting.
"Fighting" is yet another 'underground' brawling pic that packs little punch. Don't be mislead by the title, as this movie plays more like an unconvincing character study interrupted by the odd fist-fight. Weighed down by a seriously sluggish plot, it drags on from scene to scene, evoking little feeling except making you want to throw in the towel. Brutal, bone-crunching fights are laughable, leaving the mumbling pretty-boy-lead with nothing but a few scratches on his chin. Pay the price for admission and you're in for one nasty sucker-punch.
The Young Victoria
Anne Murphy
A dramatization of the first years of Queen Victoria's rule, and her enduring romance with Prince Albert.
This film proceeds at a gentile and regal pace with sumptuous sets and lavish costuming as befits the era. It is to be enjoyed as a love story rather than for revealing any political machinations of the time. Romantic and majestic, "The Young Victoria" is restrained but entertaining, without indulging in any unnecessary frivolity of life at court. Perhaps a sequel with a middle-aged Victoria would deliver more intrigue and drama, or at least some hot flushes... a satisfying and elegant period piece.
Adam
Wendy Slevison
Adam, a lonely man with Asperger's Syndrome, develops a relationship with his upstairs neighbour.
A somewhat eccentric addition to the romantic comedy genre, this utterly charming and insightful film deals with a condition not fully understood by most people. The title character is realistically and sensitively portrayed, while the female lead perfectly sustains him, in roles which will help raise public profile about the small yet significant segment of our society who suffers from Aspergers. This movie is a quirky, unassuming and tenderly realised story about a search for love and acceptance, something much more difficult for "Aspies" than most.
District 9
Andrew O'Dea
An extraterrestrial race forced to live in slum-like conditions on Earth suddenly find a kindred spirit in a government agent that is exposed to their biotechnology.
"District 9" is a compelling film of original and insightfully speculative science-fiction. An intelligent and inventive story not only keeps us enthralled, but also provides an allegorically fascinating social commentary. The filmmaker effectively combines interviews and archival footage to bring a gritty and immersive realism to screen. Intertwined in the 'mockumentary' style are vaporizing (at times literally) action sequences that both dazzle and entertain.
Beautiful Kate
Wendy Slevison
A writer is asked to return to the family home, to say goodbye to his father who is dying.
There is so much in this stunning film that is beautiful. The performances from the male leads are superb, and it's the direction and script, from a first-time feature director, that make it possible. The cinematography perfectly captures the beauty and isolation of the homestead where the story takes place; and the music score does what the best do - enhance, while not overtaking. "Beautiful Kate" is a memorable and significant contribution to Australian film-making and viewing.
Villa Amalia
Wendy Slevison
A woman suddenly decides to leave her partner of 15 years, after finding him passionately embracing another woman.
"Villa Amalia" tells the story of a woman who confidently and dispassionately erases everything from her existing life in order to embark on a liberating journey of renewal and anonymity. This movie is almost clinical in its lack of sentiment, and no affection or empathy for the main character is ever garnered. This is obviously the director's intention, but amidst the warmth and sun of the Amalfi coast setting, it's ultimately unsatisfying to feel so cold.
The Maid
Anne Murphy
A drama centred on a maid trying to hold on to her position after having served a family for 21 years.
At times, the long-suffering maid has the dead-pan intensity of a zombie as she mercilessly deals with more junior help and other annoyances. Quite menacing in tone, this film is an intriguing social commentary on the lot of a live-in domestic. The film-maker provides the servant with little identity beyond the family she works for, and almost no voice, yet with extensive power that she wields with an unrepentant wilfulness. "The Maid" serves as an intimate, neurotic and original movie.
Dogtooth
Anne Murphy
A controlling sadistic man and his wife keep their three teenage children locked away from the world.
"Dogtooth" is disturbing viewing, as the stunted emotional development of the family becomes apparent. The mood is restrained as day after languid day of simple games are played out with the violent elements gradually emerging and escalating. The infantile mind games endured by the children are harrowing to watch. Their seclusion is not explained but the anguish and increasing desperation of the characters is readily understood. Distressing for audiences, and certainly not recommended for dentists.
- Genre » Drama
- Festival » Greek Film Festival 2009
35 Shots of Rum
Wendy Slevison
The relationship between a father and daughter is complicated by the arrival of a handsome young man.
This is a beautifully fluid, soulful film full of quiet observations about the journeys we take towards change. Simplicity and complexity are subtly juxtaposed, just as in 'real' life. Relationships and facts are hazy, crediting the viewer with enough intelligence to come to their own conclusions... often a rarity in movies these days. The intriguing character studies, together with the haunting musical score and delicate metaphors, make these "35 Shots of Rum" rich, warm, and easy to ingest.